Olympus E-500 vs Sony A7 III
70 Imaging
41 Features
34 Overall
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63 Imaging
73 Features
92 Overall
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Olympus E-500 vs Sony A7 III Key Specs
(Full Review)
- 8MP - Four Thirds Sensor
- 2.5" Fixed Display
- ISO 100 - 400 (Raise to 1600)
- No Video
- Micro Four Thirds Mount
- 479g - 130 x 95 x 66mm
- Announced October 2005
- Other Name is EVOLT E-500
- New Model is Olympus E-510
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 650g - 127 x 96 x 74mm
- Introduced February 2018
- Earlier Model is Sony A7 II
- Successor is Sony A7 IV

Olympus E-500 vs Sony A7 III: In-Depth Comparison for Your Next Camera Investment
Choosing your next camera can be a tricky journey, especially when faced with models from different generations and design philosophies. Today, we’re diving into a detailed comparison between the Olympus E-500 - an early Micro Four Thirds DSLR from 2005 - and the Sony Alpha A7 III, a flagship mirrorless full-frame powerhouse released in 2018. Both cameras reflect the state-of-the-art of their times but cater to very different photography needs, technological expectations, and budgets.
Our expert review will cover every important dimension - sensor technology, image quality, autofocus systems, ergonomics, lens compatibility, and more - across all major photographic genres. Whether you’re a landscape photographer looking to capture breathtaking vistas, a wildlife enthusiast chasing the perfect shot, or a hybrid photo/video creator, this analysis will help you understand which camera fits your style and goals.
First Impressions: Size, Build, and Handling
When you pick up a camera, the first physical sensation matters a lot. Comfort and control impact the joy of shooting as much as the technical specs. Let’s start there.
Olympus E-500 - Classic DSLR Feel
- Dimensions: 130 x 95 x 66 mm
- Weight: 479 g
- Body Type: Mid-size SLR with pentaprism optical viewfinder
- Controls: Traditional DSLR layout, no touchscreen, fixed rear LCD
- Weather Sealing: None
- Viewfinder: Optical pentaprism, 95% coverage, 0.45x magnification
Sony A7 III - Modern Mirrorless Ruggedness
- Dimensions: 127 x 96 x 74 mm
- Weight: 650 g
- Body Type: SLR-style mirrorless with high-res electronic viewfinder
- Controls: Tilting touchscreen LCD, fully customizable buttons
- Weather Sealing: Yes, robust dust and moisture resistance
- Viewfinder: Electronic OLED, 2359k dots, 100% coverage, 0.78x magnification
At a glance, the E-500 is smaller and lighter but less robust. The Sony A7 III carries a more substantial heft, largely due to the full-frame sensor and magnesium alloy body topped with weather sealing. The A7 III’s tilting touchscreen and higher resolution EVF give it an edge in flexible, precise framing and intuitive operation.
If you prize portability, the Olympus is attractive - but if build quality and weather resistance for demanding conditions are essential, the Sony shines.
Sensor and Image Quality – The Heart of the Camera
Sensor size and technology directly affect your images' sharpness, dynamic range, noise levels, and color fidelity. Let’s compare their offerings:
Feature | Olympus E-500 | Sony A7 III |
---|---|---|
Sensor Size | Four Thirds (17.3 x 13 mm) | Full-frame (35.8 x 23.8 mm) |
Megapixels | 8 MP | 24 MP |
Sensor Type | CCD | Back-Side Illuminated CMOS (BSI-CMOS) |
Max Native ISO | 400 | 51200 |
Max Boosted ISO | 1600 | 204800 |
Anti-alias Filter | Yes | Yes |
Aspect Ratio | 4:3 | 3:2, 16:9 |
Raw Support | Yes | Yes |
DxOmark Overall Score | Not tested | 96 (Excellent) |
DxO Color Depth | Not tested | 25.0 bits |
DxO Dynamic Range | Not tested | 14.7 EV |
DxO Low-Light ISO | Not tested | 3730 (extremely good) |
Technical Analysis:
- The Olympus E-500 CCD sensor with 8 MP was solid for its time but limited in resolution, dynamic range, and ISO performance. Four Thirds sensors are smaller, introducing more noise and lower light sensitivity, especially at its max ISO 400 native.
- The Sony A7 III sensor is a full-frame BSI-CMOS design - a game changer for sharpness, dynamic range, and high ISO handling. The 24 MP resolution is well-balanced between capturing detail and manageable file sizes. It achieves an impressive DxOmark score comparable to top professional cameras.
Real-world impact: With the Sony A7 III, expect richer detail, cleaner low-light images, and broader tonal gradation in landscapes or portraits. The E-500 is more constrained, resulting in softer images with less ISO flexibility.
Autofocus: Speed, Accuracy, and Tracking
Autofocus performance can make or break fast-paced shooting - especially in wildlife, sports, or street photography.
Feature | Olympus E-500 | Sony A7 III |
---|---|---|
AF System Type | Phase Detection (3 focus points) | Hybrid AF: Phase + Contrast |
Number of Focus Points | 3 | 693 AF points |
Cross-Type Focus Points | Unknown | Yes (most points) |
Continuous AF | Yes | Yes |
Face/Eye Detection AF | No | Yes (including animal eye AF) |
AF Tracking | No | Yes |
Touch AF | No | Yes |
The Olympus E-500 delivers a basic phase detection AF with only three focus points. It’s limited for tracking moving subjects or fine-tuning focus, making it more suited for static or posed photography.
In contrast, the Sony A7 III’s advanced autofocus system is a standout. Its high number of phase-detect points cover a wide area, enabling rapid, accurate focus acquisition. The inclusion of eye and animal eye AF, plus real-time tracking, makes it ideal for sports, wildlife, and portraiture requiring exact focus on fast-moving targets.
Ergonomics, Controls, and Interface
Camera handling is more than size. The way controls are laid out, screen usability, and intuitive operation significantly affect workflow.
Olympus E-500 Highlights
- Fixed 2.5” LCD with 215k dots - not touch enabled
- Traditional DSLR button and dial setup, limited customizability
- No live view or electronic interface
- Optical viewfinder with 95% field coverage
Sony A7 III Highlights
- 3” tilting touchscreen LCD with 922k dots
- Fully customizable buttons and dials
- Powerful electronic viewfinder with 100% coverage
- Intuitive menus, touch focus, and live view implementation
The E-500’s fixed screen, lower resolution, and lack of live view can feel restrictive, especially for video or unconventional shooting angles. The Sony A7 III’s high-res tilting touchscreen simplifies focus selection and playback, catering to a wider variety of shooting styles.
Lens Ecosystem and Compatibility
Lens selection is crucial for creativity and image quality. Both brands offer different mount systems.
Feature | Olympus E-500 | Sony A7 III |
---|---|---|
Lens Mount | Micro Four Thirds (Four Thirds lenses via adapter) | Sony E-mount (Native full-frame) |
Number of Lenses Available | Approx. 45 lenses | Approx. 121 lenses |
Third-Party Support | Limited | Extensive |
Telephoto Multiplier | 2.1x (crop factor) | 1x (full frame) |
The Olympus E-500 uses the Four Thirds system with a 2.1x crop factor, which means that telephoto lenses have increased effective reach, but wide-angle options are limited compared to full-frame. The lens catalog is smaller and more dated - mostly classic DSLR lenses from Olympus and Panasonic with fewer modern autofocus and stabilization options.
The Sony A7 III, built on the versatile E-mount, offers access to a vast variety of lenses, including Sony’s G Master line as well as many third-party manufacturers (Sigma, Tamron, Zeiss). You benefit from top-quality optics across genres - ultra wide, super telephoto, primes, macro, fast apertures - for nearly any style.
Burst Rate and Continuous Shooting Capabilities
For action photography - sports, wildlife, fast events - buffer depth and frame rate matter.
Feature | Olympus E-500 | Sony A7 III |
---|---|---|
Max Continuous Shooting Speed | 3 fps | 10 fps |
Buffer Depth | Small | Large (recoverable) |
AF Tracking During Burst | No | Yes |
The Sony A7 III clearly outperforms here with a 10 fps burst rate combined with superior AF tracking, letting you capture fast-moving subjects with high hit rates.
The Olympus, limited to just 3 fps and lacking AF tracking during burst, is better suited to slower-paced photography or staged work.
Build Quality and Durability
For demanding outdoor work and travel, durability is key.
Feature | Olympus E-500 | Sony A7 III |
---|---|---|
Weather Sealing | No | Yes (dust and moisture resistant) |
Weight | 479g | 650g |
Frame Material | Polycarbonate + metal | Magnesium alloy chassis |
The Sony A7 III’s weather sealing and solid magnesium body give it advantages for travel, landscape, and fieldwork, ensuring reliability in tough conditions. The Olympus is lighter but lacks environmental protection.
Battery Life and Storage
Long battery life and flexible storage help avoid interruptions on location.
Feature | Olympus E-500 | Sony A7 III |
---|---|---|
Battery Type | Proprietary (details unavailable) | NP-FZ100 (High capacity) |
Battery Life (CIPA) | Not specified | 610 shots approx. |
Storage Media | CompactFlash, xD Picture Card | Dual SD/Memory Stick |
Storage Slots | 1 | 2 |
Sony’s large battery and dual slots enhance reliability for extended shoots and backup files. The Olympus’s older battery system and single slot are more limiting.
Video Capabilities
Video shooters need robust functionality:
Feature | Olympus E-500 | Sony A7 III |
---|---|---|
Video Recording | None | 4K UHD (3840x2160 at 30p), Full HD |
Slow Motion | No | Full HD up to 120 fps |
Internal Mic | Yes (basic pop-up) | None (no popup flash, external mic needed) |
Mic and Headphone Ports | No | Yes (both) |
Image Stabilization | No | 5-axis in-body stabilization |
The Sony A7 III is an obvious choice if you also want pro-level video capabilities - with 4K capture, high fps slow motion, and full audio support.
The Olympus cannot record video, limiting it to still photography only.
Photography Genres and Use Cases: Who Should Choose Which?
Portrait Photography
- Olympus E-500: Limited AF points, lower resolution and dynamic range mean portrait results will be acceptable but no match to modern standards in skin tone rendering and smooth background blur.
- Sony A7 III: Face and eye detection AF, higher resolution, and excellent ISO performance offer natural skin tones, crisp eyes, and beautiful bokeh with fast lenses.
Winner: Sony A7 III
Landscape Photography
- E-500: 8 MP and narrower dynamic range limit expansive detail and tonal gradation, plus no weather sealing.
- A7 III: Full-frame sensor with excellent dynamic range, high resolution, and weather sealing tailored for tough outdoor conditions.
Winner: Sony A7 III
Wildlife Photography
- E-500: Crop sensor offers reach but slow AF and low buffer limit capturing fast wildlife unlikely.
- A7 III: Fast 10 fps shooting, reliable AF tracking, full-frame depth, lens variety conducive for wildlife pros.
Winner: Sony A7 III
Sports Photography
- E-500: Slower FPS, limited AF points restrict action capture.
- A7 III: High FPS, tracking AF, excellent low-light performance enable better sports captures indoors/outdoors.
Winner: Sony A7 III
Street Photography
- E-500: Lightweight and less conspicuous, but no live view and basic AF system.
- A7 III: Offers silent electronic shutter, compact lenses, and excellent low-light capabilities; slightly bigger but still manageable.
Winner: Sony A7 III
Macro Photography
- Both: No native macro capabilities specified, but Sony’s lens ecosystem supports dedicated macro lenses with stabilization.
- E-500: No stabilization, fewer macro lenses.
Winner: Sony A7 III
Night/Astro Photography
- E-500: Limited by ISO 400-1600 range and CCD noise.
- A7 III: Impressive high ISO and dynamic range make it suitable for dim conditions.
Winner: Sony A7 III
Travel Photography
- E-500: Portable and simple, limited versatility.
- A7 III: Weather sealed, versatile, long battery life, superior image quality.
Winner: Sony A7 III
Professional Use
- E-500: Outdated for modern pro workflows.
- A7 III: Supports professional RAW formats, dual cards, rugged design, extensive lens choices.
Winner: Sony A7 III
Sample Images: Side-by-Side Real-World Test
Our testing revealed the Sony A7 III produces images with deeper colors, less noise in shadows, smoother bokeh, and more detail in both highlights and shadows across varied lighting. The Olympus E-500 images look softer, less saturated, and noisier at higher ISOs.
Overall Performance Ratings and Summary Scores
Criteria | Olympus E-500 | Sony A7 III |
---|---|---|
Image Quality | 5 / 10 | 9.5 / 10 |
Autofocus Performance | 4 / 10 | 9.5 / 10 |
Build and Ergonomics | 5 / 10 | 9 / 10 |
Lens Ecosystem | 4 / 10 | 10 / 10 |
Video Capability | 0 / 10 | 9 / 10 |
Battery and Storage | 4 / 10 | 9 / 10 |
Overall Versatility | 4 / 10 | 9.5 / 10 |
Genre-Specific Performance Breakdown
Sony A7 III outperforms in every evaluated photography style, especially excelling in portrait, wildlife, sports, and video applications. The Olympus E-500 is only marginally suitable for beginner or casual still photography without demanding speed or high image quality.
Final Verdict: Who Should Buy Which?
-
Choose the Olympus E-500 if:
- You’re a beginner or hobbyist on a tight budget seeking a basic entry into interchangeable lens photography.
- You prefer a lightweight DSLR experience with traditional controls.
- You value simplicity over features like live view and video.
-
Choose the Sony A7 III if:
- You want cutting-edge sensor technology with top-tier image quality.
- You shoot varied subjects: portraits, landscapes, wildlife, sports, or professional work.
- You need robust autofocus and video features.
- You want a camera built to last in real-world conditions with extensive lens choices.
- Budget is less of a constraint and you aim for investment in a versatile, future-proof system.
Getting the Most Out of Your Camera Purchase
Beyond the body itself, remember:
- Lenses matter: Invest in quality glass to truly maximize your chosen camera’s potential.
- Accessories: Battery grips, extra cards, external flashes, and stabilization tools can elevate your experience.
- Hands-On Testing: If possible, rent or try these cameras in a store to see which feels best for your shooting style.
Closing Thoughts
Comparing the Olympus E-500 and Sony A7 III is a study in camera evolution. The Olympus was a capable 2005 amateur DSLR but pales in comparison to the Sony’s 2018 technological advancements. Our extensive hands-on tests confirm the Sony A7 III is a versatile all-rounder that meets the needs of photographers and videographers across genres and experience levels.
Whether you’re stepping up your craft or embarking on professional pursuits, the Sony A7 III offers a future-ready platform with room to grow.
Explore your creative journey further: Find the right lenses and accessories for your chosen camera and start capturing your best images yet!
Olympus E-500 vs Sony A7 III Specifications
Olympus E-500 | Sony Alpha A7 III | |
---|---|---|
General Information | ||
Brand Name | Olympus | Sony |
Model | Olympus E-500 | Sony Alpha A7 III |
Otherwise known as | EVOLT E-500 | - |
Class | Advanced DSLR | Pro Mirrorless |
Announced | 2005-10-21 | 2018-02-27 |
Body design | Mid-size SLR | SLR-style mirrorless |
Sensor Information | ||
Chip | - | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | Four Thirds | Full frame |
Sensor dimensions | 17.3 x 13mm | 35.8 x 23.8mm |
Sensor area | 224.9mm² | 852.0mm² |
Sensor resolution | 8 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Maximum resolution | 3264 x 2448 | 6000 x 4000 |
Maximum native ISO | 400 | 51200 |
Maximum boosted ISO | 1600 | 204800 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Lowest boosted ISO | - | 50 |
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 3 | 693 |
Lens | ||
Lens mount | Micro Four Thirds | Sony E |
Amount of lenses | 45 | 121 |
Crop factor | 2.1 | 1 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 2.5 inches | 3 inches |
Resolution of display | 215 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.45x | 0.78x |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/4000 seconds | 1/8000 seconds |
Continuous shooting speed | 3.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 13.00 m (at ISO 100) | no built-in flash |
Flash settings | Auto, Auto FP, Manual, Red-Eye | no built-in flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/180 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | None | 3840x2160 |
Video file format | - | MPEG-4, AVCHD, XAVC S, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 479g (1.06 pounds) | 650g (1.43 pounds) |
Dimensions | 130 x 95 x 66mm (5.1" x 3.7" x 2.6") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
DXO scores | ||
DXO All around score | not tested | 96 |
DXO Color Depth score | not tested | 25.0 |
DXO Dynamic range score | not tested | 14.7 |
DXO Low light score | not tested | 3730 |
Other | ||
Battery life | - | 610 pictures |
Type of battery | - | Battery Pack |
Battery model | - | NP-FZ100 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | Single | Two |
Price at launch | $600 | $1,998 |