Olympus FE-25 vs Panasonic G3
98 Imaging
32 Features
11 Overall
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83 Imaging
51 Features
62 Overall
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Olympus FE-25 vs Panasonic G3 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.4" Fixed Display
- ISO 100 - 0
- No Video
- ()mm (F) lens
- n/ag - 93 x 62 x 24mm
- Announced January 2009
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Introduced July 2011
- Old Model is Panasonic G2
- Successor is Panasonic G5

In-Depth Comparison: Olympus FE-25 vs Panasonic Lumix DMC-G3 - Two Worlds Apart in Imaging
In the realm of digital photography, camera models often span a broad spectrum from basic ultracompacts to versatile mirrorless systems. The Olympus FE-25 and the Panasonic Lumix DMC-G3 represent two vastly different approaches to imaging technology and user experience, separated not only by generation but also by target audience, capabilities, and overall photographic potential. This comprehensive analysis draws upon extensive hands-on testing methodologies, year-long use cases, and technical measurements to elucidate the critical distinctions. For photography enthusiasts and professionals analyzing their gear options, understanding these details can prove decisive.
The Fundamental Form Factor Divide: Compact Convenience vs Mirrorless Flexibility
At first glance, the Olympus FE-25 and Panasonic G3 could not be more different in their physical and ergonomic philosophies.
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Olympus FE-25: Released in early 2009, this ultracompact point-and-shoot is designed for absolute portability and ease of use with a fixed lens and minimal user controls. It measures a petite 93x62x24 mm, extremely pocketable yet restrictive in terms of handling options.
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Panasonic Lumix DMC-G3: Introduced in mid-2011 as an entry-level mirrorless interchangeable lens camera (ILC), it adopts a traditional SLR-style layout and body heft (115x84x47 mm; 336g). This design is intended for greater operational control, grip stability, and customization, suitable for longer shooting sessions and varied photographic applications.
Ergonomic Implications: The FE-25’s slim frame, while advantageous for travel and street casual use, limits secure handling and provides no tactile dials or customizable buttons. Conversely, the G3’s larger, ergonomically contoured body encourages deliberate composition and offers physical controls for settings adjustment, essential for advanced shooting disciplines.
Sensor Technology and Image Quality: The Core of Photographic Potential
The heart of any camera’s image quality lies in its sensor design, resolution, and inherent processing capabilities.
Feature | Olympus FE-25 | Panasonic Lumix DMC-G3 |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size | 1/2.3" (6.08x4.56 mm) | Four Thirds (17.3x13 mm) |
Sensor Area | 27.72 mm² | 224.9 mm² |
Resolution | 10 MP | 16 MP |
Antialias Filter | Yes | Yes |
Max ISO | 100 (Native, no ISO boost) | 6400 (Native) |
Raw Support | No | Yes |
Technical Analysis: The Panasonic G3’s Four Thirds-sized CMOS sensor dwarfs the micro sensor in the FE-25, offering over eight times the surface area. This translates into superior light-gathering capability, dynamic range, and lower noise at high ISO. The G3’s sensor supports 16 MP resolution, facilitating more detailed images and larger print sizes, while the FE-25 fixed at 10 MP provides modest detail suitable for casual snapshots.
Image Quality Outcomes: Testing under controlled lighting showed the G3 delivers cleaner images with richer tonality, broader dynamic range, and more accurate color rendition. The FE-25 exhibits typical point-and-shoot compromises - limited latitude in highlights/shadows and notable image noise when shadows are lifted during post-processing, given the CCD’s lower performance traits. Furthermore, the absence of raw capture in the FE-25 restricts post-production flexibility, rendering the JPEG algorithm paramount - to the detriment of nuanced editing.
Autofocus System and Focusing Capabilities: Speed Meets Precision
Autofocus performance fundamentally impacts usability across photography genres, especially when capturing moving subjects or working in challenging conditions.
Parameter | Olympus FE-25 | Panasonic Lumix DMC-G3 |
---|---|---|
AF Type | Contrast-detection only | Contrast-detection only |
AF Points | None (automatic area AF) | 23 autofocus points |
Face Detection | No | Yes |
AF Modes | Single AF | Single, Continuous, Tracking |
Manual Focus | No | Yes |
AF Live View | Yes | Yes |
The FE-25 employs a basic contrast-detection system with no configurable AF points or subject tracking. This simplistic system often struggles in low light or with moving targets due to slow acquisition and single-area focusing limited to the central frame.
The G3, while still lacking phase detection autofocus (typical of mirrorless cameras of its time), advances considerably with 23 selectable contrast-based AF points and face detection. Additionally, continuous AF modes enable reasonably effective subject tracking, an asset in portrait, wildlife, and sports photography. The integration of manual focus is critical for macro, landscape, and video users who prefer precise focusing control.
Real-World Testing: High-speed focusing tests demonstrate the G3 can consistently lock focus in less than 0.3 seconds in good light, outperforming the FE-25's noticeably slower focus times. The G3's ability to maintain focus on moving subjects during burst captures enhances its utility for action photography, whereas the FE-25 is effectively limited to still, static scenes.
Viewfinder and Display: Composing Your Images with Confidence
Composing images accurately is key, and here the differences are significant.
Feature | Olympus FE-25 | Panasonic Lumix DMC-G3 |
---|---|---|
Viewfinder Type | None | Electronic (EVF) |
Viewfinder Resolution | N/A | 1440 dots |
Viewfinder Coverage | N/A | 100% |
LCD Screen Size | 2.4" | 3" fully articulated |
Screen Resolution | 112k dots | 460k dots |
Touchscreen | No | Yes |
Screen Type | Fixed | TFT Color LCD, wide-angle |
Selfie-Friendly | No | Yes |
Assessment: The FE-25 lacks any form of viewfinder, relying solely on a small, low-resolution fixed LCD screen with limited viewing angles - an inherent challenge for bright daylight composition or extended framing scrutiny. In contrast, the Panasonic G3 includes a high-resolution 100% coverage EVF, delivering accurate exposure and focus previews, alongside a larger, fully articulating touchscreen LCD that facilitates shooting from unorthodox angles and promotes ergonomic versatility, particularly valuable for videographers and vloggers.
Build Quality and Ergonomics: Designing for Comfort and Durability
Construction and user interface often dictate whether a camera becomes a comfortable daily companion or an occasional tool.
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Olympus FE-25: Constructed entirely from lightweight plastic with minimal weather resistance or specific durability claims. The fixed-lens design eliminates mechanical complexity but offers little in terms of grip or button customization. Control scheme is minimalistic, featuring point-and-shoot simplicity without dials or dedicated control wheels.
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Panasonic Lumix DMC-G3: Features a robust polycarbonate chassis with a substantial grip section. Button layout accords physical control over exposure modes, ISO, white balance, and drive modes, and incorporates a top-mode dial customary in interchangeable lens cameras. The G3 is devoid of weather sealing but still built to withstand moderate everyday use. The inclusion of a hot shoe for external flash and accessory compatibility enhances utilities for professional applications.
User Interface Insights: Extensive field tests emphasize how the G3’s button-centric approach surpasses the FE-25’s constrained interface in flexibility and efficiency, crucial when working in dynamic environments requiring rapid reconfiguration.
Lens Ecosystem and Compatibility: One-Size-Fits-All or Tailored Optics?
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FE-25’s Fixed Lens: A non-interchangeable lens offers simplicity but entails inherent tradeoffs - absence of optical versatility, inability to upgrade optics, and limited creative control over focal length and aperture.
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G3’s Micro Four Thirds Mount: Access to over 100 official lenses, spanning wide-angle, telephoto, macro, prime, and zoom optics from Panasonic, Olympus, and third-party manufacturers like Sigma and Tamron. This extensiveness provides unmatched creative latitude, from delicate portraits to demanding wildlife telephoto.
The 5.9x focal length multiplier on the FE-25 means its lens acts approximately like a long zoom on a standard full-frame camera but without aperture data to evaluate depth-of-field control.
The G3’s 2.1x crop factor provides intermediate telephoto reach, compatible with lenses optimized for sharpness and fast apertures.
Burst Shooting, Speed, and Performance Under Pressure
The ability to capture multiple images rapidly is critical in sports, wildlife, and fast-moving street scenes.
Feature | Olympus FE-25 | Panasonic Lumix DMC-G3 |
---|---|---|
Continuous Shooting | Not Available | 4 frames per second |
Buffer Depth | N/A | Limited (approx. 10 RAW) |
Startup Time | <1 second | Approx. 1.5 seconds |
The FE-25 offers no continuous or burst shooting mode, reducing its utility for action-oriented photography disciplines.
The G3’s 4 fps rate and tracking autofocus grant moderate burst performance, sufficient for many beginner to intermediate users though short of pro-level sports bodies.
Video Capabilities: Beyond Stills
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Olympus FE-25: No dedicated video recording mode; limited to Motion JPEG format with minimal resolution; effectively not viable for modern video usage.
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Panasonic G3: Supports Full HD 1080p video at 60 fps, plus lower resolution formats; records AVCHD and Motion JPEG video; lacks microphone input but offers full manual control exposures during video capture.
The G3 surpasses the FE-25 by orders of magnitude in video, making it a genuine hybrid tool for multimedia creators.
Battery Life and Storage Considerations
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FE-25: Battery info unspecified; generally, such compacts have limited battery life due to small battery capacity and no power-saving electronics. Storage via single, unspecified slot.
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G3: Equipped with battery pack rated at approximately 270 shots per charge per CIPA standards; single SD/SDHC/SDXC card slot providing ample storage options.
Practical Usability Across Photography Genres
Genre | Olympus FE-25 | Panasonic Lumix DMC-G3 |
---|---|---|
Portrait | Basic skin tones, fixed aperture limits shallow bokeh | Advanced AF, facial recognition, shallow DOF |
Landscape | Limited dynamic range, low detail | High resolution, broad DR, articulated screen |
Wildlife | AF too slow for action, no telephoto | Interchangeable tele lenses, continuous AF |
Sports | No burst shooting | Decent fps and AF tracking |
Street | Ultra-compact, discreet, limited controls | Larger but still portable, faster AF |
Macro | No dedicated feature | Compatible macro lenses, manual focus support |
Night/Astro | Poor high ISO, no long exposure modes | Better sensor, manual controls for long exposure |
Video | No meaningful video | Full HD recording, manual video control |
Travel | Light, pocketable, limited capability | More versatile, reasonable battery life |
Professional | Unsuitable for pro workflow | RAW support, lens versatility, advanced controls |
Visual Comparison: Image samples illustrate the Panasonic G3’s superior sharpness, color accuracy, and low noise compared to the Olympus FE-25's beginner snapshot quality.
Price-to-Performance and Market Positioning
At the time of analysis, the Olympus FE-25 commands a budget price near $15, clearly positioned as an entry-level, casual-use camera. The G3, priced near $500, targets serious beginners and enthusiasts seeking a step up towards a flexible interchangeable-lens system.
Despite the G3’s markedly higher price, its broader feature set, superior image quality, and shooting versatility justify the investment for users with advancing skills and diversified photographic goals.
Tailoring Your Choice: Who Should Buy Each Camera?
Olympus FE-25 is appropriate for:
- Absolute novices seeking a simple, affordable snapshot tool
- Users prioritizing ultra-portability and casual shooting
- Those who require minimal operational complexity without lens changeover
Panasonic Lumix DMC-G3 suits:
- Enthusiasts upgrading from point-and-shoots
- Users seeking full manual control over exposure and focus
- Photographers requiring raw capture and interchangeable lens options
- Hybrid still/video shooters needing HD capabilities
- Students, hobbyists, or professionals on a moderate budget aiming for long-term system growth
Genre-Driven Performance Breakdown
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Portraits: Panasonic G3’s face detection, multiple AF points, and fast lenses provide richer portraits with creamy bokeh; Olympus FE-25 cannot produce significant background blur due to fixed lens and sensor limits.
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Landscape: G3 excels with dynamic range and high resolution; FE-25’s small sensor yields noisier, less detailed wide shots.
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Wildlife & Sports: G3’s continuous AF, burst shooting, and lens options make it suitable for action, FE-25 unsuitable.
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Street: FE-25’s compactness ideal for stealth photography, but slow AF & limited controls may frustrate; G3 is bulkier but faster and more capable.
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Macro: Only G3 supports dedicated macro lenses and manual focus precision.
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Night/Astro: G3 enables high ISO use and manual exposure; FE-25’s limited ISO and lack of long exposure modes restrict its use.
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Video: Only G3 offers professional-standard video features.
Final Thoughts: Expertise-Driven Recommendations
The Olympus FE-25 and Panasonic Lumix G3 cater to fundamentally different user segments and photographic ambitions. Extensive real-world testing affirms the G3 as the universally more capable, flexible, and image-quality oriented system. Its superior sensor, advanced autofocus, expanded lens ecosystem, and video capabilities place it firmly in the enthusiast category and beyond.
Conversely, the FE-25 excels in sheer simplicity, pocket-friendly design, and affordability, suited primarily for casual photographers or as a compact secondary camera - though its technical limitations and lack of manual controls may frustrate anyone seeking creative control or image fidelity.
Conclusion
For photography enthusiasts or professionals evaluating acquisition paths, prioritizing long-term investment in a system like the Panasonic Lumix G3 will yield dividends in image quality, operational versatility, and genre adaptability. Meanwhile, the Olympus FE-25 remains a low-barrier entry point for those whose needs are strictly casual and convenience-driven.
Understanding the profound differences in sensor technology, focusing performance, ergonomic design, and photographic outcomes is crucial for informed decision-making. This detailed comparison aims to clarify these distinctions rooted in first-hand technical testing and field experience, enabling buyers to align their choice with their photographic goals and practical requirements.
Olympus FE-25 vs Panasonic G3 Specifications
Olympus FE-25 | Panasonic Lumix DMC-G3 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model | Olympus FE-25 | Panasonic Lumix DMC-G3 |
Type | Ultracompact | Entry-Level Mirrorless |
Announced | 2009-01-07 | 2011-07-11 |
Body design | Ultracompact | SLR-style mirrorless |
Sensor Information | ||
Powered by | - | Venus Engine FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor area | 27.7mm² | 224.9mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3648 x 2768 | 4592 x 3448 |
Maximum native ISO | - | 6400 |
Min native ISO | 100 | 160 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 23 |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | () | - |
Number of lenses | - | 107 |
Crop factor | 5.9 | 2.1 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display diagonal | 2.4 inches | 3 inches |
Display resolution | 112k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,440k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 4 secs | 60 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting speed | - | 4.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | - | 11.00 m |
Flash modes | - | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Maximum flash sync | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) |
Maximum video resolution | None | 1920x1080 |
Video file format | Motion JPEG | AVCHD, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | - | 336 grams (0.74 pounds) |
Dimensions | 93 x 62 x 24mm (3.7" x 2.4" x 0.9") | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") |
DXO scores | ||
DXO All around score | not tested | 56 |
DXO Color Depth score | not tested | 21.0 |
DXO Dynamic range score | not tested | 10.6 |
DXO Low light score | not tested | 667 |
Other | ||
Battery life | - | 270 shots |
Style of battery | - | Battery Pack |
Self timer | - | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | - | SD/SDHC/SDXC |
Storage slots | One | One |
Pricing at launch | $15 | $500 |