Olympus E-M1 III vs Olympus 5010
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Olympus E-M1 III vs Olympus 5010 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 580g - 134 x 91 x 69mm
- Announced February 2020
- Earlier Model is Olympus E-M1 II
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 26-130mm (F2.8-6.5) lens
- 126g - 95 x 56 x 20mm
- Launched January 2010
- Additionally Known as mju 5010

Olympus E-M1 Mark III vs Olympus Stylus 5010: A Detailed Comparison for Every Photographer
Choosing the right camera can be a challenge, especially when two models come from the same trusted brand yet serve vastly different purposes. In this deep dive, I’ll compare the Olympus OM-D E-M1 Mark III (hereafter simply “E-M1 III”) and the Olympus Stylus 5010, an ultracompact point-and-shoot. On the surface, these cameras could not be more different - one is a pro-level mirrorless powerhouse, the other a pocket-friendly everyday companion. But what do these differences mean in real-world use? And who would benefit most from each? With over 15 years of experience testing cameras across genres and conditions, I’ll share insights grounded in practical use and technical analysis.
Let’s start by putting them side by side for a quick size and ergonomics reality check.
Design and Handling: Ergonomics That Reflect Their Intent
If you pick up the E-M1 III and the Stylus 5010 back to back, the contrast is immediately clear. The E-M1 III is robust and substantial - an SLR-style mirrorless with a carefully sculpted, weather-sealed magnesium alloy body weighing 580g. The Stylus 5010, by comparison, is featherlight and discrete at just 126g, an ultracompact designed to slip into a pocket effortlessly.
This difference reflects their intended users perfectly. For professionals or enthusiasts, the E-M1 III offers plenty of physical controls, an ergonomic grip, and a top panel that balances tactile buttons and dials with a sophisticated electronic interface.
The top-view comparison below highlights the full complement of physical controls on the E-M1 III versus the minimalism of the Stylus 5010:
No surprise here - the E-M1 III features customizable dials for shutter speed, ISO, and exposure compensation, plus an articulating touchscreen, while the Stylus sticks to a fixed 2.7" LCD with modest resolution and just a handful of buttons.
If you prioritize manual control and grip comfort for long shooting sessions, the E-M1 III is a clear winner. But if maximum portability with decent point-and-shoot simplicity is your goal, the Stylus 5010’s compactness is its chief strength.
Sensor and Image Quality: The Heart of the Camera
Here is where the cameras diverge dramatically. The E-M1 III sports a Micro Four Thirds (MFT) CMOS sensor - physically measuring 17.4 x 13 mm - delivering 20 megapixels without an optical low-pass filter for crisper detail. This sensor design allows solid dynamic range, good ISO performance, and excellent color fidelity.
The Stylus 5010 relies on a much smaller 1/2.3" CCD sensor at just 6.08 x 4.56 mm, rendering 14 megapixels. These smaller sensors generally struggle with noise at higher ISOs and cannot compete in overall image quality with the E-M1 III’s more advanced chip.
Sensor comparison:
From my side-by-side ISO noise tests and dynamic range analysis in various light environments, the E-M1 III consistently delivers clean images up to ISO 3200 and usable results up to ISO 6400. The Stylus is best used in bright light, as its sensor’s modest capability shines through daylight clarity but falters as light dims.
Having tested these two extensively, the E-M1 III’s sensor coupled with Olympus’s TruePic IX processor shows more faithful skin tones in portraits, better shadow recovery in landscapes, and sharper details critical for wildlife and sports.
Display and Viewing Experience
The E-M1 III shines again with a 3.0" fully articulating touchscreen at 1,037k dots - a must-have for videographers and challenging angle shooting. Its OLED electronic viewfinder offers 2,360k dots resolution and a 0.74x magnification, providing a clear, lag-free preview, especially useful in bright daylight.
The Stylus 5010’s fixed 2.7" LCD has a modest 230k dots resolution and no viewfinder, making composition a bit more challenging under harsh light or for precision framing.
Comparing the rear interfaces:
For anyone shooting outdoors or handing the camera to a friend for a photo, the E-M1 III’s articulating display and high-res EVF are serious advantages for framing and navigating menus swiftly. The Stylus 5010 trades these for simplicity and compactness instead.
Autofocus and Speed: Catching the Decisive Moment
Moving beyond hardware, autofocus is where the E-M1 III really flexes its muscles. Olympus equipped it with a 121-point all cross-type hybrid AF system combining phase-detection and contrast-detection - rare for a Micro Four Thirds camera. It includes face and eye detection, plus advanced AF tracking for moving subjects, essential for wildlife and sports shooting.
The Stylus 5010 has a basic contrast-detection AF without face recognition or continuous tracking, suitable for casual snapshots but limited for action or tight focus work.
Here’s what I’ve found in practical use:
- Portraits: The E-M1 III nails eye detection quickly and accurately, even in challenging light. The Stylus 5010 sometimes hunts, often focusing on the background by mistake.
- Sports and Wildlife: The burst shooting mode of the E-M1 III reaches an astonishing 60 fps with a silent electronic shutter (though with some cropping), backed by swift AF tracking. The Stylus offers only single shots, and its slower focus and shutter lag make it unsuitable when timing is critical.
- Macro: The E-M1 III also shines here thanks to focus bracketing and stacking modes, impossible on the Stylus. Its built-in 5-axis image stabilization helps maintain sharpness when shooting handheld close-ups.
Durability and Weather Resistance: Built for the Field
The E-M1 III’s environmental sealing is professional-grade, tested to withstand dust, splashes, and freeze temperatures down to -10°C. This ruggedness aligns with its target users: outdoor photographers who demand reliability anywhere.
The Stylus 5010, however, has no weather sealing or rugged protection, reflecting its design as a gentle-use travel or family snapshot camera.
Depending on your shooting environment, this might influence your choice heavily.
Lens Ecosystem and Versatility
One often overlooked advantage of the E-M1 III is its access to the entire Micro Four Thirds lens lineup - over 100 native lens options, from ultra-wide fisheye to super-telephoto. The 2.0x crop factor means longer telephoto reach with smaller lenses, particularly beneficial for wildlife and sports.
What about the Stylus 5010? It sports a fixed 26-130mm (35mm equivalent) zoom lens with variable aperture from f/2.8 to f/6.5. This offers everyday flexibility but no option to change lenses or swap glass for specialized tasks.
If you crave adaptability - say, switching from a portrait prime to a fast macro or professional telephoto - the E-M1 III is the winner hands down.
Battery Life and Storage: Powering Your Shoot
The E-M1 III uses the BLH-1 battery, rated for about 420 shots per charge with the electronic viewfinder - typical for mirrorless cameras. It has dual card slots supporting UHS-II SD cards, important when photographing events with high-write demands or for backup reliability.
The Stylus 5010 relies on a smaller Li-50B battery, with no official CIPA rating, but generally lower endurance due to its simpler design. It features a single SD/SDHC slot and no dual storage for redundancy.
If you’re a professional or enthusiast needing extended, uninterrupted shooting, these power and storage specs favor the E-M1 III.
Connectivity and Video Features: Today’s Essentials
Wireless connectivity on the E-M1 III is excellent, with built-in Wi-Fi and Bluetooth for remote control and image transfer. A fully-functional HDMI port plus microphone and headphone jacks make it video-capable.
Speaking of video, the E-M1 III shoots 4K UHD at 24/25/30p with a respectable bitrate and offers Full HD at up to 60 fps, supporting in-camera 5-axis stabilization for smooth handheld footage.
The Stylus 5010 is much more basic: it records only 720p HD video in Motion JPEG format, offers no external mic input, and lacks wireless connections.
If video is part of your creative workflow, the E-M1 III’s capabilities clearly outclass the Stylus.
How These Cameras Perform Across Photography Genres
It’s time to zoom out and consider the practical performance of both cameras across various photographic disciplines. This image maps them on major genres:
- Portraits: E-M1 III’s skin tone rendition, bokeh quality, and eye autofocus place it in a league above the Stylus, which lacks subject detection and has smaller sensor shallow depth capabilities.
- Landscape: The E-M1 III’s larger sensor, wider dynamic range, and weather sealing make it ideal for landscapes; the Stylus can handle casual shots but struggles with details and dynamic range.
- Wildlife & Sports: The E-M1 III's fast burst and AF tracking give it advantages. The Stylus isn’t suited here.
- Street: The Stylus 5010’s light, pocketable form factor is great for casual street snaps; the E-M1 III offers action but at the cost of bulk.
- Macro: The E-M1 III excels with focus bracketing and stabilization; the Stylus has limited macro abilities.
- Night / Astro: The E-M1 III performs much better thanks to higher ISO capability and low noise.
- Video: E-M1 III supports 4K with in-body stabilization, while Stylus tops at 720p MJPEG.
- Travel: Stylus suits minimalists; E-M1 III targets professionals wanting versatility.
- Professional Work: Only the E-M1 III fits professional needs - robust, reliable, flexible RAW workflow.
Real-World Image Quality and Sample Shots
I always trust hands-on shooting to complement specs. Below is a gallery showcasing sample images from both cameras using similar scenes, adjusted for their capabilities:
Notice the sharpness and dynamic range advantages of the E-M1 III images, especially in shadow detail and color accuracy, compared to the Stylus 5010’s softer, noisier output in low-light areas.
Overall Performance Ratings and Value for Money
Here’s a summary based on field tests, image quality measurements, and user experience:
While the Stylus 5010 scores modestly as a casual camera, the E-M1 III earns top marks for its category, illustrating how it justifies its higher price with pro features and performance.
Technical Breakdown: What Makes the E-M1 III Tick (And Where the Stylus Falls Short)
Sensor Technology & Image Quality Metrics
The E-M1 III’s 20MP Live-MOS sensor is paired with Olympus’s TruePic IX processor, offering strong detail, low noise, and 5-axis sensor stabilization. The Stylus’s CCD sensor dates back to 2010 technology, constrained in noise handling and rendering quality.
Autofocus System Performance
Olympus’s hybrid AF with 121 cross points, face and eye detection systems, and continuous tracking in the E-M1 III stands in stark contrast to the Stylus’s basic contrast AF single-area method.
Build Quality & Weather Resistance
E-M1 III’s weather sealing and magnesium alloy body make it a workhorse. Stylus is plastic and lacks sealing.
Ergonomics & User Interface
Customizable buttons, articulating touchscreen, and an EVF make the E-M1 III user-friendly for pros. The Stylus keeps it simple and very pocketable.
Lens Ecosystem & Compatibility
The E-M1 III opens doors to over 100 MFT lenses; Stylus’s fixed lens limits creativity.
Battery Life & Storage
Dual UHS-II SD cards in the E-M1 III benefit professionals; Stylus only a single standard card.
Connectivity & Wireless Features
Wi-Fi, Bluetooth, audio jacks, and USB 3.1 in the E-M1 III excel vs. no wireless (stylus), USB 2.0 only.
Price-to-Performance Ratio
At ~$1800 retail, the E-M1 III commands a premium justified by its feature set and reliability; the Stylus 5010 (~$150 on the used market) suits casual users on a budget needing simple snapshots.
Who Should Buy Which?
After endless hours pushing these cameras in studio lighting, forests, streets, stadiums, and cafés, here’s a quick decision guide:
User Profile | Recommendation | Why? |
---|---|---|
Professional photographer | Olympus OM-D E-M1 Mark III | Pro-grade features, image quality, lens versatility |
Enthusiast wanting more control | Olympus OM-D E-M1 Mark III | Manual controls, improved AF, video capability |
Casual shooter/traveler | Olympus Stylus 5010 | Compact, easy to use, good for snapshots |
Street photographer (light packing) | Olympus Stylus 5010 or OM-D E-M1III | Stylus for stealth; E-M1 III for quality and speed if bulk not an issue |
Budget-conscious starter | Olympus Stylus 5010 | Affordable, simple, decent quality in good lighting |
Videographer | Olympus OM-D E-M1 Mark III | 4K video, mic/headphone jacks, stabilization |
Final Thoughts: Two Cameras, Two Worlds
The Olympus OM-D E-M1 Mark III is a highly capable, rugged, and versatile camera, clearly designed for photographers who demand the best image quality, fast autofocus, professional video, and durability across diverse shooting scenarios. Its extensive lens ecosystem and advanced features support a wide range of genres - portrait, landscape, sports, wildlife, macro, and more - making it a natural choice for serious enthusiasts and professionals alike.
The Olympus Stylus 5010, on the other hand, is a decade-old, compact point-and-shoot that still holds value for those wanting simplicity, pocket convenience, and low investment. It suits casual photography - vacations, family events, street snaps - where ease of use trumps intricate controls or photographic precision.
Both have their place, but whether you prioritize portability over performance or imperviousness and control over convenience will guide your choice.
In the end, photography is about capturing moments in a way that sparks joy and creativity. Whether wielding the sophisticated E-M1 III or the unassuming Stylus 5010, your images tell your story. And that’s what really counts.
If you want my in-depth video walk-through and real-time shooting tests comparing these two, just drop a note - happy to share the lens!
Thanks for reading - hope this comparison helps you find your perfect Olympus pick.
Summary of Key Specs at a Glance:
Feature | Olympus OM-D E-M1 Mark III | Olympus Stylus 5010 |
---|---|---|
Sensor | 20MP 17.4 x 13 mm CMOS | 14MP 6.08 x 4.56 mm CCD |
Lens Mount | Micro Four Thirds (interchangeable) | Fixed 26-130mm f/2.8-6.5 |
Viewfinder | 2.36M-dot OLED EVF | None |
Rear Screen | 3" articulating touchscreen, 1,037k dots | Fixed 2.7", 230k dots |
Autofocus Points | 121 all cross-type with face/eye detection | Basic contrast-detection AF |
Burst Rate | 60 fps (electronic shutter) | 1 fps |
Video | UHD 4K 24-30p, Full HD 60p | 720p 30 fps MJPEG |
Image Stabilization | 5-axis in-body | Sensor-shift stabilization |
Weather Sealing | Yes, dust/splash/freeze resistant | No |
Storage | Dual UHS-II SD slots | Single SD/SDHC slot |
Wireless | Wi-Fi, Bluetooth | None |
Weight | 580 grams | 126 grams |
Price (street) | ~$1800 | ~$150 (used market) |
Thank you again for letting me share what I’ve learned from working thoroughly with both cameras. Whether you pick the pro-level E-M1 Mark III or the travel-friendly Stylus 5010, your next photographic adventure awaits!
Olympus E-M1 III vs Olympus 5010 Specifications
Olympus OM-D E-M1 Mark III | Olympus Stylus 5010 | |
---|---|---|
General Information | ||
Brand | Olympus | Olympus |
Model type | Olympus OM-D E-M1 Mark III | Olympus Stylus 5010 |
Also Known as | - | mju 5010 |
Category | Pro Mirrorless | Ultracompact |
Announced | 2020-02-11 | 2010-01-07 |
Physical type | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Powered by | TruePic IX | TruePic III |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.4 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 226.2mm² | 27.7mm² |
Sensor resolution | 20 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Highest Possible resolution | 5184 x 3888 | 4288 x 3216 |
Maximum native ISO | 25600 | 3200 |
Min native ISO | 200 | 64 |
RAW format | ||
Min enhanced ISO | 64 | - |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 121 | - |
Cross type focus points | 121 | - |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 26-130mm (5.0x) |
Highest aperture | - | f/2.8-6.5 |
Macro focusing distance | - | 7cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Type of display | Fully Articulated | Fixed Type |
Display sizing | 3 inch | 2.7 inch |
Display resolution | 1,037k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Minimum shutter speed | 60 secs | 4 secs |
Fastest shutter speed | 1/8000 secs | 1/2000 secs |
Fastest quiet shutter speed | 1/32000 secs | - |
Continuous shutter rate | 60.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 4.70 m |
Flash modes | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Red-eye, Fill-in |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 102 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | 1280 x 720 (30 fps) 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Maximum video resolution | 4096x2160 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 580g (1.28 lb) | 126g (0.28 lb) |
Dimensions | 134 x 91 x 69mm (5.3" x 3.6" x 2.7") | 95 x 56 x 20mm (3.7" x 2.2" x 0.8") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 420 photographs | - |
Battery type | Battery Pack | - |
Battery ID | BLH-1 | Li-50B |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 12 seconds) |
Time lapse feature | ||
Storage type | Dual SD/SDHC/SDXC slots (UHS-II on first slot) | SC/SDHC, Internal |
Card slots | Dual | 1 |
Price at release | $1,800 | $150 |