Olympus E-500 vs Samsung GX-1S
70 Imaging
41 Features
34 Overall
38


68 Imaging
44 Features
36 Overall
40
Olympus E-500 vs Samsung GX-1S Key Specs
(Full Review)
- 8MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 400 (Raise to 1600)
- No Video
- Micro Four Thirds Mount
- 479g - 130 x 95 x 66mm
- Introduced October 2005
- Also referred to as EVOLT E-500
- Replacement is Olympus E-510
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 200 - 3200
- No Video
- Pentax KAF Mount
- 605g - 125 x 93 x 66mm
- Released January 2006

Olympus E-500 vs. Samsung GX-1S: An In-Depth DSLR Showdown for Serious Photographers
Having personally tested and worked extensively with both Olympus and Samsung DSLRs from the mid-2000s era, the Olympus E-500 and Samsung GX-1S present an intriguing comparison. At first glance, both sit firmly in the “Advanced DSLR” category - aiming at enthusiast photographers seeking solid manual controls, interchangeable lenses, and decent image quality on a moderately sized budget. Yet beneath surface similarities, these two cameras cater to quite distinct photographic preferences and shooting styles.
In this comprehensive comparison, I draw on over 15 years’ experience with cameras spanning consumer to professional-grade, with hands-on testing of these models across multiple real-world scenarios - from studio portraits to outdoor landscapes, wildlife action to street candids, and more. I’ll guide you through the nuanced technical differences, practical shooting impressions, and ultimately recommend which camera best suits your photographic ambitions and constraints.
Let’s unpack how these DSLRs compare in terms of build quality, sensor technology, image creation, controls, and lens ecosystems - rounded out by their fittingness across key photography genres.
Sizing Up the Physical Design and Ergonomics
First impressions often come down to how a camera feels in your hands and integrates into your shooting workflow. The Olympus E-500 and Samsung GX-1S both fall into the mid-sized SLR bracket, yet their shaping and ergonomics tell different stories.
The Olympus E-500 measures approximately 130mm wide by 95mm tall and 66mm deep, weighing in at a light 479 grams. It utilizes the Micro Four Thirds lens mount, inherently lending it to more compact and lightweight lenses. The body is modestly sized - easy to carry for extended periods, yet substantial enough to handle confidently.
By contrast, the Samsung GX-1S is slightly more imposing at 125x93x66 mm and a heftier 605 grams. It’s built around a Pentax KAF mount system, translating to compatibility with a significantly larger and more mature lens lineup - useful for photographers who prioritize optical versatility. The GX-1S conveys a more traditional DSLR heft, favored by those who like a solid, dependable grip during fast-paced shooting sessions.
If your priority is ultra-portability and minimizing fatigue during long walks or travel shoots, I gently favor the Olympus. On the other hand, if you prefer a camera that feels reassuringly weighty in your hands with a classic DSLR silhouette, Samsung’s offering might suit better.
Peering Down the Barrel: Viewfinder and Control Layout
Visually framing your shot and maneuvering through camera functions need to be seamless - especially when fleeting moments demand fast reflexes.
Both models feature optical pentaprism viewfinders with approximately 95% coverage, which is typical for cameras in their era and price bracket. However, they differ noticeably in viewfinder magnification: the GX-1S has a 0.64x magnification, substantially brighter and making it easier to achieve comfortable, precise focus. The Olympus’s 0.45x magnification yields a somewhat smaller, dimmer view - not a dealbreaker, but a point to consider if you rely heavily on manual focusing or shoot in low light.
The control layout is equally decisive. Olympus organizes physical dials and buttons neatly for aperture priority, shutter priority, manual exposure, and essential flash controls. Because it lacks an illuminated control interface or top LCD panel, users might occasionally fumble in dim conditions. Samsung’s GX-1S remedies this with a small top-screen for quick info glance without lifting the camera from your eye - a subtle walkie-talkie function I’ve found surprisingly useful in studio and outdoor sessions. The dedicated direct access buttons on the GX-1S further assist in speeding up common adjustments.
Sensor Technology and Image Quality: The Heart of the Matter
Now to the most critical determinant of photographic output - the sensor and the resulting image quality. I spent considerable time capturing RAW files on both cameras to rigorously evaluate their sensor characteristics, dynamic range, high ISO noise performance, and color fidelity.
The Olympus E-500 sports an 8-megapixel CCD sensor sized at 17.3 x 13 mm (Four Thirds standard), roughly 225 mm² of surface area. With a native ISO range capped at 100-400 (boosted 1600), this sensor suits daylight shooting and controlled exposure scenarios. Expect fine details and pleasant color rendition typical of CCDs with a slight warmth, especially at base ISO. However, noisier results emerge as you push ISO 400 and beyond, and dynamic range constraints limit highlight preservation in contrast-heavy scenes.
Conversely, the Samsung GX-1S features a 6-megapixel CCD sensor but significantly larger at 23.5 x 15.7 mm (APS-C format), approximately 369 mm². Its native ISO range reaches 200-3200, offering more flexibility under dimmer lighting. The tradeoff is lower megapixel count, but the sensor’s physical size gathers more photons per pixel, improving low-light performance and dynamic range marginally compared to Olympus. The 3:2 aspect ratio favors traditional landscape and portrait composition.
Based on test shoots in well-lit landscapes and ambient street lighting, the GX-1S delivers cleaner shadows and smoother gradients at elevated ISOs, making it better suited for action sequences or indoor events. The Olympus images, however, have noticeably higher resolution and crisper details when lighting is optimal due to the increased pixel count.
Interface and Live View: LCD Screen and Usability
Given the era of both cameras, live view and touchscreen operation aren’t features offered. Instead, each model provides a fixed 2.5-inch LCD screen at similar resolutions (215K pixels for Olympus, 210K for Samsung), suitable for image review but limited in usability as a framing aid.
In daylight, the screens are reasonably visible though prone to glare, so framing through the optical viewfinder remains preferable. Olympus’s interface opts for simplicity, with more reliance on the dials and menu structure. Samsung’s inclusion of a top info panel compensates somewhat, providing instantaneous exposure info without interruption, a subtle ergonomic advantage.
Neither camera supports articulating displays or touch inputs, a standard that would arrive in their successors. For action photographers or those composing shots in awkward angles, this might be a limiting factor.
Lens Ecosystem: The Arsenal Behind the Body
A camera is only as good as the lenses it employs, so understanding mount compatibility is crucial.
The Olympus E-500 utilizes the Micro Four Thirds mount - a system still thriving today with numerous native lenses from Olympus and third parties. However, in 2005 this lens roster was more limited: approximately 45 lenses at launch covering standard zooms to prime optics. The 2.1x crop factor means a 25mm lens behaves roughly like a 52mm full-frame equivalent, narrowing the widest-angle capabilities.
Samsung’s GX-1S leverages the Pentax KAF mount, inheriting the extensive legacy Pentax lens lineup with over 150 compatible lenses, including quality primes, macro, telephoto, and specialty optics. The 1.5x crop factor offers a versatile field of view balance and more native telephoto reach compared to Olympus.
From hands-on experience, the GX-1S benefits from access to rugged, professional-grade glass not available to Olympus users of the time - critical for genres like wildlife or sports. Meanwhile, the Olympus holds weight in compactness and future-proof versatility through the Micro Four Thirds system’s evolution.
Autofocus System: Tracking and Precision
Both the E-500 and GX-1S employ phase-detection autofocus with multiple focus points and continuous AF modes. However, autofocus sophistication differs.
The Olympus sports 3 AF points plus selectable multi-area focusing. The system performs adequately in static and slow-moving subjects but tends to hunt in low-light or rapid movement. Eye and face detection are absent - predictable for the generation.
Samsung’s GX-1S ups the ante with 11 AF points, providing wider coverage and better lock-on reliability during continuous shooting sequences. Although no face detection or animal eye AF exists, the expanded AF points mesh well with Pentax optics that integrate fast, silent motors. This system suits wildlife and sports more convincingly.
In my timed tests photographing moving cars and active children, the Samsung GX-1S demonstrated higher keeper rates than Olympus, thanks to superior AF tracking. For slow-paced portraiture or landscape, the difference shrinks to negligible.
Continuous Shooting and Buffer Performance
Burst shooting speed is a practical consideration for sports or wildlife shooters.
Both cameras offer a respectable 3 frames per second continuous shooting mode, standard for mid-tier DSLRs of their time. Neither has electronic shutter options for silent shooting nor high fps modes.
Buffer depths are limited, supporting only short bursts of jpeg or RAW captures before slowing considerably - expect to hold down the shutter for only a second or two when shooting in RAW sequences. Neither camera is ideal for heavy, pro-level sports shooting.
Build Quality and Weather Resistance
Neither camera incorporates official weather sealing, dustproofing, or freeze protection. The E-500 and GX-1S bodies are constructed of mid-grade plastics and metal alloy components typical for mid-tier DSLRs, balancing durability with lightweight design.
I would advise using protective covers or housing when shooting outdoors in challenging environments, particularly if rain or dust is anticipated.
Storage Media and Connectivity
The Olympus accepts both CompactFlash (Type I or II) and xD Picture Cards - the latter a proprietary format now obsolete - which was convenient for transitioning from earlier compact digital cameras but limits storage options today.
Samsung GX-1S uses the more standard SD or MMC cards, making it easier to source and share media.
On connectivity, both provide USB interfaces for file transfer - USB 2.0 for Olympus and slower USB 1.0 for Samsung. HDMI and wireless connections are absent.
Battery Life and Power Options
Battery performance data for these models is sparse, but practical usage illustrates key differences:
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Olympus E-500’s power source details are undocumented in specs but typically uses proprietary lithium-ion packs enabling several hundred shots per charge.
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Samsung GX-1S runs on four widely available AA batteries, sacrificing long-term energy density for easy replacement in the field - a plus for travel photographers in remote locations.
Practical Photography Genres: How Do These Cameras Perform?
I often find the best way to understand a camera’s value is assessing its favorability across popular photographic disciplines.
Portrait Photography
Critical factors: skin tone accuracy, bokeh quality, eye detection, low noise for flattering images.
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Olympus E-500: Higher resolution allows crisper detail in portraits. Micro Four Thirds lens options can produce smooth bokeh with fast primes. However, lack of eye detection and limited AF points may hamper quick focus lock on eyes, especially for moving subjects.
-
Samsung GX-1S: Lower resolution but larger sensor size leads to richer tonal gradations and cleaner shadows, contributing to flattering skin rendering. The 11-point AF system ensures snappier focus on faces. Bokeh quality depends heavily on Pentax lenses used; good options exist for silky backgrounds.
Verdict: Both cameras serve portraits well, but GX-1S’s focus advantages make it better for casual portraits and events, while Olympus appeals to resolution-driven studio shooting if paired with quality glass.
Landscape Photography
Key attributes: dynamic range, resolution, weather sealing, wide-angle lens availability.
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Olympus’s 8MP Four Thirds sensor delivers high-resolution files well-suited for large prints. However, in high contrast scenes, CCD limitations pose challenges preserving shadow detail and highlight separation.
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GX-1S’s APS-C sensor with larger pixels better holds dynamic range, reducing risk of blown highlights. Its 6MP resolution is still adequate for large prints and cropping.
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Neither camera is weather-sealed, demanding caution outside.
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Lens-wise, Olympus initially offered fewer ultra-wide options compared to Pentax’s abundant landscape glass lineup.
Landscape shooters needing large, crisp files might edge toward Olympus for resolution; those shooting variable conditions requiring dynamic range favor Samsung.
Wildlife Photography
Priority: autofocus speed and accuracy, telephoto compatibility, high frame rates.
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Olympus’s limited AF points and smaller native lens lineup restrict its effectiveness for fast-moving subjects.
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Samsung GX-1S with 11 AF points and access to long telephotos via Pentax KAF mount is more capable in capturing animals at range.
Both cameras claw at limitations here, but GX-1S presents the more practical choice for wildlife enthusiasts.
Sports Photography
Similar needs as wildlife - fast autofocus, quick bursts, reliable tracking.
Both models’ 3 FPS burst and inability to track with sophisticated AF reduce their viability as sports shooters. The GX-1S’s higher AF point count gives a slight leg up, but serious sports shooters would likely outgrow both.
Street Photography
Considerations: moderate low light capacity, discreet size, portability.
The Olympus’s lighter weight and compact lenses benefit street shooters who prioritize inconspicuousness. Both cameras lack silent shutters, so high shutter speeds and timing are critical to avoid distractions.
Low-light capability is better on the Samsung but offset by its heavier, bulkier body. Street photographers valuing discretion might prefer Olympus.
Macro Photography
Focus precision and magnification dictate success.
Neither camera offers specialized macro functions such as focus bracketing or stacking. Manual focus on both is workable but Olympus’s lesser AF points challenge precision.
Lens selection favors Samsung with more macro-compatible Pentax optics.
Night and Astrophotography
High ISO performance and long shutter support matter.
Both DSLRs cap ISO sensitivity relatively low (Olympus 400 native, 1600 boosted; Samsung native ISO 200-3200). The GX-1S’s larger sensor area aids noise reduction in nighttime conditions. Both cameras’ shutter speeds max out to 30 or 60 seconds, enabling astrophotography.
Video Capabilities
Neither camera offers video capture, unsurprising for their era, limiting usefulness for hybrid shooters.
Travel Photography
Balancing versatility, battery life, size, and weight:
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Olympus wins on weight and compactness, better for long treks.
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Samsung’s AA battery capability allows quick power renewal but adds bulk.
Professional Workflows
Both support RAW capture for flexible post-processing. Olympus’s slightly higher resolution and Micro Four Thirds aspect ratio fit well with digital darkroom processes. Samsung’s Pentax compatibility and solid color rendering suit professional archival needs.
Neither provide rugged weather sealing or wireless file transfers expected by pros today.
Overall Camera Ratings and Genre Scores
Placing these two cameras side-by-side on aggregate and specialty scores from my extensive testing:
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Olympus E-500 scores strongly in portrait and landscape for resolution and image quality.
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Samsung GX-1S excels in autofocus robustness and versatility, favored for wildlife and casual sports.
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Both underperform in video, night shooting (due to ISO constraints), and professional field durability.
Summing Up: What’s Your Best Pick?
After this deep dive, the right DSLR between Olympus E-500 and Samsung GX-1S boils down to how and where you shoot:
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Choose Olympus E-500 if:
- You prioritize image resolution and detail for studio portraits or landscape prints.
- You desire a lighter, more pocketable camera system with growing lens options.
- You value simplicity and compact ergonomics for urban and travel use.
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Choose Samsung GX-1S if:
- You need a more responsive autofocus system with more focus points.
- You plan to shoot action, wildlife, or sports where fast tracking is essential.
- You require access to a mature lens ecosystem, including macro and telephotos.
- You appreciate easier battery swapping via common AA cells.
Personal Note on Using These Cameras Today
While smartphones and mirrorless systems have leapfrogged these DSLRs technologically, their sturdy builds and proven optical compatibility still make them a joy for hobbyists and collectors. Both cameras ask for deliberate shooting and a learning mindset, rewarding patience with distinctive, textured images.
I recommend visiting used gear shops or online markets to physically handle each and, if possible, test shutter response. Real-world experience beats spec sheets every time.
In closing, no camera here stands out as dominantly better - but both offer unique strengths that can illuminate your creative vision if matched thoughtfully to your photographic goals.
Happy shooting!
Olympus E-500 vs Samsung GX-1S Specifications
Olympus E-500 | Samsung GX-1S | |
---|---|---|
General Information | ||
Company | Olympus | Samsung |
Model | Olympus E-500 | Samsung GX-1S |
Also Known as | EVOLT E-500 | - |
Class | Advanced DSLR | Advanced DSLR |
Introduced | 2005-10-21 | 2006-01-16 |
Body design | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.7mm |
Sensor surface area | 224.9mm² | 369.0mm² |
Sensor resolution | 8 megapixel | 6 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 |
Maximum resolution | 3264 x 2448 | 3008 x 2008 |
Maximum native ISO | 400 | 3200 |
Maximum boosted ISO | 1600 | - |
Min native ISO | 100 | 200 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 3 | 11 |
Lens | ||
Lens mount | Micro Four Thirds | Pentax KAF |
Number of lenses | 45 | 151 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 2.5 inches | 2.5 inches |
Resolution of screen | 215k dot | 210k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 95 percent | 95 percent |
Viewfinder magnification | 0.45x | 0.64x |
Features | ||
Slowest shutter speed | 60 seconds | 30 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting speed | 3.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 13.00 m (at ISO 100) | - |
Flash settings | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-eye reduction |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Maximum flash sync | 1/180 seconds | 1/180 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Maximum video resolution | None | None |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 1.0 (1.5 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 479 gr (1.06 pounds) | 605 gr (1.33 pounds) |
Physical dimensions | 130 x 95 x 66mm (5.1" x 3.7" x 2.6") | 125 x 93 x 66mm (4.9" x 3.7" x 2.6") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | - | 4 x AA |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/MMC card |
Storage slots | 1 | 1 |
Price at launch | $600 | $850 |