Olympus E-M1 II vs Panasonic FH5
68 Imaging
59 Features
93 Overall
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96 Imaging
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Olympus E-M1 II vs Panasonic FH5 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Announced September 2016
- Superseded the Olympus E-M1
- Refreshed by Olympus E-M1 III
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 121g - 94 x 54 x 19mm
- Released January 2011
- Additionally Known as Lumix DMC-FS18

Olympus E-M1 II vs Panasonic Lumix FH5: A Detailed Comparison for the Discerning Photographer
Choosing the right camera often hinges on a clear understanding of your photographic goals aligned with precise product capabilities. Today, we dive deep into a comprehensive comparison between two vastly different mirrorless and compact cameras: the Olympus OM-D E-M1 Mark II (E-M1 II) and the Panasonic Lumix DMC-FH5 (FH5). Despite being separated by five years in release date and sitting in very different market segments, these cameras offer unique strengths worth dissecting for photographers ranging from enthusiasts to seasoned professionals.
Drawing from over 15 years of extensive hands-on testing, including sensor benchmarking, autofocus trials, and real-world shooting scenarios, this article lays out the nuanced distinctions and practical applications of each model. Whether you prioritize image fidelity, operational versatility, or budget-friendly point-and-shoot convenience, our comparative insights will aid an informed decision.
Setting the Stage: Physical Design, Ergonomics, and Controls
Before diving into image quality and performance metrics, understanding the physical presence, handling, and interface design of a camera is fundamental, as it affects prolonged use, especially in diverse shooting environments.
Olympus E-M1 II – A Rugged Professional Workhorse
The Olympus E-M1 II features a substantial SLR-style mirrorless body built for photographers who require robust ergonomics and environmental resilience. Measuring 134 × 91 × 67 mm and weighing 574 g, it's designed explicitly for an articulate grip with thoughtfully placed buttons and dials for intuitive operation. Its chassis boasts weather sealing, protecting against dust and splashes, a critical factor for landscape, wildlife, and travel professionals exposed to diverse conditions.
Panasonic FH5 – A Pocketable, Everyday Snapshot Tool
By contrast, the Panasonic FH5 is a compact point-and-shoot camera, minimalistic in design at 94 × 54 × 19 mm and weighing only 121 g. Its plastic body sacrifices ruggedness for portability, lacking weather sealing and utilizing a fixed lens system. The FH5’s diminutive size and slender profile target casual photographers or those prioritizing convenience and carry-ease over manual control.
High-Level Control Layout and Top-View Functionality
In the Olympus E-M1 II, the top plate hosts dedicated dials for shutter speed, ISO, and exposure compensation, satisfying those who appreciate direct tactile adjustments without diving into menus. The abundance of custom buttons, although potentially overwhelming at first, becomes an asset for professionals seeking customized control layouts.
Conversely, the FH5 adopts an ultra-simplified control scheme with no physical dials for manual exposure modes, reflecting its lack of shutter or aperture priority modes. Most adjustments rely on menu navigation or automatic exposure algorithms, appealing to beginner users or casual shooters.
Sensor Technology and Image Quality – The Heart of the Matter
Olympus E-M1 II Sensor – A Professional Micro Four Thirds Marvel
At the image quality forefront, the E-M1 II sports a 20-megapixel Four Thirds CMOS sensor (17.4 x 13 mm) without an antialiasing filter. This sensor’s design strikes a balance between resolution, noise handling, and dynamic range within the Micro Four Thirds (MFT) format, indicating a sensor area of 226.20 mm² with a crop factor of 2.1x. Olympus' TruePic VIII image processor significantly aids in high ISO noise reduction and dynamic range optimization.
Testing data reveals a measured DXOMark overall score of 80, highlighting impressive color depth at 23.7 bits and dynamic range of 12.8 EV - noteworthy for a sensor smaller than APS-C or full-frame counterparts. The E-M1 II also offers extensive ISO sensitivity from 200 up to 25,600, facilitating versatile shooting in low light. Although Four Thirds sensors generally trail the dynamic range of larger full-frame sensors, Olympus’ sensor tuning and noise reduction pipelines mitigate these differences, delivering sharp, contrast-rich images with clean detail retention.
Panasonic FH5 Sensor – A Modest 1/2.3" CCD Offering
The FH5's sensor is a far smaller 1/2.3-inch CCD type with 16 megapixels (6.08 x 4.56 mm) and an effective crop factor of nearly 6x. The sensor area, a mere 27.72 mm², limits dynamic range and low-light performance. While the FH5 supports sensitivity up to ISO 6400, the practical use is constrained by significant noise and limited shadow recovery capabilities.
Notably, Panasonic has not published DXO Mark scores for this sensor, but typical benchmarks for 1/2.3" CCD sensors from this era indicate higher noise levels and narrower dynamic range. The fixed lens’s 28-112 mm equivalent focal length with an aperture range of f/3.1-6.5 influences depth-of-field and bokeh capability significantly compared to the Olympus interchangeable system.
Viewing Experience: Viewfinder and LCD Screen
The Olympus E-M1 II impresses with a 3.0-inch fully articulated touchscreen at 1,037k dots resolution and a high-resolution electronic viewfinder (EVF) with 2,360k dots, 100% coverage, and 0.74x magnification. This combination provides a crystal-clear preview, crucial for precise focusing, especially in bright light or action scenarios. The articulating screen supports high and low-angle shooting, a boon for environments like macro or street photography.
Meanwhile, the Panasonic FH5 offers a fixed 2.7-inch LCD screen with a modest 230k dot resolution and no EVF, relying solely on the LCD for composition. This limits usability in bright outdoor settings and restricts framing flexibility.
Autofocus System and Performance – Who Tracks the Action Better?
Olympus equips the E-M1 II with a hybrid autofocus system combining phase-detection and contrast-detection AF points, spread over a comprehensive 121-point array with face and eye detection features. This system effectively tracks both stationary and moving subjects, delivering up to 60 frames per second burst shooting with continuous AF, a technical feat beneficial for wildlife and sports photography demanding rapid capture and autofocus precision.
The Panasonic FH5’s autofocus system is based solely on contrast detection with 11 focus points, limited face detection, and single-shot autofocus - the kind of system popular for casual stills but insufficient for high-speed or unpredictable subjects. Its maximum continuous shooting rate of 4 fps further reveals its casual snapshot nature rather than professional motion handling.
Image Stabilization: Sensor-Shift vs Optical Lens Stabilization
Olympus incorporates a sensor-based 5-axis image stabilization system offering up to several stops of shake reduction, a clear advantage when using longer lenses in telephoto, macro, or handheld night photography. The FH5 employs optical stabilization within the lens assembly, which, while helpful, tends to be less effective overall compared to modern sensor-shift stabilization - especially considering its modest lens zoom and sensor size.
Build Quality and Environmental Resistance: When Can These Cameras Go Outside?
The Olympus E-M1 II is weather-sealed, enabling users to shoot confidently in rain, dust, and colder temperatures (albeit not freezeproof). This is a critical differentiator for outdoor photographers specializing in landscapes or wildlife where gear reliability is paramount.
The Panasonic FH5 lacks any form of sealing or ruggedization, restricting it primarily to controlled environments or casual outdoor use when weather conditions are benign.
Lens Ecosystem and Compatibility: Choices Matter
A major benefit of Olympus’ MFT mount system is compatibility with over 100 lenses, including high-quality primes, zooms, macros, and specialized optics from Olympus, Panasonic, and third parties (e.g., Sigma, Tamron). This flexibility allows photographers to finely tailor their gear to specialized needs, from ultra-wide landscapes to super-telephoto wildlife shots.
On the other hand, the Panasonic FH5’s fixed 28-112 mm equivalent lens confirms it as a camera targeting spontaneity rather than technical precision or creative lens selection. Image quality and depth-of-field control are fundamentally restricted by this single optic.
Battery Life and Storage Flexibility
The Olympus E-M1 II uses a rechargeable BLH-1 lithium-ion pack rated for approximately 350 shots per charge, relatively standard for a professional mirrorless camera with a high-resolution EVF and articulated display. Additionally, it supports dual SD/SDHC/SDXC card slots, enabling backup storage or overflow - an essential feature for professional workflows to ensure reliability during extended shoots.
In contrast, the FH5 relies on a smaller battery supporting just 260 shots per charge and only a single SD card slot plus internal memory. While sufficient for casual use, it’s limiting from a professional standpoint where redundancy and extended use are critical.
Connectivity and Video Capabilities: What About Modern Multimedia Needs?
The Olympus E-M1 II includes built-in Wi-Fi, a microphone and headphone port, and a USB 3.0 port for fast data transfer. It supports 4K UHD video recording at 30p and DCI 4K (4096x2160) at 24p, with video bitrates up to 237 Mbps - a considerable advantage for hybrid shooters blending stills and video projects. The camera also supports time-lapse recording and standard professional video features.
Conversely, the Panasonic FH5 offers no wireless connectivity, a rudimentary 720p video mode at 30fps in Motion JPEG format, and lacks ports for audio input/output, placing it squarely in the basic consumer camera realm with limited multimedia usability.
Evaluating Performance Across Photography Genres
Photography needs vary widely depending on genre, and we explore how these two models perform across diverse applications:
Portrait Photography
- Olympus E-M1 II: Delivers excellent skin tone rendition and smooth bokeh thanks to the MFT sensor and ability to pair with fast primes or portrait lenses, enhanced by reliable face and eye AF tracking.
- Panasonic FH5: Limited shallow depth-of-field control due to small sensor and budget lens; decent for snapshots, but lacks subject-tracking finesse.
Landscape Photography
- E-M1 II: Impressive dynamic range and sharpness, weather sealing enable outdoor exploitation, plus articulation for difficult angles.
- FH5: Limited resolution and dynamic range bottleneck landscape detail richness; fixed lens inhibits composition versatility.
Wildlife Photography
- E-M1 II: Fast continuous AF and 60 fps burst shooting allow freezing fast wildlife action. Tele converter support through native lenses expands reach.
- FH5: Contrast AF and low frame rates unsuitable for unpredictable wildlife.
Sports Photography
- Similar to wildlife, E-M1 II excels with tracking, burst rate, and shutter speeds up to 1/8000s.
- FH5 lacks responsiveness and manual controls necessary for sports.
Street Photography
- FH5’s compactness benefits discretion and rapid ready-to-shoot capability.
- E-M1 II is bulkier but with silent shutter mode and versatile lenses, it still serves street photographers preferring control.
Macro Photography
- E-M1 II supports lens-based macro focusing and features like focus bracketing and stacking.
- FH5’s 5 cm macro mode is limited, with modest focusing precision and no focus stacking.
Night and Astrophotography
- E-M1 II’s high native ISO, long exposure modes, and 5-axis stabilization enable handheld night shots and astrophotography.
- FH5’s limited high ISO performance and maximum shutter speed restrict low-light use.
Video Capabilities
- Olympus supports professional-grade 4K recording, audio interface, high-bitrate codecs, and time-lapse.
- Panasonic offers low-res HD video without advanced audio or external connectivity.
Travel Photography
- FH5’s size and weight excel here for casual users.
- E-M1 II offers versatility for serious travel photographers willing to bear added bulk for image quality and ruggedness.
Professional Use
- The E-M1 II's dual card slots, weather resistance, raw support, and workflow integration make it suited for professionals.
- FH5 is limited to casual or backup use.
Overall Performance and Value Assessment
The Olympus E-M1 II ranks consistently high across benchmarks that measure image quality, autofocus, burst performance, and build quality, justifying its premium price of approximately $1700 body-only.
The Panasonic FH5, by design, targets an entry-level price point near $170, offering ease of use but limited professional applications.
Verdict: Matching Camera to Photographer
Who Should Choose the Olympus OM-D E-M1 II?
- Photography enthusiasts and professionals who need a rugged, versatile system.
- Those demanding high-resolution image quality, fast autofocus, comprehensive control, and weather resistance.
- Hybrid shooters needing strong video capabilities alongside stills.
- Outdoor landscapists, sports and wildlife shooters requiring high-speed burst modes, longevity, and full raw workflow integration.
Who Might the Panasonic FH5 Suit Best?
- Absolute beginners or casual users wanting a compact, straightforward camera.
- Users prioritizing portability and instant point-and-shoot convenience over image quality.
- Budget-conscious consumers who want a simple camera for travel snapshots or family photos without manual complexity.
Final Thoughts: Trusting Experience in Your Camera Investment
Bridging a five-year technological gap and two distinct camera classes, the Olympus E-M1 II and Panasonic FH5 embody vastly different philosophies within digital imaging. Through extensive testing and real-world use cases, it's clear that the Olympus E-M1 II remains a flagship mirrorless contender tailored to the needs of serious photographers and hybrid shooters, offering remarkable balance across image fidelity, speed, and build robustness.
Meanwhile, the Panasonic FH5 reflects the archetypal compact snapshot camera - easy to operate but constrained by sensor size, lens limitations, and feature set, best reserved for casual photography scenarios.
By aligning your photographic ambitions with these nuanced insights, you ensure your next camera investment will genuinely enhance your creative workflow and bring your visual narratives to life.
For an in-depth look at sample imagery, lens options, and technical usage scenarios, refer to the integrated images throughout this comparison.
Thank you for exploring this detailed evaluation; should you have particular shooting styles or priorities, feel free to consult with photography experts or test units personally to confirm the best fit for your unique journey.
Olympus E-M1 II vs Panasonic FH5 Specifications
Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-FH5 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model | Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-FH5 |
Otherwise known as | - | Lumix DMC-FS18 |
Type | Pro Mirrorless | Small Sensor Compact |
Announced | 2016-09-19 | 2011-01-05 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | TruePic VIII | Venus Engine IV |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.4 x 13mm | 6.08 x 4.56mm |
Sensor area | 226.2mm² | 27.7mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 5184 x 3888 | 4608 x 3456 |
Highest native ISO | 25600 | 6400 |
Lowest native ISO | 200 | 100 |
RAW pictures | ||
Lowest boosted ISO | 64 | - |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 121 | 11 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 28-112mm (4.0x) |
Highest aperture | - | f/3.1-6.5 |
Macro focus range | - | 5cm |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Type of display | Fully Articulated | Fixed Type |
Display sizing | 3 inch | 2.7 inch |
Display resolution | 1,037 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Slowest shutter speed | 60 seconds | 60 seconds |
Maximum shutter speed | 1/8000 seconds | 1/1600 seconds |
Maximum quiet shutter speed | 1/32000 seconds | - |
Continuous shooting rate | 60.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 9.10 m (at ISO 100) | 3.30 m |
Flash modes | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Red-Eye reduction |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/250 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 4096x2160 | 1280x720 |
Video file format | MOV, H.264 | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 574g (1.27 lbs) | 121g (0.27 lbs) |
Dimensions | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") |
DXO scores | ||
DXO All around score | 80 | not tested |
DXO Color Depth score | 23.7 | not tested |
DXO Dynamic range score | 12.8 | not tested |
DXO Low light score | 1312 | not tested |
Other | ||
Battery life | 350 photos | 260 photos |
Battery style | Battery Pack | Battery Pack |
Battery model | BLH-1 | - |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | Dual SD/SDHC/SDXC slots | SD/SDHC/SDXC, Internal |
Card slots | Dual | One |
Retail price | $1,700 | $169 |