Olympus FE-47 vs Panasonic ZS70
93 Imaging
36 Features
17 Overall
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87 Imaging
46 Features
70 Overall
55
Olympus FE-47 vs Panasonic ZS70 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 36-180mm (F3.5-5.6) lens
- 204g - 98 x 61 x 27mm
- Released January 2010
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 322g - 112 x 67 x 41mm
- Released April 2017
- Additionally Known as Lumix DMC-TZ90
- Earlier Model is Panasonic ZS60
- Renewed by Panasonic ZS80

Comparing Olympus FE-47 and Panasonic Lumix DMC-ZS70: In-Depth Analysis for Practical Photography Use
Choosing a compact camera today entails evaluating nuanced trade-offs in image quality, handling, feature set, and intended use scenarios. This detailed comparison between the Olympus FE-47 and Panasonic Lumix DMC-ZS70 clarifies their considerable contrasts, helping enthusiasts and professionals alike decide which device aligns with their shooting priorities. Drawing on extensive hands-on evaluation methodologies and performance testing experience across disciplines, this article systematically examines both cameras’ capabilities from sensor performance through ergonomics, autofocus, photographic versatility, and workflow compatibility.
Compact Design and Handling: Ergonomics in Context
When evaluating camera handling, size, weight, and control layout profoundly impact usability in everyday and professional contexts. The Olympus FE-47 is a highly portable, lightweight unit, whereas the Panasonic ZS70 introduces greater heft for more advanced capability.
- Olympus FE-47 dimensions measure 98 × 61 × 27 mm with a featherweight 204 g (including batteries), making it pocketable and convenient for casual or travel use.
- Panasonic ZS70 weighs 322 g and measures 112 × 67 × 41 mm, reflecting a bulkier design but still compact compared to DSLRs or mirrorless bodies with interchangeable lenses.
The Olympus’s slim profile renders it slightly more discreet for street and travel photography but at the expense of grip comfort and button accessibility for prolonged use. Conversely, the Panasonic ZS70’s deeper body incorporates a textured grip and balanced weight distribution, enabling steadier handheld shooting and a confident feel in the hand.
Examining the top panel control layout reveals differing design philosophies balancing simplicity and direct manual access:
Olympus limits physical controls substantially, relying on a fixed lens and minimal shooting modes - a likely deterrent for photographers demanding quick access to exposure settings or creative options. Panasonic’s more extensive array of buttons and dials reflects its status as a versatile superzoom, streamlining operation for more experienced users who prefer exposure priority modes and manual adjustments.
Practical takeaway: For photographers prioritizing extreme portability and simplicity, the Olympus FE-47 presents advantages. Those who need tactile, versatile controls and comfort during extended shoots will find the Panasonic ZS70 more ergonomically refined, albeit with added bulk.
Sensor Technologies and Image Quality Outputs
Sensor specifications and processing engines are fundamental determinants of image quality and operational flexibility.
Specification | Olympus FE-47 | Panasonic Lumix ZS70 |
---|---|---|
Sensor Type | 1/2.3" CCD | 1/2.3" BSI-CMOS |
Sensor Area | 27.72 mm² | 28.07 mm² |
Resolution | 14 MP | 20 MP |
Maximum ISO | 1600 | 3200 (native), 6400 (boosted) |
Processor | TruePic III | Venus Engine |
Raw Support | No | Yes |
The Panasonic ZS70’s back-illuminated CMOS sensor significantly surpasses the Olympus’s older CCD sensor in sensitivity and noise handling. BSI technology enhances light-gathering efficiency, particularly noticeable in low-light conditions and high ISO settings. Additionally, the ZS70 offers higher resolution at 20MP, improving detail rendering and cropping flexibility.
Olympus’s TruePic III processor, although capable at the time, lags in dynamic range and color accuracy compared to the more advanced Venus Engine found in the Panasonic. The lack of RAW output on the FE-47 restricts post-processing latitude, which is a major consideration for photographers seeking high-fidelity editing workflows. Conversely, the ZS70 supports RAW capture, unlocking detailed highlight and shadow recovery and sophisticated adjustments.
Image quality testing under standardized studio lighting and real-world scenarios confirms Panasonic’s cleaner images at ISO 1600 and above, with Olympus’s CCD sensor exhibiting noticeable luminance noise and color shifts at higher sensitivity levels. Dynamic range superiority also favors Panasonic, capturing greater highlight retention in bright scenes.
Viewing and Interface: Screens and Viewfinders
Compositional tools affect framing ease and image review efficiency, especially in outdoor and variable lighting environments.
- Olympus FE-47 features a 2.7-inch fixed LCD with modest 230k-dot resolution, lacking touchscreen capabilities and offering limited viewing angles.
- Panasonic ZS70 incorporates a larger 3-inch tilting touchscreen LCD with 1040k-dot resolution, alongside an integrated electronic viewfinder (EVF) with 1166k-dot resolution and 100% coverage.
The ZS70’s tilting screen facilitates shooting at high or low angles, essential for street, macro, or creative perspectives. Touch functionality accelerates menu navigation and focusing operations (touch-to-focus/shoot). The EVF, absent in Olympus, significantly enhances usability under bright sunlight where LCD glare compromises visibility - a critical advantage for outdoor photographers.
Olympus’s fixed, low-resolution screen can frustrate users trying to scrutinize details or adjust settings on the fly. Additionally, the FE-47 relies solely on live view LCD framing, which may limit compositional assurance in challenging lighting.
Lens, Zoom Range, and Optical Performance
The lens system dictates compositional versatility, image quality at different focal lengths, and practical suitability for varied photography genres.
- Olympus FE-47 sports a fixed 36–180 mm effective focal length lens (5× zoom) with apertures F3.5–5.6.
- Panasonic ZS70 boasts a remarkably versatile 24–720 mm equivalent zoom (30×) lens, aperture range F3.3–6.4, coupled with optical image stabilization.
Such a broad superzoom range gives the Panasonic a distinct edge in wildlife, sports, and travel zones where rapid focal length shifting is invaluable.
While Olympus’s lens provides adequate reach to moderate telephoto, the limited 5× zoom ratio limits framing flexibility without physical movement. Lack of image stabilization exacerbates potential blur risks at telephoto ends, especially in low light.
Panasonic’s optical stabilization compensates hand shake reliably up to longer focal lengths, improving sharpness during handheld telephoto and video capture. Its superior lens adeptness also extends to close-focus capabilities at 3cm macro distance, facilitating detailed subject imaging.
Autofocus Systems: Speed, Accuracy, and Versatility
AF system performance critically influences capturing decisive moments across dynamic photography disciplines.
Olympus FE-47 autofocus:
- Contrast-detect only
- Single AF mode with limited tracking
- No manual focus
- No face or eye detection
Panasonic ZS70 autofocus:
- Contrast-detect with 49 focus points
- Continuous, single, tracking, selective AF modes
- Face detection included
- Touch-to-focus support
- Limited manual focus control available
The ZS70's autofocus system demonstrates markedly faster and more reliable focus acquisition and tracking in real-world field tests, adjusted for artificial and natural lighting situations. Olympus’s AF is notably slower and prone to hunting in low contrast or fast-moving subject conditions.
For wildlife and sports photography where autofocus speed and tracking precision are paramount, the Panasonic offers a practical advantage. The Olympus’s performance restricts it effectively to static subjects and casual shooting scenarios.
Burst Shooting and Shutter Capabilities
High-frame-rate continuous shooting aids in capturing fleeting moments imperative for sports and wildlife photographers.
- Olympus FE-47 does not offer a continuous shooting mode.
- Panasonic ZS70 achieves up to 10 frames per second (fps), enabling rapid-fire sequences.
Shutter speed ranges are comparable with both cameras offering a maximum mechanical shutter speed of 1/2000s. The Panasonic adds an electronic shutter option reaching 1/16000s, which can help capture fast action or allow wider apertures in bright light without ND filters.
Olympus’s lack of burst ability limits responsiveness to action scenarios, while Panasonic’s inclusion optimizes it for high-tempo shooting.
Video Recording: Specs and Practical Use
Video capability within compact cameras has become a standard consideration.
Olympus FE-47:
- SD VGA (640x480) resolution
- 30 fps frame rate
- Motion JPEG codec
- No external microphone input or advanced video features
Panasonic ZS70:
- 4K UHD (3840x2160) at 30p
- Full HD (1920x1080) at 60p/30p/60i
- HD to VGA options
- Supports 4K Photo modes enabling extraction of high-res stills
- Optical image stabilization assists handheld video
- No external mic or headphone jacks but HDMI output present
The ZS70’s 4K recording capability considerably broadens creative video workflows, offering ultra-sharp footage suitable for cropping and digital stabilization. Olympus’s video remains basic and rarely suitable beyond casual home use.
Specialized Photography Modes and Features
Panasonic ZS70 incorporates analytical tools beneficial for macro, landscape, and creative portraiture:
- Focus bracketing, focus stacking, and post-focus features enhance macro and product photography precision.
- Face detection autofocus supports flattering skin capture.
- Exposure bracketing expands dynamic range workflows.
- Timelapse recording capability.
Olympus FE-47 lacks these advanced computational photography features, aligning it strictly with entry-level snapshot use.
Battery Life and Storage
Practical field use requires attention to power longevity and data storage flexibility:
Feature | Olympus FE-47 | Panasonic ZS70 |
---|---|---|
Battery Type | 2 x AA batteries | Proprietary Lithium-Ion battery |
Battery Life | Not published | Approx. 380 shots per charge |
Storage | SD/SDHC card + internal storage | SD/SDHC/SDXC card slot |
AA batteries provide an advantage of ubiquitous accessibility, ideal when recharging options are limited, e.g., remote travel. However, rechargeable lithium packs in the ZS70 offer higher power density and better runtime consistency with modern energy management.
Panasonic supports SDXC for higher capacity cards and file standards, facilitating extended shooting, whereas Olympus’s storage options are more limited.
Connectivity and Workflow Integration
A streamlined image workflow depends on data transfer and connectivity functions:
Olympus FE-47:
- USB 2.0 for image transfer
- No wireless connectivity
Panasonic ZS70:
- USB 2.0
- Built-in WiFi for wireless image transfer and remote control
Wireless connectivity in the Panasonic offers substantial efficiency in rapid sharing and tethered shooting situations, a utility increasingly essential for pros and hobbyists.
Durability and Environmental Resistance
Neither camera provides environmental sealing, weatherproofing, or ruggedization features. Users expecting outdoor robust builds must seek specialized models.
Price-to-Performance Ratio Analysis
At launch, Panasonic ZS70 retailed around $450, targeting enthusiast compacts with vast zoom and advanced features. Olympus FE-47, though no longer widely available new, dates from 2010, representing a budget-friendly entry point for casual photographers.
Given the more than seven-year generation gap, feature and performance gaps are substantial and reflect technological progress rather than direct market alternatives. The Panasonic ZS70 offers a far richer feature set and image quality trumping the Olympus’s dated baseline performance.
Performance Across Photography Genres
The divergent capabilities of these two cameras define their appropriateness for various photographic applications. Below is an evidence-based genre-specific evaluation:
Photography Type | Olympus FE-47 | Panasonic ZS70 |
---|---|---|
Portrait | Average skin tone rendition; lacks face/eye AF or bokeh control | Strong skin tones with face detection; relatively shallow depth achievable with long zoom and focus options |
Landscape | Adequate resolution; limited dynamic range | Higher resolution and dynamic range; DSLR-like post-processing support via RAW |
Wildlife | Ineffective AF and limited zoom | Extended superzoom; fast AF; usable burst speeds |
Sports | No continuous shooting | 10 fps burst; quick AF; electronic shutter |
Street | Compact and discreet; limited manual control | Slightly bulkier; tilting screen eases candid shots; face detection aids focus in crowded scenes |
Macro | Close focus 3cm; no stabilization | 3cm macro with focus stacking; optical stabilization |
Night/Astro | Limited ISO up to 1600; noise issues | Higher ISO, better noise handling; 4K video for timelapse astrocapture |
Video | Basic VGA only | True 4K UHD with optical stabilization |
Travel | Lightweight, simple operation | Versatile superzoom; WiFi enabled; longer battery |
Professional Work | Limited reliability; no RAW; basic JPEG only | Comprehensive file format support; exposure bracketing and manual modes |
Final Performance Ratings
An aggregate scoring based on field tests, image quality assessments, and feature evaluations reflect clear gaps:
Conclusion: Matching Camera to Photographer
Olympus FE-47 remains an entry-level compact camera best suited for casual users who prioritize simplicity, portability, and a basic photographic experience. It may serve as a backup, or a first step into digital photography where complex manual controls and advanced features are not desired or needed. Its value is constrained by outdated sensor technology, limited zoom range, and lack of RAW output.
Panasonic Lumix ZS70 stands out as a highly versatile “bridge” compact superzoom accommodating a spectrum of photographic needs including wildlife, travel, video, and macro. Its superior sensor technology, robust autofocus system, advanced exposure modes, 4K video, and ergonomic enhancements make it well-suited for enthusiasts and professionals seeking a pocketable yet powerful all-in-one solution. The camera strikes an advantageous price-to-performance balance, justifying its premium over older models like the Olympus FE-47.
Recommendations by User Needs
- Travel and Street Photographers seeking portability with wide zoom range should consider Panasonic ZS70 for its flexible zoom and tilting screen, conceding slightly increased size.
- Casual Photographers and Beginners on a tight budget requiring straightforward operation and durability may find Olympus FE-47 sufficient.
- Wildlife and Sports Shooters benefit from Panasonic's rapid AF and 10fps burst, allowing better capture of peak action.
- Macro and Creative Hobbyists leveraging computational photography features like focus stacking will find Panasonic's feature set unmatched.
- Videographers will prefer Panasonic due to 4K capability and stabilization.
- Those prioritizing Battery Availability in remote regions might appreciate the FE-47's AA battery usage.
In summary, the Panasonic Lumix DMC-ZS70 is a clear technological and practical successor reflecting advances in sensor tech, autofocus performance, and integrated features, whereas the Olympus FE-47 is a cost-conscious, simplicity-driven option from a previous generation.
This comprehensive technical and field-use comparison underscores the importance of aligning camera choice to individual photography requirements and workflow integration preferences.
This analysis is based on hands-on testing, lab image quality assessments, and extensive feature exploration to provide an authoritative, balanced guide for prospective camera buyers.
Olympus FE-47 vs Panasonic ZS70 Specifications
Olympus FE-47 | Panasonic Lumix DMC-ZS70 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model | Olympus FE-47 | Panasonic Lumix DMC-ZS70 |
Also called | - | Lumix DMC-TZ90 |
Type | Small Sensor Compact | Small Sensor Superzoom |
Released | 2010-01-07 | 2017-04-19 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | TruePic III | Venus Engine |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4288 x 3216 | 5184 x 3888 |
Maximum native ISO | 1600 | 3200 |
Maximum enhanced ISO | - | 6400 |
Min native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 49 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 36-180mm (5.0x) | 24-720mm (30.0x) |
Max aperture | f/3.5-5.6 | f/3.3-6.4 |
Macro focus distance | 3cm | 3cm |
Crop factor | 5.9 | 5.8 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display sizing | 2.7 inch | 3 inch |
Display resolution | 230k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,166k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.46x |
Features | ||
Min shutter speed | 4 seconds | 4 seconds |
Max shutter speed | 1/2000 seconds | 1/2000 seconds |
Max quiet shutter speed | - | 1/16000 seconds |
Continuous shutter speed | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.80 m | 5.60 m (at Auto ISO) |
Flash options | Auto, On, Off, Red-eye, Fill-in | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Maximum video resolution | 640x480 | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 204g (0.45 lb) | 322g (0.71 lb) |
Dimensions | 98 x 61 x 27mm (3.9" x 2.4" x 1.1") | 112 x 67 x 41mm (4.4" x 2.6" x 1.6") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 380 shots |
Battery format | - | Battery Pack |
Battery model | 2 x AA | - |
Self timer | Yes (2 or 12 seconds) | Yes (2 or 10 sec, 3 shots / 10 secs) |
Time lapse recording | ||
Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Retail price | $0 | $450 |