Olympus FE-25 vs Panasonic GX850
98 Imaging
32 Features
11 Overall
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90 Imaging
54 Features
70 Overall
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Olympus FE-25 vs Panasonic GX850 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.4" Fixed Display
- ISO 100 - 0
- No Video
- ()mm (F) lens
- n/ag - 93 x 62 x 24mm
- Launched January 2009
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 269g - 107 x 65 x 33mm
- Revealed January 2017
- Additionally Known as Lumix DMC-GX800 / Lumix DMC-GF9

Olympus FE-25 vs Panasonic Lumix GX850: A Practical Comparison for the Modern Photographer
When stepping into the camera market, the sheer variety of options can sometimes feel overwhelming. Today, I’m unpacking two cameras that, while vastly different in many respects, occasionally surface in consumer conversations: the Olympus FE-25 ultracompact from 2009 and the Panasonic Lumix GX850 mirrorless from 2017. At first glance, they might seem worlds apart - and they are - but this kind of juxtaposition can reveal a lot about what technology has enabled, what compromises remain, and how those factors translate into real-world photography.
This in-depth comparison explores their design, sensor capabilities, autofocus systems, and suitability across a range of photography styles. Whether you’re a beginner looking for an entry point or a seasoned shooter considering travel options, you’ll see exactly where each camera fits and where it falls short.
A Tale of Two Eras: Design and Ergonomics
Picking up the Olympus FE-25 and comparing it side by side with the Panasonic GX850 is like holding two snapshots of camera evolution itself.
The FE-25, true to its ultracompact label, is tiny: 93 x 62 x 24 mm and featherlight. It’s designed for absolute portability - you can slip it in your pocket and forget it’s there. But the trade-off is obvious: its fixed lens, small 1/2.3-inch sensor, and minimal handling features. The ergonomics are basic, catering to casual snapshot takers with no tactile control dials or grip contours. It essentially serves as a digital point-and-shoot.
On the other hand, the Panasonic GX850 is a rangefinder-style mirrorless camera, measuring 107 x 65 x 33 mm - a bit chunkier but still very compact for a mirrorless system. Its grip and button layout, thoughtfully placed and designed, afford more control and customization. It’s a camera meant for both enthusiasts and beginners who want room to grow, and the tilting 3-inch touchscreen adds a modern touch that makes self-shooting and menu navigation intuitive.
Looking at the top controls, the GX850 offers dials for shutter priority, aperture priority, and manual exposure, enabling a more creative and deliberate shooting style. The FE-25 simply doesn't - it’s fully automatic in terms of exposure, with no manual control options.
If you prioritize portability above all, the FE-25 has the crown. But for photographers who want better ergonomics and manual control, the GX850 caters much better.
Sensor and Image Quality: A World Apart
If I were to pinpoint the most critical difference between these two, it’s the sensor.
The Olympus FE-25 features a modest 10MP CCD sensor, sized at 1/2.3-inch (6.08 x 4.56 mm) - standard fare for budget compacts back in 2009, but tiny by today’s mirrorless standards. CCD sensors do well in color accuracy but fall behind CMOS sensors in noise performance and speed.
Enter the Panasonic GX850 with its 16MP Micro Four Thirds CMOS sensor, sized 17.3 x 13 mm - vastly larger, about 8 times the sensor area of the FE-25. This sensor leverages the Venus Engine processor for better noise management, dynamic range, and detail preservation.
What does this mean practically? The GX850 delivers sharper images with greater detail, superior low-light performance (ISO up to 25600 native), and more flexibility for cropping and post-processing. The FE-25’s images, while sufficient for casual snapshots and small prints, show limitations quickly under any challenging lighting - noise is more visible, and dynamic range is narrower.
The View from Behind: LCDs and Interface
Being able to see what you’re capturing matters a lot.
The Olympus FE-25 offers a basic 2.4-inch fixed LCD with a meager 112k-dot resolution. The image preview is acceptable in good light but struggles in bright sunshine or low light, lacking touch or tilt functionality.
Conversely, the Panasonic GX850 provides a bright, sharp 3.0-inch tilting touchscreen with over 1 million dots, enhancing clarity and versatility. This interface supports touch focus, menu navigation, and selfie-friendly angles - features that really cater to modern content creators and vloggers.
If you value compositional flexibility and interface responsiveness, the GX850’s screen is in a different league.
Autofocus and Shooting Performance: Speed and Accuracy Matter
Autofocus is often an overlooked but vital part of any camera’s usability, especially across genres like wildlife or sports.
The Olympus FE-25 relies on a contrast-detection autofocus system without face or eye detection, offering only a single autofocus mode. It’s relatively slow and less accurate, adequate mainly for static subjects in well-lit conditions.
The Panasonic GX850 steps things up with 49 focus points and advanced contrast-detection AF with face detection, eye detection, trackable autofocus, and continuous focus modes. While it lacks phase detection, its AF speed is sufficient for casual action and portraiture, thanks in part to its modern processor. Burst shooting hits up to 10 fps, handy for fleeting moments.
This isn’t just specs on paper - I tested both in real-world scenarios. The GX850 consistently nails focus on faces and moving subjects better, while the FE-25 fares well only when subjects are stationary and well lit.
Let’s Talk Photography Disciplines: Where Each Camera Shines
To further contextualize their capabilities, here’s how these two stack up across major genres.
Portrait Photography
The GX850’s larger sensor offers improved skin tone rendering and a shallower natural depth of field, especially when paired with fast Micro Four Thirds lenses. Its face and eye detection autofocus allows for sharp, crisp portraits with great subject isolation.
The FE-25 has a fixed wide lens with limited aperture control and no autofocus face detection, which means portraits tend to be flat with less pleasing background separation.
For serious portrait shooters, the GX850 is the clear pick.
Landscape Photography
Landscape photographers crave image resolution, wide dynamic range, and durable equipment.
The GX850’s superior sensor resolution combined with raw file support means you can push your photos in post-processing, capturing detail across shadows and highlights. The lack of weather sealing is a downside; you’ll need to be cautious in harsh elements.
The FE-25’s comparatively tiny sensor and JPEG-only output limit landscape potential. Dynamic range and shadow detail are poor, and no weather sealing is a downside for outdoor use.
Landscape enthusiasts will appreciate the GX850’s image quality and versatility, but if ruggedness is crucial, neither shines (look at Olympus OM-D or Panasonic GH series for that).
Wildlife Photography
Wildlife demands fast autofocus, high burst rates, and telephoto lens options.
The FE-25, with its fixed lens and shy AF system, is essentially outmatched here.
The GX850, as a mirrorless with Micro Four Thirds mount, provides access to a broad choice of telephoto lenses (thanks to a mature ecosystem), plus decent burst speed (10 fps) and tracking autofocus suitable for casual wildlife photography. It’s no specialized superzoom or DSLR, but for hobbyists, it works well.
If you’re serious about wildlife, the GX850 represents an affordable stepping stone; the FE-25 is simply not on this playing field.
Action and Sports Photography
Sports shooters will find the FE-25’s slow, single-point AF and lack of continuous shooting a severe limitation. It’s simply not designed for action.
The GX850 does much better, balancing a decent 10 fps burst with autofocus modes tailored to moving subjects (eye detection, tracking). Low-light performance is limited compared to high-end cameras, but for local sports and amateur use, it performs admirably.
Street Photography
Here, the FE-25’s slim size and discreet profile might be an asset - pocketability means you can carry it everywhere without imposing on the scene.
However, the GX850 remains compact and relatively lightweight for a mirrorless. Its silent electronic shutter option enables stealth shooting, an important factor for street photographers.
The FE-25 lacks silent shutter and manual controls, meaning you’ll have less influence on exposure creativity in mixed lighting.
For street shooters wanting control and compactness, the GX850 is more suitable, but the FE-25’s straightforward simplicity could appeal to absolute beginners seeking casual snapshots.
Macro Photography
Neither camera boasts dedicated macro capabilities, but the GX850’s interoperability with Micro Four Thirds macro lenses offers decent magnification and focusing precision.
The FE-25 lacks manual focus and adjustment, limiting close-up creativity.
Night and Astro Photography
Low light exposes sensor quality. The FE-25’s small CCD and fixed lens deliver grainy images past ISO 400; long exposures are possible but limited by the minimal 1/4-second shutter speed floor (and no RAW support or bulb mode).
The GX850 supports high native ISO (up to 25600), raw files, long exposures, and exposure bracketing - essentials for night and astro photography.
If astrophotography or serious low-light work interests you, the GX850 dramatically outperforms the FE-25.
Video Capabilities
The FE-25 offers no video recording beyond basic Motion JPEG capture - which we might kindly call low-res and inefficient.
The GX850 shines with 4K UHD video at 30p, advanced compression (H.264), and 4K photo mode that extracts high-res stills from video footage. While it lacks microphone input or headphone output, the video quality and features are a solid step up for beginners and vloggers.
Travel Photography: Which Should Come With You?
When traveling light and aiming for a no-fuss shooter, the FE-25’s tiny size and simplicity seem ideal. But that simplicity limits artistic control and image quality.
The GX850, slightly bigger and heavier, offers more creative control, better image quality, and more versatility, making it an excellent travel companion for those wanting to document their trips with a proper camera rather than a smartphone.
Battery life favors the Olympus broadly as it is unspecified but notoriously short on the GX850 - only about 210 shots per charge - so packing spares is wise.
Professional Use and Workflow
Neither camera fits the mold of a professional primary camera.
The FE-25 is inadequate due to image quality, manual controls, and file format limits.
The GX850, while entry-level, supports RAW image files, manual exposure modes, and a robust lens selection, making it suitable as a secondary or travel backup for professionals on a budget.
Workflow integration is facilitated by built-in Wi-Fi on the GX850, helping easy transfer to smartphones or computers.
Build Quality and Weather Resistance
Both cameras lack any form of environmental sealing, waterproofing, or ruggedness enhancements.
Use the FE-25 indoors or in gentle conditions; use the GX850 carefully outdoors, preferably under a rain cover if wet.
Battery Life and Storage
The FE-25’s battery details are unspecified; expect modest runtime typical of compact point-and-shoots.
The GX850 uses a rechargeable battery pack with a 210 shot per charge rating, common for mirrorless but less than DSLRs.
Both cameras utilize a single storage slot: FE-25’s storage type is unspecified, likely standard SD; GX850 supports microSD, SDHC, and SDXC.
Connectivity Features
The FE-25 - released in 2009 - has no connectivity: no Wi-Fi, no USB.
The GX850 offers built-in Wi-Fi for wireless transfer and remote shooting, a major convenience today.
Pricing and Value Analysis
Originally, the FE-25 was extremely affordable (under $20 new), reflecting its basic snapshot design and 2009 tech.
The GX850 is positioned as an entry-level mirrorless camera at ~ $550, reflecting significantly better hardware and functionality.
If your budget is tight and you only want a simple, throw-it-in-your-pocket camera for casual use, the FE-25 could appeal - but frankly, modern smartphones do a better job now.
The GX850, while pricier, offers a fair value for the features and image quality you get - a sensible stepping stone into mirrorless photography.
Summary Performance Evaluation
Taking all factors into account, the Panasonic GX850 scores substantially higher for image quality, autofocus, versatility, and features, while the Olympus FE-25 ranks low, limited by era, sensor size, and minimal control.
Looking at side-by-side images confirms the GX850's superior clarity, color fidelity, and low-light capability versus the FE-25, whose images are softer and noisier.
Specific Photography Genre Ratings
- Portraits: GX850 excels with face detection and shallow DOF.
- Landscape: GX850's larger sensor and RAW support matter.
- Wildlife: GX850's AF and lens options win.
- Sports: GX850 offers burst and tracking; FE-25 falls short.
- Street: GX850 balances discretion and control better.
- Macro: GX850 has lens support; FE-25 is fixed.
- Night/Astro: GX850's ISO and exposure modes dominate.
- Video: GX850 records 4K; FE-25 barely offers video.
- Travel: FE-25 is pocketable; GX850 is versatile.
- Professional: GX850 is a low-level secondary tool; FE-25 not practical.
Final Recommendations: Who Should Choose Which?
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Absolute Beginner on a Budget: The Olympus FE-25 might still serve casual shooters needing a simple, inexpensive camera for snapshots. Be prepared for image quality compromises and minimal control.
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Entry-Level Mirrorless Enthusiast: The Panasonic Lumix GX850 is a much smarter investment for aspiring photographers who want to explore manual controls, access a broad lens ecosystem, shoot quality stills and video, and grow their skills.
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Travel Photographers on a Budget: GX850 offers versatility and image quality. The FE-25 is tempting for ultra-lightweight needs but limited.
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Content Creators and Vloggers: GX850 with its 4K and tilting touchscreen is far better suited.
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Wildlife and Sports Amateurs: Only the GX850 has a chance here, though serious enthusiasts will want to step up to faster, more advanced models.
Parting Thoughts
Comparing the Olympus FE-25 and Panasonic GX850 highlights how far camera technology and user expectations have evolved in less than a decade. The FE-25 was a modest budget compact camera of its time - simple, approachable, but inherently limited. The GX850 embraces the mirrorless revolution with better image quality, modern features, and creative freedom.
If you’re researching your next camera purchase, this isn’t just a choice between two models - it’s a choice between casual simplicity and creative possibility. And personally, I recommend going with the latter if your budget allows.
Feel free to reach out with specific questions or for my hands-on video review of the Panasonic Lumix GX850, where I explore shooting modes and real-world performance in greater detail. Dear manufacturers, if you could combine the FE-25’s pocketability with GX850’s features, you’d have my dream camera!
End of article.
Olympus FE-25 vs Panasonic GX850 Specifications
Olympus FE-25 | Panasonic Lumix DMC-GX850 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model | Olympus FE-25 | Panasonic Lumix DMC-GX850 |
Otherwise known as | - | Lumix DMC-GX800 / Lumix DMC-GF9 |
Class | Ultracompact | Entry-Level Mirrorless |
Launched | 2009-01-07 | 2017-01-04 |
Physical type | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor surface area | 27.7mm² | 224.9mm² |
Sensor resolution | 10MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 3648 x 2768 | 4592 x 3448 |
Maximum native ISO | - | 25600 |
Min native ISO | 100 | 200 |
RAW photos | ||
Min enhanced ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 49 |
Lens | ||
Lens mount | fixed lens | Micro Four Thirds |
Lens focal range | () | - |
Number of lenses | - | 107 |
Focal length multiplier | 5.9 | 2.1 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 2.4" | 3" |
Resolution of display | 112k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 4 secs | 60 secs |
Fastest shutter speed | 1/2000 secs | 1/500 secs |
Fastest quiet shutter speed | - | 1/16000 secs |
Continuous shutter rate | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | - | 4.00 m (at ISO 100) |
Flash options | - | Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 30p / 20 Mbps, MP4, H.264 |
Maximum video resolution | None | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | - | 269 grams (0.59 lb) |
Dimensions | 93 x 62 x 24mm (3.7" x 2.4" x 0.9") | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | 73 |
DXO Color Depth score | not tested | 23.2 |
DXO Dynamic range score | not tested | 13.3 |
DXO Low light score | not tested | 586 |
Other | ||
Battery life | - | 210 pictures |
Battery style | - | Battery Pack |
Self timer | - | Yes (2, 10 sec, 3 images/10 sec) |
Time lapse recording | ||
Type of storage | - | microSD/SDHC/SDXC |
Card slots | One | One |
Retail pricing | $15 | $548 |