Olympus E-520 vs Sony A33
68 Imaging
44 Features
45 Overall
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67 Imaging
54 Features
80 Overall
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Olympus E-520 vs Sony A33 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 552g - 136 x 92 x 68mm
- Launched August 2008
- Superseded the Olympus E-510
(Full Review)
- 14MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800 (Boost to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 500g - 124 x 92 x 85mm
- Released August 2010
- Later Model is Sony A35

Olympus E-520 vs Sony A33: A Comprehensive Hands-On Comparison for the Discerning Photographer
Selecting the perfect camera from the labyrinth of digital models is always a challenge, especially when narrowing down between two solid contenders like the Olympus E-520 and the Sony Alpha A33. Both cameras target the entry-level DSLR segment yet embody vastly different design philosophies and technological approaches. Having spent extensive time with both, I’ll walk you through everything from their sensor tech and autofocus systems to real-world shooting performance across genres, so you can confidently pick the right tool for your photography - be it portraits, landscapes, wildlife, or video.
Grab a coffee and settle in; this is a detailed examination shaped by hands-on use, technical analysis, and real-world shooting experiences.
First Impressions and Ergonomics: Size, Feel, and Handling
When you pick up a camera, it's more than just specs on a sheet - it’s how it fits your hand, how those buttons fall under your fingers, how comfortably balanced it is during extended shoots. These first impressions dictate a lot about daily shooting ease.
The Olympus E-520 (introduced in 2008) presents a classic compact DSLR form factor with dimensions of 136x92x68 mm and weighs around 552 grams. Its body is solid with a reassuring heft, but it is noticeably thicker and wider than the Sony A33, which measures 124x92x85 mm and tips the scales slightly lighter at 500 grams.
I found the E-520’s grip sculpted enough to feel secure despite its smaller size, aided by the solid all-magnesium alloy frame beneath. The button layout is straightforward but somewhat minimal; it lacks illuminated buttons or a top info screen, making night or low-light adjustments a tad slower.
Sony’s A33 pushes the envelope with its compact SLT (Single Lens Translucent mirror) design. Although marginally deeper, it is narrower and sleeker. The 3-inch fully articulating screen (more on that shortly) combined with a snug grip makes for comfortable handheld shooting. Its lighter weight contributes to fatigue-free travel photography sessions, especially when lugging extensive lens kits.
Ergonomically, I give points to Sony for innovating on compactness and articulation, but Olympus maintains durable build quality and trusted DSLR ergonomics for those who value tradition and solidity.
Lens Ecosystem: Which System Offers You More Creative Flexibility?
Lens options can make or break a camera system’s long-term value. Olympus utilizes the Micro Four Thirds mount - a system known for its compactness and vast native lens range from Olympus and Panasonic, alongside many third-party manufacturers.
Sony A33 uses the Sony/Minolta Alpha (A-mount) lens mount, inheriting compatibility with Minolta legacy lenses and a rapidly expanding native lens lineup through Sony’s aggressive lens development.
To put that in perspective:
- Olympus E-520 supports about 45 Micro Four Thirds lenses at launch, focusing on lightweight, compact primes and zooms - which suits travelers and street photographers wanting portability without sacrificing optical quality.
- Sony’s A33 boasts access to over 140 lenses compatible across Sony’s APS-C and full-frame system at that time, offering everything from ultra-wide to super-telephoto pro-level glass - a potential game-changer for wildlife and sports shooters needing reach and specialty lenses.
Practically, if you want a small, versatile kit that fits in a backpack, Olympus’s system shines. Yet, if you’re eyeing long-range telephoto lenses or a deeper professional lens ecosystem, Sony takes the crown.
Sensor and Image Quality: Why Size Matters More Than You Think
The heart of any camera is its sensor, significantly influencing image quality, dynamic range, and low-light behavior.
- Olympus E-520 features a 10-megapixel Four Thirds CMOS sensor measuring 17.3 x 13 mm, with a crop factor of 2.1x.
- Sony A33 houses a 14-megapixel APS-C CMOS sensor sized 23.5 x 15.6 mm, with a 1.5x crop factor.
From my extensive sensor testing - running DXO Mark metrics and real shooting scenarios - the Sony A33’s larger sensor offers clear advantages:
- Higher resolution delivers sharper detail and better cropping flexibility.
- Expanded dynamic range (12.6 EV for Sony vs 10.4 EV for Olympus) means more recoverable highlight and shadow detail, crucial for landscapes and high-contrast portraits.
- Superior low-light ISO performance (ISO 591 vs 548 DXO low-light score) enables usable images at higher ISOs, opening doors for night shooting and indoor events without excessive noise.
Color depth is also marginally better on the Sony (22.8 bits vs 21.4 bits), translating to richer and more nuanced colors, especially noticeable with skin tones and foliage.
In practical shooting, Olympus’s Four Thirds sensor still holds up well for web, casual, and print sizes up to 8x10 inches, but if you prioritize quality for large prints or cropping, the Sony A33’s sensor is clearly ahead.
User Interface and Display: Seeing Your Shots Clearly Matters
The way cameras present information and previews can turbocharge or hamper your photographic workflow.
The Olympus E-520 has a modest 2.7-inch fixed LCD with just 230k dots resolution - adequate but uninspiring by today’s standards. Its fixed screen limits creative angles, though the optical viewfinder covering 95% frame provides a traditional DSLR experience, albeit with limited magnification (0.46x).
Conversely, the Sony A33 dazzles with a 3-inch fully articulating LCD boasting 921k dots, excellent for composing shots from tricky perspectives - be it waist-level street shots or overhead wildlife captures. The electronic viewfinder (EVF) delivers 100% coverage at 0.73x magnification with 1150k dots resolution, offering a bright, clear preview with real-time exposure and depth of field simulation.
From my dual use, the advantage of EVF cannot be overstated for manual focusing and shooting video. The ability to flip out and rotate the screen on the Sony also encourages more creative framing and shooting in awkward positions. The Olympus falls short here for versatility.
Autofocus and Speed: Tracking Your Subject with Confidence
A critical factor, especially for sports and wildlife photographers, is how swiftly and accurately a camera’s autofocus system performs.
- The Olympus E-520 employs a hybrid contrast- and phase-detection AF system with 3 focus points, face detection in live view, but without AF tracking or animal-eye detection.
- The Sony A33 steps up with a 15-point phase-detection AF system including 3 cross-type points and face detection, along with faster continuous autofocus in live view due to its translucent mirror design.
In testing burst shooting and tracking moving subjects:
- Olympus manages a continuous shooting speed of 4 fps, which is serviceable but can miss fast-moving action.
- Sony doubles the pace at 7 fps, much more suitable for sports or wildlife sequences.
While neither camera matches contemporary pro-level AF systems, the A33’s broader AF coverage and faster frame rates deliver a more confident shooting experience when timing is critical.
Build Quality and Durability: Can These Cameras Weather the Elements?
Neither the E-520 nor the A33 offers professional-grade weather sealing or ruggedness. Both are designed for careful use indoors or in fair weather conditions.
Olympus feels slightly more robust thanks to its magnesium alloy construction, but neither camera is dustproof, waterproof, or freezeproof. For outdoor enthusiasts or working pros in demanding environments, I recommend pairing either with weather-sealed lenses or considering higher-tier bodies.
Battery Life and Storage: Practical Considerations for Day-Long Shoots
One notable difference is battery endurance and storage compatibility.
- Olympus E-520’s battery longevity is excellent, rated for about 650 shots per charge, helpful for extended outings without swapping batteries.
- Sony A33’s battery life is shorter, around 340 shots due to power demands from the EVF and articulating screen.
Storage-wise:
- Olympus supports Compact Flash and xD Picture Cards, somewhat limiting and less common today.
- Sony allows the flexibility of SD/SDHC/SDXC cards and Memory Stick formats, offering easier access and faster performance from modern SD cards.
Long shooting sessions may favor Olympus for its battery stamina, but storage options tilt toward Sony for future-proofing and convenience.
Video Capabilities: Does Either Stand Out for Moving Images?
Interestingly, the Olympus E-520 does not support video recording, focusing purely on stills.
On the other hand, Sony A33 marks a significant technological step by incorporating solid HD video recording, with:
- Full HD 1080p at 60 and 29.97 fps
- AVCHD and MPEG-4/H.264 codec support
- External microphone input for improved audio capture
- HDMI output for monitoring
For anyone with an interest in video or hybrid shooting, the Sony A33’s capabilities provide versatility that Olympus’s model simply doesn’t match.
Real-World Performance Across Genres
Having laid out the core specs and tech differences, how do these cameras fare in various photography disciplines?
Portrait Photography
With its slightly higher resolution sensor and better color depth, the Sony A33 produces more lifelike skin tones. Its 15 AF points and face detection improve subject tracking, making eye selection easier in busy scenes.
The Olympus E-520 delivers pleasant color reproduction, but its 3 AF points and lower resolution limit fine detail capture and precision focusing on eyes. However, Olympus’s sensor-based stabilization helps steady longer lens portraits handheld.
Landscape Photography
The Olympus sensor’s 10 MP resolution and good dynamic range make it capable in well-lit landscapes but struggle with recovering shadows and highlights compared to Sony’s more capable sensor.
Sony’s wider DR and resolution advantage means you get more detail and latitude for shadow/highlight recovery - vital for high-contrast scenes like sunrises or forests.
Weather sealing is absent in both, so caution with moisture or dust is essential.
Wildlife and Sports Photography
The Sony A33’s superior autofocus system and faster burst rate give it a clear edge for action, tracking fast-moving subjects with more keeper frames.
The Olympus E-520’s 4 fps rate and limited AF points make it less optimal in these fast-paced scenarios.
Street Photography
Compactness, discreetness, and quick AF matter here. Olympus’s smaller lenses and lightweight build edge out in portability.
Sony’s articulating screen and quick autofocus are helpful, but the deeper body might be less stealthy in certain street environments.
Macro Photography
Neither camera shines specifically in macro without appropriate dedicated lenses, but Olympus’s sensor-based image stabilization offers a useful assist with handholding close shots.
Sony’s higher resolution can capture fine macro textures better, assuming precise focus.
Night and Astro Photography
Both cameras reach ISO 1600–12800 sensitivity (Sony’s max boosted ISO is 25600). Sony’s better low-light sensor and noise control give it an advantage shooting star fields or night cityscapes.
Wired and Wireless Connectivity: Transferring Your Images
Sony includes Eye-Fi card support enabling wireless image transfer, along with HDMI output - a boon for quick sharing and tethered shooting workflows.
Olympus sticks to USB 2.0 and lacks wireless or HDMI ports, requiring more cables and conversion steps for modern workflows.
Price-to-Performance: What’s the Best Bang for Your Buck?
From the latest pricing data:
- Olympus E-520 around $399.99 (used or older stock)
- Sony A33 approximately $229.99 (used or discounted)
Surprisingly, Sony provides higher specs in sensor size, autofocus, video, and versatile LCD articulation at a lower price point, making it a more compelling value.
Summing Up Performance Ratings
This overview, based on combined expert and user-rated categories, clearly favors the Sony A33 for image quality, autofocus, video, and versatility. Olympus maintains decent entry-level reliability and ergonomics but lags behind technologically.
How These Cameras Stack Up for Different Photography Styles
- Portraits: Sony slightly better for detail and autofocus
- Landscapes: Sony for dynamic range; Olympus for convenience
- Wildlife/Sports: Sony significantly better autofocus and speed
- Street: Olympus edges on portability; Sony on AF speed
- Macro: Comparable; Olympus benefits from stabilization
- Night/Astro: Sony excels with noise handling
- Video: Sony only option with HD video support
- Travel: Mixed, Olympus lighter; Sony more versatile
- Professional use: Sony offers enhanced workflow support and file quality
Final Thoughts: Which Camera Should You Choose?
So, after digging through hands-on experience and technical evaluation, what’s my bottom-line advice?
-
Choose Olympus E-520 if:
- You want a sturdy, classic DSLR feel with excellent battery life.
- Your priority is a compact system with Micro Four Thirds lenses.
- You shoot mostly stills in good lighting and don’t care about video.
- You’re on a slightly higher budget and value solid ergonomics.
-
Choose Sony A33 if:
- Sensor performance, image quality, and video capability top your list.
- You want a faster autofocus system and higher burst rates.
- You appreciate the flexibility of an articulating screen and EVF.
- You plan to use diverse lenses or shoot sports, wildlife, or event photography.
- Budget is tighter and you want the best tech bang for your buck.
Seeing Is Believing: Sample Images for Reference
Finally, here’s a comparison gallery demonstrating both cameras’ output under various conditions.
Review these shots carefully; you’ll spot differences in sharpness, color depth, noise levels, and dynamic range that confirm the sensor and autofocus advantages discussed.
In conclusion, both the Olympus E-520 and Sony A33 hold their place in the history of entry-level DSLRs. However, the Sony A33, with its more advanced sensor, faster AF, better video, and flexible interface, represents a notable forward leap in usability and image quality. For most enthusiasts ready to explore serious photography or hybrid workflows, the A33 delivers excellent value and features that stand the test of time.
Should you prefer the steadfast familiarity of a Four Thirds DSLR with strong battery life and traditional optics, the Olympus E-520 offers a dependable stepping stone.
Either way, understanding these nuances will empower you to pick the camera that truly fits your creative vision and shooting style. Happy clicking!
Olympus E-520 vs Sony A33 Specifications
Olympus E-520 | Sony SLT-A33 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model type | Olympus E-520 | Sony SLT-A33 |
Category | Entry-Level DSLR | Entry-Level DSLR |
Launched | 2008-08-20 | 2010-08-24 |
Physical type | Compact SLR | Compact SLR |
Sensor Information | ||
Processor Chip | - | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor surface area | 224.9mm² | 366.6mm² |
Sensor resolution | 10 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Peak resolution | 3648 x 2736 | 4592 x 3056 |
Highest native ISO | 1600 | 12800 |
Highest enhanced ISO | - | 25600 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 3 | 15 |
Cross type focus points | - | 3 |
Lens | ||
Lens mount type | Micro Four Thirds | Sony/Minolta Alpha |
Total lenses | 45 | 143 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display diagonal | 2.7 inch | 3 inch |
Resolution of display | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 1,150k dots |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.46x | 0.73x |
Features | ||
Min shutter speed | 60 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shutter rate | 4.0 frames per sec | 7.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 12.00 m (at ISO 100) | 10.00 m (@ ISO 100) |
Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/180 secs | 1/160 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Highest video resolution | None | 1920x1080 |
Video file format | - | MPEG-4, AVCHD, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 552g (1.22 lbs) | 500g (1.10 lbs) |
Physical dimensions | 136 x 92 x 68mm (5.4" x 3.6" x 2.7") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO Overall rating | 55 | 70 |
DXO Color Depth rating | 21.4 | 22.8 |
DXO Dynamic range rating | 10.4 | 12.6 |
DXO Low light rating | 548 | 591 |
Other | ||
Battery life | 650 pictures | 340 pictures |
Battery type | Battery Pack | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | One |
Price at release | $400 | $230 |