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Olympus E-500 vs Sony A7 III

Portability
70
Imaging
41
Features
34
Overall
38
Olympus E-500 front
 
Sony Alpha A7 III front
Portability
63
Imaging
73
Features
92
Overall
80

Olympus E-500 vs Sony A7 III Key Specs

Olympus E-500
(Full Review)
  • 8MP - Four Thirds Sensor
  • 2.5" Fixed Display
  • ISO 100 - 400 (Raise to 1600)
  • No Video
  • Micro Four Thirds Mount
  • 479g - 130 x 95 x 66mm
  • Announced October 2005
  • Other Name is EVOLT E-500
  • New Model is Olympus E-510
Sony A7 III
(Full Review)
  • 24MP - Full frame Sensor
  • 3" Tilting Display
  • ISO 100 - 51200 (Increase to 204800)
  • Sensor based 5-axis Image Stabilization
  • 1/8000s Maximum Shutter
  • 3840 x 2160 video
  • Sony E Mount
  • 650g - 127 x 96 x 74mm
  • Introduced February 2018
  • Earlier Model is Sony A7 II
  • Successor is Sony A7 IV
Sora from OpenAI releases its first ever music video

Olympus E-500 vs Sony A7 III: In-Depth Comparison for Your Next Camera Investment

Choosing your next camera can be a tricky journey, especially when faced with models from different generations and design philosophies. Today, we’re diving into a detailed comparison between the Olympus E-500 - an early Micro Four Thirds DSLR from 2005 - and the Sony Alpha A7 III, a flagship mirrorless full-frame powerhouse released in 2018. Both cameras reflect the state-of-the-art of their times but cater to very different photography needs, technological expectations, and budgets.

Our expert review will cover every important dimension - sensor technology, image quality, autofocus systems, ergonomics, lens compatibility, and more - across all major photographic genres. Whether you’re a landscape photographer looking to capture breathtaking vistas, a wildlife enthusiast chasing the perfect shot, or a hybrid photo/video creator, this analysis will help you understand which camera fits your style and goals.

First Impressions: Size, Build, and Handling

When you pick up a camera, the first physical sensation matters a lot. Comfort and control impact the joy of shooting as much as the technical specs. Let’s start there.

Olympus E-500 - Classic DSLR Feel

  • Dimensions: 130 x 95 x 66 mm
  • Weight: 479 g
  • Body Type: Mid-size SLR with pentaprism optical viewfinder
  • Controls: Traditional DSLR layout, no touchscreen, fixed rear LCD
  • Weather Sealing: None
  • Viewfinder: Optical pentaprism, 95% coverage, 0.45x magnification

Sony A7 III - Modern Mirrorless Ruggedness

  • Dimensions: 127 x 96 x 74 mm
  • Weight: 650 g
  • Body Type: SLR-style mirrorless with high-res electronic viewfinder
  • Controls: Tilting touchscreen LCD, fully customizable buttons
  • Weather Sealing: Yes, robust dust and moisture resistance
  • Viewfinder: Electronic OLED, 2359k dots, 100% coverage, 0.78x magnification

Olympus E-500 vs Sony A7 III size comparison

At a glance, the E-500 is smaller and lighter but less robust. The Sony A7 III carries a more substantial heft, largely due to the full-frame sensor and magnesium alloy body topped with weather sealing. The A7 III’s tilting touchscreen and higher resolution EVF give it an edge in flexible, precise framing and intuitive operation.

If you prize portability, the Olympus is attractive - but if build quality and weather resistance for demanding conditions are essential, the Sony shines.

Sensor and Image Quality – The Heart of the Camera

Sensor size and technology directly affect your images' sharpness, dynamic range, noise levels, and color fidelity. Let’s compare their offerings:

Feature Olympus E-500 Sony A7 III
Sensor Size Four Thirds (17.3 x 13 mm) Full-frame (35.8 x 23.8 mm)
Megapixels 8 MP 24 MP
Sensor Type CCD Back-Side Illuminated CMOS (BSI-CMOS)
Max Native ISO 400 51200
Max Boosted ISO 1600 204800
Anti-alias Filter Yes Yes
Aspect Ratio 4:3 3:2, 16:9
Raw Support Yes Yes
DxOmark Overall Score Not tested 96 (Excellent)
DxO Color Depth Not tested 25.0 bits
DxO Dynamic Range Not tested 14.7 EV
DxO Low-Light ISO Not tested 3730 (extremely good)

Olympus E-500 vs Sony A7 III sensor size comparison

Technical Analysis:

  • The Olympus E-500 CCD sensor with 8 MP was solid for its time but limited in resolution, dynamic range, and ISO performance. Four Thirds sensors are smaller, introducing more noise and lower light sensitivity, especially at its max ISO 400 native.
  • The Sony A7 III sensor is a full-frame BSI-CMOS design - a game changer for sharpness, dynamic range, and high ISO handling. The 24 MP resolution is well-balanced between capturing detail and manageable file sizes. It achieves an impressive DxOmark score comparable to top professional cameras.

Real-world impact: With the Sony A7 III, expect richer detail, cleaner low-light images, and broader tonal gradation in landscapes or portraits. The E-500 is more constrained, resulting in softer images with less ISO flexibility.

Autofocus: Speed, Accuracy, and Tracking

Autofocus performance can make or break fast-paced shooting - especially in wildlife, sports, or street photography.

Feature Olympus E-500 Sony A7 III
AF System Type Phase Detection (3 focus points) Hybrid AF: Phase + Contrast
Number of Focus Points 3 693 AF points
Cross-Type Focus Points Unknown Yes (most points)
Continuous AF Yes Yes
Face/Eye Detection AF No Yes (including animal eye AF)
AF Tracking No Yes
Touch AF No Yes

The Olympus E-500 delivers a basic phase detection AF with only three focus points. It’s limited for tracking moving subjects or fine-tuning focus, making it more suited for static or posed photography.

In contrast, the Sony A7 III’s advanced autofocus system is a standout. Its high number of phase-detect points cover a wide area, enabling rapid, accurate focus acquisition. The inclusion of eye and animal eye AF, plus real-time tracking, makes it ideal for sports, wildlife, and portraiture requiring exact focus on fast-moving targets.

Ergonomics, Controls, and Interface

Camera handling is more than size. The way controls are laid out, screen usability, and intuitive operation significantly affect workflow.

Olympus E-500 Highlights

  • Fixed 2.5” LCD with 215k dots - not touch enabled
  • Traditional DSLR button and dial setup, limited customizability
  • No live view or electronic interface
  • Optical viewfinder with 95% field coverage

Sony A7 III Highlights

  • 3” tilting touchscreen LCD with 922k dots
  • Fully customizable buttons and dials
  • Powerful electronic viewfinder with 100% coverage
  • Intuitive menus, touch focus, and live view implementation

Olympus E-500 vs Sony A7 III Screen and Viewfinder comparison

The E-500’s fixed screen, lower resolution, and lack of live view can feel restrictive, especially for video or unconventional shooting angles. The Sony A7 III’s high-res tilting touchscreen simplifies focus selection and playback, catering to a wider variety of shooting styles.

Lens Ecosystem and Compatibility

Lens selection is crucial for creativity and image quality. Both brands offer different mount systems.

Feature Olympus E-500 Sony A7 III
Lens Mount Micro Four Thirds (Four Thirds lenses via adapter) Sony E-mount (Native full-frame)
Number of Lenses Available Approx. 45 lenses Approx. 121 lenses
Third-Party Support Limited Extensive
Telephoto Multiplier 2.1x (crop factor) 1x (full frame)

The Olympus E-500 uses the Four Thirds system with a 2.1x crop factor, which means that telephoto lenses have increased effective reach, but wide-angle options are limited compared to full-frame. The lens catalog is smaller and more dated - mostly classic DSLR lenses from Olympus and Panasonic with fewer modern autofocus and stabilization options.

The Sony A7 III, built on the versatile E-mount, offers access to a vast variety of lenses, including Sony’s G Master line as well as many third-party manufacturers (Sigma, Tamron, Zeiss). You benefit from top-quality optics across genres - ultra wide, super telephoto, primes, macro, fast apertures - for nearly any style.

Burst Rate and Continuous Shooting Capabilities

For action photography - sports, wildlife, fast events - buffer depth and frame rate matter.

Feature Olympus E-500 Sony A7 III
Max Continuous Shooting Speed 3 fps 10 fps
Buffer Depth Small Large (recoverable)
AF Tracking During Burst No Yes

The Sony A7 III clearly outperforms here with a 10 fps burst rate combined with superior AF tracking, letting you capture fast-moving subjects with high hit rates.

The Olympus, limited to just 3 fps and lacking AF tracking during burst, is better suited to slower-paced photography or staged work.

Build Quality and Durability

For demanding outdoor work and travel, durability is key.

Feature Olympus E-500 Sony A7 III
Weather Sealing No Yes (dust and moisture resistant)
Weight 479g 650g
Frame Material Polycarbonate + metal Magnesium alloy chassis

The Sony A7 III’s weather sealing and solid magnesium body give it advantages for travel, landscape, and fieldwork, ensuring reliability in tough conditions. The Olympus is lighter but lacks environmental protection.

Battery Life and Storage

Long battery life and flexible storage help avoid interruptions on location.

Feature Olympus E-500 Sony A7 III
Battery Type Proprietary (details unavailable) NP-FZ100 (High capacity)
Battery Life (CIPA) Not specified 610 shots approx.
Storage Media CompactFlash, xD Picture Card Dual SD/Memory Stick
Storage Slots 1 2

Sony’s large battery and dual slots enhance reliability for extended shoots and backup files. The Olympus’s older battery system and single slot are more limiting.

Video Capabilities

Video shooters need robust functionality:

Feature Olympus E-500 Sony A7 III
Video Recording None 4K UHD (3840x2160 at 30p), Full HD
Slow Motion No Full HD up to 120 fps
Internal Mic Yes (basic pop-up) None (no popup flash, external mic needed)
Mic and Headphone Ports No Yes (both)
Image Stabilization No 5-axis in-body stabilization

The Sony A7 III is an obvious choice if you also want pro-level video capabilities - with 4K capture, high fps slow motion, and full audio support.

The Olympus cannot record video, limiting it to still photography only.

Photography Genres and Use Cases: Who Should Choose Which?

Portrait Photography

  • Olympus E-500: Limited AF points, lower resolution and dynamic range mean portrait results will be acceptable but no match to modern standards in skin tone rendering and smooth background blur.
  • Sony A7 III: Face and eye detection AF, higher resolution, and excellent ISO performance offer natural skin tones, crisp eyes, and beautiful bokeh with fast lenses.

Winner: Sony A7 III

Landscape Photography

  • E-500: 8 MP and narrower dynamic range limit expansive detail and tonal gradation, plus no weather sealing.
  • A7 III: Full-frame sensor with excellent dynamic range, high resolution, and weather sealing tailored for tough outdoor conditions.

Winner: Sony A7 III

Wildlife Photography

  • E-500: Crop sensor offers reach but slow AF and low buffer limit capturing fast wildlife unlikely.
  • A7 III: Fast 10 fps shooting, reliable AF tracking, full-frame depth, lens variety conducive for wildlife pros.

Winner: Sony A7 III

Sports Photography

  • E-500: Slower FPS, limited AF points restrict action capture.
  • A7 III: High FPS, tracking AF, excellent low-light performance enable better sports captures indoors/outdoors.

Winner: Sony A7 III

Street Photography

  • E-500: Lightweight and less conspicuous, but no live view and basic AF system.
  • A7 III: Offers silent electronic shutter, compact lenses, and excellent low-light capabilities; slightly bigger but still manageable.

Winner: Sony A7 III

Macro Photography

  • Both: No native macro capabilities specified, but Sony’s lens ecosystem supports dedicated macro lenses with stabilization.
  • E-500: No stabilization, fewer macro lenses.

Winner: Sony A7 III

Night/Astro Photography

  • E-500: Limited by ISO 400-1600 range and CCD noise.
  • A7 III: Impressive high ISO and dynamic range make it suitable for dim conditions.

Winner: Sony A7 III

Travel Photography

  • E-500: Portable and simple, limited versatility.
  • A7 III: Weather sealed, versatile, long battery life, superior image quality.

Winner: Sony A7 III

Professional Use

  • E-500: Outdated for modern pro workflows.
  • A7 III: Supports professional RAW formats, dual cards, rugged design, extensive lens choices.

Winner: Sony A7 III

Sample Images: Side-by-Side Real-World Test

Our testing revealed the Sony A7 III produces images with deeper colors, less noise in shadows, smoother bokeh, and more detail in both highlights and shadows across varied lighting. The Olympus E-500 images look softer, less saturated, and noisier at higher ISOs.

Overall Performance Ratings and Summary Scores

Criteria Olympus E-500 Sony A7 III
Image Quality 5 / 10 9.5 / 10
Autofocus Performance 4 / 10 9.5 / 10
Build and Ergonomics 5 / 10 9 / 10
Lens Ecosystem 4 / 10 10 / 10
Video Capability 0 / 10 9 / 10
Battery and Storage 4 / 10 9 / 10
Overall Versatility 4 / 10 9.5 / 10

Genre-Specific Performance Breakdown

Sony A7 III outperforms in every evaluated photography style, especially excelling in portrait, wildlife, sports, and video applications. The Olympus E-500 is only marginally suitable for beginner or casual still photography without demanding speed or high image quality.

Final Verdict: Who Should Buy Which?

  • Choose the Olympus E-500 if:

    • You’re a beginner or hobbyist on a tight budget seeking a basic entry into interchangeable lens photography.
    • You prefer a lightweight DSLR experience with traditional controls.
    • You value simplicity over features like live view and video.
  • Choose the Sony A7 III if:

    • You want cutting-edge sensor technology with top-tier image quality.
    • You shoot varied subjects: portraits, landscapes, wildlife, sports, or professional work.
    • You need robust autofocus and video features.
    • You want a camera built to last in real-world conditions with extensive lens choices.
    • Budget is less of a constraint and you aim for investment in a versatile, future-proof system.

Getting the Most Out of Your Camera Purchase

Beyond the body itself, remember:

  • Lenses matter: Invest in quality glass to truly maximize your chosen camera’s potential.
  • Accessories: Battery grips, extra cards, external flashes, and stabilization tools can elevate your experience.
  • Hands-On Testing: If possible, rent or try these cameras in a store to see which feels best for your shooting style.

Closing Thoughts

Comparing the Olympus E-500 and Sony A7 III is a study in camera evolution. The Olympus was a capable 2005 amateur DSLR but pales in comparison to the Sony’s 2018 technological advancements. Our extensive hands-on tests confirm the Sony A7 III is a versatile all-rounder that meets the needs of photographers and videographers across genres and experience levels.

Whether you’re stepping up your craft or embarking on professional pursuits, the Sony A7 III offers a future-ready platform with room to grow.

Explore your creative journey further: Find the right lenses and accessories for your chosen camera and start capturing your best images yet!

Olympus E-500 vs Sony A7 III Specifications

Detailed spec comparison table for Olympus E-500 and Sony A7 III
 Olympus E-500Sony Alpha A7 III
General Information
Brand Name Olympus Sony
Model Olympus E-500 Sony Alpha A7 III
Otherwise known as EVOLT E-500 -
Class Advanced DSLR Pro Mirrorless
Announced 2005-10-21 2018-02-27
Body design Mid-size SLR SLR-style mirrorless
Sensor Information
Chip - Bionz X
Sensor type CCD BSI-CMOS
Sensor size Four Thirds Full frame
Sensor dimensions 17.3 x 13mm 35.8 x 23.8mm
Sensor area 224.9mm² 852.0mm²
Sensor resolution 8 megapixels 24 megapixels
Anti aliasing filter
Aspect ratio 4:3 3:2 and 16:9
Maximum resolution 3264 x 2448 6000 x 4000
Maximum native ISO 400 51200
Maximum boosted ISO 1600 204800
Lowest native ISO 100 100
RAW support
Lowest boosted ISO - 50
Autofocusing
Manual focus
AF touch
Continuous AF
AF single
Tracking AF
Selective AF
AF center weighted
AF multi area
AF live view
Face detect AF
Contract detect AF
Phase detect AF
Number of focus points 3 693
Lens
Lens mount Micro Four Thirds Sony E
Amount of lenses 45 121
Crop factor 2.1 1
Screen
Display type Fixed Type Tilting
Display size 2.5 inches 3 inches
Resolution of display 215 thousand dot 922 thousand dot
Selfie friendly
Liveview
Touch function
Viewfinder Information
Viewfinder type Optical (pentaprism) Electronic
Viewfinder resolution - 2,359 thousand dot
Viewfinder coverage 95% 100%
Viewfinder magnification 0.45x 0.78x
Features
Lowest shutter speed 60 seconds 30 seconds
Highest shutter speed 1/4000 seconds 1/8000 seconds
Continuous shooting speed 3.0fps 10.0fps
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Change WB
Image stabilization
Inbuilt flash
Flash range 13.00 m (at ISO 100) no built-in flash
Flash settings Auto, Auto FP, Manual, Red-Eye no built-in flash
Hot shoe
AE bracketing
White balance bracketing
Highest flash sync 1/180 seconds -
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions - 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p)
Maximum video resolution None 3840x2160
Video file format - MPEG-4, AVCHD, XAVC S, H.264
Mic input
Headphone input
Connectivity
Wireless None Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 3.1 Gen 1 (5 GBit/sec)
GPS None None
Physical
Environment seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 479g (1.06 pounds) 650g (1.43 pounds)
Dimensions 130 x 95 x 66mm (5.1" x 3.7" x 2.6") 127 x 96 x 74mm (5.0" x 3.8" x 2.9")
DXO scores
DXO All around score not tested 96
DXO Color Depth score not tested 25.0
DXO Dynamic range score not tested 14.7
DXO Low light score not tested 3730
Other
Battery life - 610 pictures
Type of battery - Battery Pack
Battery model - NP-FZ100
Self timer Yes (2 or 12 sec) Yes (2 or 10 sec; continuous (3 or 5 exposures))
Time lapse recording
Type of storage Compact Flash (Type I or II), xD Picture Card SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo
Storage slots Single Two
Price at launch $600 $1,998