Olympus FE-4030 vs Sony WX500
95 Imaging
36 Features
21 Overall
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91 Imaging
43 Features
56 Overall
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Olympus FE-4030 vs Sony WX500 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- 640 x 480 video
- 26-105mm (F2.6-5.9) lens
- 146g - 93 x 56 x 22mm
- Launched January 2010
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.4) lens
- 236g - 102 x 58 x 36mm
- Revealed April 2015
- Earlier Model is Sony WX350

Olympus FE-4030 vs Sony WX500: A Detailed Comparison for the Discerning Photographer
Choosing the right compact camera often feels like walking through a dense jungle of specs, marketing hyperbole, and wildly differing user needs. Today, we’re dissecting two very different compacts from Olympus and Sony - the Olympus FE-4030 and the Sony Cyber-shot DSC-WX500. Though both fall under the "small sensor" compact umbrella, they are separated by half a decade and considerable advancement in technology and feature set. Having put both cameras through my rigorous, real-world testing routines, I’m here to provide you with honest, hands-on insights to help you decide which might suit your photographic ambitions best.
Let’s start by putting these two contenders side-by-side, then peel back the layers across various photography genres and technical facets to see how they truly stack up.
First Impressions: Design and Build – Compact Meets Comfort
Handling each model feels like contrasting two eras of compact camera design. The Olympus FE-4030, introduced in early 2010, is unmistakably a product of its time - small, pocketable, lightweight at 146g, and sporting dimensions of 93x56x22mm. Its slim profile means it tucks into a coat pocket with ease, making it a convenient grab-and-go option for casual snapshots.
The Sony WX500, unveiled about five years later, is chunkier and heavier at 236g and 102x58x36mm. The modest size increase is understandable given the extensive zoom range it houses and improved internals, but the extra heft also bestows a more reassuring grip - a welcome upgrade over the sometimes toy-like feel of early compacts such as the Olympus.
Ergonomically, Olympus keeps things simple with its minimal control layout designed for quick point-and-shoot operation. Meanwhile, the WX500 offers more refined controls including a thumbwheel, dedicated mode dial, and a tilting 3-inch screen (Olympus’s 2.7-inch screen remains fixed). This extra real estate translates to easier framing and better usability outdoors.
Olympus’s FE-4030 sticks to the bare essentials, while Sony’s WX500 clearly caters to users who want quick access to manual exposure, focus modes, and creative control without turning to the menus - something that’s appreciated in fast-paced shooting situations.
Sensor and Image Quality: Megapixels, Noise, and Dynamic Range
Both cameras employ 1/2.3" type sensors, a common size in compact cameras, though the WX500 uses a more modern BSI-CMOS sensor versus the older CCD sensor found in the FE-4030. Let’s break that down:
- FE-4030: 14MP CCD, max ISO 1600, no RAW support.
- WX500: 18MP BSI-CMOS, max ISO 12800, no RAW support.
At baseline, the WX500’s sensor is both higher resolution and more sensitive, which practically guarantees better image fidelity, especially in low light. BSI-CMOS sensors tend to collect more light efficiently, translating into lower noise and improved dynamic range - a crucial factor for landscape and tricky lighting.
My lab tests confirmed this: the WX500 produced cleaner images at ISO 800 and above with more preserved detail in shadows and highlights. The Olympus’s images, while decent at native ISO 64-100, showed increasingly heavy noise and a lack of subtle gradation as ISO ramped up.
This edge also reflects in color reproduction - the WX500's processor (Sony’s Bionz X) better maintains natural tones and handles complex color transitions with more fidelity than the Olympus’s older TruePic III engine. If image quality matters beyond casual snapshots - say for landscape, portrait, or travel photography - the WX500 comes out on top.
Viewing and Composing Your Shot: Screens and Viewfinders
Neither camera sports an EVF, which is no surprise considering their compact categories. Instead, both rely on LCD screens - the Olympus with a 2.7” fixed display at 230k dots, and the Sony boasting a larger, tilting 3.0” screen at 921k dots. The difference here is immediately noticeable in practice.
The WX500’s higher resolution screen offers sharp, clear framing and playback review, aiding accuracy in manual focus and assessment of composition. The tilt articulation is invaluable when shooting low to the ground for macros or at hip level for street, whereas FE-4030’s fixed screen limits compositional flexibility.
Furthermore, Sony’s interface benefits from a cleaner, more modern layout. Olympus’s menus feel dated and sluggish in comparison, sometimes a hindrance when tweaking settings on the fly.
Organic to my workflow - especially when outdoors - is reliance on screen visibility in bright light. The WX500’s screen fares better in such conditions, though neither is perfect under direct sunlight (true for almost all LCDs of this size and price bracket).
Autofocus and Shooting Responsiveness: How Do They Keep Up?
Autofocus performance often underpins whether a camera becomes a frustrating burden or a trusted companion. The Olympus FE-4030 uses a contrast-detection system with face detection limited and no eye-detection, manual focus controls completely absent, and no continuous AF for burst shooting. Sony’s WX500, with an improved contrast-detection AF paired with predictive tracking, adds face detection and even selective focus area options.
In real-world tests:
- Portraits: Sony’s face detection locked on quickly and accurately, supporting sharp portraits even in less than ideal lighting. Olympus struggled here, sometimes hunting extensively and rarely acquiring eyes sharply.
- Action: The WX500’s continuous AF and 10fps burst shooting allowed for capturing fleeting moments in sports and wildlife scenarios better than Olympus’s essentially single-shot only approach.
- Macro: Both cameras have similar close focus distances (4-5cm). Sony’s stabilization and focus accuracy gave it a slight edge in fine detail reproduction.
In short, Olympus feels like it’s playing catch-up to modern standards in autofocus usability. For a quick snapshot, it suffices. For anything demanding precision or speed, the WX500 is more dependable.
Lens and Zoom Versatility: Small Sensor Zoom Showdown
Olympus FE-4030 features a 26-105mm equivalent lens (4x zoom) with a bright-ish aperture ranging from f/2.6 to f/5.9. The Sony WX500 boasts an impressive 24-720mm equivalent (30x zoom) with a narrower maximum aperture of f/3.5-6.4.
As a long-time wildlife and travel shooter, I’m always hungry for reach - Sony’s WX500 puts the FE-4030 to shame in this regard. The 30x zoom’s reach is genuinely useful for capturing distant subjects without lugging bulky lenses.
However, those longer reaches come at a cost: image softness and blur creep in at extreme telephoto lengths, and narrow apertures limit low-light use. Olympus’s shorter zoom but brighter lens performs better in low light and portrait work due to the wider aperture at the wide end.
So, if versatility rules your world, Sony's lens wins. But for image sharpness and low-light capability within its zoom range, Olympus holds some ground, especially if you mainly shoot casual indoor or daylight scenes.
Diverse Photography Styles: Which Camera Excels Where?
Portrait Photography
Sony WX500 wins here thanks to superior autofocus with face detection, better color reproduction, and a sharper sensor. The WX500's ability to select focus points and shoot at wider apertures allows pleasant background separation, although its lens isn’t designed for creamy bokeh. The Olympus, lacking advanced face or eye detection autofocus and with a smaller sensor, struggles beyond the most basic portraits.
Landscape Photography
Both cameras rely on small sensors, so resolution and dynamic range limit potential. However, the WX500’s 18MP sensor and higher ISO capabilities, along with its slightly wider lens at 24mm equivalent, offer better framing options and marginally better image quality. Olympus’s 26mm wide end and fewer megapixels make for a slightly more constrained experience.
Neither camera offers weather sealing, so outdoor protection is a non-factor here.
Wildlife and Sports Photography
Sony is the clear winner with continuous AF, 10fps burst shooting, and 30x zoom reaching distant wildlife and sports action. Olympus’s 4x zoom and sluggish autofocus render it practically unsuitable for fast-moving subjects.
Street Photography
Here, Olympus’s smaller size and lighter weight offer discreetness. However, Sony’s faster autofocus, better handling, and tilting screen for low-profile shooting compensate for its size. Both cameras lack an electronic viewfinder, so relying on the LCD screen can be a challenge under varying light.
Macro Photography
Both cameras can focus down to 4-5cm, but the WX500’s optical image stabilization and better focus accuracy give it a tangible advantage. Olympus’s lack of stabilization and slower focus hunting reduce its effectiveness at close quarters.
Night and Astro Photography
Sony’s higher ISO ceiling (up to 12800) and cleaner image output make it far better suited to low-light and night shooting, though neither is ideal for astrophotography. The Olympus’s max ISO 1600 and noisier images limit its usability after dark.
Video Capabilities
Sony WX500 supports Full HD 1080p recording up to 60fps in several codecs including AVCHD and XAVC S, making it a capable shooter for casual video with smooth motion capture. Olympus is limited to 640x480 VGA video at 30fps - a far cry from modern standards.
Neither offers microphone or headphone ports, limiting professional audio recording options.
Travel Photography
Sony’s superior zoom versatility, battery life (~360 shots per charge), and tilt screen make it a far better travel companion. The Olympus, with no image stabilization, fixed screen, and limited zoom, struggles to keep pace.
Durability and Build Quality: Who’s Built to Last?
Both cameras lack any form of environmental sealing or ruggedness. Neither is waterproof, dustproof, shockproof, crushproof, or freezeproof. Handling-wise, the Sony WX500’s heft and textured grip offer more confidence during handholds, especially at long zoom lengths.
Ergonomics and User Interface: Control Meets Convenience
Sony’s inclusion of manual exposure modes including shutter priority, aperture priority, and full manual allow photographers more creativity and control than Olympus’s purely point-and-shoot approach. The WX500’s dedicated dials and buttons complement this, enabling intuitive operation.
The Olympus FE-4030 keeps it simple with no manual exposure modes or aperture/shutter priority, which could frustrate enthusiasts seeking creative input.
Connectivity and Storage: Modern Convenience vs. Basic Functionality
The Olympus FE-4030 offers no wireless connectivity, HDMI output, or GPS. It relies on USB 2.0 and stores images on SD/SDHC cards.
Sony’s WX500 includes built-in Wi-Fi with NFC for easy photo sharing and remote control, HDMI output, supports SD/SDHC/SDXC and Memory Stick Duo cards, and charges via proprietary battery packs. These features align better with modern workflows where wireless sharing and fast image transfers are increasingly demanded.
Battery Life and Longevity
Sony provides approximately 360 shots per battery charge with the NP-BX1 pack, while Olympus lacks official battery life numbers due to using internal or unspecified batteries. In practice, the WX500’s battery endurance far surpasses that of FE-4030, offering greater shooting confidence on longer outings.
Extracting Value: Who Should Buy Which Camera?
Photography Use Case | Recommended Camera | Reason |
---|---|---|
Casual Snapshot Shooter | Olympus FE-4030 | Affordable, pocketable, easy, straightforward point-and-shoot for basic daytime photos |
Travel Enthusiast | Sony WX500 | Versatility, zoom reach, stabilization, longer battery life |
Portrait Photographer | Sony WX500 | Advanced face detection AF, better color, manual controls |
Wildlife/Sports Shooter | Sony WX500 | Reliable autofocus system, high burst rate, extended zoom |
Macro Photographer | Sony WX500 | Stabilization, accurate focusing near minimum focus distance |
Video Content Creator | Sony WX500 | Full HD 1080p video recording with multiple frame rate options |
Street Photography | Depends on balance: compactness (Olympus) vs better controls (Sony) |
Side-by-Side Sample Image Gallery: Judging the Results
Examining images from both cameras shows the WX500’s richer colors, finer detail, and better noise control in shadows. Olympus images tend to look softer with less tonal range and quicker noise onset.
Scoring the Performances: Overall and by Genre
These graphics neatly summarize the strengths and weaknesses outlined above. Sony dominates overall thanks to superior sensor, zoom, stabilization, and control features. Olympus holds value as an entry-level basic compact.
The Final Word: Compact Cameras in a Smartphone Age
Despite all the bells and whistles, it’s important to recognize where each camera fits into today’s photographic ecosystem. The Olympus FE-4030, priced around $130 MSRP at launch, represents an affordable, no-frills point-and-shoot - great for absolute beginners or casual users who want simple auto-snapping without fuss.
The Sony WX500, priced at around $350 when released, caters to enthusiasts needing a compact yet versatile camera. It punches well above its weight with a seriously impressive zoom, decent image quality, and a solid feature set that rivals some entry-level mirrorless cameras, though it lacks RAW capability and an EVF.
If you desire speed, zoom, and better image quality with some creative control, and you’re willing to invest accordingly, the Sony WX500 is the clear winner. If, however, economy, simplicity, and pocketability are your priorities, and you’re mostly shooting in good light for casual memories, the Olympus FE-4030 remains a candid contender.
Parting Thoughts and Personal Anecdotes
In my years of testing cameras, I’ve learned that no device is universally perfect. The FE-4030 took me back to an era when compact cameras ruled spontaneous holiday snaps - lightweight companions ideal for those who put convenience above creativity. The WX500, by contrast, felt like a gentle invitation to stretch my photographic muscles, to experiment with focal length and manual controls without dragging a bulky kit.
While never replacing mid-range mirrorless or DSLR systems, cameras like the Sony WX500 continue to carve their niche as versatile all-rounders for enthusiasts on the move. Olympus’s FE-4030 is a testament to how far even the most basic compacts have come and the compromises they require in this age of smartphone dominance.
Ultimately, your choice depends on how you weigh convenience, control, and image quality - and whether you want a camera that boldly extends your creative reach or quietly captures candid moments. So, which camp do you fall into?
Thank you for joining me on this deep dive. If you have questions on usage scenarios, or want advice picking lenses or accessories to squeeze the most out of these cameras, feel free to drop me a line in the comments below! Happy shooting!
Olympus FE-4030 vs Sony WX500 Specifications
Olympus FE-4030 | Sony Cyber-shot DSC-WX500 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model | Olympus FE-4030 | Sony Cyber-shot DSC-WX500 |
Category | Small Sensor Compact | Small Sensor Superzoom |
Launched | 2010-01-07 | 2015-04-14 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | TruePic III | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 14 megapixel | 18 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4288 x 3216 | 4896 x 3672 |
Max native ISO | 1600 | 12800 |
Lowest native ISO | 64 | 80 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 26-105mm (4.0x) | 24-720mm (30.0x) |
Maximum aperture | f/2.6-5.9 | f/3.5-6.4 |
Macro focus range | 4cm | 5cm |
Crop factor | 5.9 | 5.8 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 2.7 inches | 3 inches |
Screen resolution | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 4 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shooting speed | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.80 m | 5.40 m (with Auto ISO) |
Flash options | Auto, On, Off, Red-eye, Fill-in | Auto, flash on, slow sync, flash off, rear sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p) |
Max video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | AVCHD, XAVC S |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 146 gr (0.32 lb) | 236 gr (0.52 lb) |
Dimensions | 93 x 56 x 22mm (3.7" x 2.2" x 0.9") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 360 shots |
Battery format | - | Battery Pack |
Battery model | - | NP-BX1 |
Self timer | Yes (2 or 12 seconds) | Yes |
Time lapse feature | ||
Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC, Memory Stick Duo |
Storage slots | Single | Single |
Launch pricing | $130 | $348 |