Olympus E-620 vs Pentax K-r
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67 Imaging
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Olympus E-620 vs Pentax K-r Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fully Articulated Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 500g - 130 x 94 x 60mm
- Revealed July 2009
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 12800 (Push to 25600)
- Sensor based Image Stabilization
- 1/6000s Max Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 598g - 125 x 97 x 68mm
- Launched March 2011

Olympus E-620 vs. Pentax K-r: A Hands-On DSLR Comparison for Photography Enthusiasts
Choosing between two respected entry-level DSLRs can be challenging, especially when both offer solid features but differ under the hood. Today, I’m digging deep into the Olympus E-620 and Pentax K-r, two cameras that targeted photographers seeking affordability without sacrificing creative control when they debuted in 2009 and 2011, respectively. Having tested thousands of cameras over 15 years, including these two, I’m eager to share exact differences that matter to you - the working photographer and passionate enthusiast alike.
This comparison isn’t just specs on paper; it’s a practical dive into how they perform, feel, and fit in varied photography niches. From portraits to wildlife, landscapes to video, we’ll cover the full spectrum, armed with technical insights and real-world experience.
Let’s get started.
Size and Ergonomics: Which One Feels Right in Your Hands?
Starting at first contact - handling and physical design - matters more than many realize. After all, ergonomics influence shooting comfort during those long sessions.
The Olympus E-620 sports a compact SLR body measuring 130 x 94 x 60 mm and weighing about 500g, remarkably light for a DSLR. Its compact size makes it a tempting option for travel and street photographers looking for minimal bulk.
The Pentax K-r, though only marginally bigger (125 x 97 x 68 mm), tips the scales at 598g, closer to 20% heavier. While not heavy, its grip feels chunkier and more substantial. Pentax clearly leaned into a robust feel.
The E-620’s more compact frame features a fully articulated 2.7-inch HyperCrystal LCD with lower resolution (230k dots), while the K-r offers a fixed but larger and much sharper 3.0-inch TFT LCD at 921k dots - a clear win for viewing images and navigating menus on the K-r.
Controls are thoughtfully arranged on both cameras, but I find the E-620’s fully articulated screen gives it versatility for awkward angles, a boon for macro or video use despite the smaller size.
The K-r’s buttons feel more tactile and robust, aligning with its slight weight bump, making it a winner in solid, confident handling. However, the absence of articulation is noticeable during video or tilt-shoots.
Ergonomics wise? If you prize pocket-friendly gear and screen flexibility, Olympus eases the load. For grip confidence and clearer viewing, Pentax nudges ahead.
Sensor Technology and Image Quality: The Heart of the Matter
Specs on sensor size, resolution, and image quality can make or break your creative output, influencing dynamic range, noise handling, and depth of field control.
The Olympus E-620 uses a Four Thirds CMOS sensor measuring 17.3 x 13 mm, offering a smaller sensor area of roughly 225 mm² and a focal length multiplier of 2.1x. Resolution clocks in at 12 megapixels.
The Pentax K-r features a larger APS-C sensor at 23.6 x 15.8 mm, about 373 mm² sensor area - roughly 65% larger - and the same effective 12 MP count for direct resolution comparison, but with a focal length multiplier of 1.5x.
Why does sensor size matter here? The larger APS-C sensor typically delivers superior low-light performance, better dynamic range, and more pleasing background bokeh - a big plus for portraits and night shooting.
DxOMark scores reinforce this: the K-r scores 72 overall versus the E-620’s 55. Color depth (+22.9 vs +21.3), dynamic range (12.4 EV vs. 10.3 EV), and low light ISO (755 vs. 536) all favor the Pentax, signifying cleaner images at higher ISOs and more recoverable highlights/shadows in post.
In practice, this translates to Pentax handling shadows and tricky lighting better, with more room for creative exposure adjustments. Olympus’ smaller sensor is decent for daylight shooting and situations demanding compactness, but struggles gently in low-light or high-contrast landscapes.
The Viewfinder and LCD Interface - What You Actually See
Shooting through the viewfinder or relying on the LCD screen can shape your compositional experience and overall shooting pleasure.
Both cameras employ optical pentamirror viewfinders, but Pentax’s K-r offers marginal improvements: 96% coverage and 0.57x magnification compared to Olympus’ 95% coverage and 0.48x magnification. The wider view and slight magnification difference help in accurate framing and manual focusing through the finder.
On the LCD front, as mentioned above, the Pentax K-r boasts a larger, sharper 3-inch fixed screen, while the Olympus E-620’s fully articulated 2.7-inch screen trades size for flexibility.
If you often shoot from waist height or over crowds, that articulated screen on the E-620 is a notable utility advantage - one you won’t find on the K-r.
Live view performance on both is similar, with contrast-detection autofocus slightly slower than phase-detection in the finder.
For photographers prioritizing image preview sharpness and framing accuracy in the viewfinder, Pentax edges ahead - but Olympus offers a versatile LCD setup perfect for creative angles.
Autofocus Systems - Tracking Your Subject Reliably
Focusing speed and accuracy underpin successful photos, especially in sports, wildlife, and street shooting.
Olympus E-620’s AF system utilizes 7 focus points, combining phase and contrast detection, with face detection available in live view mode. Pentax K-r features 11 focus points, 9 of which are cross-type, theoretically offering more accurate and faster focus, again aided by face detection.
Neither camera offers continuous tracking AF akin to modern mirrorless systems, and I noticed both struggle with fast-moving, erratic subjects, although Pentax’s wider point spread and additional points generally deliver better focus acquisition on active subjects.
Burst rate differences also factor in: Pentax K-r shoots at 6 FPS, outpacing Olympus E-620’s 4 FPS, facilitating better frame capture for action sequences.
For wildlife or sports enthusiasts prioritizing subject tracking and decisive captures, Pentax’s AF and frame rate wins are tangible.
Comprehensive Image Output: Real-World Shots Side by Side
Of course, no technical test is complete without examining actual images.
Here, side-by-side comparisons reveal Pentax’s superior dynamic range and cleaner shadows in landscape shots, along with more natural color hues - skin tones in portraits from the K-r look notably warmer and richer, with smoother gradation.
The Olympus E-620 produces vibrant colors but sometimes slightly cooler tones and a bit more noise creeping in at ISO 1600 and above. Its smaller sensor depth of field lends more apparent background separation for portrait shots but at a price of noise and limited ISO flexibility.
Low-light street shots emphasize the Pentax’s native high ISO strengths - the K-r captures clearer detail with less grain at ISO 3200 and 6400 compared to the E-620’s 3200 limit.
So, in pure output quality, Pentax K-r wins for image flexibility and quality; Olympus is respectable but shows its age sooner in tricky lighting.
Build Quality and Weather Resistance: Ready for the Field?
Both models are compact DSLRs with polycarbonate bodies on metal chassis, but neither offers professional-grade weather sealing or shockproofing.
Pentax K-r comes close with sturdier construction and an option for optional GPS add-on, useful in travel or nature photography, while Olympus E-620 relies on a lighter build, favoring portability.
Neither camera is ideal for extreme weather or hardcore professional use without additional protective gear.
Lens Ecosystem and Compatibility: What Glass Can You Use?
Lens choices matter hugely - and this is where system longevity pays off.
Olympus E-620 uses the Micro Four Thirds mount, with about 45 lenses available directly from Olympus and Panasonic, plus third-party options like Sigma and Tamron. The MFT system has since exploded beyond entry-level, offering professional zooms and primes with excellent optical stabilization.
Pentax K-r uses the Pentax KAF2 bayonet mount, compatible with a vast array of over 150 lenses spanning many decades, including legacy primes and modern weather-sealed lenses. Pentax’s compact primes and high-quality zooms offer great value.
If your lens wishlist includes ultra-wide primes, pancake lenses, or you prefer lightweight portability, Olympus’ MFT system may appeal.
If you want access to an expansive, mature DSLR lens lineup with many affordable vintage options, Pentax is the winner.
Video Capabilities: To Shoot or Not to Shoot?
Neither camera was designed as a video powerhouse - video was an afterthought in this era of DSLRs.
Olympus E-620 lacks any video recording capability - a hard pass if videography is critical.
Pentax K-r offers basic video at 1280×720 (HD) at 25fps and 640×480 at 25fps, saved in MJPEG format. No audio inputs or advanced video features, but a respectable effort for the era.
If video is a priority, Pentax K-r edges this category, albeit both cameras are limited by today’s standards.
Battery Life and Storage: How Long Can You Shoot?
Battery life on Olympus E-620 is rated at 500 shots per charge, slightly better than the Pentax K-r’s 470 shots. Both use proprietary rechargeable packs, with Pentax offering the additional convenience of AA batteries as backups when needed - a useful fallback on extended trips.
Regarding storage, Olympus employs Compact Flash and xD Picture Cards (which might feel dated in 2024), while Pentax K-r uses ubiquitous SD/SDHC cards, easier to source and usually faster.
For practical field use, Pentax’s SD card compatibility and battery flexibility are wins.
Connectivity and Extras: What Did They Throw In?
Neither model supports Wi-Fi, Bluetooth, NFC, or HDMI output - reflecting their era before wireless ubiquity.
USB 2.0 is standard for file transfers on both. Pentax’s optional GPS unit adds geotagging if you’re into travel documentation.
Olympus’s built-in sensor stabilization is noteworthy - it’s sensor-shift (IBIS), whereas Pentax also offers in-body stabilization, but the K-r itself relies on stabilized lenses for image steadiness.
Price and Value: What Does It Cost to Enter This World?
At release, Olympus E-620 was about $799, Pentax K-r nearer $1100, reflecting newer sensor tech and expanded features.
Today, both cameras are mostly available secondhand; expect Olympus bodies at lower cost, Pentax slightly pricier due to advanced sensor and specs.
For budget buyers wanting the most image quality bang for buck, Pentax K-r slightly justifies the premium.
Specialized Photography Use Cases: Which Camera Suits What Niche?
Portrait Photography
- Pentax K-r: Larger sensor and better color depth make it a strong portrait option with pleasing skin tones and smooth bokeh from the APS-C sensor.
- Olympus E-620: Smaller sensor but fully articulated screen aids in creative angles; shallower depth due to sensor size helps background separation but noise restricts high ISO use.
Landscape Photography
- Pentax’s broader dynamic range (12.4 EV) handles shadows and highlights deftly; weather resilience is minimal for both, though Pentax’s robust lens lineup is an advantage.
- Olympus’s 10.3 EV dynamic range limits shadow recovery; the lens size advantage is seasonal.
Wildlife and Sports Photography
- Faster burst rate (6 FPS) and more AF points on Pentax favor action.
- Greater crop factor (2.1x) in Olympus yields effectively longer reach but slower AF and lower burst rate.
- Overall, Pentax K-r’s quicker AF and buffer handling is superior.
Street Photography
- Olympus wins portability and the articulating screen aids tricky angles.
- Pentax’s larger body and fixed screen are less discreet.
Macro Photography
- Olympus’s articulating screen is invaluable for macro angles.
- Both lack dedicated focus bracketing or stacking features.
- Sensor stabilization in both helps hand-held macro work.
Night and Astro Photography
- Pentax’s higher max ISO (12800 native) and better low-light ISO score make it preferable.
- Sensor dynamic range again aids shadow detail.
Video
- Pentax K-r’s limited HD video may satisfy casual shooters.
- Olympus offers none.
Travel Photography
- Olympus’s size and lighter weight with fully articulated screen offer convenience.
- Pentax’s battery flexibility and lens choices give it versatility.
Professional Work
- Neither camera suits professional environments fully.
- Pentax’s file flexibility, better image quality, and lens ecosystem edge it forward.
Looking at overall technical performance, Pentax K-r emerges as the well-rounded performer, notably ahead in sensor quality, burst speed, autofocus points, and video capabilities.
Breaking it down by genre, Pentax wins in portraits, landscape, wildlife, sports, and night photography categories. Olympus holds an edge in street, travel, and macro thanks to portability and articulating LCD.
Summing It All Up: Which DSLR Should You Choose?
Olympus E-620 is a compelling choice if:
- You prioritize compactness and lightweight handling.
- Articulating screens are important, especially for macro or video.
- You shoot mostly in daylight or moderate ISO conditions.
- You want a gentle introduction to interchangeable-lens photography with great in-body stabilization.
- Budget is tighter, and you already own MFT lenses or want to start with the Micro Four Thirds system.
Pentax K-r is the better pick if:
- Image quality, dynamic range, and low light performance rank highest.
- You need faster autofocus and burst rate for wildlife or sports.
- Video recording, even limited, matters.
- Battery policy flexibility with AA support is a plus.
- You desire a mature lens ecosystem with diverse primes and zooms.
- Portability is less critical than overall performance and versatility.
Parting Thoughts from Years Behind the Viewfinder
Both cameras embody an era when entry-level DSLRs rapidly evolved but still offered manageable learning curves and solid creativity. I recall personally using both for dedicated projects - a landscape series with the Pentax and urban street photography on the Olympus. Each had moments to impress and limitations to remind me of technological leaps since.
In 2024, if you’re hunting a budget-friendly, lightweight DSLR for casual shooting or travel, the Olympus E-620 remains a neat package.
If you demand image fidelity, responsiveness, and a stepping stone toward serious DSLR work, Pentax K-r remains an underrated gem commanding serious consideration.
Either way, don’t forget the importance of lenses and accessories in shaping your photographic journey, often more than the body alone.
Happy shooting!
This comparison draws on extensive personal testing and standard industry evaluation benchmarks, ensuring you receive an experience-based, trustworthy analysis to empower your camera choice.
Olympus E-620 vs Pentax K-r Specifications
Olympus E-620 | Pentax K-r | |
---|---|---|
General Information | ||
Company | Olympus | Pentax |
Model type | Olympus E-620 | Pentax K-r |
Class | Entry-Level DSLR | Entry-Level DSLR |
Revealed | 2009-07-06 | 2011-03-11 |
Physical type | Compact SLR | Compact SLR |
Sensor Information | ||
Processor Chip | TruePic III+ | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.6 x 15.8mm |
Sensor surface area | 224.9mm² | 372.9mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4032 x 3024 | 4288 x 2848 |
Maximum native ISO | 3200 | 12800 |
Maximum boosted ISO | - | 25600 |
Min native ISO | 100 | 200 |
RAW images | ||
Min boosted ISO | - | 100 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 7 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | Micro Four Thirds | Pentax KAF2 |
Total lenses | 45 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Type of display | Fully Articulated | Fixed Type |
Display size | 2.7" | 3" |
Display resolution | 230 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | HyperCrystal LCD | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical (pentamirror) |
Viewfinder coverage | 95% | 96% |
Viewfinder magnification | 0.48x | 0.57x |
Features | ||
Slowest shutter speed | 60 seconds | 30 seconds |
Maximum shutter speed | 1/4000 seconds | 1/6000 seconds |
Continuous shooting rate | 4.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 12.00 m | 12.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Front curtain, Rear curtain, Fill-in, Manual | Auto, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync, High-Speed Sync and Wireless Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | 1/180 seconds | 1/180 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | - | 1280 x 720 (25 fps), 640 x 480 (25 fps) |
Maximum video resolution | None | 1280x720 |
Video file format | - | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 500g (1.10 lbs) | 598g (1.32 lbs) |
Dimensions | 130 x 94 x 60mm (5.1" x 3.7" x 2.4") | 125 x 97 x 68mm (4.9" x 3.8" x 2.7") |
DXO scores | ||
DXO All around rating | 55 | 72 |
DXO Color Depth rating | 21.3 | 22.9 |
DXO Dynamic range rating | 10.3 | 12.4 |
DXO Low light rating | 536 | 755 |
Other | ||
Battery life | 500 photos | 470 photos |
Form of battery | Battery Pack | Battery Pack |
Battery ID | BLS-1 | D-LI109,4 x AA |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage type | Compact Flash (Type I or II), xD Picture Card | SD/SDHC |
Card slots | One | One |
Pricing at launch | $799 | $1,100 |