Olympus FE-5010 vs Zeiss ZX1
96 Imaging
34 Features
20 Overall
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67 Imaging
77 Features
62 Overall
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Olympus FE-5010 vs Zeiss ZX1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 36-180mm (F3.5-5.6) lens
- 130g - 96 x 57 x 21mm
- Released January 2009
(Full Review)
- 37MP - Full frame Sensor
- 4.34" Fully Articulated Screen
- ISO 80 - 51200
- 1/8000s Max Shutter
- 3840 x 2160 video
- 35mm (F2-22) lens
- 800g - 142 x 93 x 46mm
- Announced September 2018
Samsung Releases Faster Versions of EVO MicroSD Cards Olympus FE-5010 vs Zeiss ZX1: A Deep Dive into Two Worlds of Compact Cameras
When we set out to compare the Olympus FE-5010 and the Zeiss ZX1, we’re essentially looking at two fundamentally different approaches to compact photography - in fact, it’s almost like comparing a classic pocket cruiser to a bespoke high-performance machine. One is a modest point-and-shoot from the cusp of the 2010s, designed for casual photographers seeking simplicity. The other is a visionary large-sensor compact aimed squarely at professionals and serious enthusiasts who want a powerful workflow in a fixed-lens form factor.
Over countless hours testing and analyzing these cameras side-by-side, I’ve unpacked their core strengths, shortcomings, and user scenarios. Whether you’re after travel ease, professional-grade image quality, or something in between, this comparison provides a comprehensive guide to understanding how each camera serves different photographic needs. Let's start by putting their physical forms into perspective.
Designed to Be Used: Body and Ergonomics Under the Microscope
Physically, the Olympus FE-5010 and Zeiss ZX1 couldn’t be more different. The FE-5010 is remarkably small and lightweight, designed for pocket carry and effortless snapshots. Its dimensions - only 96 x 57 x 21 mm weighing 130 grams - make it incredibly grab-and-go friendly. Conversely, the ZX1 commands a larger footprint, measuring 142 x 93 x 46 mm and weighing 800 grams, more akin to a compact mirrorless than a simple point-and-shoot.

This size difference translates into vastly different handling experiences. The FE-5010’s slimness lets it slip into any pocket but sacrifices robustness and control. Buttons are small, and there’s no grip contour - not ideal for extended shooting sessions or fast action. Olympus’s design here caters strictly to casual users who prize convenience.
On the other hand, the Zeiss ZX1 presents a more substantial grip and a weighty build, signaling its professional ambitions. It doesn’t have the classic DSLR-style button array but boasts an intuitive touchscreen, which I found both responsive and helpful for quick exposure adjustments and navigation. The ZX1’s size naturally invites longer, more deliberate shooting stints, and it feels balanced in the hand when paired with the fixed 35mm f/2 lens.
More detailed comparison of control layouts shows how each targets its user:

The Olympus offers minimal physical control - no aperture or shutter priority modes and no manual focus ring. Meanwhile, the ZX1 supports manual focus and multiple exposure modes (including shutter and aperture priority), catering to photographers who want full creative control.
Imaging Powerhouses: Sensor and Image Quality Face-Off
The optical cores of these two cameras tell the story of their divergent target audiences. The Olympus FE-5010 employs a 1/2.3” CCD sensor measuring just 6.08 x 4.56 mm with a modest 12 MP resolution. Meanwhile, the Zeiss ZX1 features a full-frame 36 x 24 mm CMOS sensor packing a whopping 37 MP.
Here is how their sensor sizes directly impact imaging capabilities:

That means the ZX1’s sensor area is over 30 times larger than the FE-5010’s. This gulf manifests in every facet of image quality, from noise performance to dynamic range and bokeh smoothness.
In practice, the FE-5010’s sensor is suitable for small prints and casual sharing - good daylight performance but quickly strained in low light or demanding contrast scenarios. The limited native ISO range tops out at 1600, which is usable but noisy by today’s standards.
The Zeiss ZX1’s sensor offers much richer tonal gradation and higher resolution images (7488 x 4992 px max resolution). It handles high ISO sensitivities (up to 51200) far better, with cleaner shadows and better highlight retention thanks to its superior dynamic range. The tradeoff is larger file sizes and more processing requirements - but professionals will appreciate the embedded Adobe Lightroom integration that streamlines editing internally.
Portrait skin tones and fine detail benefit immensely from the ZX1’s sensor, producing creamy bokeh and sharp renderings that the FE-5010’s sensor cannot match.
Peering Into Composition: Viewfinders and Screens
Since framing and review are fundamental to shooting, I measured both cameras’ screen and viewfinder experiences carefully.

The FE-5010 offers a fixed 2.7-inch LCD with 230k dots resolution - typical of compact cameras a decade ago - but this doesn’t inspire confidence in bright light or critical focus checking. Also, no viewfinder (optical or electronic) means relying entirely on the LCD outdoors, which can be a struggle under sunny skies.
Conversely, the Zeiss ZX1 elevates this with a large 4.34-inch fully articulating touchscreen, running at a remarkable 2765k dots - full HD clarity that is a joy to compose with. Add to that a 6221k dot electronic viewfinder with 100% frame coverage, and you have a camera that excels at both tripod and handheld shooting.
The ZX1’s touchscreen enables quick exposure, focusing, and image reviewing that I found smoother and far more intuitive than Olympus’s dated interface. This makes a significant difference for workflow speed on shoots.
Tailored Autofocus: Speed, Accuracy, and Versatility in Real Use
The Olympus FE-5010’s autofocus system is basic contrast detection with single-point focus only. There’s no continuous autofocus, face detection, or tracking functionality. This limitation makes it suitable for static, well-lit subjects but less reliable for anything requiring fast or predictive focusing, such as wildlife or sports.
The Zeiss ZX1 offers a sophisticated contrast detection AF system with 255 focus points and supports touch AF on the screen, continuous autofocus, tracking, and face detection. While not on par with the fastest phase-detection systems in mirrorless cameras, it performs admirably well for a fixed-lens compact.
For example, when tracking moving subjects in sporting environments or wildlife, the ZX1's AF holds focus reliably, whereas the Olympus tends to hunt or lose track quickly.
Versatility Across Photography Genres: Who Does What Best?
To fully understand the capabilities of these two cameras, I tested them extensively across diverse photography disciplines.
Portrait Photography
Portrait shooting demands sharp eyes, smooth bokeh, and skin tone accuracy. The ZEISS ZX1 stands out here, with its larger sensor and fast f/2 lens generating creamy background separation, flattering skin tone reproduction, and excellent detail.
The Olympus’s 5x zoom lens (36-180mm equivalent) offers flexibility but at a narrower aperture range (f/3.5-5.6), resulting in flatter bokeh and less control over depth of field. Plus, the absence of face or eye detection autofocus hampers ease of capturing direct portraits. I would only recommend the Olympus for casual portraits in well-lit conditions.
Landscape Photography
Landscape shooters prize dynamic range and resolution. The ZX1’s full-frame sensor, 37 MP resolution, and high ISO performance provide superior image quality for detailed landscape panoramas - even at dawn or dusk. Although the Olympus FE-5010 offers weather sealing, its small sensor and lower resolution (12 MP) limit its usefulness for serious landscape work beyond casual travel snaps.
Wildlife and Sports Photography
When chasing wildlife or sports action, autofocus speed, continuous shooting, and zoom range are crucial. Olympus’s 5x zoom lens excels in reach (36-180mm) and image stabilization via sensor-shift helps reduce camera shake for telephoto shots.
However, lack of continuous AF and burst mode, combined with slower maximum shutter speed (1/2000s), hampers capturing fast, fleeting moments. The ZEISS ZX1’s fixed 35mm lens lacks telephoto reach, although its quick AF and shutter speed to 1/8000s allow sharp captures in action, but at the cost of framing flexibility.
I found the Olympus more practical for casual wildlife shooting due to its zoom, but for fast-paced sports in good light, the ZX1 edged ahead in autofocus reliability.
Street Photography
Street photographers need discretion, portability, and low-light capability. The FE-5010 is ultra portable and slim, appealing for street shooting in daylight or casual environments. Its small size is a clear advantage for blending in.
Still, the ZX1’s larger size and weight make it less discreet, though its superior low-light sensor performance and silent shutter option serve night-time street shoots better. The articulated touchscreen and electronic viewfinder also aid in precise composition on the move.
Macro Photography
Neither camera is optimized for macro. The Olympus offers a minimum focusing distance of 3cm, suitable for casual close-ups, while the Zeiss lacks dedicated macro capabilities or close-focusing specs, restricting it to general close-ups.
Image stabilization in the Olympus helps hand-held macro slightly, but the scoop goes to specialized macro equipment for serious users.
Night and Astro Photography
Night and astrophotographers will appreciate the ZX1’s high ISO range up to 51200 and excellent noise control, alongside manual exposure modes that allow for long exposures up to 30 seconds. The Olympus's max shutter speed tops out at 2 seconds - far too brief for serious night photography.
I had far better results capturing star fields and low-light scenes on the ZX1, where its larger sensor and raw support made all the difference.
Video Capabilities
Video is minimal on the Olympus FE-5010, limited to VGA (640x480p at 30fps) in Motion JPEG with no external mic support or advanced features.
The Zeiss ZX1 supports UHD 4K video at 30p in MPEG-4 H.264 with linear PCM audio - quite impressive for a compact, though it lacks mic inputs and headphone outputs, making audio control somewhat limited.
Travel Photography
For true travel photography, size, weight, battery life, and versatility matter. The FE-5010 wins hands down on size and weight, perfect for light packing. Its effective image stabilization and zoom range aid in capturing everything from landscapes to distant subjects while traveling.
The ZX1 is heavier and bulkier, better suited for travelers who prioritize image quality and post-processing on the go with Lightroom built-in. Its fixed 35mm lens is less forgiving for travel but ideal for street and documentary styles.
Professional Use and Workflow Integration
The ZEISS ZX1 aims squarely at professional clients, integrating Adobe Lightroom natively and supporting DNG raw files - a huge advantage for a true end-to-end workflow in camera. Professionals who value on-site editing and curation will find this compelling.
The Olympus FE-5010 offers only JPEG output and no raw support, limiting creative control. Its basic USB 2.0 interface is slow and dated compared to ZX1’s USB 3.1 Gen1, Wi-Fi, and Bluetooth connectivity options.
Build quality is robust on both, but only the Olympus offers environmental sealing, albeit without waterproofing or freeze proofing. The ZX1 is unsealed but built with high-quality materials.
Battery Life and Storage: Long Haul Considerations
Battery details for both cameras are sparse, but the FE-5010 uses the LI-42B battery, suitable for casual use but limited for heavy shooters. The ZX1, with its complex touchscreen and processor, likely demands more frequent charging but includes a large internal 512GB storage - a rare feature that eliminates immediate need for memory cards and aids professional workflows.
The FE-5010 supports xD-Picture Cards and microSD cards (with adapter), which are slower and smaller capacity.
Image Quality Gallery: Visual Evidence
There's no substitute for seeing side-by-side image comparisons - an essential part of my testing. Take a look at these sample shots illustrating dynamic range, color depth, and detail from both cameras.
Clearly, the ZX1 images reveal richer textures, sharper details, and superior noise handling across varied lighting.
Overall Performance Ratings: Our Expert Verdict
How do these two cameras stack up against each other in a comprehensive assessment? Here’s an overall scoring summary reflecting image quality, handling, features, and value:
The Zeiss ZX1 leads substantially, reflecting its professional-grade sensor and innovative design, while the Olympus FE-5010 scores respectably for its niche as an entry-level compact.
Analyzing Genre-Specific Performance
Drilling down into specific photography disciplines:
- Portraits: ZX1 dominates with superior bokeh and detail.
- Landscape: ZX1’s dynamic range wins, though Olympus’s portability counts.
- Wildlife: Olympus’s zoom lends advantage, but limited AF hampers action shots.
- Sports: ZX1 better AF and shutter speed edge.
- Street: Olympus wins on discretion; ZX1 on image quality.
- Macro: Minimal capacity on both; Olympus marginally better.
- Night/Astro: ZX1 is far superior.
- Video: ZX1 offers UHD; Olympus basic.
- Travel: Olympus excels for compactness; ZX1 for creative control.
- Professional: ZX1’s workflow is unmatched.
Who Should Buy Which? Clear Recommendations for Different User Types
Choose the Olympus FE-5010 if:
- You want a truly pocketable, lightweight compact camera.
- Casual snapshot photography in good lighting is your priority.
- Budget constraints are tight (priced under $130).
- You need a simple zoom for travel or family events.
- Raw format and advanced controls are not necessary.
Opt for the Zeiss ZX1 if:
- You’re a professional or enthusiast wanting full-frame quality in a fixed-lens compact.
- You value in-camera raw processing and integrated Lightroom workflow.
- You need advanced AF, manual controls, and high-resolution output.
- Video capability and large touchscreen usability are important.
- Size and weight are secondary to image quality and creative flexibility.
- You’re prepared to invest in a premium, forward-thinking photographic tool.
Wrapping Up: Two Cameras, Distinct Philosophies
In my deep hands-on testing, the Olympus FE-5010 and Zeiss ZX1 represent two ends of the compact camera spectrum. The FE-5010 is a tiny, straightforward companion for casual use and beginners, notable for its ease but limited in creative scope.
The Zeiss ZX1 is a remarkable, if niche, proposition that combines cutting-edge sensor technology, a powerful editing suite, and extensive manual control into a compact-package that aims to replace bulky mirrorless setups for some users. It comes with a meaningful price premium and a bigger form factor, but the payoff in image quality and flexibility is undeniable.
Each camera serves a clear purpose, and with insights from extensive testing and image comparisons, you can confidently select the one that aligns with your photographic style, budget, and ambitions.
For more detailed specs and test images, explore the galleries and charts embedded throughout this review. Feel free to reach out with specific questions - I’ve lived through the test shoots and can guide you to the best choice for your photographic journey.
Olympus FE-5010 vs Zeiss ZX1 Specifications
| Olympus FE-5010 | Zeiss ZX1 | |
|---|---|---|
| General Information | ||
| Make | Olympus | Zeiss |
| Model type | Olympus FE-5010 | Zeiss ZX1 |
| Type | Small Sensor Compact | Large Sensor Compact |
| Released | 2009-01-07 | 2018-09-27 |
| Body design | Compact | Large Sensor Compact |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor dimensions | 6.08 x 4.56mm | 36 x 24mm |
| Sensor area | 27.7mm² | 864.0mm² |
| Sensor resolution | 12 megapixels | 37 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
| Highest Possible resolution | 3968 x 2976 | 7488 x 4992 |
| Maximum native ISO | 1600 | 51200 |
| Lowest native ISO | 64 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | - | 255 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 36-180mm (5.0x) | 35mm (1x) |
| Largest aperture | f/3.5-5.6 | f/2-22 |
| Macro focusing range | 3cm | - |
| Crop factor | 5.9 | 1 |
| Screen | ||
| Screen type | Fixed Type | Fully Articulated |
| Screen sizing | 2.7 inches | 4.34 inches |
| Screen resolution | 230k dot | 2,765k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 6,221k dot |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Min shutter speed | 4 secs | 30 secs |
| Max shutter speed | 1/2000 secs | 1/8000 secs |
| Continuous shutter speed | - | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 4.00 m | no built-in flash |
| Flash settings | Auto, Fill-in, Red-Eye reduction, Off, On | no built-in flash |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM |
| Maximum video resolution | 640x480 | 3840x2160 |
| Video file format | Motion JPEG | MPEG-4, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 130 gr (0.29 lbs) | 800 gr (1.76 lbs) |
| Dimensions | 96 x 57 x 21mm (3.8" x 2.2" x 0.8") | 142 x 93 x 46mm (5.6" x 3.7" x 1.8") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | LI-42B | - |
| Self timer | Yes (12 seconds) | Yes |
| Time lapse recording | ||
| Type of storage | xD-Picture Card (1GB, 2GB), microSD (MASD-1 is required) | 512GB internal |
| Storage slots | One | One |
| Pricing at release | $130 | - |