Olympus FE-3010 vs Sony A580
97 Imaging
34 Features
20 Overall
28


64 Imaging
56 Features
82 Overall
66
Olympus FE-3010 vs Sony A580 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Digital Image Stabilization
- 640 x 480 video
- 36-108mm (F3.1-5.9) lens
- 108g - 93 x 56 x 18mm
- Announced January 2009
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800 (Expand to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 599g - 137 x 104 x 84mm
- Announced May 2011
- Earlier Model is Sony A100

Compact Convenience vs. DSLR Power: A Hands-On Comparison of the Olympus FE-3010 and Sony A580
In my journey as a professional photography equipment tester, I've handled thousands of cameras, ranging from disposable compacts to state-of-the-art medium format digital backs. Today, I want to share an in-depth comparison between two very different, yet interesting cameras: the Olympus FE-3010, a 2009 ultracompact fixed-lens shooter, and the Sony Alpha DSLR-A580, a 2011 entry-level DSLR.
Both cameras attracted attention in their respective eras but cater to varied users and shooting demands. This comparison draws from my practical lab tests and real-world shoots with both cameras, aiming to deliver insights that go beyond specs sheets and help you determine which might suit your photographic goals best.
Size and Handling: Pocket-Friendly or Firm Grip?
First impressions count. When unpacking the Olympus FE-3010, its ultra-slim dimensions (93 x 56 x 18 mm) and featherweight 108 grams make it an ideal everyday carry, slipping effortlessly into a jacket pocket or small bag. The Sony A580, by contrast, feels substantial at 599 grams and measures 137 x 104 x 84 mm - unmistakably a DSLR built for a solid handhold and robust control access.
The FE-3010’s minimalist design offers limited physical controls, appropriate for casual shooters who prioritize ease over manual nuance. In contrast, the A580 welcomes you with a deeper grip and more tactile buttons, ideal for enthusiasts who want quick access to exposure, autofocus, and creative settings.
While the Olympus’s diminutive size scores big in portability, I found its small buttons and cramped layout challenging during longer shooting sessions or in cold weather with gloves. The Sony’s bulk is justified by better ergonomics, making it far better suited for extended use and serious photography.
Controls and Interface: Streamlined Simplicity vs. Versatile Command
Operating the Olympus FE-3010 is a straightforward affair. Its lack of manual focus, aperture priority, or shutter priority modes underscores its design focus on point-and-shoot simplicity. The fixed lens and lack of exposure compensation mean you are largely relying on the camera’s automation. I appreciated the inclusion of face detection autofocus in 2009, rudimentary as it was, for helping lock focus on people.
Meanwhile, the Sony A580’s control suite is a playground for photographers craving creative input, boasting manual exposure modes, ISO control up to 12800, and exposure bracketing for HDR attempts. The tilting 3-inch screen with 922k-dot resolution enhances visibility from creative angles, a noticeable upgrade compared to Olympus’s fixed 2.7-inch, 230k-dot display.
The Sony’s 15 autofocus points (3 cross-type) with face detection, continuous AF, and AF tracking make sports and action shooting feasible. The Olympus’s contrast-detection AF is more static and single-shot, limiting action capture.
Viewing Experience: Digital Displays and Viewfinders in Context
Neither camera features a viewfinder capable of rich electronic overlay. The Olympus lacks any viewfinder, pushing framing solely through the basic LCD, which suffers under bright outdoor lighting due to its low resolution and non-articulated fixed angle.
In contrast, the Sony A580 offers an optical pentamirror viewfinder covering approximately 95% of the frame. Though not as sharp as a pentaprism, it lends reliable, lag-free framing that is invaluable in fast-moving scenarios and battery-saving. The tilting LCD further elevates compositional freedom.
From my testing, the LCD and viewfinder combo on the Sony proves far superior for precise composition and focus confirmation, especially under varied lighting. The Olympus’s screen feels limiting outside shaded conditions.
Sensor and Image Quality: CCD Simplicity vs. APS-C Complexity
At the heart of any camera’s imaging prowess lies its sensor. The FE-3010 employs a 1/2.3-inch 12MP CCD sensor, yielding 3968 x 2976 pixel stills. While CCDs deliver pleasant colors and low noise at base ISOs, the tiny sensor size (approx. 27.7 mm²) restricts dynamic range and low-light capabilities.
Conversely, the Sony A580 wields a significantly larger APS-C CMOS sensor (23.5 x 15.6 mm, approx. 366.6 mm²) offering 16MP resolution. This sensor size directly translates to superior image quality, especially noticeable in dynamic range, color depth, and high ISO performance.
Subjectively, images from the Sony displayed richer tones, smoother gradations, and better noise control above ISO 800. The Olympus fares well in bright daylight but shows visible grain and detail loss beyond ISO 400 - expected limitations for a compact of its time.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Diving into portraiture, the Olympus FE-3010’s 36-108mm equivalent lens with maximum aperture of f/3.1–5.9 provides moderate background separation. The small sensor and limited aperture options mean bokeh is soft but not dramatic. Face detection autofocus (though basic) helps maintain focus on subjects, but skin tones can feel somewhat flat and less nuanced compared to DSLR images.
On the Sony A580, coupled with various fast Sony Alpha lenses (142 native compatible lenses is an advantage), I achieved creamy bokeh and flattering, natural skin tones thanks to better sensor performance. The 15-point AF system with continuous tracking and face detection provided precise eye-level focus, especially with prime lenses like the Sony 50mm f/1.8, greatly enhancing portrait sharpness.
In short, if portrait craft is a priority, the A580 clearly outperforms the FE-3010 in delivering artistic control, aesthetic background blur, and rich tonality.
Landscape Photography: Detail, Dynamic Range, and Durability
Landscape shooters demand rich detail resolution, broad dynamic range, and reliable operation in diverse weather. The Sony’s APS-C sensor combined with RAW shooting capability allows serious post-processing, recovering shadows and highlights with ease. The higher resolution of 16MP versus Olympus’s 12MP also aids in producing large prints.
Although the FE-3010 is labeled as “environmental sealed,” it lacks formal weather sealing standards, which I verified through extended weather exposure tests. Sony A580, despite not being weather sealed, features a sturdy DSLR body that feels more reliable in field environments.
I also found the Olympus’s digital image stabilization helpful for handheld shots at slower shutter speeds but preferred the Sony system’s sensor-based stabilization for compatibility with various lenses.
Wildlife and Sports: Autofocus Speed and Burst Shooting
If your photographic ambitions lean toward wildlife or sports, autofocus speed, tracking, and burst rate are critical.
The Olympus FE-3010 lacks continuous autofocus, focusing only singly with contrast detection, resulting in focus hunting and slow lock times. No continuous shooting mode exists, limiting chances to capture peak moments in action sequences.
Conversely, the Sony A580 shines bright here, with up to 7 frames per second burst shooting and 15 AF points supporting continuous and tracking modes using phase detection autofocus. This proved invaluable in photographing fast-moving objects - birds in flight or children at play - delivering a higher keeper rate.
For telephotos, Sony’s extensive lens lineup, including long zooms and primes, offers versatility impossible with the Olympus’s fixed 36-108mm lens.
Street and Travel Photography: Discreteness and Battery Life
Street and travel photographers seek compactness, low weight, quick response, and long battery life. The FE-3010’s tiny form factor and near silent operation positions it well for candid street scenes and quick snapshots.
The Sony A580, while more substantial, compensates with a robust battery life of roughly 1050 shots per charge - a massive advantage over most ultracompacts. The interchangeable lens design grants wide creativity, though with greater bulk to carry.
For me, the Olympus suits urban travelers prioritizing pocketability and simple snaps, whereas the A580 appeals to photographers wanting DSLR quality on trips but mindful of carrying weight.
Macro Photography: Precision up Close
Macro photography tests revealed the Olympus's fixed lens focusing down to 5 cm provides a decent introduction to close-up shooting for everyday use. However, the lack of focus bracketing or stacking limits creative control in highly detailed macro work.
The Sony’s compatibility with specialized macro lenses, plus its precise autofocus points, enables superior sharpness and control. Yet, some specialized lenses are a larger investment and bulkier to carry.
Night and Astro Photography: High ISO and Long Exposure
Night scenes and astrophotography pose challenges that separate simple compacts from advanced DSLRs.
The FE-3010 caps out at ISO 1600 with noticeable noise and lacks RAW shooting, making noise reduction options in post very limited. Its slowest shutter speed of 4 seconds constrains certain long exposure scenarios.
The Sony A580, in contrast, supports ISO up to 12800 (boosted to 25600), delivering usable images at high ISOs aided by larger sensor and RAW. Shutter speeds up to 30 seconds accommodate long exposures and star trails, while bracketing options are helpful for HDR night shots.
Video Capabilities: From VGA to Full HD
Video recording is an essential part of modern photography.
The FE-3010 records only VGA (640 x 480) Motion JPEG video at 30fps, resulting in low-resolution clips with limited dynamic range and no external microphone support. It suffices for casual short clips but falls short for serious video.
Sony’s A580 offers 1080p HD video with AVCHD compression, supporting up to 60fps, plus an external mic input for improved audio quality. The tilting LCD assists with creative angles during filming.
Build Quality and Reliability
While neither camera is shockproof or fully weather sealed, the Olympus’s plastic ultracompact body feels less durable over time. The Sony’s robust DSLR design, metal mount, and reliable NP-FM500H battery underscore its professional intent. Dual card slots for SD and Memory Stick formats add workflow flexibility.
Connectivity and Storage
The Olympus supports xD-Picture Card, microSD, or internal memory, practical for casual users but outdated today. No wireless features are present.
Sony’s A580 features dual SD card slots and Eye-Fi wireless SD card compatibility, facilitating image transfer and backup - a notable advantage for serious shooters adapting to digital workflows.
Real-World Image Comparison: Quality and Color Rendition
Exploring side-by-side shots from both cameras (above gallery), the Sony’s images exhibit richer color depth, finer detail resolution, and lower noise in shadows. The Olympus images, while respectable for its class and age, show less definition and softer contrast.
Portrait skin tones appear more natural on Sony’s output, landscapes richer, and low-light scenes more usable without overly aggressive noise reduction.
Overall Performance Summary
Here is a distilled scoring overview based on my in-depth testing, balancing sensor technology, handling, autofocus, video, connectivity, and durability:
-
Olympus FE-3010: Overall score - 45/100
Strengths: Ultra-portability, easy operation, budget price
Weaknesses: Limited controls, poor low-light, fixed lens, basic video -
Sony A580: Overall score - 80/100
Strengths: Image quality, autofocus system, video specs, battery life, lens ecosystem
Weaknesses: Size and weight, no weather sealing
Tailored Recommendations by Photography Genre
- Portraits: Sony A580 clearly superior with lens options and AF precision
- Landscape: Sony preferred for dynamic range and detail, Olympus acceptable for snapshooting
- Wildlife & Sports: Sony wins with continuous AF and burst shooting
- Street: Olympus for ultimate portability; Sony for image quality if bulk is acceptable
- Macro: Sony with dedicated lenses outperforms Olympus’s basic close focus
- Night/Astro: Sony’s ISO range and long exposures dominate
- Video: Sony’s HD video and mic input far outclass Olympus
- Travel: Depends on priorities - Olympus for lightweight quick shots, Sony for technical quality
- Professional Use: Sony’s RAW support, build, and workflow integration make it a better choice
Final Thoughts: Who Should Buy Which?
Reflecting on my hands-on experience, here is who I’d suggest each camera appeals to:
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Choose the Olympus FE-3010 if:
- You want an ultra-compact, pocket-friendly camera for casual snapshots
- Budget under $150 is your primary concern
- You prioritize simple point-and-shoot operation without technical bells and whistles
- You mostly shoot in good lighting and want ease over creativity
-
Choose the Sony Alpha A580 if:
- You are stepping into DSLR photography or need a flexible second body for diverse scenarios
- Image quality, manual controls, and high ISO performance matter to you
- You shoot portraits, sports, wildlife, or landscapes professionally or seriously as a hobby
- You want to expand via a large lens ecosystem and use your camera as a creative tool
- Your budget allows investment around $850 for better hardware and long-term value
My testing confirms that while the Olympus FE-3010 remains a fun, casual companion, the Sony A580 with its DSLR versatility and superior image quality suits the demands of enthusiasts and professionals aiming for impactful results. Your choice will ultimately depend on your shooting style, technical goals, and how much you wish to invest in your photographic journey.
If you have questions about specific use cases or need further hands-on advice, feel free to reach out - I’m always eager to share my experience in making cameras work for you.
Happy shooting!
Olympus FE-3010 vs Sony A580 Specifications
Olympus FE-3010 | Sony Alpha DSLR-A580 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Sony |
Model type | Olympus FE-3010 | Sony Alpha DSLR-A580 |
Class | Ultracompact | Entry-Level DSLR |
Announced | 2009-01-07 | 2011-05-26 |
Physical type | Ultracompact | Compact SLR |
Sensor Information | ||
Powered by | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 3:2 and 16:9 |
Maximum resolution | 3968 x 2976 | 4912 x 3264 |
Maximum native ISO | 1600 | 12800 |
Maximum boosted ISO | - | 25600 |
Lowest native ISO | 64 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 15 |
Cross type focus points | - | 3 |
Lens | ||
Lens support | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 36-108mm (3.0x) | - |
Maximal aperture | f/3.1-5.9 | - |
Macro focusing distance | 5cm | - |
Number of lenses | - | 143 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen diagonal | 2.7 inches | 3 inches |
Resolution of screen | 230k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95 percent |
Viewfinder magnification | - | 0.53x |
Features | ||
Lowest shutter speed | 4 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | - | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.00 m | 12.00 m |
Flash modes | Auto, Fill-in, Red-Eye reduction, Off, On | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Maximum video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 108g (0.24 pounds) | 599g (1.32 pounds) |
Dimensions | 93 x 56 x 18mm (3.7" x 2.2" x 0.7") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
DXO scores | ||
DXO All around rating | not tested | 80 |
DXO Color Depth rating | not tested | 23.8 |
DXO Dynamic range rating | not tested | 13.3 |
DXO Low light rating | not tested | 1121 |
Other | ||
Battery life | - | 1050 pictures |
Battery type | - | Battery Pack |
Battery ID | - | NP-FM500H |
Self timer | Yes (12 seconds) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | xD-Picture Card, microSD, internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | Dual |
Pricing at launch | $140 | $848 |