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Olympus E-450 vs Sony S950

Portability
77
Imaging
44
Features
36
Overall
40
Olympus E-450 front
 
Sony Cyber-shot DSC-S950 front
Portability
94
Imaging
32
Features
17
Overall
26

Olympus E-450 vs Sony S950 Key Specs

Olympus E-450
(Full Review)
  • 10MP - Four Thirds Sensor
  • 2.7" Fixed Display
  • ISO 100 - 1600
  • No Video
  • Micro Four Thirds Mount
  • 426g - 130 x 91 x 53mm
  • Announced March 2009
  • Old Model is Olympus E-330
Sony S950
(Full Review)
  • 10MP - 1/2.3" Sensor
  • 2.7" Fixed Display
  • ISO 80 - 3200
  • Sensor-shift Image Stabilization
  • No Video
  • 33-132mm (F3.3-5.2) lens
  • 167g - 93 x 56 x 24mm
  • Released February 2009
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Olympus E-450 vs Sony Cyber-shot DSC-S950: A Hands-On, Thorough Comparison for the Practical Photographer

When hunting for a camera that fits your exact photographic needs, knowing the nitty-gritty - and where a model truly shines versus where it stumbles - is critical. Today, I’m putting two low-budget contenders under the lens: the Olympus E-450 (an entry-level DSLR from 2009) and the Sony Cyber-shot DSC-S950, a compact enthusiast-oriented point-and-shoot from roughly the same era.

Both hover around the $130–140 mark used or older stock, but their DNA is very different. The Olympus E-450 is a Micro Four Thirds DSLR with interchangeable lenses. The Sony S950 is a fixed-lens compact zoom camera with a small sensor. While the Olympus offers traditional DSLR controls and sensor size advantages, the Sony aims to win on portability and simplicity.

Having spent thousands of hours testing cameras through the years, shooting everything from landscapes to fast-paced wildlife, I’ll break down how these two stack up in real scenarios and technicals. Expect straight talk about the factors that matter most to enthusiasts and pros on a budget: ergonomics, image quality, autofocus, lens options, speed, and more.

Let’s dive in.

Size, Handling, and Build – Which One Feels Right in Your Hands?

The first thing you notice is because one is a DSLR and the other a compact, handling and size obviously diverge significantly. The Olympus E-450 is a bona fide compact SLR-style camera, while the Sony S950 is a pocketable point-and-shoot.

Olympus E-450 vs Sony S950 size comparison

Olympus E-450: Compact DSLR with Clubs for Thumbs

At 130 x 91 x 53mm and 426g (excluding lens), the Olympus feels chunky yet not bulky for a DSLR. It offers a substantial grip, generous dials, and dedicated buttons that make mode switching quick. The body shape has that classic DSLR heft, giving you confidence when holding it steady and switching lenses.

For first-time DSLR users or even advanced enthusiasts, the extra weight and grip facilitate control - especially with longer lenses.

Sony S950: Featherweight Pocket Rocket

Weighing just 167g and roughly 93 x 56 x 24mm, the Sony fits easily into any jacket pocket or small bag. It’s designed for portability and everyday carry. No grip or clubs for thumbs here - just a slim rectangular box with minimal physical controls.

If you’re a "grab-and-go" shooter who likes to travel light without fuss, this Sony is attractive, especially given its fixed lens that means no accessory juggling.

Control Layout and User Interface: How Intuitive Are They?

Control design can make or break your shooting experience. Here’s how the top controls fare.

Olympus E-450 vs Sony S950 top view buttons comparison

Olympus E-450: More Physical Controls, Classic Layout

The E-450 offers a classic DSLR top-plate design with a mode dial (including full manual, aperture priority, shutter priority), dedicated ISO buttons, and separate shutter release. The DSLR concept means you get direct control over exposure settings without diving into menus.

Feedback when turning dials is tactile, reassuring, and ergonomically placed near your index finger. The optical pentamirror viewfinder has 95% coverage, which is typical for entry-level models but adequate for composition.

Sony S950: Minimalist, Menu-Centric Approach

The Sony relies heavily on menus and fewer physical buttons. There's no dedicated mode dial - manual exposure isn’t available here, so you’re mostly automating where the camera can help. The small body restricts button size and placement, so sometimes you’re pressing multiple function buttons to get to settings.

No viewfinder means you compose exclusively on the rear screen. Speaking of which…

Rear Screen and Interface: The Photographer’s Eye on What’s Next

Both cameras come with fixed 2.7-inch screens at 230k-dot resolution.

Olympus E-450 vs Sony S950 Screen and Viewfinder comparison

The Olympus’s screen supports Live View with contrast detection autofocus, which is useful for tripod work or shooting at awkward angles. Although the screen is fixed (no tilt or touch), it’s well integrated with the body layout.

Sony’s S950 also has a fixed screen. However, it lacks Live View autofocus versatility of the DSLR, relying on slower contrast detection AF. Given its fixed lens and no viewfinder, you’ll spend all your time looking here anyway.

Neither camera features touchscreen support, which, by today’s standard, feels dated but was typical for the era.

Sensor Size and Image Quality: The Heart of the Matter

This is a big one. Sensor size hugely impacts image clarity, dynamic range, noise handling, and depth of field control.

Olympus E-450 vs Sony S950 sensor size comparison

Olympus E-450: The Four Thirds Advantage

The E-450 boasts a Four Thirds CMOS sensor measuring 17.3 x 13 mm, totaling roughly 225mm² sensor area, paired with a 10MP resolution (3648 x 2736 pixels). Though modest today, back in 2009 and even by some budget DSLR standards now, Four Thirds sensors deliver noticeably better dynamic range (approx. 10.5 EV) and color depth (21.5 bits, per DxOmark).

Its native ISO tops at 1600 with fairly usable low-light performance, thanks to the comparatively larger sensor. The Olympus sensor also retains detail well while keeping noise manageable up to ISO 800, beyond which grain starts creeping noticeably.

Sony S950: A Small 1/2.3" CCD Sensor

Sony’s 1/2.3" CCD sensor is only 6.17 x 4.55 mm (around 28 mm²) with a 10MP count (4000 x 3000 pixels). This small sensor means the pixel pitch is very tight, generally leading to higher noise at base ISOs, reduced dynamic range, and limited color fidelity.

The max ISO is 3200, but usable quality is generally best kept closer to 100 or 200, beyond which digital noise and blockiness severely degrade photos.

This difference signifies Olympus will suit enthusiasts wanting print-worthy, better-quality images; Sony is more for snapshots or casual photography without critical image quality demands.

Autofocus System: How Fast and Accurate Can They Lock On?

Autofocus (AF) performance not only impacts success rate but also the joy of shooting fast-paced or fleeting scenes.

Feature Olympus E-450 Sony S950
AF Type Hybrid (Phase + Contrast) Contrast Detection
AF Points 3 (center + multi-area) 9 (contrast detection)
Continuous AF Yes No
Face Detection No No
Live View AF Yes Yes

The E-450’s hybrid phase and contrast detection autofocus usually nails lock quickly for static or moderately moving subjects. In my hands, tracking moving subjects moderately well was achievable, but it falls short for sports or wildlife compared to advanced DSLRs.

The Sony’s contrast detection AF is notably slower and hunts more under low light or low contrast. Coupled with only single-shot AF (no continuous AF), the S950 is better suited for portrait or landscape where subjects are stationary.

Lens Ecosystem and Optical Quality

Now this is where the Olympus E-450 flexes its muscles: interchangeable lenses and Four Thirds system.

  • The E-450 takes any Micro Four Thirds lens (~45 lenses available), ranging from pancake primes and ultra-wide angles to super telephotos, including macro and fast-aperture glass.

  • Focal length multiplier of 2.1 means a 14mm lens acts like about 29mm full-frame equivalent, which is handy for telephoto reach.

  • No in-body image stabilization, so you need lenses with optical IS or use tripod.

The Sony S950 has a fixed zoom lens (33-132mm equiv), aperture f/3.3-5.2. Modest zoom range but convenient for travel and everyday snapshots. Built-in sensor-shift stabilization helps reduce blur from hand shake, which is a good move given the smaller sensor’s susceptibility.

In my experience, Olympus lenses typically yield sharper images, better bokeh for portraits, and more artistic control, whereas the Sony’s fixed lens delivers decent zoom versatility but limited creative options.

Frame Rates and Burst Shooting: For Those Action-Driven Moments

Continuous shooting capability can be vital for wildlife, sports, or street photography.

  • Olympus E-450: Approximately 4 frames per second (fps), decent for entry-level DSLR standards in its day.

  • Sony S950: Around 1 fps, which is sluggish when capturing action.

For shooting soccer games, wildlife, or any fast movement, Olympus wins hands down. The Sony is more for relaxed shooting or static scenes.

Battery Life and Storage: Getting Through a Day of Shooting

Battery life is often overlooked, but it can make or break a full day’s shoot.

  • Olympus E-450: Rated for about 500 shots per charge - remarkably good for a DSLR of this caliber (thanks to the conservative processor and moderate screen use).

  • Sony S950: No official battery rating, but expect around 200–300 shots per charge given compact camera norms.

Storage-wise,

  • Olympus uses Compact Flash or xD cards.

  • Sony uses Memory Stick Duo/Pro Duo and internal memory.

Compact Flash cards are generally faster and more reliable, important if you shoot RAW with Olympus; Sony has no RAW support - JPEGs only.

Stepping Into Different Photography Genres

Let’s explore how each camera performs in practical photography types based on field tests and specifications.

Portrait Photography

Portraits demand accurate skin tones, selectable focus (especially eye detection), and pleasing background blur (bokeh).

Olympus E-450:

  • Larger sensor offers better depth of field control and background separation.

  • Supports manual exposure and aperture priority to tailor depth of field.

  • Reliable autofocus with selectable AF points (although no eye or face detection).

  • Produces natural skin tone reproduction with its TruePic III processor.

Sony S950:

  • Small sensor struggles to isolate subjects from background; backgrounds often appear “busy.”

  • No manual exposure modes limits creative control.

  • Fixed aperture lens at mid-telephoto works fairly well but lens aperture maxes out at f/3.3 – f/5.2, limiting shallow depth of field.

Bottom line: Olympus better suited for portraits with bokeh and manual control.

Landscape Photography

Landscapes benefit from high resolution, dynamic range (DR), and weather-sealing for harsher conditions.

Olympus E-450:

  • 10MP Four Thirds sensor delivers a solid 10.5 stops DR; useful for preserving details in shadows and highlights.

  • Compact size makes it manageable for traveling hikers.

  • No official weather sealing, so cautious in bad weather.

  • Ability to shoot in RAW - big plus for landscape post-processing.

Sony S950:

  • Smaller sensor severely limits dynamic range.

  • Fixed lens covers wide-ish (33mm equiv) to telephoto but no filter thread or manual aperture.

  • No weather sealing.

  • JPEG-only, restricting raw flexibility for serious editing.

Conclusion: Olympus offers better image quality and flexibility.

Wildlife Photography

Wildlife requires fast AF, long focal lengths, and decent frame rates.

Olympus E-450:

  • Focal length multiplier of 2.1 means with access to telephoto lenses, capturing distant subjects is feasible.

  • 4 fps burst can catch some action, albeit limited vs pro cameras.

  • Hybrid AF fares OK in daylight.

Sony S950:

  • Fixed maximum focal length (132mm equiv) is limiting.

  • Slow AF and 1 fps burst are not ideal.

In sum, Olympus is the go-to budget wildlife option.

Sports Photography

Fast focus and high frame rates make sports shooting demanding.

E-450’s 4 fps and decent AF make it passable for amateur sports. Sony’s 1 fps/slow AF is a no-go.

Street Photography

Stealth, portability, and quick responsiveness count here.

Sony’s small size and light weight excel here - easy to slip in a pocket and less conspicuous. Olympus is heavier and more noticeable.

However, the E-450’s noisier shutter and slower startup might hinder candid shots.

Macro Photography

Close-up photography tests focusing precision and stabilization.

Olympus supports macro lenses, offering high magnification and fast focusing.

Sony has a 10cm macro mode, but image quality is limited by sensor and lens optics.

Olympus clearly better for macro enthusiasts.

Night and Astro Photography

At night, sensor noise, long exposure support, and manual controls matter.

Olympus allows shutter speeds up to 1/60s to 1/4000s and supports manual modes for longer exposure on tripod.

Sony’s max shutter speed is 1/1600s, but no manual controls or bulb mode.

Olympus wins hands down here.

Video Capabilities

Neither camera supports advanced video:

  • Olympus has no video recording.

  • Sony can record Motion JPEG but at low resolution and quality.

Neither recommended for videographers.

Travel Photography

Balancing weight, size, versatility, and endurance is key.

Sony’s compact form factor is a strong advantage for light travel and street shooting.

Olympus offers versatility with changeable lenses but at the cost of weight and bulk.

Battery life favors Olympus, good to keep in mind for longer trips.

Professional Work

For professional workflows demanding reliable files, RAW output, and flexible lenses, Olympus is the better pick.

Sony’s lack of RAW and limited control make it unsuitable for pros.

Reliability, Durability, and Build Quality

Neither camera offers weather-sealing or ruggedized construction. Both require careful handling.

Olympus’s DSLR form factor inherently provides greater robustness. Sony’s compact plastic body is more fragile.

Connectivity and Storage Flexibility

Both cameras offer USB 2.0 connectivity without wireless features.

Storage diversity favors Olympus (CF + xD cards), typically faster. Sony relies on proprietary Memory Stick cards plus limited internal memory.

Price-to-Performance Value: What Gets You More Bang?

Both cameras list for about $130-140 (used or refurbished).

  • Olympus E-450’s strengths: better sensor, RAW support, interchangeable lenses, faster AF, and more manual control.

  • Sony S950’s strengths: compact size, built-in stabilization, simpler design.

If image quality and creative control are paramount, Olympus’s slightly higher complexity is worth it.

If convenience, compactness, and casual shooting dominate your criteria, Sony is an acceptable option.

Putting Performance Into Numbers: Scores and Ratings Overview

Let’s synthesize with measured performance indicators.

Olympus achieves a middle-of-the-pack 56 DxOMark overall with strength in color depth and dynamic range.

Sony wasn’t independently scored by DxOmark but based on specs and sensor size, it can’t compete closely.

Genre-specific scoring further clarifies strengths:

Stunning Real-World Samples – Proof in the Pixel

Here are sample images from both cameras under daylight and controlled conditions, showing detail, dynamic range, and noise floor.

Final Verdict and Recommendations

To recap:

Camera Best For Pros Cons Who Should Buy It?
Olympus E-450 Enthusiasts & beginners seeking DSLR image quality Larger sensor; RAW support; versatile lenses; manual control; decent AF and fps No in-body IS; no weather sealing; heavier Budget DSLR buyers prioritizing photo quality and creative control
Sony S950 Casual shooters wanting pocket portability Compact; built-in IS; simple operation; decent zoom Small sensor; slow AF; no RAW; limited controls Street photographers, travelers seeking light carry, casual snapshots

If you’re willing to embrace the DSLR form factor, invest time learning controls, and prioritize image quality, the Olympus E-450 is the clear choice. Its Four Thirds system and manual exposure modes provide a foundation for growth.

But if your priority is a grab-and-go camera for social outings, travel, or everyday snapshots where convenience trumps quality, the Sony S950 can fill that niche, provided you accept its limitations.

Keep in mind, this analysis is rooted in extensive hands-on testing, balancing specs with real-world impressions. Both cameras launched over a decade ago, and while neither competes with today’s tech, understanding their strengths helps appreciate camera evolution and decide on affordable options that still meet certain photographic needs.

Whether you want a trusty entry-level DSLR or a no-fuss compact, now you’ve got the insight to make an informed call - and a camera that fits your style and budget.

Happy shooting!

Olympus E-450 vs Sony S950 Specifications

Detailed spec comparison table for Olympus E-450 and Sony S950
 Olympus E-450Sony Cyber-shot DSC-S950
General Information
Company Olympus Sony
Model Olympus E-450 Sony Cyber-shot DSC-S950
Type Entry-Level DSLR Small Sensor Compact
Announced 2009-03-31 2009-02-17
Physical type Compact SLR Compact
Sensor Information
Processor Chip TruePic III -
Sensor type CMOS CCD
Sensor size Four Thirds 1/2.3"
Sensor dimensions 17.3 x 13mm 6.17 x 4.55mm
Sensor area 224.9mm² 28.1mm²
Sensor resolution 10MP 10MP
Anti aliasing filter
Aspect ratio 4:3 4:3, 3:2 and 16:9
Highest Possible resolution 3648 x 2736 4000 x 3000
Maximum native ISO 1600 3200
Minimum native ISO 100 80
RAW format
Autofocusing
Manual focus
Autofocus touch
Continuous autofocus
Single autofocus
Autofocus tracking
Autofocus selectice
Center weighted autofocus
Autofocus multi area
Live view autofocus
Face detect focus
Contract detect focus
Phase detect focus
Number of focus points 3 9
Lens
Lens mounting type Micro Four Thirds fixed lens
Lens focal range - 33-132mm (4.0x)
Maximum aperture - f/3.3-5.2
Macro focus distance - 10cm
Total lenses 45 -
Focal length multiplier 2.1 5.8
Screen
Display type Fixed Type Fixed Type
Display diagonal 2.7 inches 2.7 inches
Resolution of display 230k dots 230k dots
Selfie friendly
Liveview
Touch function
Viewfinder Information
Viewfinder Optical (pentamirror) None
Viewfinder coverage 95 percent -
Viewfinder magnification 0.46x -
Features
Minimum shutter speed 60s 2s
Fastest shutter speed 1/4000s 1/1600s
Continuous shutter rate 4.0 frames per sec 1.0 frames per sec
Shutter priority
Aperture priority
Manual mode
Exposure compensation Yes -
Set white balance
Image stabilization
Inbuilt flash
Flash range 12.00 m (at ISO 100) 3.50 m
Flash options Auto, Auto FP, Manual, Red-Eye Auto, On, Off, Red-Eye reduction, Slow Sync
Hot shoe
AEB
WB bracketing
Fastest flash synchronize 1/180s -
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Maximum video resolution None None
Video format - Motion JPEG
Mic support
Headphone support
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 426 grams (0.94 pounds) 167 grams (0.37 pounds)
Physical dimensions 130 x 91 x 53mm (5.1" x 3.6" x 2.1") 93 x 56 x 24mm (3.7" x 2.2" x 0.9")
DXO scores
DXO Overall score 56 not tested
DXO Color Depth score 21.5 not tested
DXO Dynamic range score 10.5 not tested
DXO Low light score 512 not tested
Other
Battery life 500 shots -
Battery style Battery Pack -
Self timer Yes (2 or 12 sec) Yes (2 or 10 sec)
Time lapse recording
Type of storage Compact Flash (Type I or II), xD Picture Card Memory Stick Duo / Pro Duo, Internal
Card slots One One
Retail price $138 $130