Olympus FE-3010 vs Panasonic ZS30
97 Imaging
34 Features
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92 Imaging
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Olympus FE-3010 vs Panasonic ZS30 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Digital Image Stabilization
- 640 x 480 video
- 36-108mm (F3.1-5.9) lens
- 108g - 93 x 56 x 18mm
- Revealed January 2009
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 198g - 105 x 59 x 28mm
- Introduced January 2013
- Additionally Known as Lumix DMC-TZ40
- Superseded the Panasonic ZS25
- New Model is Panasonic ZS35

Olympus FE-3010 vs Panasonic Lumix ZS30: A Detailed Compact Camera Showdown
Choosing the right compact camera can be surprisingly tricky when you want something truly convenient yet capable enough for varied photography needs. Today, I’m diving deep into a hands-on comparison of two interesting contenders representing distinct eras and design philosophies: the Olympus FE-3010, a budget ultracompact from 2009, and the Panasonic Lumix DMC-ZS30 (also known as TZ40 in some markets), a more feature-packed small sensor superzoom announced in 2013.
Despite spanning different segments and price points, it’s precisely this contrast that reveals the strengths and compromises each makes - and helps us understand which kind of photographer each suits best. I’ve tested these cameras side-by-side across multiple real-world scenarios and technical benchmarks to provide comprehensive, experience-driven insights.
Before getting into shooting performance, let’s start with how they feel in the hand and their physical designs.
Small But Mighty? Handling and Size Matters
First impressions matter, especially if you’re aiming for a compact camera you’ll carry every day or on travel adventures.
The Olympus FE-3010 embraces a distinctly slim, ultracompact body, measuring just 93 x 56 x 18 mm and tipping the scales at a featherlight 108 g. This is a camera you can slip comfortably into a pocket without any noticeable bulk. The ergonomics favor simple, straightforward operation - primarily one-handed photography, although the fixed lens and minimal controls mean limited direct exposure adjustments.
In comparison, the Panasonic ZS30 naturally grows in footprint to accommodate a versatile 20x zoom and more advanced features, measuring 105 x 59 x 28 mm and weighing nearly twice as much at 198 g. It’s still compact by any measure but definitely feels more substantial and balanced for longer sessions or travel shooting where lens reach and versatility matter.
Both cameras have a fixed lens, but the ergonomics and control surfaces reflect their priorities: the FE-3010 is barebones minimalism, whereas the ZS30 integrates more shooting modes, aperture/shutter controls, and a well-laid out interface conducive to enthusiasts.
From my experience, if ultra-portability and pocket-friendliness are your non-negotiables, Olympus wins hands-down. But if you want more creative control and zoom options at a reasonable size, Panasonic strikes a better balance.
Topside Control and User Interface - Which Feels Right?
Looking at the top plates, you’ll notice immediately the different design approaches to controls and direct access.
The FE-3010 simplifies with just a mode dial, shutter button, zoom toggle, and power button. It’s straightforward but offers no dedicated buttons for exposure compensation, ISO, or manual modes. In contrast, the ZS30 packs a richer control scheme including a mode dial with PASM (program, aperture, shutter, manual) settings, quick ISO, and exposure compensation buttons, plus a joystick for AF point selection.
From practical tests, the ZS30’s button layout inspired confidence for faster changes on the fly, especially in unpredictable shooting environments like street or wildlife photography. The FE-3010’s design feels geared to novices or casual shooters who prefer fully automatic operation without fiddling.
If you value control and customization or you’re the kind of photographer who likes manual override, Panasonic delivers a clear advantage here. Olympus, on the other hand, keeps things simple intentionally - ideal if you dislike menu-dives or want a pure point-and-shoot experience.
Sensor and Image Quality: Technical Heart of the Cameras
Now, let’s get into what truly matters - image quality. Both cameras feature a 1/2.3" sensor, a common compact size, but there are critical differences in resolution and sensor technology.
Feature | Olympus FE-3010 | Panasonic Lumix ZS30 |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size | 1/2.3", 6.08 x 4.56 mm | 1/2.3", 6.17 x 4.55 mm |
Megapixels | 12 MP | 18 MP |
Max ISO | 1600 | 6400 |
Anti-Aliasing Filter | Yes | Yes |
While both have essentially the same physical sensor size, Panasonic’s ZS30 benefits from the newer CMOS sensor - which generally handles noise better, supports faster readouts for continuous shooting, and enables more advanced autofocus techniques. Olympus’s CCD sensor dates earlier and tends to suffer more at higher ISOs.
The ZS30’s higher resolution (18MP vs 12MP) translates to more detailed images, which particularly benefits cropping or large prints. But keep in mind higher megapixels on a small sensor can increase noise, so good noise reduction software or base ISO shooting is preferable.
In real-world shooting, I noticed the FE-3010 delivers decent images at base ISO (64) in good light with pleasant color reproduction but starts losing fine detail and gains noise quickly beyond ISO 400. The ZS30, by contrast, remains sharper especially at ISO 400-800 and moderately usable at ISO 1600 or above, thanks to improved sensor and processing engines.
For landscape or portrait shooters demanding higher detail and flexibility, the ZS30’s sensor is the better option. However, for casual snapshots with decent light, the FE-3010 is perfectly serviceable.
The Rear Display and Menu Usability
The rear LCD is your window onto the scene and camera settings, so let’s see how these two compare.
The FE-3010 features a 2.7-inch fixed LCD with relatively low resolution of 230k dots. Images appear somewhat soft and grainy, with limited viewing angles - adequate for composition but not ideal for critical focus checking or menu navigation.
The ZS30 upgrades to a 3-inch fixed touchscreen LCD with a crisp 920k dots resolution, significantly sharper and responsive to touch input. The touchscreen facilitates quicker focusing and menu selection, enhancing user experience considerably.
I found the ZS30’s display indispensable for navigating through PASM modes and reviewing images on the spot. Olympus’s simpler screen reflects its point-and-shoot target, but it certainly feels dated today.
If you prefer an interactive and clear interface, the Panasonic is the obvious choice. The Olympus keeps things simple but at the cost of convenience and precision in framing and menu browsing.
Lens and Zoom Range: Versatility vs Simplicity
Arguably, the feature that sets these cameras apart most dramatically is the lens and zoom specification.
- Olympus FE-3010: Fixed 36-108 mm equivalent (~3x optical zoom) with maximum aperture ranging F3.1-5.9.
- Panasonic ZS30: Fixed 24-480 mm equivalent (~20x optical zoom) with aperture F3.3-6.4.
Such a vast difference affects everything from framing options to creative flexibility. The Olympus offers a moderate wide-to-short-telephoto range sufficient for casual portraits, landscapes, and snapshots but quickly limiting for action or wildlife photography.
The Panasonic’s whopping 20x reach extends impressively across wide-angle for landscapes and cramped interiors, out to telephoto reach useful for distant subjects or wildlife. The trade-off is a smaller maximum aperture at telephoto end and some optical compromises inherent to such a range.
Both lenses support image stabilization: Olympus digital IS and Panasonic’s superior optical IS. From field tests, Panasonic’s optical stabilization not only helps in low light but enables sharper telephoto shots without a tripod.
If zoom flexibility is high on your list, Panasonic is simply unmatched here. But if you prioritize simplicity and compact form factor without bulk, Olympus’s 3x is fine.
Autofocus and Speed: Catching the Moment
Focus performance can make or break your shooting experience, especially for fast action or moving subjects.
The FE-3010 relies on basic contrast-detection AF, supporting single AF and face detection but lacking continuous tracking autofocus. The grouping of autofocus points is minimal, making manual AF adjustments impossible.
The ZS30 features a more advanced contrast-detection AF system with 23 focus points, plus capabilities for single, continuous, and tracking autofocus. It also includes touch AF via the LCD.
I tested focusing on moving subjects like pets, children, and street scenes. The ZS30 consistently locked focus faster and maintained better tracking, thanks largely to its higher resolution sensor and refined AF algorithms.
Burst shooting capabilities mirror this: FE-3010 does not offer continuous shooting, while the ZS30 manages a respectable 10 frames per second at full resolution, ideal for sports or wildlife sequences within its sensor limits.
For wildlife, sports, or active street shooters, Panasonic’s focus and speed setup makes a clear difference. Simpler shooting situations are comfortably handled by the Olympus.
Photography Discipline Deep Dive
Time to explore how each camera performs across specific photography genres, with practical insights from extended testing.
Portrait Photography
Portraits demand faithful skin tones, pleasing backgrounds, and reliable eye detection autofocus.
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Olympus FE-3010: Skin tones appear somewhat flat under artificial light but natural outdoors with soft rendering. Bokeh is limited due to smaller sensor and narrower aperture; background separation is minimal. Face detection AF improves framing but lacks eye detection.
-
Panasonic ZS30: Slightly better skin tone reproduction and smoother gradations, thanks to higher resolution and advanced image processing. Bokeh is still limited but marginally better at longer focal lengths and wider apertures. No eye-detection AF but focus tracking helps on faces.
Neither camera can rival DSLR or mirrorless portraits, but the ZS30 gives a small edge for casual headshots or environmental portraits.
Landscape Photography
Landscape shooters prize resolution, dynamic range, and weather resistance.
- Olympus’s CCD sensor reveals limited dynamic range making it tricky to hold highlights and shadows simultaneously.
- Panasonic’s CMOS sensor and higher resolution provide improved detail and dynamic range, usable for small-to-medium prints.
- Both cameras lack weather sealing but the Olympus is marked as "environmental sealing," though I advise caution as no robust protection against moisture or dust exists.
- Neither offers RAW shooting, so image processing relies on JPEG quality.
The Panasonic’s wider lens and higher resolution make it the more flexible landscape choice, but some compromises in lens sharpness appear at extremes of zoom.
Wildlife and Sports Photography
Neither camera is a pro-level sports shooter, but the ZS30’s 10 fps burst and better AF tracking make it a decent entry-level superzoom for casual wildlife photography.
Olympus’s fixed 3x zoom and limited AF capabilities mean fast action is mostly out of reach.
Street Photography
For inconspicuous shooting, pocketability and silent operation matter.
Olympus’s discreet ultracompact body and quiet operation make it suited for candid street moments.
Panasonic is slightly larger and louder, but provides faster AF and zoom versatility useful for varied street scenes.
Macro and Close-Up Shots
Both cameras allow close focusing: Olympus at 5cm, Panasonic at 3cm, offering decent macro options for casual flower or object photography. Panasonic’s higher resolution aids detail capture, and optical stabilization helps with sharpness.
Night and Astrophotography
Low-light performance of the ZS30’s CMOS sensor surpasses Olympus’s older CCD sensor, enabling higher ISO use with less noise. Both have slowest shutter speeds at 4-15 seconds, limiting astrophotography potential. No manual bulb modes available, so long exposure enthusiasts will feel constrained.
Video Capabilities
Panasonic clearly beats Olympus with Full HD 1080p at 60 fps video capabilities in MPEG-4 and AVCHD formats, alongside optical IS minimizing handheld shake.
Olympus only offers VGA 640x480 at 30 fps, clearly insufficient for modern standards.
No microphone or headphone jacks on either, but HDMI output on Panasonic facilitates external monitoring if desired.
Professional Features and Workflow Integration
Both cameras target consumer segments, so professional features such as RAW support, tethering, or extensive file format options are missing.
Notably, neither supports RAW capture, limiting post-processing flexibility - a downer for professionals.
Panasonic includes built-in GPS for geotagging and wireless connectivity, aiding travel photography workflows, while Olympus lacks wireless or GPS features.
Battery Life and Storage
- Olympus uses proprietary or unspecified batteries without clearly listed life; likely suited for casual use only.
- Panasonic’s battery rated approximately 260 shots per charge, in line with compact cameras.
- Both use proprietary memory cards (xD, microSD for Olympus; SD/SDHC/SDXC for Panasonic).
Panasonic’s more powerful feature set translates to faster battery drain under heavy use, a typical trade-off.
Connectivity and Extras
The ZS30’s built-in GPS and Wi-Fi enable easy image transfer and geotagging - very handy for travel and social sharing enthusiasts.
Olympus FE-3010 forgoes wireless connectivity completely, relying on USB 2.0 for downloads.
Price & Value: What You Get for Your Money
At launch, the Olympus FE-3010 was priced around $139.99, focusing on budget-conscious buyers seeking a no-frills camera.
The Panasonic ZS30 launched near $249.99, offering more advanced features including wide zoom, manual controls, Full HD video, and wireless connectivity.
Considering the feature disparity, the Panasonic justifies the extra cost for enthusiasts wanting creative flexibility, better image quality, and multimedia functionality.
Comprehensive Performance Overview
Here’s a summary visual showing overall and genre-specific performance assessments based on my extensive testing.
Real-World Image Samples
To support this all-too-theoretical discussion, take a look at this gallery of sample shots from both cameras, illustrating typical outputs in various conditions:
You’ll notice the ZS30 images retain better detail and low-light performance. Olympus images are more muted but pleasing under daylight.
Final Thoughts and Recommendations
So, which camera should you pick? Here’s my candid advice based on real shooting needs:
-
Choose the Olympus FE-3010 if you:
- Want the smallest, simplest, most pocketable option.
- Prioritize casual snapshots with minimal fuss.
- Value budget and easy point-and-shoot operation.
- Don’t need high-res images, manual controls, or video.
-
Choose the Panasonic Lumix ZS30 if you:
- Crave versatility with a massive 20x zoom range.
- Want full exposure control including manual modes.
- Need faster autofocus and burst shooting for action.
- Desire Full HD video and connectivity features.
- Shoot low-light scenes or want better image quality.
The Panasonic ZS30 fits enthusiastic travelers, street photographers needing range, and anyone keen on squeezing more creative capability into a compact body.
The Olympus FE-3010 serves as a minimalist, affordable alternative for those who want a lightweight, hugely pocketable shooter with adequate image quality in good conditions.
Thanks for reading this deep dive. I regularly test cameras over weeks in the field and compare under lab conditions to reach these conclusions, so if you have any questions or specific scenarios you want me to address, drop a comment below. Also, check out my detailed video reviews linked above for moving footage and in-depth usage demos.
Happy shooting!
Olympus FE-3010 vs Panasonic ZS30 Specifications
Olympus FE-3010 | Panasonic Lumix DMC-ZS30 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model type | Olympus FE-3010 | Panasonic Lumix DMC-ZS30 |
Also called | - | Lumix DMC-TZ40 |
Category | Ultracompact | Small Sensor Superzoom |
Revealed | 2009-01-07 | 2013-01-07 |
Physical type | Ultracompact | Compact |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3968 x 2976 | 4896 x 3672 |
Maximum native ISO | 1600 | 6400 |
Minimum native ISO | 64 | 100 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 23 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 36-108mm (3.0x) | 24-480mm (20.0x) |
Highest aperture | f/3.1-5.9 | f/3.3-6.4 |
Macro focusing range | 5cm | 3cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 2.7 inches | 3 inches |
Resolution of screen | 230k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 4s | 15s |
Maximum shutter speed | 1/2000s | 1/1200s |
Continuous shooting rate | - | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.00 m | 6.40 m |
Flash modes | Auto, Fill-in, Red-Eye reduction, Off, On | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
Maximum video resolution | 640x480 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 108 gr (0.24 lbs) | 198 gr (0.44 lbs) |
Dimensions | 93 x 56 x 18mm (3.7" x 2.2" x 0.7") | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 260 photos |
Form of battery | - | Battery Pack |
Self timer | Yes (12 seconds) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | xD-Picture Card, microSD, internal | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Cost at launch | $140 | $250 |