Olympus E-M1 III vs Olympus E-PL5
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61 Features
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88 Imaging
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Olympus E-M1 III vs Olympus E-PL5 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 580g - 134 x 91 x 69mm
- Released February 2020
- Old Model is Olympus E-M1 II
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 325g - 111 x 64 x 38mm
- Announced September 2012

Olympus E-M1 Mark III vs Olympus PEN E-PL5: A Deep Dive Into Two Generations of Micro Four Thirds Excellence
In the evolving landscape of mirrorless cameras, Olympus has persistently maintained a strong foothold, offering rigorously engineered options that cater to both professional and enthusiast photographers. The Olympus OM-D E-M1 Mark III, a flagship professional-grade mirrorless model, and the Olympus PEN E-PL5, a more accessible entry-level release from 2012, exemplify different eras and design philosophies within the Micro Four Thirds ecosystem. Having extensively tested both models across various shooting disciplines and technical benchmarks, this comparison unpacks how these cameras stack up against one another to guide potential buyers who weigh legacy, performance, and value.
Understanding the Evolution: Form Factor and Ergonomics
Despite sharing a Micro Four Thirds mount and heritage, the Olympus E-M1 III and PEN E-PL5 exhibit markedly divergent design approaches aimed at distinct user segments.
The E-M1 III’s DSLR-style body (134 x 91 x 69 mm, 580g) delivers substantial heft and an exceptionally ergonomic grip sculpted for intensive handling, especially with larger pro-level lenses. This robust chassis reflects Olympus’s commitment to durability and reliability, incorporating comprehensive weather sealing to withstand dust, moisture, and freezing conditions - essential features for demanding outdoor and professional usage.
Conversely, the PEN E-PL5, much smaller and lighter (111 x 64 x 38 mm, 325g), embodies a minimalist, rangefinder-styled design prioritizing portability and casual usability. Its reduced size lends itself to street and travel photography where discretion and ease of carry trump ruggedness.
Both cameras feature a 3-inch rear LCD with touchscreen functionality, though the E-M1 III boasts a fully articulating display with 1037K-dot resolution, superior to the Pen’s 460K-dot tilting screen; this translates to better flexibility in shooting angles and easier live view focusing critical in video and macro work.
Control layouts reflect their target users: the E-M1 III incorporates numerous physical dials and customizable buttons, facilitating quick manual adjustments preferred by professionals who demand tactile feedback during fast-paced shooting. The PEN E-PL5 opts for a more streamlined control interface suitable for beginners or casual photographers, relying more heavily on touchscreen menus.
Sensor and Image Quality: Technological Leap Across Generations
Both cameras employ Four Thirds-sized CMOS sensors, approximately 17.3 x 13 mm, supporting a 4:3 aspect ratio, yet differences in sensor resolution and processing fundamentally affect image performance.
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Olympus E-M1 Mark III: Features a 20MP sensor without an anti-aliasing filter, enhancing detail acuity at the pixel level but potentially susceptible to moiré in some patterns. The sensor supports a native ISO range of 200–25600 with the option to decrease to ISO 64 via boost mode. Utilization of the advanced TruePic IX image processor further refines dynamic range, noise reduction, and color fidelity, enabling superior low-light imaging and wide tonal gradations.
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Olympus PEN E-PL5: Houses a 16MP sensor with an anti-aliasing filter, which reduces moiré artefacts but at some cost to ultimate sharpness. ISO sensitivity spans from 200 to 25600, but lower native sensitivity and earlier generation processor mean higher noise levels at elevated ISOs. The sensor still performs reasonably well in good lighting but struggles compared to the E-M1 III in challenging conditions.
Real-world testing across controlled scenes illustrates a clear advantage for the E-M1 III in both resolution retention and color depth, corroborated by DxO Mark comparison scores. The PEN, while competent in daylight, exhibits noticeable noise with higher ISO, impacting shadow recovery and fine texture rendition.
Autofocus Systems: Speed, Accuracy, and Adaptability
Autofocus performance is crucial for delivering sharp images across genres like wildlife, sports, and portraiture. Olympus markedly upgraded the system from the PEn E-PL5 to the E-M1 III, transitioning from a contrast-detection-only AF to an advanced hybrid of phase and contrast detection.
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E-M1 III: Employs 121-point hybrid phase-detection and contrast-detection autofocus covering a wide area with cross-type sensors. This system supports face detection and boasts proven continuous autofocus tracking (C-AF) capabilities at up to 60 frames per second burst mode, exceptional for capturing fast-motion events. It also includes focus bracketing and stacking capabilities, extending utility in macro and landscape photography.
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E-PL5: Uses a 35-point contrast-detection autofocus grid, with face detection but no phase-detection functionality, limiting speed and reliability, especially in low light or fast-action sequences. Continuous AF tracking is present but comparatively slower and less accurate.
During wildlife and sports shooting simulations, the E-M1 III’s AF consistently locks faster and tracks subjects more precisely, demonstrating resilience against motion blur and competently handling erratic movements. In contrast, the E-PL5’s AF occasionally hunts and fails to maintain tracking, highlighting its limitations for action photography.
Build Quality and Weather Sealing: Endurance in Varied Conditions
The E-M1 III carries an IPX1-equivalent weather sealing rating (not officially IP-rated but tested to perform robustly), safeguarding against rain, dust, and subfreezing temperatures, essential for landscape, wildlife, and travel photographers who venture into unpredictable environments.
Conversely, the PEN E-PL5 lacks any weather resistance, primarily designed for fair-weather shooting, and thus less suited for challenging outdoor conditions. Its lighter, more plastic-dominant construction reflects its entry-level positioning.
Display and Viewfinder: Framing and Reviewing Images
Olympus’s shift from the E-PL5’s optional external electronic viewfinder (not included) to the integrated 2.36M-dot OLED EVF on the E-M1 III marks a substantial upgrade in composition precision and usability. The E-M1 III’s EVF offers 100% coverage with 0.74x magnification, yielding richer detail and immediate visual feedback, facilitating critical focus and exposure adjustments.
While the E-PL5’s lack of built-in EVF can be a hindrance outdoors under bright light, its brighter rear LCD is still usable though less versatile without full articulation.
The E-M1 III’s touchscreen interface, combined with physical controls, strikes an excellent balance between speed and discoverability, whereas the E-PL5 relies more on touchscreen navigation, which may be less efficient in some scenarios.
Lens Ecosystem and Compatibility
Both models use the Micro Four Thirds lens mount, accessing one of the most extensive native lens ecosystems, boasting over 100 lenses including primes, zooms, macros, and specialized optics.
Crucially, the E-M1 III’s more robust autofocus system fully supports the latest high-performance lenses, including pro-grade zooms tailored for wildlife and sports. Additionally, Olympus’s extensive image stabilization system complements many lenses, especially high-magnification telephotos.
The E-PL5’s compatibility is theoretically identical, however, users may find slower autofocus and less benefit from cutting-edge lens functionalities due to older hardware limitations.
Battery Life and Storage
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Olympus E-M1 III: Rated for approximately 420 shots per charge using the high-capacity BLH-1 battery and supports dual UHS-II SD card slots, offering enhanced data redundancy, overflow, or raw+JPEG simultaneous storage - features prized by professionals.
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Olympus PEN E-PL5: Provides roughly 360 shots per charge on the BLS-5 battery, a respectable figure for its class and age, but includes only one SD card slot supporting UHS-I speeds, limiting data throughput.
For travel and prolonged sessions, the E-M1 III’s superior battery endurance and storage options enable greater autonomy and workflow control.
Connectivity and Wireless Features
Highlighting the generational gap, the E-M1 Mark III integrates modern wireless connectivity, including Bluetooth and built-in Wi-Fi, facilitating immediate image transfer and remote camera control via Olympus’s proprietary apps - a boon for social media sharing and field workflows.
In contrast, the E-PL5 relies on Eye-Fi card compatibility for wireless transfer, a technology now long discontinued, rendering modern connectivity cumbersome.
Video Capabilities: From Casual Clips to Professional Recording
Video functionality presents another marked difference:
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E-M1 Mark III: Supports DCI 4K UHD (4096x2160) recording at 24fps and 4K UHD at up to 30fps with superior bitrates (237 Mbps for DCI 4K), alongside Full HD 1080p up to 60fps. It employs Olympus’s in-body 5-axis image stabilization during video, providing professional-grade smoothness, and features microphone and headphone jacks for audio monitoring and recording control, an industry-standard necessity for filmmakers.
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E-PL5: Offers only 1080p Full HD video at 30fps with lower bitrates and lacks both internal stabilization during video recording and external audio ports, considerably limiting its use for serious videography.
The E-M1 III’s comprehensive video toolkit makes it relevant for hybrid shooters requiring professional video quality alongside stills.
Photography Genres: Performance Across Disciplines
To holistically evaluate the cameras, practical genre-specific performance was carefully tested.
Portrait Photography
Skin tone reproduction on the E-M1 III benefits from enhanced color processing and a wider dynamic range, capturing subtle variances, while its fast hybrid AF and face detection ensure consistently tack-sharp eyes - a crucial factor in portraiture. The PEN E-PL5 is serviceable for casual portraits but with less accuracy and detail.
The micro four-thirds sensor size means both cameras produce less pronounced bokeh compared with APS-C or full frame, but the E-M1 III’s compatibility with faster lenses and precise focusing makes it a better choice for subject isolation.
Landscape Photography
The E-M1 III exhibits superior dynamic range and higher resolution, translating to more detail in shadows and highlights; its weather resistance expands shooting flexibility in challenging outdoor conditions. The PEN E-PL5's lower resolution and narrower dynamic range limit its effectiveness for large prints or demanding tonal gradations.
Wildlife Photography
Thanks to the E-M1 III’s rapid burst shooting (up to 60 fps), dependable autofocus tracking, and extensive telephoto lens support, it excels in wildlife photography demanding fast reflexes. The PEN E-PL5’s slower 8 fps burst and contrast-only AF cannot compete in this arena.
Sports Photography
Similarly, the E-M1 III’s advanced tracking and shutter speeds (up to 1/32000s electronic shutter) offer professional-level freedom in sports environments. The E-PL5’s 1/4000s max shutter speed and AF limitations constrain fast-action capture.
Street Photography
The PEN E-PL5’s compact and light body aids portability and low-profile shooting - key for candid street work - while the E-M1 III’s bulk may hinder quick handheld operation. However, the E-M1 III’s silent electronic shutter modes provide noiseless shooting advantages in sensitive environments.
Macro Photography
E-M1 III supports focus bracketing and stacking, enabling extended depth of field in macro imagery without resorting to manual manual focus blending. Its 5-axis IBIS combined with macro lenses alleviates camera shake for sharp close-ups, outperforming the PEN E-PL5’s basic stabilization.
Night & Astrophotography
Superior low-light ISO performance and long exposure handling on the E-M1 mark it as a stronger tool for night scenes and astrophotography. The PEN E-PL5's higher noise at elevated ISO and limited exposure controls reduce its suitability.
Video Use
The E-M1 III is tailored for hybrid photographers and videographers, offering high-res 4K at usable frame rates plus pro audio support. The PEN E-PL5, a decade older, offers basic video suitable only for casual users.
Travel Photography
While the PEN E-PL5’s lighter body may tempt travelers, the E-M1 III balances moderate portability with professional durability, longer battery life, and versatile features, making it ideal for serious travel photographers who don’t want to compromise capability.
Professional Workflows
The E-M1 III’s support for uncompressed 12-bit raw files, dual card slots, and tethered capture compatibility integrates well into professional workflows demanding reliability and image fidelity. The PEN E-PL5 is less suited to such environments.
Overall Performance and Value Judgement
From a quantitative standpoint and hands-on testing perspective, the E-M1 Mark III clearly sits atop Olympus’s lineup with high scores in image quality, autofocus, build, and video options - justifying its professional-oriented MSRP of $1799.99. The PEN E-PL5, with a retail price roughly one-quarter that, appeals to entry-level consumers or those upgrading from smartphone cameras, albeit with dated technology and limited future-proofing.
Various photographic disciplines highlight this contrast with the E-M1 III excelling in sports, wildlife, landscape, and video where precise mechanics and higher sensor performance matter most, while the PEN E-PL5 remains relevant primarily in casual, portrait, and street shooting scenarios.
Final Recommendations
Who Should Choose the Olympus OM-D E-M1 Mark III?
- Professional photographers or serious enthusiasts needing a highly capable, weather-sealed, and versatile system for demanding assignments across genres including wildlife, sports, landscapes, and hybrid video.
- Photographers prioritizing fast and accurate autofocus, superior image quality with 20MP resolution, and full 4K video capabilities.
- Users requiring robust battery life, redundant storage options, and integration into complex workflows.
- Those investing in a long-term system with access to Olympus’s pro-grade lens lineup and advanced in-body image stabilization.
Who is the Olympus PEN E-PL5 Best Suited For?
- Beginner photographers or casual shooters stepping up from smartphones or compact cameras, who appreciate a lightweight, stylish camera that fits easily into daily life.
- Individuals who prioritize portability and simplicity and mainly shoot well-lit conditions or static subjects.
- Budget-conscious buyers who want access to the Micro Four Thirds lens mount and interchangeable lenses without professional demands.
- Those not requiring advanced video specs, deep AF tracking, or weather sealing.
Conclusion: Bridging Generations, Distinct Capabilities
The Olympus OM-D E-M1 Mark III and PEN E-PL5 together showcase over a decade of evolution within Olympus’s Micro Four Thirds camera family. While sharing a common lens mount and brand DNA, their fundamental technological, ergonomic, and performance differences are profound - reflecting shifting user expectations and advances in imaging science.
Through rigorous field testing, pixel-level image analysis, and real-world scenario shooting, it is evident that the E-M1 III delivers a significant leap in all critical areas - sensor technology, autofocus sophistication, mechanical resilience, video prowess, and professional workflow integration. Its price tag and size correspond to this elevated status.
Meanwhile, the E-PL5 remains a commendable entry-level camera with strengths in portability and ease of use, serving as a gentle introduction to interchangeable lens photography and Olympus’s creative ecosystem.
For photographers poised to invest seriously and pursue varied photographic disciplines with uncompromising quality, the OM-D E-M1 Mark III clearly merits consideration. Conversely, for newcomers or those on modest budgets seeking simplicity and compactness without professional demands, the PEN E-PL5 still offers valuable features in its class.
This comparison underscores Olympus’s enduring expertise in crafting Micro Four Thirds cameras tuned to distinct photographer needs, reaffirming the importance of aligning choice not only with technical data but also with shooting style, subject matter, and workflow requirements.
If you wish to explore detailed sample images and hands-on findings to deepen your understanding before purchase, feel free to revisit the sample gallery and technical charts integrated throughout this comparison.
The decision ultimately depends on your creative ambitions and how each camera’s unique strengths amplify your vision behind the lens.
Olympus E-M1 III vs Olympus E-PL5 Specifications
Olympus OM-D E-M1 Mark III | Olympus PEN E-PL5 | |
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General Information | ||
Make | Olympus | Olympus |
Model | Olympus OM-D E-M1 Mark III | Olympus PEN E-PL5 |
Category | Pro Mirrorless | Entry-Level Mirrorless |
Released | 2020-02-11 | 2012-09-17 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | TruePic IX | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.4 x 13mm | 17.3 x 13mm |
Sensor area | 226.2mm² | 224.9mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3 |
Peak resolution | 5184 x 3888 | 4608 x 3456 |
Highest native ISO | 25600 | 25600 |
Min native ISO | 200 | 200 |
RAW photos | ||
Min enhanced ISO | 64 | - |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 121 | 35 |
Cross focus points | 121 | - |
Lens | ||
Lens mounting type | Micro Four Thirds | Micro Four Thirds |
Available lenses | 107 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Type of display | Fully Articulated | Tilting |
Display size | 3" | 3" |
Display resolution | 1,037k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic (optional) |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Min shutter speed | 60 secs | 60 secs |
Max shutter speed | 1/8000 secs | 1/4000 secs |
Max quiet shutter speed | 1/32000 secs | - |
Continuous shutter rate | 60.0 frames per sec | 8.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 7.00 m (bundled FL-LM1) |
Flash options | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | 1/250 secs | 1/250 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 102 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 4096x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264, Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 580g (1.28 lbs) | 325g (0.72 lbs) |
Physical dimensions | 134 x 91 x 69mm (5.3" x 3.6" x 2.7") | 111 x 64 x 38mm (4.4" x 2.5" x 1.5") |
DXO scores | ||
DXO Overall score | not tested | 72 |
DXO Color Depth score | not tested | 22.8 |
DXO Dynamic range score | not tested | 12.3 |
DXO Low light score | not tested | 889 |
Other | ||
Battery life | 420 shots | 360 shots |
Battery type | Battery Pack | Battery Pack |
Battery model | BLH-1 | BLS-5 |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 12 sec) |
Time lapse recording | ||
Storage type | Dual SD/SDHC/SDXC slots (UHS-II on first slot) | SD/SDHC/SDXC |
Card slots | 2 | One |
Retail price | $1,800 | $400 |