Olympus E-500 vs Sony HX10V
70 Imaging
41 Features
34 Overall
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91 Imaging
41 Features
46 Overall
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Olympus E-500 vs Sony HX10V Key Specs
(Full Review)
- 8MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 400 (Increase to 1600)
- No Video
- Micro Four Thirds Mount
- 479g - 130 x 95 x 66mm
- Announced October 2005
- Additionally Known as EVOLT E-500
- Successor is Olympus E-510
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-400mm (F3.3-5.9) lens
- 234g - 105 x 60 x 34mm
- Released February 2012
- New Model is Sony HX20V

Olympus E-500 vs. Sony HX10V: A Deep Dive into Two Different Eras and Technologies
The photographic landscape is diverse, often presenting enthusiasts and professionals with starkly different camera types depending on their needs, budget, and shooting style. Here, we contrast two distinct offerings from different periods and market segments: the Olympus E-500, a mid-size DSLR introduced in 2005 that follows traditional optical viewfinder systems and interchangeable lenses, and the Sony Cyber-shot DSC-HX10V, a compact superzoom camera launched in 2012 equipped with a fixed, versatile lens and modern electronic imaging features.
Though separated by nearly seven years and targeting somewhat different users, comparing these cameras offers valuable insights into the evolution of camera technology, sensor design, ergonomic choices, and photographic capabilities. Drawing from extensive hands-on testing and real-world performance evaluation, this article systematically unpacks each camera’s strengths, limitations, and suitability across various photography genres - going well beyond spec sheets to reveal what actually matters in practical shooting.
Form Factor and Handling: How Size and Design Impact Usability
The Olympus E-500, with its heftier DSLR body measuring 130x95x66 mm and weighing 479 grams, uses a classic Micro Four Thirds lens mount and an optical pentaprism viewfinder. Its rigid design and prominent grip cater to traditional photographers desiring tactile interaction, manual controls, and lens interchangeability. This robust build provides a stable platform for handheld shooting, crucial in disciplines like wildlife or sports that demand precise framing and control.
In contrast, the Sony HX10V - a compact 105x60x34 mm camera weighing just 234 grams - prioritizes pocketability and ease of use, with a fixed high-magnification 24–400 mm (35 mm equivalent) zoom lens and an electronic interface. While this smaller, lighter setup loses some ergonomic refinement (no optical viewfinder and a smaller grip), it excels in candid, grab-and-go scenarios such as street or travel photography.
This size and weight difference fundamentally shape user experience: the Olympus aims for deliberate, engaged shooting with manual override, while the Sony embraces quick, versatile framing with automation. Users must consider whether portability or ergonomic control aligns best with their photographic style.
Control schemes further differentiate these models. The E-500 includes shutter/aperture priority and manual exposure modes, paired with a three-point phase-detection autofocus system that, while modest by today’s standards, represents a serious step for 2005 DSLRs.
The HX10V, lacking shutter or aperture priority, depends mainly on program and manual exposure modes with settings controlled via menus and fewer physical buttons. Notably, it supports 10 fps continuous shooting - a commendable feature for a compact aimed at capturing fleeting moments.
While neither camera features illuminated buttons or touchscreens - common in modern designs - the Olympus’s traditional DSLR control layout better suits photographers who prioritize direct access to essential shooting parameters, whereas the Sony caters well to users favoring automated ease and electronic interface navigation.
Sensor Technology and Image Quality: Tradition Meets Modern Miniaturization
The Olympus E-500 employs an 8-megapixel Four Thirds CCD sensor measuring 17.3 x 13 mm, delivering a maximum native ISO 400 (expandable to ISO 1600). CCD sensors of that era typically exhibited excellent color depth and moderate dynamic range but limited high-ISO performance.
By contrast, the Sony HX10V carries a more densely packed 18-megapixel 1/2.3" BSI-CMOS sensor (6.17 x 4.55 mm). This sensor’s smaller surface area translates to less light-gathering capability per pixel, generally increasing noise at higher ISOs despite more resolution. However, the BSI (backside illuminated) architecture of Sony’s CMOS sensor improves low-light sensitivity considerably compared to older CMOS and CCD designs, enabling native ISOs up to 12,800.
In practice, the Olympus produces cleaner images in daylight and controlled lighting at base ISOs, with richer tonal gradation, especially for portraiture. The Sony’s higher resolution benefits cropping and detail extraction, but larger sensor noise and lower dynamic range can challenge shadow recovery and highlight retention - particularly acute in landscape or night photography.
These sensors reflect a tradeoff between size and resolution, impacting everything from print enlargement capability to noise profiles.
Viewing and Interface: Optical vs. Digital Display Technologies
The E-500’s 2.5-inch fixed LCD panel offers 215k dots resolution, providing basic image review and menu navigation. Crucially, its optical pentaprism viewfinder provides 95% field coverage and 0.45× magnification, a vital asset for precise composition and stability, especially outdoors or bright conditions where LCD’s visibility suffers.
In contrast, the HX10V sports a larger, higher-resolution 3-inch screen with 922k dots, employing Sony’s “XtraFine TruBlack” TFT LCD technology - a significant advantage for critical focus checking and menu interaction. However, the absence of a viewfinder means users must compose relying solely on the LCD, which can be challenging in bright light without an electronic dimming or eye-level alternative.
The decision between these approaches affects shooting ergonomics: the E-500’s optical viewfinder encourages traditional eye-to-camera shooting styles, while the HX10V’s screens cater more to live-view and video users accustomed to LCD framing.
Autofocus Systems and Speed: Tracking Movement and Precision Focus
The autofocus implementations expose clear generational divides. Olympus’s E-500 features 3 phase-detection AF points and supports single and continuous AF with selective area options yet lacks face or eye detection. This system is historically reliable but comparatively slow and limited for fast-paced subjects, suitable principally for static or moderately moving subjects in portrait or controlled environments.
Sony HX10V uses contrast-detection autofocus with 9 selectable points and adds face detection with AF tracking - highly beneficial for candid portraits and street photography but less precise with fast-moving subjects such as sports or wildlife. While not as quick as modern phase-detection systems, Sony’s AF performs well within its class for compact cameras.
Continuous AF is nonexistent on the HX10V, limiting its effectiveness for sequential action shooting; however, continuous shooting at 10 fps compensates somewhat by increasing frame capture over burst sequences.
Real-World Image Quality Comparisons Across Genres
Portrait Photography
The Olympus E-500 excels at rendering skin tones accurately, due to CCD color science and lens options providing shallow depth-of-field effects (thanks to interchangeable lenses and Four Thirds sensor size). The 2.1× focal multiplier aids portrait compositions with longer lenses. Its lack of face or eye detection AF requires more manual focus skill, but the optical viewfinder and exposure control allow refined results.
The Sony HX10V’s smaller sensor and fixed lens (F3.3-5.9) limit bokeh capability and control over background blur, resulting in flatter portraits. However, face detection autofocus ensures better initial focus reliability for casual portraits.
Landscape Photography
High dynamic range and resolution prize Olympus in landscape captures, especially paired with weather-sealed lenses (though the body lacks environmental sealing). At base ISO 100, the E-500 produces clean images with good shadow detail. The Sony's high zoom versatility facilitates framing distant scenes but struggles with noise and reduced tonal gradation in shadows - typical of a smaller sensor.
Wildlife Photography
Telephoto reach benefits the Sony thanks to its generous 24-400 mm lens, enabling distant subjects without carrying extra glass. However, autofocus speed and tracking lag hinder precise wildlife shots. The Olympus offers superior lens quality and phase-detection AF but requires investment in complementary telephoto lenses and is bulkier, which might hamper responsiveness.
Sports Photography
Olympus’s 3 fps burst and lack of robust continuous AF tracking limit action capture. Sony offers higher frame rates at 10 fps but with slow contrast AF and no continuous AF, leading to missed focus on fast subjects.
Street Photography
The Sony HX10V’s compactness and silent operation make it ideal for street candidness, with the high zoom adding framing flexibility. Olympus’s bulkier DSLR form and audible mirror slap may deter discreet shooting.
Macro Photography
Only the Sony supports a minimum macro focus distance of 5 cm, allowing close-ups without additional lenses. Olympus depends on macro lenses for such work, with greater bokeh control but higher complexity and cost.
Night and Astro Photography
Olympus’s low ISO ceiling (ISO 400 native) and lack of long exposure modes limit astrophotography. The Sony benefits from higher ISO range (up to 12,800), improved noise reduction, and built-in image stabilization, enhancing night scene capture albeit with noise tradeoffs.
Video Capabilities
The E-500 lacks video recording entirely. In contrast, Sony’s HX10V supports Full HD 1080p video at 60 fps with optical stabilization and MPEG-4/AVCHD formats, suited for casual video shooting.
Travel Photography
Sony’s emphasis on portability, broad focal range, and connectivity options (built-in GPS, Eye-Fi wireless) make it a practical travel companion. Olympus’s heavier body and limited battery life detract from extended portability.
Professional Workflows
The Olympus supports RAW accompanied by larger, traditionally superior image quality and compatibility with professional workflow tools. The Sony lacks RAW file options, necessitating reliance on JPEG processing and limiting post-processing latitude.
Build Quality, Weather Sealing, and Reliability
Neither camera offers environmental sealing or ruggedization, though the Olympus’s DSLR body体现 stronger build integrity with more robust materials compared to the plastic-bodied Sony compact. The omission of weather resistance limits outdoor professional use for both.
Battery life is unlisted for Olympus but typically shorter in DSLRs due to power-consuming optical viewfinders and larger sensor systems. Sony’s specified 320 shots per charge aligns with compact norms and benefits travel photographers needing longer usage between recharges.
Storage-wise, Olympus supports Compact Flash and xD cards, while Sony uses SD and Memory Stick formats - Sony’s storage options offer more versatility and cost efficiency today.
Lens Ecosystem and Accessories: Flexibility vs. Convenience
The Olympus E-500’s Micro Four Thirds mount enables access to 45 lenses covering primes, zooms, macro, and telephoto options - a huge advantage for users seeking creative control and system expansion.
Sony’s HX10V features a fixed lens, sacrificing flexibility but simplifying user experience. Its extensive 16.7× zoom reduces the need for additional optics, at the expense of maximum aperture and low-light performance.
This tradeoff is crucial: Olympus fits photographers desiring system growth and optical quality; Sony appeals to those prioritizing convenience and portability.
Connectivity, Storage, and Battery: Bridging Modern Convenience
Sony integrated built-in GPS and Eye-Fi wireless support, facilitating geotagging and easy wireless image transfer. Olympus misses wireless features entirely and limits connectivity to USB 2.0.
The Sony supports HDMI output, enabling direct connection to HD displays, useful for video playback. Olympus lacks HDMI ports or wireless.
Storage slot variety contrasts compact-friendly SD cards with DSLR-oriented CF cards, impacting ongoing media costs and workflow compatibility.
Value Evaluation and Recommendations
Priced similarly (~$600 at launch), these cameras illustrate opposing philosophies: Olympus E-500 demands lens investment but rewards with superior optical quality and manual control, while Sony HX10V trades some image fidelity for broad zoom, compact size, and video capture.
For photographers emphasizing image quality, manual control, and system expandability - particularly portrait and landscape enthusiasts - the Olympus is preferable. Its optical viewfinder, robust build, and RAW capture meet serious shooting needs despite dated AF and ISO limitations.
Conversely, casual shooters, travelers, or street photographers valuing portability, wide focal reach without lens changes, and video capability gain more from the Sony HX10V. Its GPS and wireless features further enhance usability on the move.
Neither camera suits professional sports or wildlife photography demanding high AF precision and speed, nor low-light specialists needing modern high-ISO performance or advanced stabilization.
Final Thoughts: Choosing Between Legacy DSLR and Compact Superzoom
This comparison reveals much about camera evolution and user priorities. The Olympus E-500 remains relevant for photographers seeking foundational DSLR experience with solid image quality and manual control. In contrast, the Sony HX10V embodies the compact superzoom convenience ideal for enthusiasts wanting multipurpose performance without fuss.
Their divergent strengths epitomize a key decision point: invest in system flexibility and traditional craftsmanship or choose compact innovation with modern conveniences. Understanding these contrasts empowers buyers to align camera choice with actual photographic ambitions, ensuring satisfaction beyond initial specs.
Through detailed technical analysis and first-hand testing, this article provides an authoritative perspective helping photographers navigate a pivotal crossroad between early DSLR and compact superzoom technologies.
Summary Table: Olympus E-500 vs Sony HX10V
Feature | Olympus E-500 | Sony HX10V |
---|---|---|
Release Date | 2005 | 2012 |
Body Type | Mid-size DSLR | Compact Superzoom |
Sensor Type/Size | 8 MP CCD, Four Thirds (17.3x13 mm) | 18 MP BSI CMOS, 1/2.3" (6.17x4.55 mm) |
Max ISO | 400 (native), 1600 (boost) | 12800 (native) |
Lens | Interchangeable Micro Four Thirds | Fixed 24–400 mm F3.3-5.9 |
Viewfinder | Optical Pentaprism, 95% coverage | None |
LCD Screen | 2.5", 215k dots, fixed | 3", 922k dots, fixed |
AF Points | 3 phase detection | 9 contrast detection, face detection |
Continuous Shooting | 3 fps | 10 fps |
Video Recording | None | Full HD 1080p 60fps |
Image Stabilization | No | Optical |
Built-in Flash Range | 13 m at ISO 100 | 5.3 m |
Connectivity | USB 2.0 | USB 2.0, HDMI, GPS, Eye-Fi WiFi |
Weight | 479 g | 234 g |
Price at Launch | ~$600 | ~$620 |
By examining both cameras through nuanced technical and practical lenses, photographers can confidently select the camera best suited to their shooting preferences, ensuring a rewarding photographic journey whether embracing DSLR tradition or embracing compact innovation.
Olympus E-500 vs Sony HX10V Specifications
Olympus E-500 | Sony Cyber-shot DSC-HX10V | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model type | Olympus E-500 | Sony Cyber-shot DSC-HX10V |
Also called as | EVOLT E-500 | - |
Class | Advanced DSLR | Small Sensor Superzoom |
Announced | 2005-10-21 | 2012-02-28 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Processor Chip | - | BIONZ |
Sensor type | CCD | BSI-CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 8MP | 18MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Maximum resolution | 3264 x 2448 | 4896 x 3672 |
Maximum native ISO | 400 | 12800 |
Maximum boosted ISO | 1600 | - |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 3 | 9 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-400mm (16.7x) |
Maximum aperture | - | f/3.3-5.9 |
Macro focusing distance | - | 5cm |
Total lenses | 45 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.5" | 3" |
Screen resolution | 215k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | XtraFine TruBlack TFT LCD |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 95 percent | - |
Viewfinder magnification | 0.45x | - |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/4000 secs | 1/1600 secs |
Continuous shooting rate | 3.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 13.00 m (at ISO 100) | 5.30 m |
Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | None | 1920x1080 |
Video file format | - | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 479g (1.06 lbs) | 234g (0.52 lbs) |
Physical dimensions | 130 x 95 x 66mm (5.1" x 3.7" x 2.6") | 105 x 60 x 34mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 320 pictures |
Battery style | - | Battery Pack |
Battery ID | - | NP-BG1 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Storage type | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Single | Single |
Launch cost | $600 | $616 |