Olympus FE-5020 vs Olympus E-PL7
95 Imaging
34 Features
20 Overall
28


86 Imaging
53 Features
81 Overall
64
Olympus FE-5020 vs Olympus E-PL7 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- 640 x 480 video
- 24-120mm (F3.3-5.8) lens
- 137g - 93 x 56 x 25mm
- Announced July 2009
- Other Name is X-935
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 357g - 115 x 67 x 38mm
- Announced September 2014
- Old Model is Olympus E-PL6
- New Model is Olympus E-PL8

Olympus FE-5020 vs Olympus PEN E-PL7: A Hands-On Comparative Review for Photographers
When it comes to choosing your next camera, the options can be overwhelming - especially when you’re comparing a budget compact like the Olympus FE-5020 with a more advanced entry-level mirrorless model such as the Olympus PEN E-PL7. Both come from the same manufacturer, but they target fundamentally different users and photographic goals. Having spent years testing cameras across the spectrum - from small-sensor point-and-shoots to pro-grade mirrorless bodies - I’m here to unpack their real-world performance, technical merits, and suitability for various photography genres.
Let’s dive into a comprehensive head-to-head, arming you with practical insights to help guide your decision.
Size, Build, and Handling: Tiny Button-Pushers or Ergonomic Explorers?
First things first: size and ergonomics can make or break a camera’s user experience. Here, the FE-5020 is an ultra-compact travel buddy, while the PEN E-PL7 offers a more substantial grip and control layout.
Measuring just 93 x 56 x 25 mm and weighing a featherlight 137g, the FE-5020 fits the pocket of your jeans or a light jacket effortlessly, barely making its presence known. The PEN E-PL7, by comparison, is a more substantial rangefinder-style mirrorless at 115 x 67 x 38 mm and 357g (body only). While still quite portable, it feels more like a serious tool in your hand, designed for longer use periods without discomfort.
Looking closer at the top view, ergonomic improvements become clear:
The FE-5020 keeps things minimal - a few buttons and a small mode dial offering only basic exposure control. No external dials for aperture or shutter priority modes here, and no manual focus ring. In contrast, the E-PL7 sports dedicated mode and control dials enabling shutter/aperture priority and full manual exposure - vital for any enthusiast or professional. The tilting touchscreen, customizable buttons, and a hot-shoe for external flashes also signal serious usability for varied shooting conditions.
My take: If pocket-sized convenience and simplicity are paramount - perhaps for casual travel or snapshots - the FE-5020’s compactness is key. But if you want a camera you'll want to hold onto for years, with comfortable ergonomics and deep control, the E-PL7’s body is worth the extra bulk.
Inside the Frame: Sensor Technology and Image Quality
The heart of any camera is its sensor and image processor - and the disparity here is profound.
The FE-5020 packs a tiny 1/2.3-inch CCD sensor measuring 6.17 x 4.55 mm - just 28.07 mm² of light-collecting area - producing 12-megapixel images. The sensor technology and size reflect its compact category. It’s paired with Olympus’s TruePic III processing, dated tech by today’s standards. The maximum native ISO caps at 1600, without RAW support, limiting post-processing flexibility.
In contrast, the PEN E-PL7 boasts a Four Thirds sized CMOS sensor measuring a healthy 17.3 x 13 mm, yielding a field area over eight times larger (224.9 mm²). It provides 16 megapixels of resolution, supports RAW files, and features the significantly more advanced TruePic VII processor. ISO capability rockets up to 25600, allowing much greater performance in low light and enhanced dynamic range.
In practice, this means the FE-5020’s images often look softer, noisier at higher ISO, and less flexible in editing - suitable mainly for casual prints or social media. The E-PL7, however, delivers crisp, detailed images with smoother gradations, especially notable in landscape and portrait shots where dynamic range and faithful color rendition are crucial.
The Viewing Experience: LCD Screens and Viewfinders That Work
Both cameras rely heavily on their LCD screens, but the differences are striking.
The FE-5020’s 2.7-inch fixed screen offers a modest resolution of 230k dots - acceptable for framing but rough on detail checks and navigating menus. The screen isn’t touch-sensitive, nor does it tilt, making shooting at odd angles a chore.
The E-PL7 upgrades this experience with a 3-inch tilting touchscreen boasting 1,037k dots resolution - a vast improvement. Touch gestures speed up focusing and settings control. The tilt mechanism helps immensely for low-angle street photos or overhead shots. While it lacks a built-in EVF, Olympus offers an optional electronic viewfinder accessory, a missing feature in the FE-5020.
In bright daylight, the E-PL7’s screen is substantially more usable, maintaining clarity and color accuracy. The FE-5020’s screen often requires shielding or guesswork.
Lens and Focusing: Fixed Zoom vs. Interchangeable System
A fixed zoom means convenience but limited creative control. The FE-5020 features a 24-120mm equivalent f/3.3-5.8 lens, modest but versatile for vacation snaps, landscapes, and simple portraits. Unfortunately, this lens’s optical quality doesn’t match prime optics, with visible softness and vignetting at extremes.
The PEN E-PL7 leverages the flexible Micro Four Thirds mount, compatible with over 100 lenses - primes, zooms, macros, telephotos - used by both Olympus and Panasonic. This opens near-limitless creative opportunity. From portrait-worthy 45mm f/1.8 primes with cream-smooth bokeh to rugged telephotos for wildlife, this system can adapt to any photographic discipline.
Autofocus is another crucial difference:
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The FE-5020 offers contrast-detection AF with a single fixed focus point and no tracking or face detection.
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The E-PL7 employs a hybrid contrast-detection system with 81 selectable points, touch-focus, face-detection AF, continuous AF, and tracking - a blessing for moving subjects in wildlife or sports.
My practical testing shows the E-PL7’s AF is vastly faster and more accurate, especially in low light or challenging scenes; the FE-5020 often hunts or misses focus altogether.
Photography Disciplines: How Do They Stack Up Across Genres?
Let’s apply these specs and tested performance to real-world use.
Portraits – Rendering Skin Tones and Background Separation
The E-PL7’s larger sensor and lens choice make it far better for portraits. Portrait photographers will find the ability to selectively blur backgrounds using fast primes (e.g., Olympus 45mm f/1.8) a game-changer, creating creamy bokeh and natural skin tones with excellent color depth. Face detection AF nails the focus on eyes consistently.
The FE-5020 is less suited here; the small sensor inherently yields deep depth of field, making it difficult to isolate the subject. Skin tones tend to appear flat or overly processed given limited dynamic range and processing power.
Landscapes – Resolution, Dynamic Range, Weather Durability
While neither camera offers robust weather sealing, the E-PL7’s larger sensor and higher resolution produce detailed, vibrant landscape images, holding up well to heavy post-processing and cropping. The FE-5020’s 12 megapixels and limited dynamic range constrain image quality; however, the camera is compact enough for casual day hikes.
Note: Olympus markets the FE-5020 with “environmental sealing,” though do not mistake this for full weatherproofing. It offers minimal resistance against dust or mild moisture but is not suitable for harsh conditions.
Wildlife and Sports – AF Speed, Burst Rate, and Telephoto Suitability
For capturing fast-moving subjects, the E-PL7 shines with its 8 fps continuous shooting rate, reliable autofocus tracking, and ability to mount telephoto zooms. In contrast, the FE-5020 cannot shoot bursts or track moving AF; shutter speeds max at 1/500s, insufficient for many fast action scenarios.
Street Photography – Discreetness and Low Light Capability
The FE-5020’s compact size makes it almost invisibly discreet - ideal for candid street snaps. However, its noisy high ISO performance and limited AF abilities may frustrate in dimly lit urban settings.
The E-PL7 is bulkier but features higher ISO sensitivity, advanced AF, and a quieter shutter mode. Its tilting screen gives framing flexibility. If you don’t mind carrying a slightly bigger camera, it offers superior image quality and versatility on the street.
Macro Photography – Magnification and Stabilization
While the FE-5020 touts a macro focusing distance of 1 cm, its small sensor limits fine detail capture. No image stabilization hinders handheld shooting.
The E-PL7 supports Olympus’s Micro Four Thirds macro lenses combined with in-body 5-axis stabilization, significantly improving macro results. Its focus accuracy at close distances allows crisp, richly detailed close-ups.
Night and Astrophotography – ISO Performance and Exposure Control
With a max ISO of 1600 and no RAW support, the FE-5020 struggles under low light, producing noisy and muddy images. Lack of manual exposure modes further restrict astrophotography.
The E-PL7 comes with ISO up to 25600, full manual controls, and RAW support - essentials for clean long exposures and capturing stars. Its sensor shift stabilization aids in taking crisp night shots handheld.
Video Capabilities: From Casual to Cinematic
Video recording demands a capable sensor and generous features, areas where these cameras differ drastically.
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The FE-5020 tops out at 640 x 480 pixels (VGA) at 30fps, recording Motion JPEG. Picture quality is low resolution compared to modern standards, suitable only for casual clips or small screen sharing.
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The E-PL7 records Full HD 1080p at 30fps in H.264 format, a major step up for YouTubers or casual filmmakers. It lacks microphone input or headphone jacks, limiting audio control, but built-in sensor stabilization helps produce steady footage.
If video is important to you, the E-PL7 clearly holds the edge for quality and flexibility.
Workflow and Connectivity: How These Cameras Fit Into Your Routine
The FE-5020 uses xD-Picture Cards and microSD, both rather dated and with lower capacities and slower speeds than modern SD cards. USB 2.0 data transfer is standard but slow.
The E-PL7 supports SD/SDHC/SDXC cards, compatible with faster UHS modes easing 4K video capture of newer models (though E-PL7 itself lacks 4K), enhancing data transfer speeds. USB 2.0 remains standard, but the PEN also offers built-in Wi-Fi for wireless image transfer and remote control via smartphone apps - massive convenience for modern workflows.
Battery Life and Endurance: Shooting Sessions Without Worry
Battery endurance is another practical factor:
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The FE-5020 employs the LI-42B battery; specifics are scarce, but typical usage limits run under 300 shots per charge.
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The E-PL7 uses the BLS-50 battery, rated for approximately 350 shots per charge under CIPA testing - respectably solid for a mirrorless camera. Real-world shooting with Wi-Fi active may reduce this, though the option to carry spares remains.
Pricing and Value: What Does Your Investment Buy?
At the time of review, the FE-5020 retails around $160 - an affordable option for casual photographers seeking simplicity.
The E-PL7 is closer to $500, reflecting its superior sensor, build, and features. This cost difference means it competes with other entry-level mirrorless models from Sony, Fujifilm, and Canon, but Olympus’s lens ecosystem provides excellent glass options.
Image Quality Showdown: Samples from Both Cameras
Let’s see how they perform side-by-side with real photos:
Notice the richer colors, higher resolution, and cleaner details in the E-PL7 shots. Skin tones are more natural, shadows better preserved, and zoomed-in crops retain texture, unlike the softer FE-5020 outputs.
Overall Performance Ratings: Where Do They Each Rank?
Based on extensive lab and field testing, here’s a comparative snapshot (data synthesized from DxOMark where available and practical testing):
(The FE-5020 lacks DxO scores, so this is based on practical assessments.)
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Olympus FE-5020: Suitable for casual snapshots, limited creative flexibility, basic image quality.
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Olympus PEN E-PL7: Solid entry-level mirrorless for enthusiasts, great image quality for price, versatile for various genres.
Detailed Genre Specific Scores: How Do They Fare?
Breaking down their suitability by photography style:
- Portrait: E-PL7 excels, FE-5020 falls short
- Landscape: E-PL7 superior detail and DR
- Wildlife/Sports: E-PL7 usable, FE-5020 inadequate
- Street: FE-5020 very pocketable; E-PL7 better image quality
- Macro: E-PL7 delivers higher precision and stabilization
- Night/Astro: E-PL7 for longer exposures and low noise
- Video: E-PL7 Full HD vs FE-5020 VGA
- Travel: FE-5020 ultra-portable, E-PL7 versatile with zooms
- Professional Work: Only E-PL7 offers RAW, manual control, and expandability
Final Thoughts and Recommendations: Who Should Buy Which?
Choose the Olympus FE-5020 if:
- You want a pocket-sized, simple point-and-shoot for casual daily snapshots.
- Budget is extremely tight, and you prioritize small size over image quality.
- You dislike fiddling with settings and manual controls.
- Video is a minor consideration, expecting only basic clips.
- Your subjects rarely involve action or low-light scenarios.
Choose the Olympus PEN E-PL7 if:
- You’re an enthusiast seeking a solid entry into mirrorless interchangeable lens cameras.
- You value image quality, dynamic range, shooting versatility, and higher ISO performance.
- You want a compact but capable street/travel camera with manual control options.
- You plan to explore different genres like portraits, landscapes, macro, or video.
- Connectivity for instant sharing or remote control appeals to you.
My Experience Summary
In my hands-on testing, the FE-5020 felt like a straightforward snapshot device - easy to use but with obvious limitations in image quality, focusing speed, and creative flexibility. It serves casual shooters well but quickly exposes its modest sensor and lack of manual control outside easy lighting.
The PEN E-PL7, while older than many current models, still holds its ground brilliantly as a beginner’s mirrorless camera. Its bigger sensor, strong processing engine, and lens versatility grant users a playground for growth. I was impressed by its autofocus responsiveness, tilting touchscreen usability, and the quality of large print-ready images it produces. The video features aren’t groundbreaking but certainly usable for YouTube or family movies.
Depending on your goals and budget, each camera targets a very different niche. The FE-5020 is about simplicity and portability; the E-PL7 aims to nurture a more serious photographic journey.
If you’re curious to see detailed sample images and my live shooting test with both cameras, check out my video review linked above. I walk you through framing, focusing, and output quality side-by-side.
Concluding Advice:
When in doubt about which camera to invest in, consider your photographic goals first. Are you chasing snapshots or creative expression? Ready to grow your skills with manual control and interchangeable lenses? Or simply want a no-fuss camera for travel and casual use?
The Olympus PEN E-PL7’s versatility and image quality are well worth the price premium if you fit the enthusiast or content creator mold. However, the feathery-light Olympus FE-5020 remains a handy backup or beginner’s camera for those who prioritize absolute convenience.
Happy shooting - your perfect camera is out there, waiting to bring your vision to life.
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Olympus FE-5020 vs Olympus E-PL7 Specifications
Olympus FE-5020 | Olympus PEN E-PL7 | |
---|---|---|
General Information | ||
Brand | Olympus | Olympus |
Model | Olympus FE-5020 | Olympus PEN E-PL7 |
Alternate name | X-935 | - |
Class | Small Sensor Compact | Entry-Level Mirrorless |
Announced | 2009-07-22 | 2014-09-01 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | TruePic III | TruePic VII |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor surface area | 28.1mm² | 224.9mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 3968 x 2976 | 4608 x 3456 |
Max native ISO | 1600 | 25600 |
Min native ISO | 64 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | - | 81 |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 24-120mm (5.0x) | - |
Maximal aperture | f/3.3-5.8 | - |
Macro focus range | 1cm | - |
Amount of lenses | - | 107 |
Focal length multiplier | 5.8 | 2.1 |
Screen | ||
Display type | Fixed Type | Tilting |
Display diagonal | 2.7 inch | 3 inch |
Resolution of display | 230 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic (optional) |
Features | ||
Lowest shutter speed | 4 seconds | 60 seconds |
Highest shutter speed | 1/500 seconds | 1/4000 seconds |
Continuous shooting rate | - | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.10 m | no built-in flash |
Flash settings | Auto, On, Off, Red-eye, Fill-in | no built-in flash |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) |
Max video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | H.264, Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 137g (0.30 lb) | 357g (0.79 lb) |
Physical dimensions | 93 x 56 x 25mm (3.7" x 2.2" x 1.0") | 115 x 67 x 38mm (4.5" x 2.6" x 1.5") |
DXO scores | ||
DXO All around score | not tested | 72 |
DXO Color Depth score | not tested | 22.7 |
DXO Dynamic range score | not tested | 12.4 |
DXO Low light score | not tested | 873 |
Other | ||
Battery life | - | 350 images |
Style of battery | - | Battery Pack |
Battery model | LI-42B | BLS-50 |
Self timer | Yes (12 seconds) | Yes (2 or 12 sec, custom) |
Time lapse recording | ||
Type of storage | xD-Picture Card, microSD | SD/SDHC/SDXC card |
Card slots | One | One |
Pricing at launch | $160 | $499 |