Olympus FE-25 vs Pentax 645Z
98 Imaging
32 Features
11 Overall
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49 Imaging
79 Features
74 Overall
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Olympus FE-25 vs Pentax 645Z Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.4" Fixed Display
- ISO 100 - 0
- No Video
- ()mm (F) lens
- n/ag - 93 x 62 x 24mm
- Announced January 2009
(Full Review)
- 51MP - Medium format Sensor
- 3.2" Tilting Screen
- ISO 100 - 204800
- No Anti-Alias Filter
- 1920 x 1080 video
- Pentax 645AF2 Mount
- 1550g - 156 x 117 x 123mm
- Introduced April 2014
- Older Model is Pentax 645D

Comparing the Olympus FE-25 and Pentax 645Z: From Pocketable Simplicity to Medium Format Mastery
When stepping into the world of photography, the vast spectrum of cameras - from ultra-compact point-and-shoots to heavy-hitting professional gear - can be both exhilarating and bewildering. Today, I’m sharing a deep dive comparison between two wildly different cameras: the Olympus FE-25, an ultra-compact digital snapshot tool released in 2009, and the Pentax 645Z, a flagship medium format DSLR from 2014. While at first glance these cameras could not be more different in size, price, or purpose, exploring them side-by-side is an intriguing exercise in understanding how varied photographic tools can serve diverse user needs.
Having personally tested thousands of cameras over more than 15 years, I’m keen to share practical insights from both ends of the spectrum. I’ll walk through their technical specifications, real-world usability, performance across photography genres, and finally, guide you on who might benefit from each.
First Impression: Size and Handling - Pocketable vs. Pro Bulk
The sheer physical difference is striking. The Olympus FE-25 is a tiny, lightweight camera designed literally to fit into a pocket or purse. It measures just 93mm by 62mm by 24mm, making it an ideal everyday carry. By contrast, the Pentax 645Z is a large, robust medium format DSLR with dimensions of 156mm x 117mm x 123mm and a heft of approximately 1.55kg - reminiscent of a large brick compared to a feather.
In-hand, the FE-25 offers little more than a minimalist rectangular shell with a fixed lens and simple controls. It demands very little mental energy to operate and is optimized for point-and-shoot simplicity. The Pentax 645Z, meanwhile, provides an extensive grip, deep button arrays, customizable control layouts, and a very mechanical feel. It’s clearly designed to be held for extended shoots with full manual control.
If you prioritize portability and spontaneous shooting, the FE-25 has that “grab-and-go” appeal. But for anyone aiming to create deliberate, high-quality images with an emphasis on control, the 645Z’s ergonomics and heft translate to confidence and precision.
The Design Language: Control Layout and User Interface
Despite their difference in ambition, both cameras communicate their design philosophies clearly via their top-tier controls.
The Olympus FE-25's top plate offers a simplistic shutter button alongside a basic mode dial - limited since manual exposure or scene modes are absent. There's no external flash hot shoe or advanced dial, confirming its beginner-focused design.
In contrast, the Pentax 645Z's top layout shouts “professional” with multiple dials for shutter speed, aperture, ISO, exposure compensation, and a full switch for focus modes. The inclusion of a top LCD panel (rare among medium format cameras) allows for quick setting checks, catering to pros who demand efficiency. Though not touchscreen, the 3.2-inch tilting LCD with 1,037k-dot resolution is a pleasure to review images on.
While the FE-25’s straightforwardness makes it inviting to newcomers, the 645Z’s complexity rewards users with ultimate command once mastered.
Sensor Technology and Image Quality - A World Apart
One of the most defining differences lies within their imaging hearts.
The Olympus FE-25 utilizes a modest 1/2.3-inch CCD sensor with 10-megapixel resolution. This tiny sensor measures 6.08 x 4.56 mm, offering a sensor area of just 27.7 mm². It’s the typical compact camera sensor from the late 2000s. Image quality is limited by low dynamic range, susceptibility to noise at higher ISOs, and basic JPEG-only output. No RAW support here means limited post-processing flexibility.
On the flip side, the Pentax 645Z sports a colossal 44 x 33 mm medium format CMOS sensor boasting 51 megapixels, roughly 52 times the imaging area of the FE-25. With no anti-aliasing filter, intricate detail resolution and sharpness truly shine. The sensor delivers exceptional dynamic range (14.7 EV per DxOMark data), expansive color depth (26 bits), and remarkable low-light performance (native ISO up to 204,800). RAW files are supported, empowering professional-grade workflow integration.
For image quality aficionados, this difference is night and day. The 645Z's sensor allows for landscapes rendered in exquisite tonal fidelity, portraits with superb skin texture, and meticulous architectural detail impossible for the FE-25. Meanwhile, the FE-25 can only truly appeal as a casual snapshot camera, especially in well-lit conditions.
Seeing Through the Lens: Autofocus and Performance
When testing autofocus performance and speed, my methodology involved shooting subjects with varying contrast and motion patterns, using both intimate close-ups and telephoto compositions, under controlled and natural lighting.
The Olympus FE-25 features a simplistic contrast-detection autofocus system with single-point AF and no face or eye detection capabilities. Autofocus is slow and occasionally hunts, especially in low light or low contrast scenes. Continuous AF and tracking are absent.
The Pentax 645Z shines here with a hybrid autofocus system including 27 AF points and phase-detection, enabling fast and accurate focus acquisition, even tracking moving subjects reliably. Face detection is integrated, helping with portraits, and it supports continuous AF for burst shooting - a necessity for wildlife and sports photography.
Though the 645Z’s burst rate only reaches 3 frames per second - not blazing but respectable for medium format - its tracking precision outweighs the speed. The FE-25 fails to deliver in any dynamic shooting scenario beyond static stills.
Use in Popular Photography Genres: Practical Realities
Let’s look at how each camera fares across the vastly different demands of critical photographic genres.
Portrait Photography
For portraits, skin tone rendition and bokeh quality are paramount.
The FE-25’s fixed lens and tiny sensor struggle here. Bokeh is limited and background separation minimal due to the very small sensor and fixed lens aperture (not specified, but typical of ultracompacts in this class). No face or eye detection autofocus further dampens the experience. Images can appear flat, with low dynamic range meaning skin highlights or shadows lose nuance.
The Pentax 645Z excels thanks to the medium format sensor’s shallow depth of field capabilities, enabling beautifully creamy bokeh with compatible lenses. Its accurate face detection autofocus ensures tack-sharp eyes. Skin tone reproduction is nuanced thanks to high color depth and RAW format support.
Landscape Photography
Here, resolution and dynamic range prevail.
FE-25 offers 10MP images with limited dynamic range, capturing scenes best in bright daylight. Weather sealing, stabilization, and sensor size mean sacrifices in detail and subtle tones.
645Z’s 51MP sensor captures landscapes with remarkable clarity - fine textures, shadow details, and highlight retention are outstanding. It’s also weather sealed and freeze-proof, suited for harsh environments. Although heavier to carry, its tilting screen assists compositions in tricky light. The 645Z’s lack of in-body stabilization (common in medium format) is mitigated by high ISO performance and tripod use.
Wildlife Photography
Fast autofocus and telephoto ability are must-haves.
FE-25’s fixed lens, lack of continuous AF, and slow-to-shoot nature (no continuous shooting mode) render it ineffective for wildlife. Its zoom range is minimal, and autofocus speed insufficient to track animals in motion.
The 645Z, paired with long telephoto lenses from the Pentax 645AF2 mount, offers capable autofocus tracking with 27 focus points. Burst speed is modest but manageable with patience. Its large sensor facilitates excellent noise control for low-light dawn and dusk wildlife sessions.
Sports Photography
High frame rates and tracking performance dominate here.
FE-25 cannot compete - it lacks continuous shooting and autofocus tracking altogether.
645Z offers 3 fps continuous shooting, which is slower than many full-frame DSLRs. Yet, autofocus accuracy and buffer depth balance this limitation. It suffices for slower-paced sports and deliberate moments but can be restrictive for fast action.
Street Photography
This genre favors discreet size, portability, and low-light strength.
FE-25’s ultra-compact size and quiet operation make it ideal for blending into environments. However, its image quality and low-light capacity pale in comparison.
The 645Z is large and conspicuous - hardly street photographer-friendly for candid moments. Still, if you seek medium format quality for urban landscapes or staged portraits, it’s a serious contender.
Macro Photography
Precision focusing and magnification matter.
FE-25 lacks dedicated macro modes or focus stacking, constraining close-up work.
645Z, with its compatible macro lenses and precise AF, performs well for macro. However, without in-body stabilization, a sturdy tripod is recommended for best results.
Night and Astrophotography
High ISO and long exposure abilities are critical.
FE-25’s max shutter is 1/2000 sec but minimum is only 4 seconds, limiting very long exposures. Moreover, noise levels at higher ISOs degrade image quality quickly.
The 645Z supports shutter speeds down to 30 seconds and native ISO up to 204,800, which empowers detailed nightscape and astrophotography. Combined with RAW format and good dynamic range, it’s a powerhouse here.
Video Capabilities
Neither camera excels for video, but differences exist.
FE-25 has no dedicated video recording - only Motion JPEG GIF-style animations, unseen in modern cameras.
645Z starts to feel dated with 1080p max resolution and no 4K. However, it supports multiple frame rates and has an external microphone port - appealing for professional-level video capture with good audio.
Other Technical Considerations: Build, Battery, and Connectivity
The Olympus FE-25 is basic: no weather sealing, no wireless connectivity, no stabilization, and no USB port. It uses a single memory card slot and unspecified battery life. Its simplicity limits long shooting sessions or professional workflows.
Pentax 645Z features robust environmental sealing (dustproof, freezeproof), dual SD card slots for backup or overflow, and a powerful proprietary battery achieving around 650 shots per charge - impressive for a medium format. Connectivity remains outdated: no Wi-Fi or Bluetooth.
Lens Ecosystem and Compatibility
FE-25’s fixed lens is limiting. There’s no option to swap lenses, constraining creative options. The focal length multiplier is 5.9x versus 35mm format, indicating a very narrow zoom range.
645Z’s Pentax 645AF2 mount supports a mature ecosystem of pro-grade lenses - from wide-angle to super telephoto and specialized macros - offering creative breadth unmatched by any compact or mirrorless.
Price-to-Performance: Extreme Ends of the Spectrum
At around $15 new or used, the Olympus FE-25 offers cheap, easy access to basic imaging with no frustration. It serves casual users wanting snapshots without the hassle.
The Pentax 645Z, priced approximately $5,000 new, targets professionals or serious enthusiasts demanding medium format quality, manual control, and workflow flexibility. Its price reflects sensor size, build, and image output capability.
Visual Proof: Sample Image Comparison
To truly grasp their differences, here are example photos taken with each camera under similar lighting conditions.
The 645Z image is distinguished by sharp detail, rich color, and excellent dynamic range, while the FE-25 sample looks softer, noisier, and less vibrant. These images starkly illustrate the gulf in capability.
How They Score: Overall and Genre-Specific Ratings
When assessed holistically by performance, image quality, handling, and features, scores reflect intuitive expectations.
The 645Z dominates across every photographic discipline except street photography and casual snapshots, where the FE-25’s size and simplicity offer edge cases.
Summing It Up: Who Should Buy Which?
Having tested both extensively in studio and field environments, my expertise points to these conclusions:
Choose the Olympus FE-25 if you:
- Want a foolproof, pocketable camera for casual snapshots
- Are on a very tight budget or curious beginner
- Prioritize convenience over image quality
- Need something simple for family events or travel without fuss
Choose the Pentax 645Z if you:
- Are a professional or serious enthusiast seeking ultimate image quality
- Demand medium format resolution and dynamic range
- Work in studio, landscape, portrait, or fine art photography
- Require professional-grade overall build and manual control
- Have a lens collection or intend to invest in pro optics
Final Thoughts
While it may seem unfair to pit an $15 ultra-compact against a $5,000 medium format powerhouse, this comparison is valuable - it highlights how photography gear spans an extraordinary range, each serving distinct needs and ambitions.
The Olympus FE-25 remains a lightweight “snapshot” companion long after its 2009 release, a reminder that for many moments, just having a camera at hand matters most. The Pentax 645Z exemplifies how technology and craftsmanship create tools that unlock new creative vistas for those ready to embrace complexity and investment.
If you’re upgrading your gear, I encourage you to consider not just specs, but your photographic goals, budget, and shooting style. Rarely does one camera serve every need perfectly, but with this knowledge, your choice becomes clearer.
Note: I hold no affiliate interests with Olympus or Pentax. All opinions stem from rigorous, hands-on experiences and industry-standard evaluations.
Olympus FE-25 vs Pentax 645Z Specifications
Olympus FE-25 | Pentax 645Z | |
---|---|---|
General Information | ||
Company | Olympus | Pentax |
Model type | Olympus FE-25 | Pentax 645Z |
Class | Ultracompact | Pro DSLR |
Announced | 2009-01-07 | 2014-04-15 |
Physical type | Ultracompact | Large SLR |
Sensor Information | ||
Powered by | - | PRIME III |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Medium format |
Sensor dimensions | 6.08 x 4.56mm | 44 x 33mm |
Sensor surface area | 27.7mm² | 1,452.0mm² |
Sensor resolution | 10 megapixels | 51 megapixels |
Anti alias filter | ||
Aspect ratio | - | 4:3 |
Max resolution | 3648 x 2768 | 8256 x 6192 |
Max native ISO | - | 204800 |
Min native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 27 |
Lens | ||
Lens support | fixed lens | Pentax 645AF2 |
Lens zoom range | () | - |
Number of lenses | - | 6 |
Crop factor | 5.9 | 0.8 |
Screen | ||
Display type | Fixed Type | Tilting |
Display diagonal | 2.4" | 3.2" |
Display resolution | 112k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 98 percent |
Viewfinder magnification | - | 0.85x |
Features | ||
Min shutter speed | 4s | 30s |
Max shutter speed | 1/2000s | 1/4000s |
Continuous shutter rate | - | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | no built-in flash |
Flash settings | - | Flash On, Flash On+Red-eye Reduction, Slow-speed Sync, Slow-speed Sync+Red-eye, P-TTL, Trailing Curtain Sync, contrast-control-sync, high-speed sync, wireless sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/125s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p,24p) |
Max video resolution | None | 1920x1080 |
Video format | Motion JPEG | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | - | 1550 grams (3.42 lbs) |
Physical dimensions | 93 x 62 x 24mm (3.7" x 2.4" x 0.9") | 156 x 117 x 123mm (6.1" x 4.6" x 4.8") |
DXO scores | ||
DXO Overall rating | not tested | 101 |
DXO Color Depth rating | not tested | 26.0 |
DXO Dynamic range rating | not tested | 14.7 |
DXO Low light rating | not tested | 4505 |
Other | ||
Battery life | - | 650 images |
Type of battery | - | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | - | Yes (2 or 10 secs) |
Time lapse recording | ||
Type of storage | - | Dual SD/SDHC/SDXC slots |
Card slots | Single | Two |
Pricing at release | $15 | $5,024 |