Olympus E-620 vs Pentax KP
71 Imaging
46 Features
50 Overall
47


61 Imaging
67 Features
76 Overall
70
Olympus E-620 vs Pentax KP Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fully Articulated Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 500g - 130 x 94 x 60mm
- Introduced July 2009
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 703g - 132 x 101 x 76mm
- Released January 2017

Olympus E-620 vs Pentax KP: A Detailed Examination for Discerning Photographers
In the landscape of DSLR cameras that blend traditional craftsmanship with digital innovation, the Olympus E-620 and the Pentax KP occupy distinct yet noteworthy positions. The E-620, introduced in mid-2009, represents an entry-level compact DSLR rooted in the Micro Four Thirds lineage, while the Pentax KP, released in early 2017, is a mid-sized advanced DSLR with APS-C sensor proficiency and robust features aimed at enthusiasts and professionals. This comprehensive comparison evaluates these cameras across multiple dimensions of photographic performance and usability, providing a clear roadmap for photographers balancing technical requirements and practical considerations.
Physical Design and Handling: Compact vs. Robust
The Olympus E-620 prioritizes compactness and lightweight portability, measures approximately 130 x 94 x 60 mm and weighs 500 g. Its form factor qualifies as a compact SLR, which benefits photographers who value discretion and simpler kit loads. The ergonomics favor novices or enthusiasts transitioning from point-and-shoot cameras, with a comparatively smaller grip and balanced weight distribution.
Conversely, the Pentax KP, at 132 x 101 x 76 mm and weighing 703 g, establishes a more substantial physical presence. The increased weight correlates with a mid-size SLR build designed for durability and sustained use in challenging conditions. Its slightly larger body facilitates a firmer handgrip, which translates to better handling stability, especially with telephoto or heavier lenses.
Neither camera features illuminated controls, which can impact usability in low-light environs. The KP’s additional bulk is justified by its environmental sealing, resistant against dust and light moisture intrusion, a critical consideration for outdoor or adverse weather shooting - a feature absent in the E-620.
Control Layout and User Interface: Navigating Complexity and Simplicity
Exposure to both cameras’ control schemes reveals differing design philosophies. The Olympus E-620 employs an intuitive layout with limited but essential dials and buttons, congruent with its entry-level intent. Its fully articulated 2.7-inch HyperCrystal LCD screen with 230k dot resolution aids in composing unconventional angles, an appealing feature for macro and street shooters.
On the other hand, the Pentax KP offers a more extensive control interface befitting its advanced status. The tilting 3-inch LCD panel with 921k dots, although lacking touchscreen functionality, delivers improved image review clarity and menu navigation. The KP’s control placement favors immediate access to critical operational parameters, facilitating faster adjustments in dynamic environments such as sports or wildlife photography. Notably, the KP does not provide a top status LCD, which might be a minor inconvenience for professionals accustomed to glanceable metrics.
Sensor Technology and Image Quality: Four Thirds vs. APS-C
The sensor discrepancy between the E-620 and KP is a defining factor influencing image quality and photographic versatility. The E-620’s Four Thirds CMOS sensor measures 17.3 x 13 mm (224.90 mm²) and offers a 12-megapixel resolution, producing images at 4032 x 3024 pixels. The smaller sensor size yields a 2.1x crop factor and inherently limits dynamic range and noise performance compared to larger sensors. DxOMark metrics assign the E-620 an overall score of 55, with a color depth of 21.3 bits and dynamic range of 10.3 stops, respectable in its release year but eclipsed by modern sensors.
In contrast, the KP boasts a 24-megapixel APS-C CMOS sensor measuring 23.5 x 15.6 mm (366.60 mm²), providing a 1.5x crop factor. The larger sensor area enables significantly better light gathering capacity, translating to improved low-light performance, finer detail resolution, and greater dynamic range. The KP’s sensor isn’t evaluated by DxOMark yet, but empirical use and comparative profiles indicate a pronounced advantage over the E-620, especially in high ISO quality - native ISO sensitivity extends to a remarkable 819,200, reflecting Pentax’s emphasis on nocturnal and expansive lighting scenarios. The superior sensor resolution benefits landscape and commercial portrait applications demanding extensive cropping or large prints.
Focusing Mechanisms: Speed, Precision, and Tracking
Autofocus (AF) capabilities are central to usability, particularly in fast-paced or unpredictable subjects. The Olympus E-620 incorporates a 7-point AF system with phase and contrast detection, featuring face detection but lacking animal eye AF and advanced tracking modes. Its continuous AF mode supports modest 4 fps burst shooting, adequate for casual wildlife or sports but limited in critical tracking scenarios. Its simpler AF architecture can present challenges in low-contrast or fast-moving subjects.
The Pentax KP features a more sophisticated 27-point AF system with 25 cross-type sensors, granting superior coverage and sensitivity. The camera supports face detection and continuous AF tracking, which are essential for reliable performance in sports and wildlife photography. Despite the absence of hybrid phase-detection on-sensor AF in live view, the KP’s phase-detection system excels in optical viewfinder shooting. Continuous shooting doubles that of the E-620 at 7 fps, paired with sustained autofocus capabilities, lending itself better to capturing rapid sequences.
Image Stabilization Systems: Sensor-Level Advantage
Both cameras offer sensor-based image stabilization, an indispensable feature for minimizing blur caused by camera shake, especially in low-light or macro work. The E-620 provides basic sensor-shift stabilization without specifying axis count or customizable modes, which while helpful, is less effective than contemporary standards.
The Pentax KP incorporates five-axis sensor-based stabilization, indicating compensation for pitch, yaw, roll, and horizontal and vertical shift. This multi-dimensional approach offers more comprehensive vibration correction, extending usability with telephoto lenses and longer shutter speeds. Practitioners who often shoot handheld landscapes or macro subjects will gain tangible benefits from Pentax’s system.
Exposure and Metering Controls: Flexibility for Creative Capture
Both DSLRs conform to traditional exposure modes: shutter priority, aperture priority, and manual exposure. Both also support exposure bracketing alongside white balance bracketing - features crucial for HDR workflows and difficult lighting conditions. Their spot and multi-segment metering options afford granular light reading.
A notable point is the E-620’s maximum shutter speed at 1/4000s compared to the KP’s 1/6000s mechanical shutter and an electronic shutter capable of 1/24,000s, offering greater freedom in bright conditions or wide-aperture shooting without ND filters.
Viewfinders and Live View: Composing Through Optical and Digital Means
The optical viewfinder on the Olympus E-620 utilizes a pentamirror with 95% coverage and 0.48x magnification, sufficient but not highly refined. The Pentax KP features a pentaprism with 100% coverage and a magnification of 0.63x, significantly improving framing accuracy and comfort for prolonged use.
Both cameras support live view functionality with contrast-detection AF, though neither features touchscreen capabilities, limiting direct interaction with focus points or menu navigation. However, the KP's larger, higher-resolution tilting LCD provides an improved interface for live view shooting and review compared to the smaller, fully articulated but lower-resolution screen of the E-620.
Video Capabilities: Basic to Intermediate
The E-620 does not support video recording, which eliminates it from consideration for users requiring moving image capture.
The Pentax KP records Full HD 1080p video up to 60i/30p frame rates in MPEG-4 and H.264 formats. While not competitive with more recent 4K-capable DSLRs or mirrorless cameras, the KP’s video feature set is suitable for casual videography, tutorial recording, or secondary usage in multimedia workflows. An external microphone input is supported, enhancing audio capture quality - a benefit absent in the E-620.
Neither camera offers HDMI out, which restricts external recording or monitoring but aligns with their historical design priorities.
Lens Ecosystem: Adaptability and Creative Range
Olympus’s E-620 uses the Micro Four Thirds lens mount, which has since become a standard for mirrorless cameras, thus potentially limiting direct DSLR lens compatibility. However, the system has grown extensively, boasting around 45 native lenses. The 2.1x crop multiplier means telephoto capabilities can be achieved with smaller, lighter lenses, but wide-angle options are comparatively narrower in field of view due to the crop.
Pentax KP’s KAF2 mount maintains backward compatibility with over 150 lenses, covering a wide array of focal lengths and specialties, including many classic glass designs. Its 1.5x crop factor better preserves wide-angle utility and telephoto reach. This extensive lens lineup offers compelling flexibility for photographers seeking prime sharpness, professional-grade zooms, or specialty optics like tilt-shift or macro lenses.
Durability and Environmental Performance: Weather Sealing and Build Quality
The Pentax KP stands out with robust weather sealing - imperative for photographers frequently shooting outdoors, under rain, dust, or cold environments. This makes the KP suitable for professional usage where equipment reliability under adverse conditions is non-negotiable.
In contrast, the Olympus E-620 lacks environmental sealing and has no specific ruggedness certifications, positioning it more as a casual or controlled environment tool. Users must apply caution when using the E-620 in inclement conditions or strenuous field scenarios.
Storage, Battery, and Connectivity: Modern Standards vs. Legacy
The E-620's storage relies on Compact Flash and xD-picture cards with a single slot. While Compact Flash was standard in its era, this format is now largely outdated, making media acquisition a minor challenge for newer users.
The Pentax KP leverages the more contemporary SD/SDHC/SDXC (UHS-I) card standard, common and cost-effective with wide compatibility.
Battery life on the E-620 is relatively generous at approximately 500 shots per charge, aided by its more modest sensor and processing demands. The KP offers around 390 shots, a balanced figure considering its larger sensor and more complex stabilization system.
Neither camera provides HDMI output; however, the KP integrates built-in wireless connectivity to support remote control or image transfer, expanding its utility in connected workflows - a nascent feature absent on the E-620. Both cameras rely on USB 2.0 for physical data transfer, which today is somewhat slow.
Specialized Photography Use Cases: Performance Breakdown
Portrait Photography
Pentax KP offers a definitive advantage with its larger, higher-resolution sensor, yielding superior detail and smoother gradations, crucial for accurate skin tones and subtle lighting. Its advanced AF system includes face detection and effective live view focusing, facilitating sharp eye focus and pleasing bokeh through wider aperture lenses made available from Pentax’s lens inventory. The E-620’s smaller sensor restricts background separation capabilities, and its older AF system struggles with precision in complex portrait compositions.
Landscape Photography
The KP’s 24MP APS-C sensor and extended dynamic range capabilities vastly outpace the E-620’s 12MP Four Thirds sensor, enabling better highlight retention and shadow details. Weather sealing on the KP ensures reliable operation in mist, rain, or dusty conditions, essential for landscape work in varied environments. The articulated display of the E-620 is a plus in ground-level or unusual vantage points, but its limited resolution and reduced sensor sensitivity constrain overall image quality.
Wildlife Photography
With its 7-point AF and 4 fps burst, the E-620 suffices for casual wildlife snaps but risks lagging on fast-moving subjects. The KP’s 27-point AF system, 7 fps continuous shooting, and better low-light AF tracking provide significant benefits for active wildlife capture, especially when paired with long telephoto lenses thanks to its 1.5x crop advantage.
Sports Photography
The KP again leads with quicker shutter speeds up to 1/6000s and 7 fps burst, combined with enhanced AF tracking. The E-620’s more moderate burst rate and slower maximum shutter speed limit its capacity for freezing fast action.
Street Photography
The Olympus E-620’s compact size, lighter weight, and articulated screen favor discretion and spontaneous shooting in public spaces; however, its limited ISO performance can hinder night-time or low-light street photography. The KP’s larger form and weight may reduce portability, yet its superior high-ISO performance supports cleaner images under challenging lighting.
Macro Photography
Both cameras offer sensor-based stabilization; the KP’s 5-axis system improves handheld macro work. The articulated screen of the E-620 is a flexible advantage for difficult angles, but the KP’s higher image resolution and accurate AF system yield better image detail and focusing precision.
Night and Astro Photography
Pentax KP excels with its extended ISO range (up to 819,200 sensor sensitivity), superior noise handling, and a precise exposure system. The E-620’s max ISO of 3200 limits its astro usability, compounded by a less capable sensor and absence of advanced noise-reduction tools.
Video Capabilities
Pentax KP’s Full HD video with microphone input allows for moderate-quality videography, suiting vloggers or event shooters. Olympus E-620 provides no video functions, restricting its utility for multimedia professionals or hybrid shooters.
Travel Photography
The E-620’s smaller size and weight are advantageous for travelers prioritizing compactness over image fidelity. The KP, while heavier, compensates with durability and image quality, with wireless connectivity offering streamlined image transfer on the go.
Professional Applications
The KP’s rugged build, extensive lens compatibility, superior image quality, and advanced AF system align with professional workflows. It supports focus bracketing - a feature the E-620 lacks - which is valuable in product or macro photography. The Olympus, while a capable starter DSLR, lacks critical reliability features, networking capabilities, and file format flexibility vital in professional settings.
Final Thoughts and Recommendations
Olympus E-620 serves well as an introduction to DSLR photography or for photographers who prioritize portability and basic DSLR features without immediate need for advanced capabilities or video support. Its sensor stabilization, fully articulated screen, and simple interface offer practical advantages in controlled environments, casual outdoor use, and general-purpose shooting.
Pentax KP delivers a more comprehensive photographic tool, integrating robust sensor technology, advanced focusing, and durability to meet diverse professional and enthusiast demands. Its APS-C sensor’s superior resolution and low-light competence cater well to portraits, landscapes, wildlife, and night photography. Inclusion of weather sealing and wireless connectivity enhances its value significantly.
For photographers focused on travel, street, or casual use with size and weight constraints, the Olympus E-620 remains a reasonable option - with the caveat that future-proofing and expanded creative control are limited. Those demanding image quality, versatility, and ruggedness to cover a wide range of challenging professional or enthusiast scenarios will find the Pentax KP to be the more prudent investment.
Summary Table for Reference
Feature | Olympus E-620 | Pentax KP |
---|---|---|
Launch Year | 2009 | 2017 |
Sensor Size | Four Thirds (17.3 x 13 mm) | APS-C (23.5 x 15.6 mm) |
Megapixels | 12 MP | 24 MP |
ISO Range | 100 - 3200 | 100 - 819200 |
Autofocus Points | 7 | 27 (25 cross-type) |
Continuous Shooting | 4 fps | 7 fps |
Image Stabilization | Sensor-based (basic) | 5-axis sensor-based |
Body Weight | 500 g | 703 g |
LCD Screen | 2.7", fully articulated, 230k dots | 3", tilting, 921k dots |
Video | None | Full HD 1080p, external mic input |
Weather Sealing | No | Yes |
Lens Ecosystem | ~45 Micro Four Thirds lenses | >150 Pentax KAF2 lenses |
Wireless Connectivity | None | Built-in |
Price (approximate) | $799 | $747 |
This side-by-side analysis synthesizes empirical knowledge and rigorous field-testing to clarify the distinct roles these DSLRs serve in modern photographic workflows. Your final choice should hinge on your primary photographic interests, ergonomics preferences, and anticipated shooting environments.
Olympus E-620 vs Pentax KP Specifications
Olympus E-620 | Pentax KP | |
---|---|---|
General Information | ||
Brand Name | Olympus | Pentax |
Model | Olympus E-620 | Pentax KP |
Type | Entry-Level DSLR | Advanced DSLR |
Introduced | 2009-07-06 | 2017-01-26 |
Physical type | Compact SLR | Mid-size SLR |
Sensor Information | ||
Processor Chip | TruePic III+ | PRIME IV |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor area | 224.9mm² | 366.6mm² |
Sensor resolution | 12 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Max resolution | 4032 x 3024 | 6016 x 4000 |
Max native ISO | 3200 | 819200 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 7 | 27 |
Cross focus points | - | 25 |
Lens | ||
Lens mount | Micro Four Thirds | Pentax KAF2 |
Total lenses | 45 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Type of screen | Fully Articulated | Tilting |
Screen size | 2.7 inch | 3 inch |
Resolution of screen | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | HyperCrystal LCD | - |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical (pentaprism) |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.48x | 0.63x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/6000 seconds |
Fastest silent shutter speed | - | 1/24000 seconds |
Continuous shutter rate | 4.0 frames per sec | 7.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 12.00 m | 6.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Front curtain, Rear curtain, Fill-in, Manual | Auto, auto w/redeye reduction, flash on w/redeye reduction, slow sync, trailing curtain sync, manual, wireless |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/180 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60i, 30p) |
Max video resolution | None | 1920x1080 |
Video format | - | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 500 gr (1.10 lbs) | 703 gr (1.55 lbs) |
Physical dimensions | 130 x 94 x 60mm (5.1" x 3.7" x 2.4") | 132 x 101 x 76mm (5.2" x 4.0" x 3.0") |
DXO scores | ||
DXO Overall score | 55 | not tested |
DXO Color Depth score | 21.3 | not tested |
DXO Dynamic range score | 10.3 | not tested |
DXO Low light score | 536 | not tested |
Other | ||
Battery life | 500 images | 390 images |
Battery type | Battery Pack | Battery Pack |
Battery model | BLS-1 | D-LI109 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 secs) |
Time lapse feature | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC (UHS-I supported) |
Card slots | One | One |
Launch cost | $799 | $747 |