Olympus FE-47 vs Sony A550
93 Imaging
36 Features
17 Overall
28
63 Imaging
53 Features
65 Overall
57
Olympus FE-47 vs Sony A550 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 36-180mm (F3.5-5.6) lens
- 204g - 98 x 61 x 27mm
- Announced January 2010
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 632g - 137 x 104 x 84mm
- Introduced December 2009
- Replaced the Sony A100
Sora from OpenAI releases its first ever music video Olympus FE-47 vs Sony Alpha DSLR-A550: A Deep Dive for Every Photographer’s Needs
Choosing the right camera today is more than just ticking boxes on a specification sheet. It’s about understanding how a tool serves your creative vision, fits your workflow, and empowers you to make stunning images across a variety of photography styles. We’ve spent extensive time examining both the Olympus FE-47, a simple compact from 2010, and the Sony Alpha DSLR-A550, an entry-level DSLR from late 2009. These cameras represent very different segments, technologies, and user experiences.
In this comprehensive comparison, let’s unpack what each camera truly offers and help you see which might serve your photographic ambitions best.
Seeing and Feeling: Size, Build, and Ergonomics
Ergonomics are crucial, influencing comfort during long shoots and speed of handling in dynamic moments.
Olympus FE-47:
- Ultra-compact and pocketable form factor
- Dimensions: 98 x 61 x 27 mm
- Lightweight at just 204 grams, powered by convenient AA batteries
- Minimalist control layout, designed for simplicity over customization
Sony A550:
- Classic DSLR body shape with robust grip
- Dimensions: 137 x 104 x 84 mm
- Weighs 632 grams - substantial but balanced for lens swaps and extended handling
- Richer control panel with more buttons and dials for quick access to settings

You can immediately see how the FE-47’s tiny footprint caters to casual shooting and travel where portability is king, while the A550 demands a proper grip but rewards you with tactile controls suited for more serious use.
Beyond size, the build quality of the Sony offers a solid, reassuring heft useful for professional environments - even if neither has weather sealing or rugged protection. The Olympus feels more disposable in that aspect.
Design and Interface: Practical Control vs Simplicity
Evaluating camera controls and interface design is key to understanding user experience, especially for varied photography disciplines.

- Olympus FE-47 provides limited manual control, no aperture or shutter priority modes, and lacks manual exposure altogether. Its fixed lens and lack of viewfinder further reinforce its beginner-friendly design, relying on its fixed 5x zoom and simple autofocus.
- Sony A550 excels with a traditional DSLR control layout - dedicated dials for shutter speed, aperture priority, full manual, exposure compensation, and more. It has an optical pentamirror viewfinder offering ~95% frame coverage and 0.53x magnification, improving composition accuracy.
The FE-47’s 2.7-inch fixed screen carries barely 230k dots resolution, while the Sony’s 3-inch LCD tilts and boasts 922k dots, a huge usability and framing advantage.
Sensor Technology & Image Quality: The Heart of the Camera
Here we get to the ground truth: image quality. Sensor size, design, and processing make the most significant differences between these two cameras.
| Feature | Olympus FE-47 | Sony A550 |
|---|---|---|
| Sensor Type | 1/2.3" CCD | APS-C CMOS |
| Sensor Dimensions | 6.08 x 4.56 mm | 23.4 x 15.6 mm |
| Sensor Area | 27.72 mm² | 365.04 mm² |
| Resolution | 14 MP | 14.2 MP |
| Max ISO (native) | 1600 | 12800 |
| Anti-alias Filter | Yes | Yes |
| Raw Support | No | Yes |

The Sony A550 features a much larger APS-C sensor, about 13 times larger in sensor area compared to the FE-47’s small 1/2.3-inch sensor. This difference alone explains why the A550 produces images with notably better detail, greater dynamic range, and significantly improved low-light performance. The FE-47’s sensor is common in budget compacts; it struggles beyond ISO 400 with noise and limited dynamic range.
The Sony’s Bionz processor and CMOS architecture enable higher ISO options up to 12,800, which are usable to a degree with noise-reduction tools. The Olympus maxes out at ISO 1600, but you’ll rarely want to push it that far due to noise.
If you value print quality, large prints, or cropping flexibility - or you plan to shoot RAW for postprocessing control - the Sony wins decisively on image quality metrics.
Autofocus & Performance: Speed and Precision in Practice
AF systems shape your success with moving subjects, low light, and tricky compositions.
- Olympus FE-47 autofocus opts for multi-area contrast-detection only. No tracking, face, or eye detection is offered. AF is slow and hunts in low light or on low contrast objects.
- Sony A550 boasts 9 cross-type phase-detection AF points plus contrast AF in live view, with face detection as well. AF tracking continuous is available to track subjects during burst shooting.
Sony offers 7 frames per second burst speed, suitable for sports and wildlife action, compared to Olympus’s lack of continuous shooting mode.
In real-world testing, the Sony’s AF system locks faster and more reliably, especially in challenging lighting or with moving targets.
Viewing and Composing Your Shots
Composition is an art unsupported without a good viewfinder or screen.
- The Olympus relies solely on its LCD with no viewfinder; fixed 2.7” screen with only 230k dots means limited detail and not ideal in bright sunlight.
- The Sony provides an optical pentamirror viewfinder that offers a clear, lag-free image covering 95% of the frame, excellent for precise composition.
- In addition, Sony’s 3” tilting LCD is sharper and better suited for creative angles.

If you’re serious about precise framing or enjoy shooting outdoors in bright conditions, the Sony is a clear favorite.
Lens and System Ecosystem
Your camera is only as versatile as the glass and accessories you can mount on it.
- The Olympus FE-47 has a fixed 36-180mm equivalent zoom lens, aperture f/3.5-5.6, with no option to change or attach new lenses.
- The Sony A550 uses Sony/Minolta Alpha mount lenses, with over 140 in the ecosystem, covering everything from wide-angle primes to telephoto zooms, specialty macros, and more.
The Sony’s interchangeable lens system gives you incredible flexibility, letting you tailor gear to your discipline - portraits, landscapes, wildlife, or macro. The Olympus is a fixed-lens convenience shooter, limiting creative scope.
Battery and Storage: Longevity and Convenience
- Olympus FE-47 runs on two AA batteries, easy to replace worldwide but with unlisted official battery life. Its SD/SDHC card slot supports common removable media.
- Sony A550 uses a proprietary NP-FM500H rechargeable battery rated for 480 shots per charge and supports SD/SDHC memory cards as well as Sony’s Memory Stick formats.
While AA batteries are replaceable anywhere, the Sony’s battery life and rechargeable pack offer better real-world endurance for extended sessions.
Special Features and Connectivity
- Video on the Olympus is limited to 640x480 VGA at 30 fps - suitable only for very casual home video.
- The Sony A550 lacks video recording capability altogether, focusing purely on stills.
- Neither camera offers wireless connectivity, GPS, touchscreens, or modern external mic/headphone ports.
Given their vintage design era, neither camera is geared towards video-centric creators or remote control shooting.
How These Cameras Perform Across Photography Genres
Let’s connect the dots for you, evaluating the Olympus FE-47 and Sony A550’s suitability for major photography types you might pursue.
| Photography Type | Olympus FE-47 | Sony A550 |
|---|---|---|
| Portrait | Limited control; fixed lens bokeh is average; no eye detect autofocus. Suitable for casual portrait snapshots with decent colors but lacks background separation ability. | Excellent color depth, face detection AF, and interchangeable lenses allow beautiful skin tone reproduction and creamy bokeh with fast primes. Professional portrait capability. |
| Landscape | Good resolution for casual prints, but small sensor limits dynamic range; no weather sealing. Fixed lens restricts framing options. | High resolution and wide dynamic range capture landscapes with greater tonal nuance; lens options and manual controls enable wide-angle shooting and filters. No weather sealing. |
| Wildlife | Slow AF and no telephoto reach beyond 180mm equivalent; not suited for fast action or distant subjects. | Fast 7 fps shooting, reliable phase AF and access to tele lenses via mount allow wildlife photography with better precision and reach. |
| Sports | No continuous shooting or AF tracking; not suitable for action. | Continuous AF and 7 fps high-speed shooting enable action and sports photography at beginner to intermediate levels. |
| Street | Compact and discreet; small size makes it easy to carry and shoot casually in low profile. | Larger and heavier, less discreet but offers more control for creative street work, including manual modes and faster response. |
| Macro | 3cm macro focusing with fixed lens; limited magnification and control. | With macro lenses available, precise focusing and flexible working distances deliver superior close-up and macro shots. |
| Night / Astro | Small sensor, limited ISO performance limit night shooting; no long exposure modes. | Better high ISO performance and manual exposure support allow night and astrophotography exploration but limited by lack of bulb mode. |
| Video | Basic VGA video suitable for casual shooting. | No video recording capability. |
| Travel | Lightweight with easy power source (AA batteries); good for travel snapshots but limited creative control and quality. | More weight, larger size, but versatile lens options and superior image quality give more creative freedom while traveling. |
| Professional Work | Not designed for professional use; no RAW, manual controls, or external flash. | Supports RAW, manual exposure modes, external flash, better control - a stronger entry point for semi-pro workflows. |
Real-World Experience: What We Learned from Testing
From hands-on shooting and technical tests:
- The Olympus FE-47 is ideal if you want a truly pocketable, no-fuss camera primarily for snapshots and simple documentation. It delivers decent images for print sizes up to 8x10 inches in good light.
- The Sony A550 remains highly capable despite its age, producing far superior image quality thanks to its APS-C sensor and RAW workflow. Its control set and lens flexibility make it a worthy beginner DSLR for those serious about learning photography fundamentals.
Summarizing Strengths and Weaknesses
| Feature | Olympus FE-47 | Sony A550 |
|---|---|---|
| Strengths | Ultra compact size; simple operation; AA battery convenience; lightweight | Large APS-C sensor; RAW support; superior autofocus; fast burst; tilting high-res LCD; lens ecosystem |
| Weaknesses | Small sensor limiting IQ; fixed lens; no RAW or manual modes; very basic screen; no video | Heavier and bulkier; no video; no weather sealing; dated connectivity; no in-body stabilization |
| Ideal Users | Casual shooters, travelers needing simplicity | Enthusiasts starting serious photography; students; entry pros needing budget DSLR |
Breaking It Down: Genre-Specific Scores and Recommendations
Such granular analysis reveals that the Sony dominates categories reliant on image quality and control - portraits, sports, wildlife likely benefit most. The Olympus shines for street and travel in its portability and ease, but limits creative ambitions.
Final Verdict: Who Should Buy Which?
If you’re just starting out or want a pocket-sized camera to capture holiday memories without fuss, Olympus FE-47 will serve you fine. It’s straightforward and light, though you won’t get advanced features or top image quality.
But if you want to grow into photography, crave creative control, work across many subjects, or need better low light and action performance - the Sony Alpha DSLR-A550 is a tremendous value in the used market. It’s a camera that teaches you the craft and can produce images you'd be proud to show or print professionally.
Getting Hands-On and Next Steps
I encourage you to visit a camera store or trusted secondhand dealer to try the Sony A550 in-hand, feel its controls, and test responsiveness. For travel or casual snapshots, pick up the FE-47 to see how it fits your pocket and shooting style.
For Sony buyers, check out essential accessories like a sturdy tripod, extra batteries, and lenses that suit your photography goals - sharp primes for portraits, zooms for wildlife, or macros for close detail work.
Remember, the right camera is the one that inspires you to create - once you’ve found that, mastering your craft becomes an exciting journey.
We hope this detailed comparison has demystified key differences and helped you clarify which camera aligns with your photography needs. Ready to dive in? Your next great shot awaits.
Olympus FE-47 vs Sony A550 Specifications
| Olympus FE-47 | Sony Alpha DSLR-A550 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Sony |
| Model | Olympus FE-47 | Sony Alpha DSLR-A550 |
| Class | Small Sensor Compact | Entry-Level DSLR |
| Announced | 2010-01-07 | 2009-12-09 |
| Physical type | Compact | Compact SLR |
| Sensor Information | ||
| Processor Chip | TruePic III | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.4 x 15.6mm |
| Sensor area | 27.7mm² | 365.0mm² |
| Sensor resolution | 14 megapixels | 14 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
| Highest resolution | 4288 x 3216 | 4592 x 3056 |
| Highest native ISO | 1600 | 12800 |
| Lowest native ISO | 100 | 200 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | - | 9 |
| Lens | ||
| Lens mounting type | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 36-180mm (5.0x) | - |
| Maximal aperture | f/3.5-5.6 | - |
| Macro focus range | 3cm | - |
| Total lenses | - | 143 |
| Crop factor | 5.9 | 1.5 |
| Screen | ||
| Type of display | Fixed Type | Tilting |
| Display size | 2.7 inches | 3 inches |
| Resolution of display | 230 thousand dots | 922 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.53x |
| Features | ||
| Slowest shutter speed | 4 seconds | 30 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting rate | - | 7.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.80 m | 12.00 m |
| Flash options | Auto, On, Off, Red-eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Maximum flash synchronize | - | 1/160 seconds |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
| Highest video resolution | 640x480 | None |
| Video data format | Motion JPEG | - |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 204 gr (0.45 lb) | 632 gr (1.39 lb) |
| Physical dimensions | 98 x 61 x 27mm (3.9" x 2.4" x 1.1") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
| DXO scores | ||
| DXO All around score | not tested | 66 |
| DXO Color Depth score | not tested | 21.9 |
| DXO Dynamic range score | not tested | 11.8 |
| DXO Low light score | not tested | 807 |
| Other | ||
| Battery life | - | 480 photographs |
| Battery type | - | Battery Pack |
| Battery model | 2 x AA | NP-FM500H |
| Self timer | Yes (2 or 12 seconds) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC, Internal | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | 1 | 1 |
| Cost at launch | $0 | $749 |