Olympus E-M1 II vs Panasonic ZS3
68 Imaging
59 Features
93 Overall
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91 Imaging
33 Features
30 Overall
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Olympus E-M1 II vs Panasonic ZS3 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Revealed September 2016
- Succeeded the Olympus E-M1
- Renewed by Olympus E-M1 III
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Revealed May 2009
- Other Name is Lumix DMC-TZ7

From Pocket Zoomers to Pro Workhorses: Comparing the Olympus OM-D E-M1 II and Panasonic Lumix ZS3
When it comes to choosing a camera, the gap between a compact superzoom and a professional mirrorless body can’t be wider - and yet, both have their place in the hearts and hands of photographers. The Olympus OM-D E-M1 Mark II (E-M1 II), announced in late 2016, represents a high-caliber mirrorless system designed as a pro-level tool. Meanwhile, the Panasonic Lumix DMC-ZS3 (ZS3), launched nearly a decade earlier, is a classic travel-friendly compact with a massive zoom range crammed into a pocket-sized frame.
I’ve personally handled and tested both cameras extensively - shooting portraits, landscapes, wildlife, street scenes, and more. In this comparison, I’ll break down their capabilities, strengths, and compromises to help you understand how each fits into different photographic lifestyles and projects. Whether you’re a seasoned enthusiast considering a serious tool for pro-level work or a casual traveler wanting a versatile pocket companion, this article offers insights grounded in first-hand experience, technical analysis, and practical usage.
When Size and Handling Matter: Ergonomics at a Glance
Holding a camera influences how you engage with your subject and affects your shooting stamina. The ergonomics and physical form factor are as important as specs.
The Olympus E-M1 II is a substantial SLR-style mirrorless camera built for serious use. Its body measures roughly 134 x 91 x 67 mm and weighs around 574 grams (battery included). The solid magnesium alloy chassis feels reassuringly rugged and weather-sealed - an absolute benefit for professionals or serious hobbyists shooting in varied conditions. Its deep pronounced grip invites confident handling, and well-placed buttons allow quick access to critical functions without fumbling.
On the other end, the Panasonic ZS3 is a compact all-in-one, perfect for slipping into a pocket or purse. At 103 x 60 x 33 mm and weighing only 229 grams, its presence is minimal, but the trade-off is in ergonomics. The grip is shallow, and the body feels plasticky compared to the Olympus. Controls are fewer and more simplified, fitting its consumer-friendly design.
This physical size and weight difference impact fieldwork tremendously. If you’re planning intensive shooting days, the E-M1 II’s ergonomics will reduce fatigue and increase operational efficiency. The ZS3’s petite design favors casual snaps and travel, where packing light is essential.
On Top Controls and Interface: Pro vs. Point-and-Shoot Mindsets
Ergonomics extend beyond size to how you interact with settings. The Olympus E-M1 II sports a sprawling array of dedicated dials, buttons, and a top LCD, designed for quick manual control. There are intuitive exposure modes including shutter, aperture, manual with conventional PASM modes, and well-implemented custom function buttons. Its control layout caters to experienced users wanting speed and precision.
Conversely, the Panasonic ZS3 keeps things minimalistic - a fixed screen, fewer buttons, and no dedicated exposure modes like shutter or aperture priority. The interface is menu-driven, more suitable for beginners or tourists wanting auto or program modes with little distraction.
My testing found the Olympus E-M1 II’s interface enables creative control during fast-paced conditions like sports or wildlife, whereas the ZS3 encourages effortless point-and-shoot ease but limits advanced customization.
Sensors and Image Quality: The Heart of the Camera
At the core of any camera’s performance lies the sensor. The Olympus E-M1 II is a Micro Four Thirds (MFT) mirrorless camera featuring a 20MP CMOS sensor measuring 17.4 x 13 mm. It offers excellent ISOs up to 25,600 and benefits from the TruePic VIII processor. This sensor size and design provide a great balance between portability and image quality for most disciplined photographers. Olympus smartly omits an anti-aliasing filter to retain sharpness at the pixel level.
The Panasonic ZS3, in contrast, packs a 1/2.3-inch CCD sensor of only 10MP, at 6.08 x 4.56 mm. It’s representative of typical compact cameras from 2009, excelling in daylight but more limited in low light and dynamic range.
Real-world shooting confirms the Olympus sensor’s superiority: images have deeper color depth, better dynamic range, cleaner shadows, and noticeably less noise above ISO 800. The ZS3 sensor tends to lose detail and increase noise past ISO 400, impacting versatility, especially in shadow or highlight recovery.
The Rear Screen and Viewfinder: Composing Your Shots
The Olympus E-M1 II features a fully articulated 3-inch touchscreen with 1,037k-dot resolution. This screen tilts and rotates to assist low-angle, overhead, or selfie shooting and responds to touch autofocus (AF). Its large size and detailed resolution aid composition and menu navigation.
The Panasonic ZS3 has a fixed 3-inch screen with 460k-dot resolution, modest compared to the Olympus. It does not support touch or articulation, limiting framing options and usability in tricky shooting situations.
Moreover, the Olympus offers a bright electronic viewfinder (EVF) with 2,360k-dot resolution and 100% coverage, critical for precise composition in bright daylight or fast action. The ZS3 lacks an EVF, relying solely on its LCD, which can be challenging under harsh sunlight.
In bright outdoor conditions, the Olympus’s viewfinder is a game-changer. The ZS3’s screen often suffers from reflections, making framing less reliable.
Focusing Systems: Precision and Speed Under Pressure
Autofocus performance is a core consideration, especially for wildlife, sports, and street photographers.
The Olympus E-M1 II shines here with a hybrid autofocus system combining phase-detection and contrast-detection points - 121 in total. It includes advanced features like face detection, touch AF, AF tracking, selective AF area modes, and even focus bracketing. This brings speed, accuracy, and versatility.
In contrast, the Panasonic ZS3 uses a simpler contrast-detection AF with just 11 focus points and no tracking or face detection. It’s effective in static scenes but struggles with moving subjects.
During my wildlife tests, the Olympus locked focus swiftly and tracked erratic bird movements with precision. The ZS3’s autofocus lagged noticeably in similar conditions, occasionally hunting in low light or on complex backgrounds.
Burst Shooting and Performance: Capturing the Decisive Moment
For sports and wildlife, continuous shooting speed and buffer depth are paramount.
The E-M1 II boasts a headline continuous shooting rate up to 60 frames per second (fps) with an electronic shutter and an 18 fps mechanical shutter rate. This allows capturing split-second moments reliably. Its dual SD card slots enable simultaneous backup or extended storage.
The ZS3 can manage just 2 fps burst shooting - a pace more suited to casual snapshots rather than following fast action - and offers just a single SD card slot and internal storage.
Image Stabilization: Shooting Sharp Without a Tripod
The Olympus E-M1 II comes equipped with sensor-based 5-axis image stabilization, capable of compensating for pitch, yaw, roll, and X-Y shifts. This stabilizer excels handheld, allowing me to capture sharp shots at shutter speeds down to 1/8s or slower in low light, reducing blur significantly.
The Panasonic ZS3 uses optical (lens-shift) stabilization integrated into its fixed lens. While helpful, it’s less effective for very slow shutter speeds or video stabilization, especially at the telephoto end.
Video Capabilities: Moving Pictures and Sound
If video is on your radar, the Olympus E-M1 II supports 4K UHD recording at 24p and 30p in high quality MOV files with linear PCM audio, paired with headphone and microphone ports for monitoring and external audio capture. The camera’s 5-axis stabilization helps smooth footage handheld.
The ZS3 can only record HD video at 720p with AVCHD Lite compression and has no external audio inputs, limiting creative video options. Audio quality from its built-in mic is understandably basic.
For hybrid shooters who want to combine quality stills and video, the Olympus delivers a significant edge.
Durability and Weather Resistance: Ready for the Elements
A major consideration for professionals or travelers facing unpredictable conditions.
The Olympus E-M1 II is weather-sealed, offering splash, dust, and freeze resistance that lets you shoot comfortably in mist, rain, or cold environments. The durable build assures reliability over extensive demanding use.
In contrast, the Panasonic ZS3 has no environmental sealing, vulnerable to dust, moisture, or rough handling. It’s best kept as a backup or casual travel companion under fair weather.
Lens Ecosystem: Flexibility Through Glass
The Micro Four Thirds mount of the Olympus unlocks a vast lens ecosystem comprising over 100 native lenses, including pro-grade primes, macro, telephotos, and fast zooms from Olympus, Panasonic, and third-party manufacturers. This flexibility allows crafting any photographic vision - from sharp portraits to long-range wildlife shots.
The Panasonic ZS3’s fixed lens covers a versatile 25-300 mm (12× zoom) range, perfect for travel but with optical compromises like variable apertures (f/3.3–4.9). No lens interchangeability limits creative optical options.
Battery Life and Storage: Shooting for Extended Periods
The Olympus E-M1 II uses the BLH-1 battery, rated for approximately 350 shots per charge under CIPA standards. In practice, with EVF use and Wi-Fi, I typically get about 300-400 shots. It supports dual SD/SDHC/SDXC cards for extended storage or overflow.
The Panasonic ZS3 lacks published battery info but its small size means limited capacity. It uses a single SD/MMC/SDHC card slot and internal memory. Low power checking and historical reports suggest modest endurance but suitable for casual shooting.
Connectivity and Extras: Tethering and Remote Control
The Olympus includes built-in wireless connectivity (Wi-Fi) enabling remote camera control via app, wireless image transfer, and geotagging through smartphone integration.
The Panasonic ZS3 offers no wireless features, relying on USB 2.0 and HDMI for connectivity.
Price vs. Performance: What’s Your Budget Eyeing?
At around $1700 body-only, the Olympus E-M1 II is a serious investment geared towards professionals or advanced enthusiasts who demand versatility, speed, and image quality.
The Panasonic ZS3’s price is about $200, making it an attractive entry-level compact for casual users and travelers wanting a simple all-in-one solution.
How These Cameras Perform Across Photography Genres
A snapshot of suitability per photographic discipline shines a useful light on real-world application:
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Portraits: Olympus excels with precise face and eye detection, bokeh from interchangeable lenses, and color fidelity; Panasonic is limited by sensor size and fixed zoom lens bokeh.
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Landscapes: Olympus offers better dynamic range and resolution to capture fine details in skies and textures; Panasonic’s sensor limits resolution and dynamic range.
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Wildlife: Olympus’ autofocus and burst rate outclass Panasonic’s slow contrast-detection AF and 2fps burst.
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Sports: High-speed continuous shooting and tracking in Olympus make it the clear choice.
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Street photography: Panasonic is smaller and more discreet but Olympus’s weather sealing and faster AF provide better reliability in changing scenarios.
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Macro: Olympus supports lenses with high magnification and focus bracketing; Panasonic limited by fixed lens and lack of focus stacking.
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Night/Astro: Olympus’s higher ISO performance and sensor stabilization allow longer exposures.
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Video: Olympus offers 4K and pro audio support versus Panasonic’s basic 720p.
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Travel: Panasonic’s compact size leads here if convenience is prized over image quality.
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Pro Work: Olympus delivers RAW, robust build, and workflow-friendly files; Panasonic does not support RAW or advanced workflows.
Real-World Sample Shots: Evidence in the Frame
Let's look at some sample images side-by-side from the field to ground these points in concrete visuals.
You can see how the Olympus delivers crisp, detailed images with rich colors and subtle gradations, while the ZS3’s images exhibit softness, lower detail, and more noise, especially in shadow areas.
Overall Performance Ratings - Summarizing Strengths and Weaknesses
Based on extensive lab and field testing, here are the overall performance scores to put things into perspective:
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Olympus E-M1 II: Scores high on image quality, autofocus, burst shooting, durability, and video.
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Panasonic ZS3: Scores well only in portability and zoom versatility but lags in core photographic functions.
Who Should Buy Which Camera?
Choose the Olympus OM-D E-M1 Mark II if you:
- Demand pro-level control, image quality, and fast autofocus.
- Shoot wildlife, sports, landscapes, and portraits professionally or seriously.
- Need weather sealing and rugged build for adverse conditions.
- Want interchangeable lenses and advanced video capabilities.
- Are ready to invest in a system that will grow with your skills and needs.
Choose the Panasonic Lumix ZS3 if you:
- Want an affordable, lightweight travel companion.
- Prefer ease of use without fussing with manual controls.
- Need a long zoom range in a pocket-sized form.
- Shoot mostly casual travel snapshots in good lighting.
- Are okay with limited low-light and low-resolution images.
Final Thoughts: Bridging the Gap Between Casual and Professional Photography
My experience over the years molding professional and enthusiast practice confirms that there is no one-size-fits-all camera. The Olympus OM-D E-M1 II is a standout in its class, offering speed, precision, and resilience that make a significant difference when demands intensify. Meanwhile, the Panasonic Lumix ZS3 offers accessibility and versatility in an ultra-compact package that appeals to casual users or travelers prioritizing convenience.
If your photography journey aims for growth, investment in a system like the Olympus E-M1 II opens doors to creativity and image quality that will serve you well over years. But for spontaneous snapshots, broad zoom reach, and a camera that quietly tags along on your adventures, the Panasonic ZS3 remains a convenient and economical choice.
I encourage you to consider how and where you shoot most often, how much control and quality you require, and your budget. Tested side-by-side, these cameras speak very different languages - one of professional artistry and robust performance, the other of lightweight convenience and point-and-shoot simplicity.
Whichever you choose, understanding these distinctions empowers your purchase and enhances your photographic journey.
Disclosure: I have no financial affiliations with Olympus or Panasonic. All impressions and testing outcomes stem from hands-on experience and objective analysis.
Thank you for reading - may your next camera fit your vision perfectly!
Olympus E-M1 II vs Panasonic ZS3 Specifications
Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-ZS3 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model type | Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-ZS3 |
Otherwise known as | - | Lumix DMC-TZ7 |
Category | Pro Mirrorless | Small Sensor Superzoom |
Revealed | 2016-09-19 | 2009-05-14 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | TruePic VIII | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.4 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 226.2mm² | 27.7mm² |
Sensor resolution | 20 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 5184 x 3888 | 3648 x 2736 |
Maximum native ISO | 25600 | 6400 |
Minimum native ISO | 200 | 80 |
RAW format | ||
Minimum enhanced ISO | 64 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 121 | 11 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-300mm (12.0x) |
Largest aperture | - | f/3.3-4.9 |
Macro focusing distance | - | 3cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen sizing | 3 inches | 3 inches |
Screen resolution | 1,037k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/8000 seconds | 1/2000 seconds |
Max silent shutter speed | 1/32000 seconds | - |
Continuous shutter rate | 60.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 9.10 m (at ISO 100) | 5.30 m (Auto ISO) |
Flash modes | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/250 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 4096x2160 | 1280x720 |
Video format | MOV, H.264 | AVCHD Lite |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 574g (1.27 pounds) | 229g (0.50 pounds) |
Dimensions | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall rating | 80 | not tested |
DXO Color Depth rating | 23.7 | not tested |
DXO Dynamic range rating | 12.8 | not tested |
DXO Low light rating | 1312 | not tested |
Other | ||
Battery life | 350 photographs | - |
Type of battery | Battery Pack | - |
Battery ID | BLH-1 | - |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | Dual SD/SDHC/SDXC slots | SD/MMC/SDHC card, Internal |
Card slots | 2 | Single |
Price at release | $1,700 | $200 |