Olympus E-520 vs Sony WX30
68 Imaging
44 Features
45 Overall
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96 Imaging
38 Features
41 Overall
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Olympus E-520 vs Sony WX30 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 552g - 136 x 92 x 68mm
- Introduced August 2008
- Succeeded the Olympus E-510
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-125mm (F2.6-6.3) lens
- 117g - 92 x 52 x 19mm
- Announced July 2011
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Olympus E-520 vs. Sony Cyber-shot WX30: A Hands-On, In-Depth Comparison for Practical Photographers
Choosing a camera often feels like walking a tightrope between image quality, usability, and your photography style - especially when you’re on a budget or looking for a reliable second shooter. Today, I’m comparing two cameras from different worlds but a similar era: the Olympus E-520 DSLR and the Sony Cyber-shot WX30 compact. You might find these cameras on used markets or as affordable options for beginners keen on exploring photography without blowing the budget.
Having spent over 15 years around countless cameras - testing, shooting, breaking them, and fixing them - I’ll give you a straight, experienced perspective on what these models can (and can’t) do in real use across a variety of photography genres and scenarios. We’ll cover everything from technical underpinnings to practical ergonomics, culminating in recommendations suited for different kinds of photographers today.
Getting to Know the Players: DSLR vs. Point-and-Shoot Compact
Let’s start with a quick size and design rundown because how a camera feels in your hands greatly affects your shooting experience.

Here’s where the Olympus E-520 flexes its DSLR muscles: at 136x92x68mm and 552 grams, it’s noticeably bulkier and heavier than the Sony WX30, which slips effortlessly into a jacket pocket at just 92x52x19mm and 117 grams. The substantial size difference isn’t merely about portability; it also influences handling comfort, control layout, and stability - especially for extended shoots. For many, the classic bulkier DSLR shape means clubs for thumbs and lots of buttons to customize, while the WX30 feels more like a sleek gadget you whip out when inspiration strikes.
Top-Level Controls and Usability: Clubs for Thumbs or Minimalist Magic?
Digging deeper, ergonomic design and control layout shape how instinctively you can shoot, especially for more involved photography styles like portraits or wildlife. Have a look at the top view comparison:

The Olympus E-520 sports a traditional DSLR interface: dedicated dials for shutter speed and exposure compensation, physical buttons for quick access to key modes, and a classic optical pentamirror viewfinder covering about 95% of the frame with 0.46x magnification. This means looking through the viewfinder gives a natural, lag-free shooting experience with decent coverage - important for composing precise shots. The controls are tactile and spaced, generally welcoming to those who appreciate manual exposure control and a firm grip.
In contrast, the WX30, built as a small, wallet-friendly compact, dumps dedicated manual exposure modes. It leans heavily on its touchscreen (an XtraFine 3-inch display at a whopping 922k dots, notably better than the E-520's 2.7-inch 230k LCD) for navigation and shooting. While modern in approach, it lacks a viewfinder altogether, which affects usability in bright daylight and for action shooting.
Sensor Technology and Image Quality: The Heart of the Matter
No matter how fancy the dials or how light the body, image quality remains king. The Olympus E-520 and Sony WX30 differ greatly here.

The Olympus wields a Four Thirds sized CMOS sensor measuring 17.3 x 13 mm, offering a sensor area of about 225 mm² and delivering 10 megapixels. The sensor is paired with an anti-aliasing filter to help curb moiré but at the slight expense of razor-sharp detail. Its native ISO sensitivity tops out at 1600, and the sensor's DxOMark color depth measures an excellent 21.4 bits, dynamic range at 10.4 EV, and low-light ISO performance (measured at 548 ISO) indicates a solid capacity for cleaner images in tricky light.
The Sony WX30, meanwhile, houses a tiny 1/2.3-inch BSI-CMOS sensor (6.17 x 4.55 mm, roughly 28 mm²), packing in more pixels - 16 megapixels - but inevitably fighting higher noise due to small pixel size. Its maximum ISO clocks in at 3200, but lack of raw support means you’re stuck with in-camera JPEG processing, limiting post-processing flexibility.
In simple terms: the E-520’s sensor quality and size translate to cleaner, richer images with more highlight and shadow detail and truer colors - very handy in landscapes, portraits, and professional work. The WX30 suits casual snapshots and travel when convenience trumps ultimate image quality.
The Screen and Interface: Peeking at Your Shots
Viewing your images and interacting with camera menus happens mostly on the rear screen - here is a significant divergence:

Sony’s WX30 shines here with a 3-inch, 922k-pixel touchscreen with great color fidelity and sharpness. Navigating settings is intuitive, and pinch-to-zoom during image review is a surprisingly handy feature you don’t expect on older compacts. The touch interface reduces button clutter but can slow you down when quick manual tweaks are needed.
Olympus E-520’s fixed 2.7-inch LCD, with a modest 230k-pixel count, is less sharp and small by today’s standards but offers every essential control accessible through buttons and dials. The LCD also doubles as a Live View display, which was still novel in DSLRs back in 2008. For those who frequently use an optical viewfinder, the LCD serves mainly for playback and menu navigation.
Autofocus Systems: Capturing Decisive Moments
Autofocus (AF) can make or break your chances of getting sharp images, especially for genres like wildlife, sports, and macro photography.
The Olympus E-520 employs a hybrid AF system with 3 focus points (phasedetection and contrast-detection), including face detection in Live View mode. While some may see 3 AF points as sparse compared to modern standards, it’s functional for general photography, though it struggles tracking fast-moving subjects due to limited continuous focus (AF-C) and no AF tracking.
Meanwhile, Sony WX30's 9 contrast-based AF points serve well for quick focus but lack sophisticated tracking or face detection features. Its AF speed is decent for stationary subjects but slower and prone to hunting under low light or moving subjects.
Bottom line: neither camera was designed for professional sports or wildlife photographers chasing rocket-fast AF - but E-520 has a slight edge for manual AF control, which some enthusiasts might prefer for careful focusing.
Burst Shooting and Shutter Performance
The Olympus offers a moderate continuous shooting speed of 4 fps, enough to capture casual action scenes or kids at play. The WX30, however, boosts this to a respectable 10 fps burst in JPEG - a remarkable feat for a compact - though buffer depth is shallow, limiting total continuous frames.
Shutter speeds on the Olympus range from 60 seconds to 1/4000 sec, offering solid creative control. Sony’s more limited 1/30 to 1/1600 sec range restricts creative exposure choices.
Image Stabilization: Keeping It Steady
Both cameras pack in-image stabilization but of different types:
-
Olympus: Sensor-based stabilization moves the sensor to compensate for shake, helping all lenses mounted, especially beneficial for macro and telephoto.
-
Sony: Optical stabilization is lens-based, effective mainly for general handheld shots.
In my tests, Olympus’ in-body stabilization is more versatile, critical when shooting slow shutter speeds or with manual focus lenses.
Lens Ecosystem and Versatility
Olympus’s use of the Four Thirds lens mount opens up over 45 lenses, ranging from ultra-wide to super telephoto primes and zooms. This diversity encourages photographers to tailor their gear to specific needs (portraits, macro, landscapes, wildlife).
The Sony WX30 is a fixed lens camera, offering a 25-125mm equivalent zoom (F2.6-6.3), great for general travel and street shots but limiting if you want specialty optics or faster apertures for portraiture.
Video Capabilities: Who Tops the Moving Picture Game?
The Olympus E-520 has no video recording functionality - common for DSLRs in its era but a significant downside today.
In contrast, the Sony WX30 offers Full HD 1080p video at 60fps and AVCHD/MPEG-4 formats, quite advanced for its release time, with decent optical stabilization for smoother clips. However, no external mic input limits audio quality options.
Battery Life: Endurance in the Field
The E-520 impresses with approximately 650 shots per charge, ideal for day-long shoots without the looming fear of running dry.
Sony’s WX30, smaller and lighter, only manages about 250 shots on a single charge, reflecting smaller battery capacities typical in compacts.
Storage and Connectivity
Olympus takes Compact Flash (Type I/II) and xD Picture Cards, older storage types still reliable, but less convenient than SD cards. Sony supports SD/SDHC/SDXC and Memory Stick formats, providing flexible options for sourcing storage media.
Neither camera features wireless connectivity, Bluetooth, or GPS - a limitation if instant sharing or geotagging is a priority.
Weather Sealing and Durability
Neither camera is weather sealed or shockproof, though Olympus DSLRs are generally built more robustly due to their design. For outdoor, rugged use, both need protective measures.
Real-World Photography Test Gallery
To put theory into practice, I took both cameras out in similar conditions, covering a range of subjects:
- Portraits under natural window light
- Landscape scenes at golden hour
- Street photography in urban low light
- Close-ups for macro attempts
- Night shots under suburban skies
Notably, Olympus’s images showed richer skin tones and crisper landscapes, with better highlight retention in sunset skies. The Sony WX30’s shots were sharper in daylight if noisy in shadows and blacks under low light, revealing sensor size’s sacrifice for megapixels.
Performance Ratings at a Glance
Putting numbers to performance helps separate the subjective from objective.
Olympus E-520 scores a solid 55 on overall DxOmark metrics - good for entry-level DSLRs of its period. Sony WX30, lacking formal DxOmark testing, rates average among small sensor compacts based on aggregated user impressions.
How They Stack Up Across Photography Genres
Breaking performance down by specialized needs clarifies who these cameras serve best:
- Portraiture: Olympus wins with superior color depth and better bokeh options thanks to lens interchangeability.
- Landscape: E-520’s dynamic range and larger sensor deliver superior details and tonal gradations.
- Wildlife & Sports: Neither excels; Olympus edges ahead because of somewhat better manual control and stabilization, but limited burst and AF points hold it back.
- Street: Sony’s compact size and silent shutter make it more discreet and easy to carry.
- Macro: Olympus wins again with sensor stabilization and lens options.
- Night/Astro: Olympus’ cleaner high ISO margins help more here.
- Video: Sony clearly takes the prize with HD recording.
- Travel: Sony’s weight and size plus versatile zoom cater well to casual travelers.
- Professional Work: Olympus’s RAW support, lens range, and advanced controls better serve professionals.
Summing Up: Pros and Cons
| Feature | Olympus E-520 | Sony WX30 |
|---|---|---|
| Pros | Larger Four Thirds sensor, RAW support, interchangeable lenses, optical viewfinder, better battery life, sensor stabilization, manual controls | Compact & lightweight, sharp 16MP images in daylight, Full HD video with optical stabilization, touchscreen interface |
| Cons | Bulky, older interface, no video, slower burst, outdated storage format | Small sensor means noisy low-light images, no RAW, limited manual controls, fragile feel, limited zoom aperture |
Who Should Consider The Olympus E-520?
- Enthusiasts ready to learn DSLR basics affordably
- Photographers focused on image quality over convenience
- Those who want lens flexibility for portraits, macro, and landscapes
- Users comfortable carrying a bulkier camera for more control and better battery life
- Budget-conscious hobbyists who want RAW files for post-processing
Who Is the Sony WX30 Perfect For?
- Casual shooters craving pocket portability and simple operation
- Travelers wanting a lightweight all-in-one camera with decent zoom
- Video lovers on a budget needing Full HD recording without extra gear
- Street photographers valuing discretion over ultimate image quality
- Beginners easing into the hobby needing a no-fuss point-and-shoot
Final Thoughts: Balancing Needs and Budget
Having tested these cameras extensively, I’d say the choice boils down to what you value most: the Olympus E-520 remains a compelling option for those prioritizing image quality, manual control, and optical viewfinder experience in an affordable DSLR package. Its sensor size and lens options make it far more versatile across photography styles, despite its age-related quirks.
On the flip side, the Sony WX30 excels at convenience, portability, and video - fundamental if you’re a casual snapshooter or traveler not wanting to lug a beast DSLR around. It captures solid images suitable for social media with a touchscreen that younger users may appreciate.
Both models show their era’s limits but still deliver meaningful experiences if your expectations align. The Olympus is closer to what I’d recommend as a serious backup or learning tool; the Sony fits as a compact everyday camera for the cheapskate on the move.
If you’re still on the fence or want to stretch your budget, remember to weigh physical size, image needs, video aspirations, and lens ambitions carefully. Both cameras can do fun work and teach you photography fundamentals - just in very different packages.
Thanks for reading through this comparative deep dive - happy shooting, and may your next camera choice bring you both joy and stunning images!
Disclaimer: All observations here are based on my hands-on tests and industry-standard benchmarks. Your mileage may vary depending on shooting style and lens choices.
Olympus E-520 vs Sony WX30 Specifications
| Olympus E-520 | Sony Cyber-shot DSC-WX30 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Sony |
| Model type | Olympus E-520 | Sony Cyber-shot DSC-WX30 |
| Class | Entry-Level DSLR | Small Sensor Compact |
| Introduced | 2008-08-20 | 2011-07-25 |
| Body design | Compact SLR | Compact |
| Sensor Information | ||
| Powered by | - | BIONZ |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
| Sensor surface area | 224.9mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 | 4:3 and 16:9 |
| Full resolution | 3648 x 2736 | 4608 x 3456 |
| Max native ISO | 1600 | 3200 |
| Lowest native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 3 | 9 |
| Lens | ||
| Lens support | Micro Four Thirds | fixed lens |
| Lens zoom range | - | 25-125mm (5.0x) |
| Largest aperture | - | f/2.6-6.3 |
| Macro focusing distance | - | 5cm |
| Number of lenses | 45 | - |
| Crop factor | 2.1 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 2.7 inch | 3 inch |
| Resolution of screen | 230 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen tech | - | XtraFine TFT LCD display |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentamirror) | None |
| Viewfinder coverage | 95% | - |
| Viewfinder magnification | 0.46x | - |
| Features | ||
| Lowest shutter speed | 60s | 30s |
| Highest shutter speed | 1/4000s | 1/1600s |
| Continuous shooting speed | 4.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 12.00 m (at ISO 100) | 3.70 m |
| Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Highest flash sync | 1/180s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | - | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
| Max video resolution | None | 1920x1080 |
| Video data format | - | MPEG-4, AVCHD |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 552 grams (1.22 lb) | 117 grams (0.26 lb) |
| Dimensions | 136 x 92 x 68mm (5.4" x 3.6" x 2.7") | 92 x 52 x 19mm (3.6" x 2.0" x 0.7") |
| DXO scores | ||
| DXO All around rating | 55 | not tested |
| DXO Color Depth rating | 21.4 | not tested |
| DXO Dynamic range rating | 10.4 | not tested |
| DXO Low light rating | 548 | not tested |
| Other | ||
| Battery life | 650 shots | 250 shots |
| Battery form | Battery Pack | Battery Pack |
| Battery ID | - | NP-BN1 |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | 1 | 1 |
| Cost at launch | $400 | $259 |