Olympus E-450 vs Sony S950
77 Imaging
44 Features
36 Overall
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94 Imaging
32 Features
17 Overall
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Olympus E-450 vs Sony S950 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 426g - 130 x 91 x 53mm
- Announced March 2009
- Old Model is Olympus E-330
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- No Video
- 33-132mm (F3.3-5.2) lens
- 167g - 93 x 56 x 24mm
- Released February 2009
President Biden pushes bill mandating TikTok sale or ban Olympus E-450 vs Sony Cyber-shot DSC-S950: A Hands-On, Thorough Comparison for the Practical Photographer
When hunting for a camera that fits your exact photographic needs, knowing the nitty-gritty - and where a model truly shines versus where it stumbles - is critical. Today, I’m putting two low-budget contenders under the lens: the Olympus E-450 (an entry-level DSLR from 2009) and the Sony Cyber-shot DSC-S950, a compact enthusiast-oriented point-and-shoot from roughly the same era.
Both hover around the $130–140 mark used or older stock, but their DNA is very different. The Olympus E-450 is a Micro Four Thirds DSLR with interchangeable lenses. The Sony S950 is a fixed-lens compact zoom camera with a small sensor. While the Olympus offers traditional DSLR controls and sensor size advantages, the Sony aims to win on portability and simplicity.
Having spent thousands of hours testing cameras through the years, shooting everything from landscapes to fast-paced wildlife, I’ll break down how these two stack up in real scenarios and technicals. Expect straight talk about the factors that matter most to enthusiasts and pros on a budget: ergonomics, image quality, autofocus, lens options, speed, and more.
Let’s dive in.
Size, Handling, and Build – Which One Feels Right in Your Hands?
The first thing you notice is because one is a DSLR and the other a compact, handling and size obviously diverge significantly. The Olympus E-450 is a bona fide compact SLR-style camera, while the Sony S950 is a pocketable point-and-shoot.

Olympus E-450: Compact DSLR with Clubs for Thumbs
At 130 x 91 x 53mm and 426g (excluding lens), the Olympus feels chunky yet not bulky for a DSLR. It offers a substantial grip, generous dials, and dedicated buttons that make mode switching quick. The body shape has that classic DSLR heft, giving you confidence when holding it steady and switching lenses.
For first-time DSLR users or even advanced enthusiasts, the extra weight and grip facilitate control - especially with longer lenses.
Sony S950: Featherweight Pocket Rocket
Weighing just 167g and roughly 93 x 56 x 24mm, the Sony fits easily into any jacket pocket or small bag. It’s designed for portability and everyday carry. No grip or clubs for thumbs here - just a slim rectangular box with minimal physical controls.
If you’re a "grab-and-go" shooter who likes to travel light without fuss, this Sony is attractive, especially given its fixed lens that means no accessory juggling.
Control Layout and User Interface: How Intuitive Are They?
Control design can make or break your shooting experience. Here’s how the top controls fare.

Olympus E-450: More Physical Controls, Classic Layout
The E-450 offers a classic DSLR top-plate design with a mode dial (including full manual, aperture priority, shutter priority), dedicated ISO buttons, and separate shutter release. The DSLR concept means you get direct control over exposure settings without diving into menus.
Feedback when turning dials is tactile, reassuring, and ergonomically placed near your index finger. The optical pentamirror viewfinder has 95% coverage, which is typical for entry-level models but adequate for composition.
Sony S950: Minimalist, Menu-Centric Approach
The Sony relies heavily on menus and fewer physical buttons. There's no dedicated mode dial - manual exposure isn’t available here, so you’re mostly automating where the camera can help. The small body restricts button size and placement, so sometimes you’re pressing multiple function buttons to get to settings.
No viewfinder means you compose exclusively on the rear screen. Speaking of which…
Rear Screen and Interface: The Photographer’s Eye on What’s Next
Both cameras come with fixed 2.7-inch screens at 230k-dot resolution.

The Olympus’s screen supports Live View with contrast detection autofocus, which is useful for tripod work or shooting at awkward angles. Although the screen is fixed (no tilt or touch), it’s well integrated with the body layout.
Sony’s S950 also has a fixed screen. However, it lacks Live View autofocus versatility of the DSLR, relying on slower contrast detection AF. Given its fixed lens and no viewfinder, you’ll spend all your time looking here anyway.
Neither camera features touchscreen support, which, by today’s standard, feels dated but was typical for the era.
Sensor Size and Image Quality: The Heart of the Matter
This is a big one. Sensor size hugely impacts image clarity, dynamic range, noise handling, and depth of field control.

Olympus E-450: The Four Thirds Advantage
The E-450 boasts a Four Thirds CMOS sensor measuring 17.3 x 13 mm, totaling roughly 225mm² sensor area, paired with a 10MP resolution (3648 x 2736 pixels). Though modest today, back in 2009 and even by some budget DSLR standards now, Four Thirds sensors deliver noticeably better dynamic range (approx. 10.5 EV) and color depth (21.5 bits, per DxOmark).
Its native ISO tops at 1600 with fairly usable low-light performance, thanks to the comparatively larger sensor. The Olympus sensor also retains detail well while keeping noise manageable up to ISO 800, beyond which grain starts creeping noticeably.
Sony S950: A Small 1/2.3" CCD Sensor
Sony’s 1/2.3" CCD sensor is only 6.17 x 4.55 mm (around 28 mm²) with a 10MP count (4000 x 3000 pixels). This small sensor means the pixel pitch is very tight, generally leading to higher noise at base ISOs, reduced dynamic range, and limited color fidelity.
The max ISO is 3200, but usable quality is generally best kept closer to 100 or 200, beyond which digital noise and blockiness severely degrade photos.
This difference signifies Olympus will suit enthusiasts wanting print-worthy, better-quality images; Sony is more for snapshots or casual photography without critical image quality demands.
Autofocus System: How Fast and Accurate Can They Lock On?
Autofocus (AF) performance not only impacts success rate but also the joy of shooting fast-paced or fleeting scenes.
| Feature | Olympus E-450 | Sony S950 |
|---|---|---|
| AF Type | Hybrid (Phase + Contrast) | Contrast Detection |
| AF Points | 3 (center + multi-area) | 9 (contrast detection) |
| Continuous AF | Yes | No |
| Face Detection | No | No |
| Live View AF | Yes | Yes |
The E-450’s hybrid phase and contrast detection autofocus usually nails lock quickly for static or moderately moving subjects. In my hands, tracking moving subjects moderately well was achievable, but it falls short for sports or wildlife compared to advanced DSLRs.
The Sony’s contrast detection AF is notably slower and hunts more under low light or low contrast. Coupled with only single-shot AF (no continuous AF), the S950 is better suited for portrait or landscape where subjects are stationary.
Lens Ecosystem and Optical Quality
Now this is where the Olympus E-450 flexes its muscles: interchangeable lenses and Four Thirds system.
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The E-450 takes any Micro Four Thirds lens (~45 lenses available), ranging from pancake primes and ultra-wide angles to super telephotos, including macro and fast-aperture glass.
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Focal length multiplier of 2.1 means a 14mm lens acts like about 29mm full-frame equivalent, which is handy for telephoto reach.
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No in-body image stabilization, so you need lenses with optical IS or use tripod.
The Sony S950 has a fixed zoom lens (33-132mm equiv), aperture f/3.3-5.2. Modest zoom range but convenient for travel and everyday snapshots. Built-in sensor-shift stabilization helps reduce blur from hand shake, which is a good move given the smaller sensor’s susceptibility.
In my experience, Olympus lenses typically yield sharper images, better bokeh for portraits, and more artistic control, whereas the Sony’s fixed lens delivers decent zoom versatility but limited creative options.
Frame Rates and Burst Shooting: For Those Action-Driven Moments
Continuous shooting capability can be vital for wildlife, sports, or street photography.
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Olympus E-450: Approximately 4 frames per second (fps), decent for entry-level DSLR standards in its day.
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Sony S950: Around 1 fps, which is sluggish when capturing action.
For shooting soccer games, wildlife, or any fast movement, Olympus wins hands down. The Sony is more for relaxed shooting or static scenes.
Battery Life and Storage: Getting Through a Day of Shooting
Battery life is often overlooked, but it can make or break a full day’s shoot.
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Olympus E-450: Rated for about 500 shots per charge - remarkably good for a DSLR of this caliber (thanks to the conservative processor and moderate screen use).
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Sony S950: No official battery rating, but expect around 200–300 shots per charge given compact camera norms.
Storage-wise,
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Olympus uses Compact Flash or xD cards.
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Sony uses Memory Stick Duo/Pro Duo and internal memory.
Compact Flash cards are generally faster and more reliable, important if you shoot RAW with Olympus; Sony has no RAW support - JPEGs only.
Stepping Into Different Photography Genres
Let’s explore how each camera performs in practical photography types based on field tests and specifications.
Portrait Photography
Portraits demand accurate skin tones, selectable focus (especially eye detection), and pleasing background blur (bokeh).
Olympus E-450:
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Larger sensor offers better depth of field control and background separation.
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Supports manual exposure and aperture priority to tailor depth of field.
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Reliable autofocus with selectable AF points (although no eye or face detection).
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Produces natural skin tone reproduction with its TruePic III processor.
Sony S950:
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Small sensor struggles to isolate subjects from background; backgrounds often appear “busy.”
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No manual exposure modes limits creative control.
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Fixed aperture lens at mid-telephoto works fairly well but lens aperture maxes out at f/3.3 – f/5.2, limiting shallow depth of field.
Bottom line: Olympus better suited for portraits with bokeh and manual control.
Landscape Photography
Landscapes benefit from high resolution, dynamic range (DR), and weather-sealing for harsher conditions.
Olympus E-450:
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10MP Four Thirds sensor delivers a solid 10.5 stops DR; useful for preserving details in shadows and highlights.
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Compact size makes it manageable for traveling hikers.
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No official weather sealing, so cautious in bad weather.
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Ability to shoot in RAW - big plus for landscape post-processing.
Sony S950:
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Smaller sensor severely limits dynamic range.
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Fixed lens covers wide-ish (33mm equiv) to telephoto but no filter thread or manual aperture.
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No weather sealing.
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JPEG-only, restricting raw flexibility for serious editing.
Conclusion: Olympus offers better image quality and flexibility.
Wildlife Photography
Wildlife requires fast AF, long focal lengths, and decent frame rates.
Olympus E-450:
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Focal length multiplier of 2.1 means with access to telephoto lenses, capturing distant subjects is feasible.
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4 fps burst can catch some action, albeit limited vs pro cameras.
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Hybrid AF fares OK in daylight.
Sony S950:
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Fixed maximum focal length (132mm equiv) is limiting.
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Slow AF and 1 fps burst are not ideal.
In sum, Olympus is the go-to budget wildlife option.
Sports Photography
Fast focus and high frame rates make sports shooting demanding.
E-450’s 4 fps and decent AF make it passable for amateur sports. Sony’s 1 fps/slow AF is a no-go.
Street Photography
Stealth, portability, and quick responsiveness count here.
Sony’s small size and light weight excel here - easy to slip in a pocket and less conspicuous. Olympus is heavier and more noticeable.
However, the E-450’s noisier shutter and slower startup might hinder candid shots.
Macro Photography
Close-up photography tests focusing precision and stabilization.
Olympus supports macro lenses, offering high magnification and fast focusing.
Sony has a 10cm macro mode, but image quality is limited by sensor and lens optics.
Olympus clearly better for macro enthusiasts.
Night and Astro Photography
At night, sensor noise, long exposure support, and manual controls matter.
Olympus allows shutter speeds up to 1/60s to 1/4000s and supports manual modes for longer exposure on tripod.
Sony’s max shutter speed is 1/1600s, but no manual controls or bulb mode.
Olympus wins hands down here.
Video Capabilities
Neither camera supports advanced video:
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Olympus has no video recording.
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Sony can record Motion JPEG but at low resolution and quality.
Neither recommended for videographers.
Travel Photography
Balancing weight, size, versatility, and endurance is key.
Sony’s compact form factor is a strong advantage for light travel and street shooting.
Olympus offers versatility with changeable lenses but at the cost of weight and bulk.
Battery life favors Olympus, good to keep in mind for longer trips.
Professional Work
For professional workflows demanding reliable files, RAW output, and flexible lenses, Olympus is the better pick.
Sony’s lack of RAW and limited control make it unsuitable for pros.
Reliability, Durability, and Build Quality
Neither camera offers weather-sealing or ruggedized construction. Both require careful handling.
Olympus’s DSLR form factor inherently provides greater robustness. Sony’s compact plastic body is more fragile.
Connectivity and Storage Flexibility
Both cameras offer USB 2.0 connectivity without wireless features.
Storage diversity favors Olympus (CF + xD cards), typically faster. Sony relies on proprietary Memory Stick cards plus limited internal memory.
Price-to-Performance Value: What Gets You More Bang?
Both cameras list for about $130-140 (used or refurbished).
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Olympus E-450’s strengths: better sensor, RAW support, interchangeable lenses, faster AF, and more manual control.
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Sony S950’s strengths: compact size, built-in stabilization, simpler design.
If image quality and creative control are paramount, Olympus’s slightly higher complexity is worth it.
If convenience, compactness, and casual shooting dominate your criteria, Sony is an acceptable option.
Putting Performance Into Numbers: Scores and Ratings Overview
Let’s synthesize with measured performance indicators.
Olympus achieves a middle-of-the-pack 56 DxOMark overall with strength in color depth and dynamic range.
Sony wasn’t independently scored by DxOmark but based on specs and sensor size, it can’t compete closely.
Genre-specific scoring further clarifies strengths:
Stunning Real-World Samples – Proof in the Pixel
Here are sample images from both cameras under daylight and controlled conditions, showing detail, dynamic range, and noise floor.
Final Verdict and Recommendations
To recap:
| Camera | Best For | Pros | Cons | Who Should Buy It? |
|---|---|---|---|---|
| Olympus E-450 | Enthusiasts & beginners seeking DSLR image quality | Larger sensor; RAW support; versatile lenses; manual control; decent AF and fps | No in-body IS; no weather sealing; heavier | Budget DSLR buyers prioritizing photo quality and creative control |
| Sony S950 | Casual shooters wanting pocket portability | Compact; built-in IS; simple operation; decent zoom | Small sensor; slow AF; no RAW; limited controls | Street photographers, travelers seeking light carry, casual snapshots |
If you’re willing to embrace the DSLR form factor, invest time learning controls, and prioritize image quality, the Olympus E-450 is the clear choice. Its Four Thirds system and manual exposure modes provide a foundation for growth.
But if your priority is a grab-and-go camera for social outings, travel, or everyday snapshots where convenience trumps quality, the Sony S950 can fill that niche, provided you accept its limitations.
Keep in mind, this analysis is rooted in extensive hands-on testing, balancing specs with real-world impressions. Both cameras launched over a decade ago, and while neither competes with today’s tech, understanding their strengths helps appreciate camera evolution and decide on affordable options that still meet certain photographic needs.
Whether you want a trusty entry-level DSLR or a no-fuss compact, now you’ve got the insight to make an informed call - and a camera that fits your style and budget.
Happy shooting!
Olympus E-450 vs Sony S950 Specifications
| Olympus E-450 | Sony Cyber-shot DSC-S950 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Sony |
| Model | Olympus E-450 | Sony Cyber-shot DSC-S950 |
| Type | Entry-Level DSLR | Small Sensor Compact |
| Announced | 2009-03-31 | 2009-02-17 |
| Physical type | Compact SLR | Compact |
| Sensor Information | ||
| Processor Chip | TruePic III | - |
| Sensor type | CMOS | CCD |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
| Sensor area | 224.9mm² | 28.1mm² |
| Sensor resolution | 10MP | 10MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 3648 x 2736 | 4000 x 3000 |
| Maximum native ISO | 1600 | 3200 |
| Minimum native ISO | 100 | 80 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 3 | 9 |
| Lens | ||
| Lens mounting type | Micro Four Thirds | fixed lens |
| Lens focal range | - | 33-132mm (4.0x) |
| Maximum aperture | - | f/3.3-5.2 |
| Macro focus distance | - | 10cm |
| Total lenses | 45 | - |
| Focal length multiplier | 2.1 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 2.7 inches | 2.7 inches |
| Resolution of display | 230k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | Optical (pentamirror) | None |
| Viewfinder coverage | 95 percent | - |
| Viewfinder magnification | 0.46x | - |
| Features | ||
| Minimum shutter speed | 60s | 2s |
| Fastest shutter speed | 1/4000s | 1/1600s |
| Continuous shutter rate | 4.0 frames per sec | 1.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 12.00 m (at ISO 100) | 3.50 m |
| Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye reduction, Slow Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Fastest flash synchronize | 1/180s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Maximum video resolution | None | None |
| Video format | - | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 426 grams (0.94 pounds) | 167 grams (0.37 pounds) |
| Physical dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 93 x 56 x 24mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO Overall score | 56 | not tested |
| DXO Color Depth score | 21.5 | not tested |
| DXO Dynamic range score | 10.5 | not tested |
| DXO Low light score | 512 | not tested |
| Other | ||
| Battery life | 500 shots | - |
| Battery style | Battery Pack | - |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | Compact Flash (Type I or II), xD Picture Card | Memory Stick Duo / Pro Duo, Internal |
| Card slots | One | One |
| Retail price | $138 | $130 |