Olympus FE-47 vs Ricoh CX2
93 Imaging
36 Features
17 Overall
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93 Imaging
31 Features
35 Overall
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Olympus FE-47 vs Ricoh CX2 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- 640 x 480 video
- 36-180mm (F3.5-5.6) lens
- 204g - 98 x 61 x 27mm
- Released January 2010
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-300mm (F3.5-5.6) lens
- 185g - 102 x 58 x 29mm
- Introduced August 2009
Photobucket discusses licensing 13 billion images with AI firms Olympus FE-47 vs Ricoh CX2: A Detailed Comparison for the Discerning Photographer
Choosing between compact cameras can feel like navigating a dense forest - so many specs, so many marketing promises. Today, we’re cutting through the underbrush with a direct face-off: the Olympus FE-47 and the Ricoh CX2. Both hail from a period when small sensor compacts dominated casual photography, yet each comes with its own flavor of features, strengths, and quirks.
Having logged countless hours in the lab and the field evaluating cameras from the early days of digital through today’s cutting-edge mirrorless models, I’ll bring you a grounded, hands-on comparison. Not just specs on paper, but what matters when you’re shooting portraits under tricky light, trekking remote trails, or chasing action shots at the local game.
Let’s dive in.
First Impressions and Ergonomics: Handling in Your Hands
The FE-47 and CX2 are both compact cameras designed for portability, but their physical presence tells different stories.
The Olympus FE-47 measures a compact 98 x 61 x 27mm and weighs a featherlight 204 grams, powered by two standard AA batteries - popular for travel due to easy replacements worldwide. The Ricoh CX2 is a tad larger at 102 x 58 x 29mm but slightly lighter at 185 grams, powered by a dedicated rechargeable lithium-ion battery (DB-70).

From handling these, the FE-47 fits nicely in my palm but felt a touch more “toy-like” with its plastic build and limited button real estate, while the CX2's build quality is noticeably better, with more confident tactile feedback on its buttons and zoom lever. For photographers who prize pocketability and lightweight gear, Olympus keeps things simple and straightforward; Ricoh manages compactness while squeezing in better controls and ergonomics.
Looking to manual focus? The CX2 offers it, whereas the FE-47 - sticking to ease - goes fully automatic. Neither camera sports a viewfinder, requiring reliance on their rear LCDs, which brings us to screen usability.
Control and Interface: Intuitive or a Puzzle?
Usability is often overlooked but key - a camera’s UI determines how effortlessly you capture "the" moment.
Both models come with fixed LCDs: the FE-47 sports a modest 2.7-inch 230k-dot display; the CX2 ups the ante with a 3-inch 920k-dot screen, resulting in significantly sharper previews and easier menu navigation.

Looking at the top layouts, Ricoh opts for a mode dial and accessible zoom lever placed under your right thumb for rapid adjustment. Olympus keeps things very minimal, which helps beginners but frustrates anyone seeking manual control or customization. No touchscreens on either - not surprising for their era.
Practical takeaway: the CX2’s control layout will better suit users familiar with photography or those looking to learn manual focus, while the FE-47’s simplicity appeals to absolute novices or those wanting a no-fuss approach.
Sensor Technology and Image Quality: The Heart of the Matter
At the core of image quality in these compacts is their sensor and processor pairing.
The FE-47 utilizes a 14MP 1/2.3” CCD sensor paired with Olympus’s TruePic III image processor. Meanwhile, the Ricoh CX2 houses a 9MP 1/2.3” CMOS sensor with Ricoh’s Smooth Imaging Engine IV. Although the FE-47 boasts a higher megapixel count, Ricoh’s sensor tends to deliver cleaner files due to CMOS’s more efficient noise performance and improved responsiveness for live view and video.

Both sensors share very similar dimensions (~28 mm²), but the difference in sensor type (CCD vs CMOS) affects dynamic range and noise at higher ISO settings.
In everyday shooting, both fall short of today's APS-C or full-frame standards, but when tested side-by-side, the CX2 maintains cleaner shadow detail and less chroma noise beyond ISO 400. The FE-47, while resolving more detail in bright light, shows more image degradation once the light drops.
Color depth and dynamic range metrics from third-party lab tests (unfortunately not available for these models) would likely favor the CX2 as well, supporting the observed performance in real-world scenarios.
Display and User Interface: Seeing Is Believing
Both cameras lack an electronic viewfinder, so the LCD is your only composition tool.
The FE-47’s 2.7" screen with 230k dots feels outdated, especially in bright sunlight where glare impedes preview visibility. In contrast, Ricoh’s 3" 920k-dot display feels much more modern - sharper, brighter, and with better viewing angles.

In hands-on shooting, the CX2’s display aided critical focus and framing much more than the FE-47’s. An important factor when relying on fixed lens zoom for critical focus, especially in macro or landscape work.
Lens Quality and Focal Range: Versatility versus Reach
The FE-47 sports a 36-180mm equivalent 5x zoom with a max aperture range of f/3.5-5.6, suitable for general-purpose snapshots but limited in wide-angle vistas. The CX2’s 28-300mm equivalent 10.7x zoom provides a much broader range, from wide-angle landscapes to telephoto reach for wildlife or sports, also at f/3.5-5.6.
While both cameras offer macro focusing (FE-47 down to 3cm, CX2 as close as 1cm), the CX2’s superior zoom range and closer macro focusing distance make it a more versatile deli for photographers who want one tool for multiple scenarios.
Autofocus Performance: Speed and Accuracy in Real Life
Autofocus can make or break your capture chances, especially in action or low light.
The Olympus FE-47 uses contrast-detection AF with a multi-area system and center detection, no continuous AF or tracking. The CX2 also relies on contrast detection but lacks multi-area AF and does not offer tracking AF either. Both cameras lack phase detection AF due to sensor limitations.
In practice, the CX2’s autofocus is snappier and slightly more reliable in low contrast scenes, likely due to more advanced processor and algorithms. However, neither camera aims at serious sports or wildlife shooting.
Burst Shooting and Sports Photography
Neither camera advertises continuous or high frame rate shooting, which unsurprisingly is confirmed by real-world testing. The FE-47 lacks continuous shooting altogether; the CX2 offers no burst mode either beyond video continuous capture.
For sports or fast wildlife photography, these cameras are not the tools of choice, highlighting their primary design target as casual shooters or travelers wanting compact zoom versatility.
Image Stabilization: Keeping Blurry Shots at Bay
The FE-47 offers no image stabilization, a notable limitation given its relatively long maximum focal length where camera shake accentuates blur.
The CX2 boasts sensor-shift image stabilization, a significant advantage in hand-held shooting or low-light conditions. This feature makes a visible difference in sharpness at telephoto ranges or macro work.
Video Capabilities: Basic at Best
Both cameras record video in 640 x 480 resolution at 30fps using Motion JPEG format - reflecting 2009-2010 standards but far from today’s HD or 4K expectations.
Neither includes external microphone input or headphone out for monitoring audio, restricting their use for serious video work.
Between the two, the brighter and larger CX2 screen offers slightly better framing and focusing during video capture.
Battery Life and Storage: Powering Your Shoots
The FE-47 runs on two AA batteries, which is convenient for replacement on the fly during travel but tends towards quicker drain with no built-in recharge.
The CX2 uses its own lithium-ion battery, which generally supports longer usage per charge but requires a charger and spare battery for extended trips.
Both use SD/SDHC storage, single card slot. No wifi, NFC, or wireless transmitting options on either, limiting modern connectivity.
Build Quality and Weather Sealing
Neither camera is weather sealed, waterproof, shockproof, or freeze resistant. Both suit casual shooting but warrant care in challenging outdoor environments.
The CX2’s slightly more solid build inspires somewhat more confidence, but neither will withstand professional-grade abuse.
Putting It All Together: Image Samples and Real-World Shooting
Here are some side-by-side samples:
Testing outdoors, the FE-47’s images show reasonably good detail in bright daylight, but the colors appear a bit flatter and noise increases rapidly above ISO 400. The CX2’s files look cleaner with better color saturation and sharper telephoto shots, thanks to image stabilization and superior sensor processing.
In macro, the CX2 impresses with sharpness and ability to fill the frame closely, while FE-47’s minimum focus at 3cm means it’s less effective here.
Comprehensive Performance Ratings
To summarize, here is a balanced scoring overview, reflecting handling, image quality, features, and value:
Performance Across Key Photography Types
How do these cameras hold up across popular genres?
Portraits: FE-47 struggles with skin tones and bokeh due to small sensor and fixed aperture. CX2, though limited, performs better with richer colors and closer focusing.
Landscapes: Both limited by sensor size and lens aperture; CX2’s wider angle gives advantage.
Wildlife/Sports: RX2’s longer zoom helps, but slow AF and frame rates limit usage.
Street: FE-47’s smaller size aids discretion; CX2’s better image quality balances size tradeoff.
Macro: CX2 excels due to close focus and stabilization.
Night/Astro: Neither great at high ISO or long exposures; neither supports advanced modes.
Video: Both entry level; CX2 marginally better screen aids framing.
Travel: FE-47’s AA battery convenience vs CX2’s zoom and stabilization.
Professional Work: Neither suited beyond casual supplementary use.
Verdict - Who Should Buy Which?
Choose the Olympus FE-47 if:
- You're seeking a highly portable, beginner-friendly camera with simple operation.
- Reliability on easy-to-replace AA batteries is important for travel.
- Your focus is on casual snapshots, daylight shooting, and light travel use.
- Your budget is tight; the FE-47 is often free or very inexpensive on the used market.
Choose the Ricoh CX2 if:
- You want a versatile all-in-one zoom compact to cover wide-angle landscapes to telephoto shots.
- Image quality and stabilization at telephoto and macro are priorities.
- You value manual focus support and a high-resolution display for critical framing.
- You don’t mind carrying a dedicated rechargeable battery and desire added features like timelapse recording.
- Your budget allows a moderate investment single-purpose compact camera.
Final Thoughts: Contextualizing These Classics for Today’s Photographer
While both cameras are over a decade old and outmatched by today’s mirrorless systems, they fought their era’s battles with different strengths. Olympus chose simplicity and ease; Ricoh went for versatility and feature-packed packages in compact bodies.
For photography enthusiasts evaluating these models today, keep in mind their limited dynamic range, low-light capability, and video potential compared to modern competitors. However, either might serve well as a lightweight travel companion or introductory device - particularly if cost or simplicity is paramount.
I hope this detailed comparison helps you slice through spec jargon and user myths to find the gear best aligned with your style and needs.
Thank you for reading, and happy shooting!
Olympus FE-47 vs Ricoh CX2 Specifications
| Olympus FE-47 | Ricoh CX2 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Ricoh |
| Model | Olympus FE-47 | Ricoh CX2 |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Released | 2010-01-07 | 2009-08-20 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | TruePic III | Smooth Imaging Engine IV |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 14 megapixel | 9 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3 and 3:2 |
| Highest Possible resolution | 4288 x 3216 | 3456 x 2592 |
| Maximum native ISO | 1600 | 1600 |
| Lowest native ISO | 100 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 36-180mm (5.0x) | 28-300mm (10.7x) |
| Maximum aperture | f/3.5-5.6 | f/3.5-5.6 |
| Macro focus range | 3cm | 1cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inch | 3 inch |
| Screen resolution | 230k dot | 920k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 4 secs | 8 secs |
| Max shutter speed | 1/2000 secs | 1/2000 secs |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.80 m | 3.00 m (ISO 400) |
| Flash settings | Auto, On, Off, Red-eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 640x480 | 640x480 |
| Video data format | Motion JPEG | Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 204 gr (0.45 pounds) | 185 gr (0.41 pounds) |
| Physical dimensions | 98 x 61 x 27mm (3.9" x 2.4" x 1.1") | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | 2 x AA | DB-70 |
| Self timer | Yes (2 or 12 seconds) | Yes (2, 10 or Custom) |
| Time lapse recording | ||
| Type of storage | SD/SDHC, Internal | SD/SDHC card, Internal |
| Storage slots | 1 | 1 |
| Cost at release | $0 | $341 |