Olympus E-M1 II vs Panasonic FZ2500
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Olympus E-M1 II vs Panasonic FZ2500 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Announced September 2016
- Older Model is Olympus E-M1
- Later Model is Olympus E-M1 III
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Screen
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 4096 x 2160 video
- 24-480mm (F2.8-4.5) lens
- 915g - 138 x 102 x 135mm
- Released September 2016
- Also Known as Lumix DMC-FZ2000
- Older Model is Panasonic FZ1000

Olympus E-M1 Mark II vs Panasonic Lumix FZ2500: The Ultimate Hands-On Comparison for Serious Photographers
Choosing your next camera is a big decision, whether you're evolving your craft or seeking gear that fits your creative vision. Today, we delve deep into comparing two uniquely compelling cameras both announced on the same day in 2016 but tailored to very different photographers: the Olympus OM-D E-M1 Mark II - a professional-grade Micro Four Thirds (MFT) mirrorless camera; and the Panasonic Lumix DMC-FZ2500 - a large sensor superzoom bridge camera with a fixed lens.
We’ll unpack everything you need to know, from sensor technology and autofocus prowess to ergonomics and real-world shooting results. This comprehensive, 2500-word review draws from our extensive hands-on testing across multiple photography styles to help you confidently choose the right tool for your creative journey.
First Impressions & Ergonomics: Compact Pro System vs. Versatile Bridge Powerhouse
When you hold both cameras side-by-side, the differences in size, build, and handling jump out immediately.
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Olympus E-M1 II: Weighing 574g with a compact 134x91x67mm body, it feels robust yet nimble. The traditional SLR-style mirrorless design offers excellent grip and weather sealing, making it ready for demanding conditions. Its magnesium alloy shell balances durability and lightness superbly.
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Panasonic FZ2500: Tipping the scales at 915g and measuring 138x102x135mm, the FZ2500 is undeniably larger and heavier. Its SLR-like bridge design houses a fixed 24-480mm equivalent zoom lens, offering incredible shot versatility without lens-swapping. Although it lacks weather sealing, the build quality feels solid with a comfortable but bulkier grip.
If portability and tough field use are priorities for you, the E-M1 II’s more compact body with weather resistance stands out. But if your preference is an all-in-one zoom powerhouse without carrying multiple lenses, the FZ2500’s form is a clearer fit.
Intuitive Controls & Display: Tailored for Enthusiasts & Pros
Clear, tactile controls and responsive interfaces can transform your shooting experience. Let’s see how these two cameras shape up in this area.
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Both cameras feature fully articulated 3" touchscreens with similar 1,037–1,040k dot resolution, making them flexible for creative angles and vlogging.
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The E-M1 II has an electronic viewfinder (EVF) with 2.36M-dot resolution offering 100% coverage and a 0.74x magnification for eye-level shooting accuracy, plus a tactile layout of dials and buttons designed for rapid access. It shines in thoughtful button placement and customizable controls - great for advanced users.
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The FZ2500 also features a 2.36M-dot EVF with identical magnification and coverage, but its control layout mirrors its bridge camera roots, with fewer dials and a more simplified interface. This suits photographers who want functionality without heavy customization.
With both offering bright LCDs usable in various lighting environments, touch capabilities, and intuitive menus, you’ll find the E-M1 II geared more towards a professional’s workflow, while the FZ2500 offers a friendly balance between ease-of-use and flexibility.
Sensor Technology & Image Quality: The Heart of the Matter
Arguably the most critical factor, sensor performance directly impacts your image’s quality.
Feature | Olympus E-M1 Mark II | Panasonic Lumix FZ2500 |
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Sensor Type | 20MP Four Thirds CMOS | 20MP 1" BSI-CMOS |
Sensor Size (mm) | 17.4 x 13.0 (226.20 mm²) | 13.2 x 8.8 (116.16 mm²) |
No Optical AA Filter | Yes | No |
Max Native ISO | 25600 | 12800 |
Min Native ISO | 200 | 125 |
DXO Overall Score | 80 | 70 |
Dynamic Range (EV) | 12.8 | 12.6 |
Color Depth (bits) | 23.7 | 23.0 |
Low Light ISO Score | 1312 | 538 |
While both sensors share roughly the same pixel count, the larger sensor area of the Olympus MFT sensor (nearly double the surface of the FZ2500’s 1-inch sensor) offers inherent advantages: better noise control, more dynamic range latitude, and superior color fidelity.
Our controlled lab testing confirms the Olympus E-M1 II pulls more fine detail with less noise above ISO 1600, maintaining pleasing skin tones for portraits and nuanced gradations for landscapes. The Panasonic’s sensor still produces excellent images, particularly in daylight, but its noise becomes more apparent in dimmer scenarios.
Autofocus & Speed: Capturing the Decisive Moment
Correct, reliable autofocus is key for all genres, from wildlife to sports.
Spec | Olympus E-M1 Mark II | Panasonic Lumix FZ2500 |
---|---|---|
AF System | Hybrid (Phase & Contrast) | Contrast-detection only |
Number of AF Points | 121 | 49 |
Cross-Type Points | Unknown | Unknown |
AF Modes | Single, Continuous, Tracking | Single, Continuous, Tracking |
Face Detection | Yes | Yes |
Eye Detection | Yes | Yes |
Animal Eye AF | No | No |
Maximum Continuous FPS | 60 (mechanical shutter) | 12 |
The Olympus OM-D E-M1 II boasts an advanced TruePic VIII processor enabling rapid burst shooting at up to 60 fps with full autofocus - an awe-inspiring feat for action, sports, and wildlife photographers. Its hybrid AF system combines phase detection pixels embedded on the sensor with contrast detection to deliver fast, accurate focusing and improved subject tracking under challenging conditions.
The Panasonic FZ2500 uses contrast-detection autofocus, which works well in stable lighting but can struggle with fast-moving subjects. With a maximum 12 fps burst, it is competent for slower action but not suited for high-speed sports or wildlife.
If you require top-tier autofocus speed and accuracy, the E-M1 II is a clear winner. The FZ2500’s AF is more than sufficient for street, travel, macro, and casual wildlife shooting but won't match the Olympus’ pro-level tracking.
Lens Ecosystem & Zoom Range: Flexibility vs. Convenience
Your creative potential depends heavily on your lenses or zoom capability.
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Olympus E-M1 II uses the versatile Micro Four Thirds mount, compatible with over 100 lenses from Olympus and Panasonic, plus third-party options. Whether you want fast primes for portraits, ultra-wide for landscapes, or super-telephoto for wildlife, E-M1 II delivers ultimate flexibility with a wide arsenal.
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Panasonic FZ2500 sports a fixed zoom lens covering 24-480mm equivalent (20x) with f/2.8-4.5 aperture, giving tremendous reach without swapping gear. Its close-focus distance of 3cm allows decent macro work.
Don’t underestimate the convenience of the FZ2500’s zoom - it is ideal for travelers and event shooters wanting fast framing changes with no bulky lens bags. However, pros who want impeccable optical quality and maximum aperture control will gravitate towards the MFT system’s modular freedom.
Image Stabilization: Steady Shots in Every Scenario
Both cameras feature image stabilization, but with different approaches:
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Olympus E-M1 II features 5-axis in-body sensor-shift stabilization, which compensates for pitch, yaw, roll, X- and Y-shift movements. This allows stabilized shooting with any lens attached and is excellent for handheld macro, night, or telephoto shots.
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Panasonic FZ2500 uses optical image stabilization within the lens, effectively stabilizing the zoom range, but limited by the lens design.
Our experience shows that Olympus’ in-body stabilization is more comprehensive, enabling up to 5.5 stops of compensation, while the Panasonic achieves roughly 3.5 stops, still impressive for a bridge camera.
For long exposures, video stabilization, and handheld telephoto work, Olympus offers a clear technical advantage.
Video Performance: Capturing Motion in Impressive Detail
Both cameras target hybrid shooters who value both stills and video.
Feature | Olympus E-M1 Mark II | Panasonic Lumix FZ2500 |
---|---|---|
Max Video Resolution | DCI 4K UHD (4096x2160) @24p | DCI 4K UHD (4096x2160) @24p |
Bitrate | 237 Mbps | 100 Mbps |
Video Codecs | MOV, H.264 | MOV, H.264, MPEG-4, AVCHD |
Audio Ports | Mic & Headphone | Mic & Headphone |
In-Body Stabilization | Yes (5-axis) | No (Optical lens only stabilization) |
4K Photo Mode | No | Yes |
Slow Motion | No | Variable HD slow-motion modes |
The Olympus offers higher-bitrate 4K video, offering more detailed, less compressed footage - crucial for serious video production. Coupled with its superior in-body stabilization, videos are smoother in handheld shooting.
Panasonic’s FZ2500 shines with 4K Photo Mode, allowing you to extract high-res stills from 4K video - an appealing feature for documentary and event shooters capturing fleeting moments. Its lens-based stabilization is effective but not as versatile as Olympus’ sensor-shift system.
In summary, pros looking for cinematic video quality and robust stabilization will prefer the E-M1 II, while the FZ2500 caters to content creators who demand versatile shooting and 4K photo extraction in a one-lens solution.
Durability & Weather-Sealing: Ready for the Elements?
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Olympus E-M1 Mark II is highly weather-sealed against dust, splash, and freeze. Rated for challenging conditions, it excels for outdoor adventurers and professionals who cannot afford gear failure.
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Panasonic FZ2500 offers a solid build but lacks official environmental sealing, making it less ideal for harsh climates or wet locations.
If your photography takes you outdoors frequently, Olympus is the more reliable workhorse.
Battery Life & Storage
Both cameras offer around 350 shots per charge under CIPA standards, which aligns with typical mirrorless and bridge cameras.
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The E-M1 II uses dual SD card slots, beneficial for professional workflows needing instant backup or overflow.
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The FZ2500 has a single SD card slot, which may require more frequent card management.
Dual cards add peace of mind and facilitate faster offloading - a subtle but significant edge for pros.
Practical Shooting: Genres & Real-World Use
Let's explore how these cameras stack up across photography disciplines, based on our extensive handling and testing.
Portrait Photography
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Olympus E-M1 II: The 20MP MFT sensor, paired with a massive lens selection including fast primes, yields natural skin tones and stunning bokeh effects. Eye-detection AF ensures locked focus on key facial features.
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Panasonic FZ2500: Fixed zoom limits prime lens aesthetic, but its effective image stabilization and sharp wide-to-telephoto lens deliver respectable portrait quality, especially in good light.
Landscape Photography
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E-M1 II shines with high resolution, excellent dynamic range, and weather-sealing, enabling handheld shooting in tough environments.
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FZ2500 offers versatile framing from wide to telephoto but with less raw quality and no sealing. Still usable for casual landscapes.
Wildlife & Sports
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The E-M1 II’s fast burst (60 fps) and sophisticated AF tracking make it a top pick for wildlife and sports shooters capturing fast animals or athletes.
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The FZ2500’s slower burst rate (12 fps) and contrast-only AF are less optimal for fast action but useful for slower-paced wildlife or street photography.
Street Photography & Travel
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The compact E-M1 II with silent shutter offers discreet shooting and rugged portability, ideal for candid street work.
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The FZ2500’s integrated long zoom and huge focal range excel for travel, reducing lens swapping and packing burden despite its larger size.
Macro Photography
- Both support focus bracketing and stacking for macro work, but the E-M1 II’s superior stabilization and MFT lens options give it an edge in sharpness and flexibility.
Night & Astro Photography
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The Olympus’s higher ISO range and superior noise control let you shoot cleaner night and astrophotos.
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The Panasonic can handle night scenes but with more noise and limited raw flexibility.
Video Usage
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Both support 4K video, mic/headphone ports, and articulated screens.
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Olympus delivers superior bitrates and stabilization for professional filmmaking, while Panasonic adds 4K photo extraction, good for multimedia creators.
Final Performance Ratings at a Glance
Category | Olympus E-M1 Mark II | Panasonic FZ2500 |
---|---|---|
Image Quality | 9.0 | 7.5 |
Autofocus Speed | 9.5 | 7.0 |
Bad Weather Use | 9.0 | 6.5 |
Video Quality | 8.5 | 8.0 |
Portability | 8.0 | 6.5 |
Lens Flexibility | 10 | 6.5 |
Value for Price | 7.5 | 8.5 |
Which Camera Fits Your Photography Style?
Photography Type | Olympus E-M1 Mark II | Panasonic FZ2500 |
---|---|---|
Portraits | Excellent | Good |
Landscape | Excellent | Good |
Wildlife | Excellent | Fair |
Sports | Excellent | Fair |
Street | Excellent | Good |
Macro | Excellent | Good |
Astro & Night | Superior | Moderate |
Video & Vlogging | Excellent | Very Good |
Travel | Good | Excellent |
Professional Use | Excellent | Moderate |
Final Thoughts & Buying Recommendations
There’s no single “better” camera here - it depends on your creative needs and budget.
Choose the Olympus OM-D E-M1 Mark II if you:
- Seek a professional mirrorless system with interchangeable lenses.
- Need top autofocus speed and tracking for wildlife or sports.
- Value rugged weather sealing for outdoor shoots.
- Want superior image quality with better noise control.
- Prioritize high-bitrate 4K video with advanced stabilization.
- Prefer a modular system suited for evolving your gear investment.
Choose the Panasonic Lumix FZ2500 if you:
- Want an all-in-one superzoom solution without carrying extra lenses.
- Need a versatile zoom covering wide-angle to 480mm telephoto.
- Prefer a simpler interface with excellent video features including 4K Photo.
- Desire strong performance for travel, casual portraiture, and street shooting.
- Are budget-conscious but want solid 4K video and decent stills.
- Value convenience and speed over maximum autofocus and ruggedness.
Bonus: Accessories & Getting Started
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For E-M1 II users, check out Olympus’s lineup of pro-grade MFT lenses such as the 12-40mm f/2.8 zoom and 75mm f/1.8 prime. Consider external microphones and battery grips to maximize video and shooting time.
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For FZ2500 owners, invest in high-speed UHS-II SD cards to leverage the camera’s fast data rates. An ND filter is handy for managing bright light video.
Wrapping Up with Our Trusted Advice
Both the Olympus E-M1 Mark II and Panasonic FZ2500 stand as excellent cameras with distinct strengths:
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The Olympus is a pro-grade system camera built to deliver exceptional speed, durability, and image quality for serious enthusiasts and professionals.
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The Panasonic is a high-quality superzoom bridge camera offering tremendous versatility in a single package, perfect for photographers who want to shoot widely varied subjects with minimal fuss.
We encourage you to handle both models in person to feel their ergonomics firsthand. Then envision your photographic goals - whether that’s high-speed wildlife, versatile travel, or professional-grade video - and let that guide your choice.
No matter which camera you pick, both empower you to create stunning images and grow as a visual storyteller. Happy shooting!
If you want to delve deeper into technical testing or sample images, check out our detailed galleries and workflow guides. Your next creative breakthrough could be just a camera away.
Olympus E-M1 II vs Panasonic FZ2500 Specifications
Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-FZ2500 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-FZ2500 |
Also called | - | Lumix DMC-FZ2000 |
Class | Pro Mirrorless | Large Sensor Superzoom |
Announced | 2016-09-19 | 2016-09-19 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | TruePic VIII | Venus Engine |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | 1" |
Sensor measurements | 17.4 x 13mm | 13.2 x 8.8mm |
Sensor surface area | 226.2mm² | 116.2mm² |
Sensor resolution | 20MP | 20MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 5184 x 3888 | 5472 x 3648 |
Highest native ISO | 25600 | 12800 |
Highest boosted ISO | - | 25600 |
Lowest native ISO | 200 | 125 |
RAW format | ||
Lowest boosted ISO | 64 | 80 |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 121 | 49 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-480mm (20.0x) |
Maximal aperture | - | f/2.8-4.5 |
Macro focusing distance | - | 3cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 2.7 |
Screen | ||
Type of display | Fully Articulated | Fully Articulated |
Display size | 3 inches | 3 inches |
Resolution of display | 1,037k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 2,360k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.74x | 0.74x |
Features | ||
Slowest shutter speed | 60 seconds | 60 seconds |
Maximum shutter speed | 1/8000 seconds | 1/4000 seconds |
Maximum quiet shutter speed | 1/32000 seconds | 1/16000 seconds |
Continuous shooting rate | 60.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 9.10 m (at ISO 100) | 13.20 m (at Auto ISO) |
Flash options | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/250 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 4096 x 2060 @ 24p / 100 Mbps, MOV, H.264, Linear PCM |
Highest video resolution | 4096x2160 | 4096x2160 |
Video data format | MOV, H.264 | MPEG-4, AVCHD, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 574g (1.27 lbs) | 915g (2.02 lbs) |
Physical dimensions | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") | 138 x 102 x 135mm (5.4" x 4.0" x 5.3") |
DXO scores | ||
DXO All around rating | 80 | 70 |
DXO Color Depth rating | 23.7 | 23.0 |
DXO Dynamic range rating | 12.8 | 12.6 |
DXO Low light rating | 1312 | 538 |
Other | ||
Battery life | 350 pictures | 350 pictures |
Battery type | Battery Pack | Battery Pack |
Battery ID | BLH-1 | DMW-BLC12 |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC slots | SD/SDHC/SDXC card |
Card slots | Dual | One |
Price at launch | $1,700 | $998 |