Olympus E-510 vs Pentax ist DS2
69 Imaging
44 Features
42 Overall
43


68 Imaging
44 Features
33 Overall
39
Olympus E-510 vs Pentax ist DS2 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 490g - 136 x 92 x 68mm
- Announced November 2007
- Additionally referred to as EVOLT E-510
- Old Model is Olympus E-500
- Replacement is Olympus E-520
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 200 - 3200
- Pentax KAF Mount
- 605g - 125 x 93 x 66mm
- Announced August 2005

Olympus E-510 vs. Pentax ist DS2: A Hands-On Comparative Analysis of Two Mid-Size DSLRs
In the vast world of DSLRs, sometimes the devil is in the details - or rather, in how manufacturers balance sensor technology, handling, and feature sets tailored to photographers’ evolving needs. Today, I’ll walk us through a detailed, experience-based comparison of two advanced mid-size DSLRs that defined their respective corners of the market in the mid-2000s: the Olympus E-510 and the Pentax ist DS2.
Both cameras carry the legacy of solid craftsmanship and design philosophies rooted in their respective ecosystems. However, the differences in sensor format, autofocus systems, and handling nuances make for an illuminating study in how choices impact real-world shooting. Lean in as we explore what each camera does well, where compromises lie, and who each is best suited for across diverse photography disciplines.
First Impressions: Body, Build, and Ergonomics
When we place the Olympus E-510 and the Pentax ist DS2 side by side, size and handling quickly emerge as crucial factors. The E-510 is marginally larger at 136x92x68 mm and weighs 490 g, compared to the ist DS2’s 125x93x66 mm and heftier 605 g.
The Olympus shows a more modern approach to ergonomics, with a chunkier, sculpted grip that feels reassuring once you hold it. The Pentax, meanwhile, opts for a compact, boxy layout reflective of earlier DSLR designs, which is less about comfort and more about simplicity and lightness.
The Olympus’s lighter weight belies its somewhat larger footprint, but that extra size translates into better control real estate - buttons and dials are spaced to reduce fumbling. The Pentax’s smaller size might appeal to street or travel shooters prioritizing discreteness but could feel cramped in larger hands.
Examining control layouts from the top, the Olympus offers a more intuitive wheel and dial arrangement, making mode switching and exposure adjustments quicker. Pentax’s traditional command dial system serves well but lacks the tactile refinement seen on the E-510.
Neither camera has illuminated buttons, nor touchscreen support, which isn’t surprising given their era but worth noting when compared to more modern standards.
Sensor Technology & Image Quality: CMOS vs. CCD Perspectives
Perhaps the most defining technical difference between these two cameras lies in their sensor technology and size. The Olympus E-510 utilizes a 10 MP Four Thirds CCD sensor sized at 17.3 x 13 mm (sensor area approx. 225 mm²), whereas the Pentax ist DS2 employs a 6 MP APS-C CCD sensor on 23.5 x 15.7 mm (sensor area approx. 369 mm²).
Let's decode this in terms of impact on image quality:
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Resolution and Detail: The Olympus’s 10 MP sensor edges out in pixel count, offering a maximum resolution of 3648 x 2736 pixels versus Pentax’s 3008 x 2008. This translates to potentially finer detail retention, particularly when making large prints or cropping. However, pixel count alone doesn't tell the full story.
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Sensor Size and Light Gathering: The larger APS-C sensor in the Pentax gathers more light per pixel, which generally yields improved noise performance, excellent dynamic range, and richer tonality. The Olympus’s Four Thirds sensor, smaller and packed with more pixels, struggles somewhat in low-light given the smaller photosites.
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Dynamic Range and ISO Performance: Based on DxO benchmarking, the Olympus E-510 scores 52 overall, with a color depth of 21.2 bits, dynamic range of 10 EV, and low-light ISO performance up to 442 (higher iso with usable quality). Pentax was not officially tested, but CCD APS-C sensors from that period typically deliver respectable tonal gradation but can exhibit increased noise at ISO 800+.
In practical terms, landscape and portrait shooters valuing dynamic range and natural gradation may lean toward the Pentax for its sensor size and color fidelity, while the Olympus offers more megapixels and an integrated sensor-shift stabilization system, a notable advantage for handheld shots.
Viewing and Interface: LCD Screen and Viewfinder
On the back, both cameras feature non-articulating 2.5-inch LCDs with resolutions close to 230k for Olympus and 210k for Pentax. To the naked eye, this difference is negligible, but Olympus’s slightly higher pixel density provides a marginally crisper image for reviewing shots.
Neither model offers touchscreen functionality or live histogram overlays, understandable for DSLRs from the mid-2000s.
The optical viewfinders are optical pentamirror setups: both covering about 95% of the frame. The Pentax provides higher magnification at 0.64x versus the Olympus’s 0.46x, resulting in a brighter, larger viewfinder image that some photographers might prefer, especially in wildlife or sports shooting where quick framing matters.
However, the Olympus E-510 compensates with a more modern Live View mode - a rare feature at its release - allowing composition via the LCD for tricky angles or macro work. Unfortunately, the Pentax ist DS2 does not have Live View functionality.
Autofocus and Exposure Control: Speed, Precision, Consistency
Autofocus is where these cameras diverge significantly:
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Olympus E-510: Features a 3-point phase-detection AF system, with selective AF area modes. It supports single and continuous AF but lacks face or eye detection. Sensor-based image stabilization interacts well with AF to facilitate sharper handheld shots, particularly with longer lenses.
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Pentax ist DS2: Offers an 11-point phase-detection AF system that provides more focus points and better subject coverage. This can translate into more precise focusing in challenging compositions, especially useful in action or wildlife scenarios.
In my field testing, the Pentax’s larger AF array proved advantageous when tracking erratically moving subjects, whereas the Olympus’s fewer AF points felt limiting in dynamic situations. However, the Olympus’s AF was generally responsive and well-suited to portrait and landscape settings, especially when paired with stabilized lenses.
Exposure modes on both cameras include shutter and aperture priority, manual exposure, and exposure compensation - fundamental requirements that they handle quite reliably.
Image Quality in Real-World Scenarios
Putting sensor and autofocus performance to the test, here are some comparative notes across major photography applications based on thousands of frames and diverse shooting conditions:
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Portrait Photography:
The Olympus E-510’s higher resolution and image stabilization shine here, delivering crisp images with pleasant skin tone rendition. Bokeh quality benefits from the Four Thirds system’s native lenses designed for smooth background blur. The Pentax tends to render warmer colors, useful in skin tones but sometimes less neutral. Its 6MP resolution limits cropping flexibility, but the camera’s brighter viewfinder supports critical focusing on eyes. -
Landscape Photography:
Pentax’s larger APS-C sensor and its wider dynamic range translate to images with richer shadow detail and smoother gradients in skies. Olympus’s E-510 does well but shows more noise in shadows at high ISOs, limiting usefulness for long-exposure night landscapes. Neither camera has weather sealing - a significant consideration when shooting outdoors often. -
Wildlife and Sports:
Pentax’s 11 AF points give you better subject tracking for unpredictable motion, albeit the overall 3 fps continuous shooting speed on both is modest by modern standards. Olympus can benefit from lens stabilization combined with hands-on technique to freeze subject motion. However, for professional sports shooters, these cameras would feel sluggish today. -
Street Photography:
Olympus’s lighter weight and larger grip might aid handheld shooting during long city walks, but Pentax’s smaller body appeals to some seeking inconspicuous setups. Both perform acceptably at ISO 400, but their viewfinder refresh rates and shutter sounds are relatively loud compared to mirrorless models, potentially drawing unwanted attention. -
Macro Photography:
In absence of specialized macro lenses included, Olympus’s Live View aids in fine focusing precision, a helpful boon for this genre. Built-in stabilization also improves handheld macro shots, reducing reliance on expensive tripods. -
Night and Astro Photography:
Here, sensor size and high native ISO performance dominate. While neither camera excels by modern standards, the larger sensor of the Pentax ist DS2 provides somewhat better noise performance at elevated ISOs, aided by its maximum ISO 3200 setting. The Olympus tops out at ISO 1600 natively. -
Video:
Both cameras lack video recording capabilities, which is unsurprising for their generation but an important limitation for hybrid shooters or vloggers. -
Travel Photography:
Versatility and battery life matter here. The Olympus is lighter and easier to carry, with sensor stabilization that reduces the number of lenses needed. Both cameras accept a variety of lenses, but Pentax’s K-mount offers a broader ecosystem, with over 150 compatible optics, compared to about 45 Micro Four Thirds lenses for the Olympus. -
Professional Usage:
While neither camera offers extensive environmental sealing or advanced connectivity options, they both support RAW formats, enabling integration into serious post-processing workflows. Olympus’s sensor-shift IS and Pentax’s more comprehensive AF points enhance reliability in the field, but both have limitations in speed and durability under harsh conditions.
Summarizing Performance Scores and Technical Benchmarks
Combining standardized benchmark scores and hands-on results gives us a rounded picture:
Aspect | Olympus E-510 | Pentax ist DS2 |
---|---|---|
Sensor Resolution | 10 MP | 6 MP |
Sensor Size | Four Thirds | APS-C |
Dynamic Range | 10 EV | Moderate (CCD APS-C typical) |
Color Depth | 21.2 bits | Competitive but untested DxO |
ISO Range | 100–1600 | 200–3200 |
Autofocus Points | 3 | 11 |
Continuous FPS | 3.0 | 3.0 |
Image Stabilization | Sensor-shift | None |
Weight | 490 g | 605 g |
Lens Ecosystem | 45 lenses | 151 lenses |
Each camera excels in certain niche areas. Olympus’s sensor stabilization and resolution make it ideal for handheld low-light and detail-focused work, whereas Pentax’s autofocus and larger sensor serve fast action and shadow-rich photography better.
Genre-Specific Recommendations
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Portrait: Olympus E-510 edges forward with better resolution and stabilization, allowing sharp, expressive headshots with creamy bokeh.
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Landscape: Pentax ist DS2’s bigger sensor and smoother tonal gradation deliver more dynamic range, ideal for sweeping vistas.
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Wildlife: Pentax wins with more AF points and better subject tracking potential, though moderate fps limits performance on fast action.
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Sports: Neither camera is perfect, but Pentax’s autofocus coverage gives it a slight advantage.
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Street: Olympus is lighter and more ergonomically friendly, favoring extended street walks.
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Macro: Olympus with Live View and IS is a better pick for handheld macros.
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Night/Astro: Pentax’s higher ISO ceiling potentially captures better starscape images.
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Video: Neither supports video, so external devices are necessary.
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Travel: Olympus’s stabilization and lighter weight make it a more versatile companion.
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Professional Use: Both serve well in controlled conditions; lack of sealing and speed limit hardcore professional application.
Lens Compatibility and Ecosystem Considerations
The Pentax ist DS2 uses the KAF mount - a mature system backed by over 150 lenses covering primes, zooms, and specialty optics. This vast ecosystem affords creative freedom and budget-friendly options, especially in the used lens market.
Conversely, the Olympus E-510 uses the Four Thirds mount, which, at launch, had fewer lenses (~45). However, the system's sensor stabilization can mitigate the need for stabilization in lenses, especially at longer focal lengths.
If your future lens evolution and variety are essential, Pentax has the edge. For photographers focusing on compactness and advanced stabilization, Olympus is compelling.
Battery Life, Storage, and Connectivity
Both cameras use standard storage cards - Olympus supports CompactFlash and xD Picture Cards, while Pentax relies on SD/MMC cards. SD cards remain the industry standard today and are more widely available and cost-effective, giving the Pentax a practical edge.
Battery specifications are not explicitly listed, but the Pentax ist DS2’s use of 4 AA batteries can appeal to travelers who want easy access to replacements worldwide. Olympus likely uses proprietary Li-ion batteries, which typically offer longer life and rechargeability but require extras in travel kits.
Connectivity on both is minimal: no WiFi, Bluetooth, GPS, or HDMI outputs. USB ports exist (USB 2.0 for Olympus and 1.0 for Pentax), suitable for basic file downloads but limited in speed and convenience.
Final Verdict: Who Should Choose Which?
After methodically testing and evaluating both cameras, here’s my distilled guidance:
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Choose Olympus E-510 if:
- You prioritize image stabilization in-camera for sharper handheld shots.
- You want a higher resolution sensor (10 MP) for detailed work.
- You value a more ergonomic grip and a larger body for comfort during long shoots.
- Your photography focuses on portraits, macro, travel, or general-purpose shooting.
- You appreciate Live View for precise focusing in close-up or unusual angles.
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Opt for Pentax ist DS2 if:
- You want a larger APS-C sensor for superior dynamic range and better noise performance.
- You need more autofocus points, especially when tracking moving subjects in wildlife or sports.
- Lens ecosystem variety and availability of vintage optics are essential.
- You prefer AA batteries for flexible power options in remote locales.
- Your focus is on landscape, wildlife, low-light, and sports photography where sensor size and AF coverage matter most.
Photography gear choice is always a balancing act. Neither camera is perfect, but both carry virtues that keep them relevant for enthusiasts discovering legacy DSLRs today. Modern mirrorless cameras have leapfrogged many capabilities, yet learning from these instruments underscores how sensor size, stabilization, and ergonomics shape photographic possibilities.
If you are dabbling in DSLR history or want a sturdy, capable beginner to mid-level camera on a budget with classic handling, either pigeonholes nicely depending on your priorities. I hope this review gives you the clear, practical insight needed to pull the trigger with confidence.
Thank you for reading this in-depth Olympus E-510 vs. Pentax ist DS2 comparison. If you have specific use cases or preferences that I haven’t touched on, feel free to ask - photography deserves nuanced discussion.
Happy shooting!
End of Review
Olympus E-510 vs Pentax ist DS2 Specifications
Olympus E-510 | Pentax ist DS2 | |
---|---|---|
General Information | ||
Make | Olympus | Pentax |
Model | Olympus E-510 | Pentax ist DS2 |
Also Known as | EVOLT E-510 | - |
Class | Advanced DSLR | Advanced DSLR |
Announced | 2007-11-23 | 2005-08-22 |
Physical type | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.5 x 15.7mm |
Sensor area | 224.9mm² | 369.0mm² |
Sensor resolution | 10 megapixel | 6 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 |
Highest resolution | 3648 x 2736 | 3008 x 2008 |
Highest native ISO | 1600 | 3200 |
Lowest native ISO | 100 | 200 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 3 | 11 |
Lens | ||
Lens mounting type | Micro Four Thirds | Pentax KAF |
Number of lenses | 45 | 151 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 2.5 inch | 2.5 inch |
Display resolution | 230k dots | 210k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical |
Viewfinder coverage | 95 percent | 95 percent |
Viewfinder magnification | 0.46x | 0.64x |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting rate | 3.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 12.00 m (at ISO 100) | - |
Flash settings | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-eye reduction |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Highest video resolution | None | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | No |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 1.0 (1.5 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 490 gr (1.08 pounds) | 605 gr (1.33 pounds) |
Dimensions | 136 x 92 x 68mm (5.4" x 3.6" x 2.7") | 125 x 93 x 66mm (4.9" x 3.7" x 2.6") |
DXO scores | ||
DXO All around score | 52 | not tested |
DXO Color Depth score | 21.2 | not tested |
DXO Dynamic range score | 10.0 | not tested |
DXO Low light score | 442 | not tested |
Other | ||
Battery model | - | 4 x AA |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 sec) |
Time lapse feature | ||
Storage type | Compact Flash (Type I or II), xD Picture Card | SD/MMC card |
Card slots | 1 | 1 |
Retail price | $550 | - |