Olympus E-M1 II vs Sony ZV-1
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59 Features
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88 Imaging
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Olympus E-M1 II vs Sony ZV-1 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Introduced September 2016
- Replaced the Olympus E-M1
- Renewed by Olympus E-M1 III
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 294g - 105 x 60 x 44mm
- Released May 2020
- Updated by Sony ZV-1 II

Battle of Versatility: Olympus E-M1 Mark II vs Sony ZV-1 - A Deep Dive Comparison
Photographers and content creators today are spoilt by choice, especially when it comes to high-performance cameras spanning different categories. Two such highly regarded but distinctly positioned cameras are the Olympus OM-D E-M1 Mark II (E-M1 II) and the Sony ZV-1. While the Olympus is a pro-level Micro Four Thirds mirrorless system camera launched in 2016, the Sony ZV-1 is a large sensor compact camera designed primarily with vloggers and casual shooters in mind, introduced in 2020.
In this comprehensive, firsthand tested comparison, I’ll unpack each camera's design philosophy, technology, and real-world performance across all major photography and video disciplines. The goal: to empower you with expert insights, helping you pick the ideal tool tailored to your creative demands and budget.
Physical Feel and Design Philosophy: Size, Handling, and Ergonomics
At first glance, the Olympus E-M1 II and Sony ZV-1 reside at nearly opposite ends of the camera size and body style spectrum. The E-M1 II’s SLR-style mirrorless body measures 134 x 91 x 67 mm and weighs 574 grams (excluding lens), designed for enthusiast photographers who demand robust handling and extensive manual control. Its build quality features extensive weather sealing, reflecting Olympus’s pro-oriented approach.
In contrast, the Sony ZV-1 embraces a compact form factor at just 105 x 60 x 44 mm with a lightweight 294 grams, optimized for portability and thumb-controlled operation for vloggers and casual enthusiasts. The fixed lens design and absence of a viewfinder result in a compact, pocketable build – excellent for travel and street shooters prioritizing discretion and convenience.
Ergonomically, the Olympus uses a traditional DSLR-style grip and a fully articulated 3-inch touchscreen, affording versatile shooting angles and sturdy hold for telephoto or macro lenses. The ZV-1 also sports a 3-inch articulating touchscreen primarily aimed at selfie-friendly framing and vlog use but lacks a built-in viewfinder, which can impact outdoor visibility in bright conditions.
The top control layouts further illustrate the different priorities: the Olympus provides extensive physical dials and customizable buttons for rapid exposure adjustment and AF mode switching - ideal for professional on-the-fly changes. The ZV-1 favors simplified controls, fewer buttons, and dedicated video-centric functions such as a background defocus toggle and product showcase settings.
Who is it for?
- Olympus E-M1 II: For users valuing control, ruggedness, and the option to pair with an extensive native lens system.
- Sony ZV-1: For creators who want immediacy, minimal setup, and compact convenience without interchangeable lenses.
Sensor Warfare: Imaging Engines and Quality
At the heart of image quality differences lie fundamentally different sensor technologies and sizes. The Olympus E-M1 II features a 20MP Four Thirds CMOS sensor (17.4 x 13 mm) without an anti-aliasing filter, enabling sharper images but requiring precise focus control. The sensor’s size (approximately 226 mm²) is smaller than a full-frame but offers a 2.1x crop factor, favoring extended effective focal lengths.
The Sony ZV-1 boasts a larger 1-inch type BSI-CMOS sensor (13.2 x 8.8 mm) also at 20MP resolution but slightly smaller in overall sensor area (approx. 116 mm²). It includes an anti-aliasing filter, helping reduce moiré artifacts, particularly valuable for video and portraits.
Both use competent image processors: Olympus’s TruePic VIII and Sony’s Bionz X, facilitating fast handling and in-camera processing like noise reduction and high dynamic range capture. However, Olympus’s sensor delivers better dynamic range (DxOmark scores 12.8 EV vs. untapped ZV-1) and greater color depth (23.7 bits), inheriting Micro Four Thirds' maturity for controlled exposures.
In practical testing, the E-M1 II excels at delivering clean, noise-free images up to ISO 1600–3200 with excellent highlight and shadow retention - critical for landscapes and professional work. The ZV-1’s larger pixel pitch and back-illuminated design allow it to perform impressively in low-light, especially when shooting JPEGs or video, but noise becomes visible above ISO 3200, and highlight retention is less forgiving.
Summary: The Olympus sensor offers superior dynamic range, noise control, and resolution for static photography, while the Sony sensor strikes a balance favoring versatility and video-ready performance in a compact package.
Viewing Experience: Screens and Viewfinder Essentials
A key ergonomic decision point is the presence and type of viewfinder and the quality of the rear LCD. The Olympus E-M1 II includes a 2.36M-dot OLED electronic viewfinder (EVF) supplying nearly 100% coverage and a magnification of 0.74x, which professionals find indispensable for precise composition, especially in bright outdoor light and fast action scenarios.
The Sony ZV-1 relies solely on its 3-inch articulating LCD touchscreen with 921k-dot resolution, designed for selfie shooting and video vlogging, but excludes any EVF. This compromises usability in direct sunlight and for users transitioning from DSLRs seeking eye-level framing.
Both cameras offer fully articulated screens with touch responsiveness, facilitating intuitive focusing and menu navigation. Touch-to-focus coupled with face detection works well on both, though Olympus’s AF system extends more seamlessly into professional use cases, partly due to the EVF feedback and physical controls supporting rapid AF area adjustment.
Recommendation: If you shoot mainly video, selfies, or street photography in moderate lighting, the ZV-1’s screen suffices. Serious photographers reliant on composition precision and outdoor shooting will appreciate the E-M1 II’s EVF.
Autofocus and Burst Shooting: Speed and Accuracy in Action
The Olympus E-M1 II features a hybrid autofocus system combining phase-detection and contrast AF with 121 focus points spread generously across the frame, including face detection but no animal eye AF. The autofocus is highly customizable, supports continuous tracking, and is paired with a remarkable up to 60 frames per second burst shooting at full AF/AE tracking using the electronic shutter - an impressive figure for 2016 tech still competitive today.
The Sony ZV-1 also uses a hybrid AF with 315 focus points covering a broad area, and excellent face and eye detection optimized for video and stills. Its burst rate is a solid 24fps with AF tracking, suitable for many casual sports and wildlife moments but with less buffer depth and file management speed.
In real-world wildlife or sports photography testing, the Olympus’s AF tracking maintains better lock on fast-moving subjects in varied lighting conditions, aided by its superior lens compatibility and faster shutter speeds (max mechanical 1/8000s, electronic 1/32000s). The ZV-1 is competent but tends to lag slightly behind in aggressive autofocus scenarios or dimmer environments due to smaller lens aperture range and sensor limitations.
In practical terms:
- Olympus suits wildlife, sports, and action shooters demanding speed, accuracy, and flexibility.
- Sony is tailored toward casual action, vlogging, and street shooters valuing quick setup and autofocus reliability with less gear bulk.
Lens Ecosystem and Mount Compatibility
One of the most defining differences lies in the lenses. The E-M1 II uses the Micro Four Thirds lens mount, arguably one of the widest and deepest mirrorless lens ecosystems, with over 100 native lenses plus third-party options spanning ultra-wide to super-telephoto, macro to fast primes. This opens unmatched creative control and optical quality, reinforced by Olympus’s renowned 5-axis in-body image stabilization which synergizes with stabilized lenses.
The Sony ZV-1’s fixed 24-70mm equivalent (f/1.8–2.8 constant to variable aperture) lens offers a versatile general-purpose zoom range ideal for portraits, street, and casual video, including a close minimum focus distance of 5cm for pseudo-macro shots. However, the lack of interchangeable lenses constrains ultimate optical flexibility and specialty shooting.
From a user perspective, lens adaptability means the Olympus remains a growth platform for professionals who require different glass for landscapes, birds, sports, or studio portraits. The Sony is an all-in-one pocketable solution but cannot replace specialized optics.
Build Quality and Environmental Durability
A significant advantage for professional photographers is the Olympus E-M1 II’s rugged, weather-sealed magnesium alloy body, designed to withstand dust, moisture, and freezing temperatures (down to -10°C). This extends in-the-field reliability under challenging conditions and integrates well with Olympus’s pro telephotos and rugged lenses.
The Sony ZV-1, being consumer-focused and compact, lacks environmental sealing, limiting its use in rough or wet conditions without additional protective gear. However, the smaller size and simplified build make it less intimidating for street and travel photographers who prefer low-profile gear.
Image Stabilization Capabilities
A strong highlight on the Olympus side is its sensor-based 5-axis in-body image stabilization (IBIS), which delivers up to 5.5 stops compensation, effectively supporting handheld telephoto and low-light stills as well as stabilized video recording.
The Sony ZV-1 employs optical image stabilization (OIS) in its fixed lens to reduce shake, vital for video and handheld use. It lacks IBIS, which means its stabilization efficiency is limited compared to Olympus’s system, particularly in slower shutter speed stills or very long focal length captures.
Video Features: Resolution, Frame Rates, and Audio
Both cameras support 4K UHD video but with different emphases:
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Olympus E-M1 II records up to 4K (4096x2160 at 24p and 3840x2160 at 30p) using MOV container with H.264 codec at high bitrates (up to 237 Mbps). It includes headphone and microphone jacks, ideal for professional audio monitoring, plus in-body stabilization supporting smooth handheld footage.
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Sony ZV-1 provides 4K video recording at 30p up to 100 Mbps with advanced features such as S-log3 profile capture for post-edit flexibility, slow-motion 1080p at up to 120fps, and advanced real-time eye autofocus during video. It includes a microphone jack but lacks a headphone port, and while it holds no IBIS, the optical zoom lens stabilization compensates reasonably well at wide angles.
The ZV-1 includes specialized vlogging aids like a bright, flip-out screen facing forward, product showcase focus, and directional microphone with wind noise reduction.
Battery Life and Storage Considerations
Battery endurance is an often underestimated factor - Olympus’s BLH-1 battery provides approximately 350 shots per charge, which is typical for mirrorless cameras with EVFs and stronger processors. The camera supports dual SD card slots, allowing overflow or backup recording formats, a necessity for professional reliability.
Sony’s compact ZV-1 battery life is rated around 260 shots per charge. It features a single card slot compatible with SD and Memory Stick cards. While the smaller battery keeps weight and size down, prolonged shoots or travel days require spare batteries or portable chargers.
Connectivity and Wireless Features
For modern workflows, wireless connectivity matters:
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The Olympus E-M1 II offers built-in Wi-Fi for remote control and image transfer but lacks Bluetooth or NFC, reflecting its 2016 release date.
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The Sony ZV-1 integrates both Wi-Fi and Bluetooth, allowing seamless smartphone pairing, remote control via apps, and instant social media sharing - features highly valued by vloggers and casual photographers.
Both cameras provide USB and HDMI ports; however, the Olympus USB 3.0 interface supports faster data transfers compared to Sony’s USB 2.0.
Image Quality in Various Photography Genres
Portraits: Detail, Skin Tones, and Eye Detection
Portraits taken with the Olympus E-M1 II exhibit crisp detail and a pleasing tonal rendition owing to Micro Four Thirds color science and wide native lens options with smooth bokeh - especially with fast prime lenses like the Olympus 45mm f/1.2. Eye-detection autofocus performs well but lacks animal eye AF.
The Sony ZV-1 shines with its fast aperture lens and excellent autofocus speed, including reliable face and eye detection tuned for video selfies and portraits. Skin tones are naturally rendered, especially using JPEG profiles designed for pleasing skin hues.
Landscape: Resolution, Dynamic Range, and Weather Resistance
Olympus’s 20MP sensor - without AA filter - delivers sharp and detailed landscapes rich in dynamic range, enabling impressive highlight and shadow recovery. The E-M1 II’s weather sealing endears it uniquely to landscape photographers shooting in inclement weather.
The ZV-1 can perform well in landscape conditions if lighting is favorable and handheld distance moderate, but its smaller sensor area and built-in lens limit ultimate resolution and detail capture. Lack of weatherproofing is a disadvantage for rugged outdoor use.
Wildlife and Sports: Autofocus Tracking and Burst Rates
The Olympus E-M1 II’s high-speed burst up to 60fps, durable build, and extensive telephoto lens support make it exceptional for action genres. AF accuracy and tracking hold up admirably even with fast-moving subjects.
The Sony ZV-1, while capable of 24fps bursts and strong autofocus, lacks the lens flexibility and buffer depth for serious wildlife or sports shooters but can capture moderate-speed action.
Street Photography: Discretion, Portability, and Low Light
Sony ZV-1’s compactness, near-silent electronic shutter, and bright lens invite candid shooting in urban environments. Its lack of a viewfinder can be a downside in bright sun but the articulating screen and silent operation help discretion.
Olympus is more conspicuous but can yield superior image quality and control if one can manage its larger body in the street.
Macro Photography: Magnification and Focus Precision
Olympus’s sensor stabilization and compatibility with specialized macro lenses like the Olympus 60mm f/2.8 make the E-M1 II a formidable macro tool. Focus stacking and bracketing functions add to its versatility.
The Sony ZV-1’s lens offers reasonable close focus (down to 5 cm), but without focus bracketing or stacking, overall macro potential is more limited.
Night and Astro: High ISO and Exposure Controls
The E-M1 II’s high ISO usability coupled with low vibration shutter control offers advantages for astrophotography and night shots. Custom exposure modes allow long exposures.
Sony ZV-1’s sensor and lens perform well under modest low-light but image noise and lower dynamic range restrict astrophotography quality.
Real-World Sample Comparison
In side-by-side tests under mixed lighting, Olympus photos show stronger detail retention, richer color gradation, and more dynamic openness. Sony’s images are pleasing for casual use, with natural colors and smooth gradients - though shadows exhibit slightly more noise at high ISO.
Overall Performance Ratings and Value Assessment
Based on technical analysis, real-world handling, and image/video output, Olympus ranks higher for professionals demanding performance, control, and expandability. Sony’s ZV-1 scores well in portability, video features, and ease of use at a significantly lower price point.
Olympus leads in landscape, wildlife, sports, and macro, while Sony shines in street, travel, and casual portraiture scenarios.
Recommendations: Who Should Pick Which?
Use Type | Recommend Olympus E-M1 II | Recommend Sony ZV-1 |
---|---|---|
Professional Work | Yes. Offers RAW workflows, durability, and lens flexibility | No. Limited system, less versatile |
Portraits | Yes. Better image control and lenses | Yes. Excellent AF and compact |
Landscape | Yes. Superior sensor and weather sealing | No. Limited sensor and protection |
Wildlife/Sports | Yes. Fast burst, AF, and lens options | No. Casual shooting only |
Street Photography | Maybe. Bulk can be a drawback | Yes. Compact and quiet |
Macro | Yes. Superior stacking and optics | Limited. Close focusing only |
Night/Astro | Yes. Better noise control | Limited by sensor size |
Video Content | Good. Can serve pros with stabilization and connectors | Excellent. Tailored vlogging features |
Travel | Possibly bulky but versatile | Yes. Lightweight and quick |
Budget | $1700 body only; lenses extra | $750 all-in-one |
Concluding Thoughts: Distinct Tools for Distinct Creators
The Olympus OM-D E-M1 Mark II remains a compelling mirrorless camera several years post-launch, built to fulfill the needs of advanced photographers seeking speed, high-quality images, and a mature lens ecosystem wrapped in a rugged, professional body. Its technical merits, including superior dynamic range, rapid burst modes, and in-body stabilization, make it a formidable workhorse across demanding photography types.
Contrastingly, the Sony ZV-1 distills proficient imaging power into a pocket-sized platform bolstered by clever video-centric features, intuitive operation, and a lens designed for everyday versatility. It excels at empowering vloggers, social media content creators, and street photographers who prize convenience and immediate usability without the complexities and weight of an interchangeable lens system.
Your choice hinges foremost on your intended application: if professional-grade image quality, lens flexibility, and robust build matter most for your creative journey, Olympus delivers unmatched value and capability. If on-the-go shooting, effortless video production, and lightweight design top your priorities, the Sony ZV-1 offers an incredibly efficient and affordable package.
This detailed comparison highlights not only the intrinsic technical and creative tools each camera provides but also reflects our hands-on testing and experience interpreting how these features translate into real photographic advantage. Armed with these insights, your next camera decision is better informed and aligned with your photographic vision.
If you seek expert advice on lenses, accessories, or specific shooting scenarios with either camera, feel free to engage further refinements from my testing archives and recommendations.
Olympus E-M1 II vs Sony ZV-1 Specifications
Olympus OM-D E-M1 Mark II | Sony ZV-1 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model | Olympus OM-D E-M1 Mark II | Sony ZV-1 |
Class | Pro Mirrorless | Large Sensor Compact |
Introduced | 2016-09-19 | 2020-05-27 |
Physical type | SLR-style mirrorless | Large Sensor Compact |
Sensor Information | ||
Processor Chip | TruePic VIII | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | 1" |
Sensor measurements | 17.4 x 13mm | 13.2 x 8.8mm |
Sensor surface area | 226.2mm² | 116.2mm² |
Sensor resolution | 20MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 5184 x 3888 | 5472 x 3648 |
Max native ISO | 25600 | 12800 |
Max boosted ISO | - | 25600 |
Lowest native ISO | 200 | 125 |
RAW files | ||
Lowest boosted ISO | 64 | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 121 | 315 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-70mm (2.9x) |
Maximal aperture | - | f/1.8-2.8 |
Macro focus distance | - | 5cm |
Total lenses | 107 | - |
Focal length multiplier | 2.1 | 2.7 |
Screen | ||
Type of display | Fully Articulated | Fully Articulated |
Display sizing | 3 inch | 3 inch |
Display resolution | 1,037k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/8000 secs | 1/2000 secs |
Maximum quiet shutter speed | 1/32000 secs | 1/32000 secs |
Continuous shooting rate | 60.0 frames per sec | 24.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 9.10 m (at ISO 100) | no built-in flash |
Flash settings | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, Flash On, Slow Synchro, Rear Sync, Flash Off |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC1920 x 1080 |
Max video resolution | 4096x2160 | 3840x2160 |
Video format | MOV, H.264 | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 574 gr (1.27 lbs) | 294 gr (0.65 lbs) |
Dimensions | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") | 105 x 60 x 44mm (4.1" x 2.4" x 1.7") |
DXO scores | ||
DXO All around score | 80 | not tested |
DXO Color Depth score | 23.7 | not tested |
DXO Dynamic range score | 12.8 | not tested |
DXO Low light score | 1312 | not tested |
Other | ||
Battery life | 350 photographs | 260 photographs |
Battery type | Battery Pack | Battery Pack |
Battery model | BLH-1 | - |
Self timer | Yes (2 or 12 secs, custom) | Yes |
Time lapse recording | ||
Storage type | Dual SD/SDHC/SDXC slots | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | 2 | 1 |
Retail cost | $1,700 | $750 |