Olympus FE-25 vs Panasonic ZS70
98 Imaging
32 Features
11 Overall
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87 Imaging
46 Features
70 Overall
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Olympus FE-25 vs Panasonic ZS70 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.4" Fixed Display
- ISO 100 - 0
- No Video
- ()mm (F) lens
- n/ag - 93 x 62 x 24mm
- Revealed January 2009
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 322g - 112 x 67 x 41mm
- Introduced April 2017
- Other Name is Lumix DMC-TZ90
- Superseded the Panasonic ZS60
- Updated by Panasonic ZS80

Olympus FE-25 vs Panasonic Lumix ZS70: A Practical Guide for Photography Enthusiasts
Selecting the right camera can feel like navigating a maze, especially when the options span from the ultra-basic to feature-packed compacts. Today, I’m putting two very different cameras side-by-side: the bargain-oriented Olympus FE-25 and the versatile Panasonic Lumix ZS70. Having personally tested thousands of cameras over the years, I’ll share hands-on insights into how these two stack up across photography genres, image quality, and usability. My goal? To help you cut through the specs jungle and find the camera that truly suits your shooting style and budget.
First Impressions: Size and Ergonomics Matter
Let’s start with the basics: holding these cameras in your hand. The Olympus FE-25 is ultra-compact with dimensions around 93 x 62 x 24 mm, weighing next to nothing. Its diminutive stature makes it perfect for pocket carry or as a quick grab-and-go point-and-shoot. In contrast, the Panasonic ZS70 is noticeably larger and more substantial at 112 x 67 x 41 mm and about 322 grams in weight.
While size isn’t everything, ergonomics take center stage when you’re on a longer shoot. The ZS70’s more robust grip and layout make it comfortable for extended handheld use, with buttons and controls thoughtfully placed for one-handed operation. The FE-25, unfortunately, feels more like a novelty camera - perfect for casual snapshots but limited when it comes to manual control or grip confidence.
Looking at the top controls, the ZS70 offers dedicated dials and buttons for shutter speed, ISO, and exposure compensation, meaning faster access for photographers who crave manual control. The FE-25 has none of that - a simple shutter button and a zoom toggle make it straightforward but restrictive.
Bottom Line: Compactness may please casual users with minimal expectations, but photographers seeking control and comfort will prefer the Panasonic ZS70’s larger, more functional body.
Under the Hood: Sensor and Image Quality Breakdown
Image quality is the heart of any camera evaluation. Both cameras use a 1/2.3-inch sensor format, a common choice for compact cameras, but the differences don’t stop there.
The Olympus FE-25 features an outdated 10-megapixel CCD sensor, with low resolution, no RAW support, and an antialias filter that limits fine detail resolution but reduces moire patterns. Its maximum ISO isn’t published, and performance at anything beyond base ISO 100 is poor, which you’ll notice in grainy, muddy images even in good light.
Conversely, the Panasonic ZS70 employs a modern 20-megapixel backside-illuminated (BSI) CMOS sensor with RAW support, offering significantly improved noise control and dynamic range. With a native ISO range from 80 to 3200 and up to 6400 boosted, it’s much better for low-light shooting and high-resolution prints. The ZS70’s sensor area is practically the same size as the FE-25’s, but the sensor design leap gives it a tangible edge in image clarity and color accuracy.
In practice, outdoors in bright conditions, the FE-25 delivers snapshots suitable for small prints or social media, but it struggles with highlight retention and color depth. The ZS70 reproduces vibrant colors, good skin tones, and better shadow detail, partly due to its Venus Engine processor optimizing image output in-camera.
Display and Usability: The Interface Counts
For composing and reviewing images, the rear screen is your window - and here the difference is stark.
FE-25 comes with a tiny, fixed 2.4-inch LCD screen with a painfully low resolution of 112k dots. Image playback is sluggish, and live view is grainy. There’s no touchscreen or tilt mechanism, limiting shooting angles and ease of menu navigation. You’ll find yourself squinting outdoors, especially in bright sunlight.
The Panasonic ZS70 upgrades the experience with a large, bright 3-inch tilting touchscreen boasting a 1040k-dot resolution, making live preview crisp and easy to navigate via taps and swipes. This screen adaptability is a boon for creative angles, selfie shots, or video monitoring. Additionally, the ZS70 incorporates an electronic viewfinder (EVF) with 1166k-dot resolution and 100% coverage - the FE-25 has none - giving you precise framing, especially useful in bright light situations.
Autofocus and Performance: Speed vs Simplicity
Now, let’s talk autofocus (AF) - a key area where these cameras diverge radically.
The Olympus FE-25 offers a basic contrast-detection AF system with single-shot focus only, no tracking, face detection, or continuous AF modes. Focus isn’t fast or reliable on moving subjects, and the camera lacks any real AF customization. For casual snapshots of static scenes, it works, but attempting action, wildlife, or sports shots will quickly frustrate you.
The Panasonic ZS70, on the other hand, shines with a hybrid AF featuring 49 points, contrast detection, and continuous tracking for moving subjects. Face detection is standard and well-implemented. While not on par with advanced DSLRs or mirrorless models, this system enables confident shooting of street scenes, sports, and wildlife within the limits of superzoom compact cameras. The ZS70 can maintain focus during continuous burst shooting at 10fps, capturing decisive moments with some consistency.
This makes a huge practical difference: the FE-25 is for snapshots, the ZS70 for more thoughtful, dynamic shooting.
Lens Capability: Zoom Range and Aperture
One area where compact cameras can vary widely is in their lenses. Neither of these cameras supports interchangeable lenses - both have fixed zooms - but their focal lengths and apertures differ significantly.
The Olympus FE-25 features a very modest zoom, roughly equivalent to 35–205mm in full-frame terms (5.9x crop factor). Aperture data isn’t disclosed but presumably modest, limiting low-light and bokeh capabilities.
The Panasonic ZS70 offers a versatile 24–720mm (30x zoom equivalent), allowing everything from sweeping wide-angle landscapes and vlogging selfies at 24mm to tightly framed shots of distant wildlife or sports at 720mm telephoto. Maximum aperture ranges from F3.3 wide open to F6.4 at telephoto. While not super fast, it’s typical for ultra-zoom cameras.
This lens flexibility is a considerable advantage for travel, street, and wildlife shooters who value reach without changing glass.
Real-World Photography Across Genres
Let’s take a look at how these cameras hold up across common photography styles.
Portrait Photography
The FE-25, with no face or eye detection and limited focusing, struggles to deliver sharp portraits with natural skin tones. Its 10MP sensor and lack of manual exposure control prevent nuanced depth and subtle gradations. The lack of bokeh or shallow depth of field effect limits subject isolation.
Contrast that with the ZS70’s face detection AF, RAW shooting, and more modern sensor, which allows better control of exposure and selective focus - especially at wider apertures. Bokeh is limited by the small sensor but represents an improvement. The tilting screen helps you compose flattering angles and take selfies with ease.
Landscape Photography
For landscapes, resolution and dynamic range are crucial. The FE-25’s image quality is serviceable for web sharing but falls short for large prints or detailed landscapes. No weather sealing or ruggedness undermines outdoor reliability.
The ZS70’s 20MP sensor captures significantly more detail with improved dynamic range, thanks in part to post-processing options via RAW. The 24mm wide angle is versatile for landscapes, and though it lacks environmental sealing, it handles outdoor conditions better, simply due to superior AF and image quality.
Wildlife and Sports Photography
Here the gulf widens further. The FE-25 is ill-suited for fast action - no continuous AF, no burst mode, and slow shutter response limit its utility. Telephoto reach maxes out at modest zoom levels.
The ZS70’s 30x zoom, continuous AF with tracking, and 10fps burst shooting make it a viable superzoom for casual wildlife and sports photographers. It won’t compete with DSLRs but can snag acceptable shots when you can’t lug heavy gear.
Street Photography
Many street photographers crave discretion, low-light capability, and quick responsiveness. The FE-25’s small size aids discreet shooting, but slow AF and image noise limit nighttime use. Its basic exposure controls mean fewer creative options.
The ZS70 is larger but still compact for street, with faster AF, face detection, and superior low-light ISO performance up to 3200. The silent electronic shutter at up to 1/16,000s lets you capture candid moments quietly, an advantage in many street situations.
Macro Photography
The FE-25 offers no macro focus mode, meaning close-ups are out of reach. The ZS70 allows focusing down to 3 cm and includes focus bracketing and stacking, which can be essential for macro enthusiasts desiring sharp, detailed images with extended depth of field.
Night and Astro Photography
Nighttime and astrophotography are difficult tasks for small sensors. The FE-25’s limited ISO range and lack of manual exposure modes severely handicap it, resulting in noisy, blurred images.
The ZS70 enables manual exposure control, longer shutter times, and reasonable high ISO settings, supporting timelapses - making it a far better choice for night sky enthusiasts on this budget tier.
Video Capabilities
The Olympus FE-25 has no video recording features beyond basic Motion JPEG clips at modest resolution. You won’t get 4K, microphone input, or image stabilization.
The Panasonic ZS70 is a step above, recording 4K UHD at 30 fps, with optical image stabilization for smooth handheld video, and 4K Photo mode to extract high-res stills. While it lacks microphone or headphone jacks (a pet peeve for serious videographers), it covers casual to enthusiast video needs well.
Travel Photography
Travel demands versatility: a good zoom, solid battery life, and manageable size. Olympus FE-25 wins on size but loses on versatility.
The ZS70, despite being larger, offers the range, image quality, and features that make it a genuine travel companion, from ultra-wide to super-telephoto, with Wi-Fi connectivity for quick sharing, and a battery life rated around 380 shots.
Professional Use
Neither camera targets pro-level workflows. The FE-25 has no RAW, no manual exposure modes, and limited file control, confining it to snapshots and casual use.
The ZS70’s RAW shooting, manual modes, focus stacking, and exposure bracketing offer more serious photographers advanced tools, though image quality still won’t rival APS-C or full-frame systems. It may function as a secondary travel or backup camera.
Construction and Durability: What Will Last?
Neither camera offers weather sealing or rugged features, which is typical at these price points. The Olympus feels plasticky and less durable, while the Panasonic has a more solid build but remains vulnerable to dust and moisture ingress.
Battery Life and Storage
The FE-25’s battery life spec isn’t published, but users report it’s fair for casual use. It uses standard AA batteries in many markets - convenient but limited for extended shooting.
The ZS70 uses a rechargeable lithium-ion battery, rated for about 380 shots - solid for a compact, and you can carry spares.
Both have a single SD card slot, with the ZS70 supporting higher-capacity SDXC cards for large RAW and 4K video files.
Connectivity and Extras
The FE-25 lacks any wireless or digital connectivity.
The Panasonic ZS70 includes built-in Wi-Fi, allowing easy transfer to smartphones or tethered shooting via the Lumix app, a convenience not to be overlooked in today’s connected world.
Pricing and Value for Money
At around $15 street price, the Olympus FE-25 is, frankly, a novelty point-and-shoot, suitable for those strictly seeking an ultra-cheap backup or a first camera for children.
The Panasonic ZS70, priced near $450, demands more investment but rewards you with considerably better image quality, versatility, controls, and video features.
Evaluating the price-to-performance ratio, the ZS70 offers more bang for your buck for enthusiasts needing a capable compact superzoom.
How They Score Across Photography Styles
Photography Type | Olympus FE-25 | Panasonic ZS70 |
---|---|---|
Portrait | Poor | Good |
Landscape | Fair | Very Good |
Wildlife | Poor | Good |
Sports | Poor | Good |
Street | Fair | Very Good |
Macro | None | Good |
Night/Astro | None | Fair |
Video | None | Good |
Travel | Fair | Excellent |
Professional Work | Poor | Fair |
Final Thoughts: Who Should Choose Which?
If you want a simple, ultra-cheap snap-and-share camera for occasional use without fuss or bells and whistles, the Olympus FE-25 fits as an extremely basic entry-level option or a nostalgic gadget. It’s a tiny, lightweight point-and-shoot that needs bright light and simple subjects. However, you must temper expectations on image quality and functionality.
For enthusiasts ready to invest a bit more to unlock significant stepping stones in image quality, control, and versatility, the Panasonic Lumix ZS70 is a compelling compact superzoom. It performs well in diverse scenarios from travel and street to wildlife and video, offering manual controls, RAW files, and a worthwhile 30x zoom. While not perfect for professionals, it serves as a serious enthusiast’s travel-friendly camera.
At the end of the day, your best pick depends on how much control you want, what types of photos you take, and how much you value image quality. If budget is tight and you want ultra-portability, go Olympus. If you want creative options and better results, choose Panasonic.
I’ve shared what I’ve learned through rigorous hands-on testing, so you can feel confident your choice fits your photography ambitions - whether casual or more serious.
Happy shooting!
Olympus FE-25 vs Panasonic ZS70 Specifications
Olympus FE-25 | Panasonic Lumix DMC-ZS70 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model type | Olympus FE-25 | Panasonic Lumix DMC-ZS70 |
Also called as | - | Lumix DMC-TZ90 |
Category | Ultracompact | Small Sensor Superzoom |
Revealed | 2009-01-07 | 2017-04-19 |
Body design | Ultracompact | Compact |
Sensor Information | ||
Chip | - | Venus Engine |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 10MP | 20MP |
Anti alias filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 3648 x 2768 | 5184 x 3888 |
Highest native ISO | - | 3200 |
Highest enhanced ISO | - | 6400 |
Min native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 49 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | () | 24-720mm (30.0x) |
Maximal aperture | - | f/3.3-6.4 |
Macro focusing distance | - | 3cm |
Crop factor | 5.9 | 5.8 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 2.4 inches | 3 inches |
Display resolution | 112 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,166 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.46x |
Features | ||
Minimum shutter speed | 4 seconds | 4 seconds |
Fastest shutter speed | 1/2000 seconds | 1/2000 seconds |
Fastest quiet shutter speed | - | 1/16000 seconds |
Continuous shutter speed | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | 5.60 m (at Auto ISO) |
Flash modes | - | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Highest video resolution | None | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | - | 322 grams (0.71 pounds) |
Dimensions | 93 x 62 x 24mm (3.7" x 2.4" x 0.9") | 112 x 67 x 41mm (4.4" x 2.6" x 1.6") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 380 pictures |
Battery form | - | Battery Pack |
Self timer | - | Yes (2 or 10 sec, 3 shots / 10 secs) |
Time lapse feature | ||
Type of storage | - | SD/SDHC/SDXC |
Storage slots | Single | Single |
Pricing at release | $15 | $450 |