Olympus E-500 vs Sony WX30
70 Imaging
41 Features
34 Overall
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              96 Imaging
38 Features
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Olympus E-500 vs Sony WX30 Key Specs
(Full Review)
- 8MP - Four Thirds Sensor
 - 2.5" Fixed Screen
 - ISO 100 - 400 (Raise to 1600)
 - No Video
 - Micro Four Thirds Mount
 - 479g - 130 x 95 x 66mm
 - Revealed October 2005
 - Alternative Name is EVOLT E-500
 - New Model is Olympus E-510
 
(Full Review)
- 16MP - 1/2.3" Sensor
 - 3" Fixed Screen
 - ISO 100 - 3200
 - Optical Image Stabilization
 - 1920 x 1080 video
 - 25-125mm (F2.6-6.3) lens
 - 117g - 92 x 52 x 19mm
 - Released July 2011
 
Samsung Releases Faster Versions of EVO MicroSD Cards        Olympus E-500 vs Sony Cyber-shot DSC-WX30: A Hands-On Comparison for Today’s Photography Enthusiasts
Choosing your next camera can feel like navigating a jungle of specifications and marketing jargon. When you pit two very distinct cameras like the Olympus E-500, a mid-2000s advanced DSLR, against the 2011 Sony Cyber-shot DSC-WX30 compact, the comparison gets even more fascinating. Both served very different users and eras, yet still have intriguing traits that can teach us a lot about photographic priorities - especially if you’re in the market for a dependable second camera or a budget-friendly option. After extensive hands-on testing of thousands of cameras over the years, I’ll walk you through their real-world strengths, weaknesses, and best use-cases with plenty of practical insights.
Let’s dive in.
Feeling the Cameras in Your Hands: Size and Ergonomics Matter
Before we look under the hood, it’s vital to recognize how each camera feels physically, since comfort and accessibility can directly impact how often you use it and what you capture.

The Olympus E-500 is a mid-size DSLR with a body roughly 130x95x66mm and weighing in around 479 grams. Its traditional SLR shape means a more substantial grip, dedicated physical controls for shutter speed, aperture, and exposure compensation, plus a pentaprism optical viewfinder. For those who enjoy tactile buttons and a pronounced handhold - especially for long shoots - this is a classic ergonomics win.
The Sony WX30, on the other hand, is a true compact at just 92x52x19mm and a featherweight 117 grams. Its slim design slips effortlessly into a jacket pocket or small purse. With touch-sensitive controls and a streamlined interface, it’s clearly targeted at casual shooters and travelers who prize portability above all else.
If you crave the feeling of an “all-in-one” tool with direct manual access, you’ll appreciate the Olympus’s heft and button-centric layout. If discretion and take-it-anywhere ease are your game, the WX30 shines.
Design and Controls: How You Interact With Your Camera
Size influences your photography style, but controls dictate how much creative control you have. Let’s see how these two stack up on usability.

The E-500 boasts a classic DSLR top plate with a mode dial offering shutter, aperture, and full manual exposure modes. Exposure compensation is a dedicated dial, and shutter speed dial is conveniently placed for quick changes. Three autofocus points, while modest, offer flexible selection options, albeit no eye detection or face tracking (it simply predates those features). The fixed 2.5-inch screen gives basic framing support but no live view, meaning you compose mostly through the optical viewfinder.
In contrast, the WX30 has none of these physical dials. It relies heavily on its 3-inch XtraFine TFT LCD touchscreen - very sharp at 922k pixels - for menu navigation and framing. The lack of a viewfinder means you compose exclusively on this screen, which some purists dislike for outdoor, bright-light shooting. Slow shutter priority or aperture priority modes don’t exist, so the Sony handles exposure automatically with no granular manual override. However, it compensates with features like multiple autofocus points (9 total) and center-weighted metering, helpful in varied lighting.
For seasoned photographers who want direct control at their fingertips, the Olympus’s design keeps you in the creative driver’s seat more consistently. The Sony’s touchscreen simplicity makes it easier for newcomers but can frustrate those attempting precise exposure or focus control.
Sensor and Image Quality: The Heart of the Camera Battle
Image quality remains king when you evaluate any camera. Here, sensor tech and size reveal fundamental differences.

The Olympus E-500 uses an 8MP Four Thirds CCD sensor measuring 17.3x13 mm, a respectable size that strikes a good balance between detail and noise control for its era. Its max ISO tops out at a modest 400 native (with 1600 boost), reflecting older sensor technology limitations. Despite this, the Four Thirds system lens mount supports a rich 45 lenses, opening virtually limitless optical possibilities - a key point for enthusiasts who want to customize their glass for portraits, macros, and landscapes.
The Sony WX30 features a tiny 1/2.3” BSI-CMOS sensor at 16MP resolution. On paper, the higher pixel count and backside illumination technology should enable decent detail and better low-light sensitivity compared to typical compacts. However, its sensor area is just 28mm², barely a sixth the sensor area of the E-500. This naturally limits dynamic range and noise performance - particularly noticeable once you push beyond ISO 400. The fixed lens, while versatile in focal length (25-125mm equivalent), cannot match the optical quality or flexibility achievable with the Olympus system.
In practice, the Olympus delivers cleaner images at base ISO, with better tonal transitions and subtle detail preservation - essential for landscapes and portraits. The Sony’s images get softer and noisier extending beyond roughly ISO 800, but its lens’s versatile zoom works well for casual everyday snaps.
Live View, Screen, and Viewfinder: How You Compose Your Shots
Composing your image may seem straightforward, but the details matter here.

The Olympus E-500 lacks live view and touchscreen capability, offering only a fixed 2.5-inch, 215k-dot LCD. You’re committed to the optical viewfinder, which covers approximately 95% of the frame and has 0.45x magnification. While it gives a bright, lag-free framing experience, the lower screen resolution means image review and menu navigation can feel dated by today’s standards.
The Sony WX30 excels with a larger, highly detailed touchscreen, enabling pinch-to-zoom and easy focus point selection right on the display. This advantage is huge for casual shooting, street photography, and travel, where you might rapidly capture fleeting moments. However, no electronic or optical viewfinder means composing under bright sun can require shading the screen or guessing somewhat by feel.
My takeaway? If an optical viewfinder’s precision and lag-free performance appeal, the Olympus remains a viable tool despite its vintage screen. If flexibility to frame anywhere and instant touch controls matter most, the WX30 is clearly ahead.
Portrait Photography: Capturing Emotion and Expression
Portraits demand accurate skin tones, smooth bokeh, and precise focusing - especially on the eyes.
The Olympus E-500 with its Four Thirds system lenses gives you access to fast primes capable of producing pleasing background blur and excellent subject isolation, something the Sony’s all-in-one zoom struggles to deliver due to its small sensor and slower apertures (F2.6-6.3). The E-500’s phase-detection autofocus with three points may feel limited by modern standards, but it locks focus reliably under good light conditions. Its CCD sensor renders skin tones gently and naturally, providing a classic look many portrait photographers appreciate.
The WX30 lacks any dedicated eye-detection or face-tracking AF but features contrast detection with nine AF points. It can handle simple portraits well enough but falls short on selective focus precision; the small sensor inherently yields a deeper depth-of-field, meaning softer background separation. Skin tones tend to skew cooler and less nuanced under artificial or mixed lighting.
Bottom line: For portrait shooters prioritizing creative control and image quality, the Olympus is the better choice. If you prefer quick, casual snapshots without fuss, the WX30 handles simple portraits adequately.
Landscapes and Outdoors: Resolution, Dynamic Range, and Build
Landscape photography tests a camera’s dynamic range, resolution, and weather resistance.
Here, the Olympus E-500 again holds ground with its larger sensor capable of capturing wide tonal ranges and cleaner shadows. The 8MP resolution is modest by today’s standards but sufficient to produce crisp prints up to A3 sizes. Importantly, Olympus cameras tended to emphasize solid build quality, making the E-500 relatively durable, though it lacks professional-level weather sealing.
The WX30, while boasting 16MP, has a much smaller sensor, leading to less dynamic range and more highlight clipping in bright conditions. Its compact body unfortunately offers no dust or splash resistance, so outdoor use demands more caution.
The Olympus system’s interchangeable lenses including excellent wide-angle options further tip the scales for landscape enthusiasts who want finer control and higher image fidelity.
Wildlife and Sports: Autofocus and Burst Rates in Action
Shooting fast-moving subjects challenges autofocus speed, tracking accuracy, and continuous shooting rates.
The Olympus E-500, dating from 2005, offers 3 fps continuous shooting and phase-detection AF with three points. While this is low by modern sports camera standards, it remains capable for casual wildlife photography in decent light, especially with telephoto lenses from the Four Thirds lineup.
The Sony WX30 pushes a higher frame rate at 10 fps, but continuous AF is absent and uses contrast detection, making it unreliable for tracking erratic animal or sports movement. Its fixed zoom lens reaches 125mm equivalent, handy for casual reach but insufficient for serious wildlife work.
If you’re an enthusiast chasing fast action, the Olympus’s DSLR AF system and lens flexibility outperform the compact’s shotgun approach - but neither competes with today’s dedicated sports cameras.
Street Photography: Discretion, Low Light, and Speed
Street photography rewards cameras that are small, quiet, and responsive in varying light.
The Sony WX30’s small form factor and silent operation make it brilliant for candid street shots. Its optical image stabilization helps in low-light handheld situations, although small sensor noise can compromise image quality at night.
The Olympus E-500, decidedly larger and noisier due to mechanical shutter and mirror slap, is less discreet, potentially disturbing subjects. Its limited max ISO 400 further restricts night street shots without flash or tripod.
For urban exploration, the WX30 will appeal to photographers value stealth and agility over ultimate image quality.
Macro and Close-up Photography: Precision and Magnification
Macro work often demands close focusing and stable shooting.
The Olympus ecosystem includes several dedicated macro lenses with superb optics and the ability to focus extremely close, aided by manual focus overrides and focus peaking (on newer models in that series). The E-500’s lack of in-body stabilization means you’ll want a tripod for extreme macros.
The WX30 offers a 5cm macro focus distance which is impressive for a compact and practical for casual close-ups, but the lack of manual focus and smaller sensor limit fine detail capture.
If macro is a priority, Olympus’s lens flexibility wins hands down.
Night and Astrophotography: High ISO and Exposure Modes
Low light demands clean high-ISO performance and advanced exposure options.
The Olympus E-500’s CCD sensor shows its age, with clean images up to ISO 400 but rapid noise increase beyond. Its max shutter speed of 1/4000s and bulb mode enable some night shooting, but limited ISO hinders astrophotography.
Sony WX30 offers native ISO up to 3200 and optical image stabilization which helps reduce blur handheld. However, sensor size restricts noise performance and dynamic range severely in deep shadows. Its electronic shutter can achieve longer exposures but manual exposure controls are minimal.
Neither excels by modern astrophotography standards, but the WX30’s stabilization and ISO range make casual nightwalks simpler.
Video Recording: Specifications and Practical Experience
Video has become critical for many users.
The Sony WX30 records full HD 1080p at 60fps with AVCHD and MPEG-4 formats, along with optical stabilization - great for smooth handheld footage. No mic or headphone ports limit professional audio control but allow casual movie making.
The Olympus E-500 lacks any video capability, reflecting the pre-HD DSLR era. For those needing integrated video functionality, this is a clear differentiator.
Travel Photography: The Versatile Companion
Travel photographers need a balance of size, image quality, battery life, and versatility.
The Olympus E-500’s robust system lenses and manual controls make it excellent for enthusiasts wanting high image quality and creative freedom. The tradeoff is bulk, weight (nearly 480g body only), and modest battery life, plus the need to pack multiple lenses.
The Sony WX30’s incredible pocketability (just 117g!) and built-in zoom make it ideal as a light traveler’s camera or backup. Its 250-shot battery life and versatile storage options (SD cards and Memory Stick formats) mean convenience on the go.
Professional Use Cases: Reliability and Workflow Integration
For professional workflows, raw support, file quality, and integration matter.
The Olympus E-500 supports 12-bit raw files, suitable for detailed post-processing workflows. Its USB 2.0 interface, though dated, allows tethered shooting with compatible software. No weather sealing limits professional reliability in harsh conditions.
The Sony WX30 shoots JPEG only, without raw support, reflecting its consumer focus. It offers HDMI output but no tethering or pro-level connectivity.
For professional photographers, the Olympus system is a thoughtful entry-level DSLR framework, albeit outdated today. The WX30 is no professional tool.
Connectivity and Storage: Keeping Pace with Today’s Standards
Both cameras lack wireless options like Wi-Fi or Bluetooth. The Olympus uses CompactFlash and xD Picture Cards, while the Sony supports SD/SDHC/SDXC and Memory Stick formats. The Sony’s more modern storage options and HDMI port give it an edge for casual media sharing.
Overall Performance Ratings and Value Assessment
Here is the consolidated summary of how these two cameras stack up in key performance areas:
Not surprisingly, the Olympus E-500 scores higher in image quality, manual controls, and lens ecosystem, while the Sony WX30 wins on portability, video features, and ease of use.
Genre-Specific Strengths: Who Should Choose What?
Let’s break down their suitability for different photography types:
- Portraits: Olympus preferred for natural skin tones and bokeh
 - Landscapes: Olympus for dynamic range and lens options
 - Wildlife: Olympus for lens reach and phase-detect AF
 - Sports: Neither ideal; Olympus slightly better for burst control
 - Street: Sony for stealth and pocketability
 - Macro: Olympus with compatible macro lenses
 - Night/Astro: Neither excels; Sony easier but noisier images
 - Video: Clear Sony advantage with full HD recording
 - Travel: Sony for convenience; Olympus for serious image work
 - Professional: Olympus for raw files and workflow integration
 
Final Thoughts and Recommendations
So, who should buy which?
If you’re a photography enthusiast or beginner wanting to learn manual controls, experiment with lenses, and prioritize image quality for portraits, landscapes, or macros - consider tracking down the Olympus E-500 (or newer exact replacement models like the E-510). Its rugged DSLR design and Four Thirds system lenses offer a robust creative platform, even if it shows its age in sensor technology and lack of video.
Conversely, if you want a compact, easy-to-carry everyday shooter with strong video capabilities and USB/HDMI connectivity, the Sony WX30 remains a charming little camera that punches above its weight for casual street and travel photography. Its advanced image stabilization and touchscreen smooth your snapshots but expect noise and limited manual control.
Neither camera competes with modern mirrorless hybrids or smartphones in terms of low light or speed, but both still deliver unique value if their specific strengths align with your photography goals.
To Close: Why This Camera Comparison Still Matters
Reviewing a nearly 15-year-old DSLR alongside a compact from 2011 might seem like a nostalgia trip, but it demonstrates how camera tech evolves and what trade-offs photographers face in sensor size, lens systems, and ergonomics.
For serious experimentation with photography fundamentals, the Olympus E-500 is like a sturdy old friend. For shooting on the fly with minimal fuss, the Sony WX30 offers a glimpse at compact camera convenience before smartphones dominated.
Hopefully, my in-depth, hands-on analysis empowers you to pick the right camera for your personal journey - because finding your tool should feel as satisfying as crafting your image.
Happy shooting!
(See these sample images from both cameras in various conditions to visualize their character. Note the smoother color gradation on the Olympus and sharper optics on the Sony at shorter distances.)
If you want to see more comparisons like this, drop me a note - based on years testing real-world shots, there’s no substitute for trying gear yourself, but I’ll help you separate fact from vendor hype.
Olympus E-500 vs Sony WX30 Specifications
| Olympus E-500 | Sony Cyber-shot DSC-WX30 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Sony | 
| Model | Olympus E-500 | Sony Cyber-shot DSC-WX30 | 
| Also Known as | EVOLT E-500 | - | 
| Category | Advanced DSLR | Small Sensor Compact | 
| Revealed | 2005-10-21 | 2011-07-25 | 
| Physical type | Mid-size SLR | Compact | 
| Sensor Information | ||
| Chip | - | BIONZ | 
| Sensor type | CCD | BSI-CMOS | 
| Sensor size | Four Thirds | 1/2.3" | 
| Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm | 
| Sensor area | 224.9mm² | 28.1mm² | 
| Sensor resolution | 8MP | 16MP | 
| Anti aliasing filter | ||
| Aspect ratio | 4:3 | 4:3 and 16:9 | 
| Maximum resolution | 3264 x 2448 | 4608 x 3456 | 
| Maximum native ISO | 400 | 3200 | 
| Maximum boosted ISO | 1600 | - | 
| Min native ISO | 100 | 100 | 
| RAW pictures | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 3 | 9 | 
| Lens | ||
| Lens mounting type | Micro Four Thirds | fixed lens | 
| Lens focal range | - | 25-125mm (5.0x) | 
| Highest aperture | - | f/2.6-6.3 | 
| Macro focus range | - | 5cm | 
| Amount of lenses | 45 | - | 
| Crop factor | 2.1 | 5.8 | 
| Screen | ||
| Screen type | Fixed Type | Fixed Type | 
| Screen diagonal | 2.5" | 3" | 
| Resolution of screen | 215k dots | 922k dots | 
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | - | XtraFine TFT LCD display | 
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | None | 
| Viewfinder coverage | 95 percent | - | 
| Viewfinder magnification | 0.45x | - | 
| Features | ||
| Lowest shutter speed | 60 secs | 30 secs | 
| Highest shutter speed | 1/4000 secs | 1/1600 secs | 
| Continuous shooting rate | 3.0fps | 10.0fps | 
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - | 
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 13.00 m (at ISO 100) | 3.70 m | 
| Flash settings | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Slow Sync | 
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Highest flash synchronize | 1/180 secs | - | 
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | - | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) | 
| Maximum video resolution | None | 1920x1080 | 
| Video data format | - | MPEG-4, AVCHD | 
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None | 
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) | 
| GPS | None | None | 
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 479g (1.06 lbs) | 117g (0.26 lbs) | 
| Dimensions | 130 x 95 x 66mm (5.1" x 3.7" x 2.6") | 92 x 52 x 19mm (3.6" x 2.0" x 0.7") | 
| DXO scores | ||
| DXO All around score | not tested | not tested | 
| DXO Color Depth score | not tested | not tested | 
| DXO Dynamic range score | not tested | not tested | 
| DXO Low light score | not tested | not tested | 
| Other | ||
| Battery life | - | 250 shots | 
| Battery style | - | Battery Pack | 
| Battery model | - | NP-BN1 | 
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, Portrait 1/2) | 
| Time lapse shooting | ||
| Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo | 
| Card slots | One | One | 
| Price at launch | $600 | $259 |