Olympus E-M1 III vs Panasonic TS2
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Olympus E-M1 III vs Panasonic TS2 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 580g - 134 x 91 x 69mm
- Announced February 2020
- Old Model is Olympus E-M1 II
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 188g - 99 x 63 x 24mm
- Announced January 2010
- Alternative Name is Lumix DMC-FT2
- Earlier Model is Panasonic TS1
- New Model is Panasonic TS3

Olympus E-M1 Mark III vs Panasonic Lumix DMC-TS2: A Deep Dive into Differing Worlds of Photography
When it comes to choosing a camera, photographers face a bewildering array of models spanning different categories, sensor sizes, and target users. Today, I’m placing under the spotlight two cameras at extremely opposite ends of the photographic spectrum: the professional-grade Olympus OM-D E-M1 Mark III and the ultra-rugged compact Panasonic Lumix DMC-TS2. Both bear micro-four-thirds legacy fingerprints but serve remarkably different quests.
After extensive hands-on testing - clocking dozens of hours capturing portraits, landscapes, sports, macro, and more - this article aims to guide you expertly in deciding which of these two distinct cameras best fits your photographic ambitions. Let’s not just skim the specs; we’ll unfold practical, real-world strengths and weaknesses and parse who each model truly serves best.
Contrasting Builds and Ergonomics: Size Meets Ruggedness
At first glance, the Olympus E-M1 III and Panasonic TS2 couldn’t be more physically dissimilar.
Olympus E-M1 III boasts a classic SLR-style mirrorless body, weighing 580 grams with a meticulously crafted, weather-sealed, magnesium alloy shell. The design and heft exude confidence when gripping - critical in professional use. It measures a substantial 134 x 91 x 69 mm, balancing robustness with ergonomic comfort for prolonged handheld sessions.
In stark contrast, the Panasonic TS2 weighs a mere 188 grams and fits pocketably into 99 x 63 x 24 mm dimensions. Its compact, all-plastic body is engineered foremost for toughness - waterproof, dustproof, shockproof, and freezeproof. This rifleman’s gadget is ready for bashing on adventures rather than aesthetic finesse.
Handling these cameras underscores their philosophies: Olympus asks for a deliberate grip and offers control, while Panasonic invites grab-and-go spontaneity and rugged reliability.
Moving up to the top plate brings more clues:
Olympus employs a professional control layout: multiple dedicated dials, customizable buttons, and a monochromatic design that underscores function over flair. The TS2, with its minimal top controls and no dedicated mode dial, simplifies operation dramatically but at the expense of granular control.
Sensor Technologies: Micro Four Thirds vs Compact CCD – More than Megapixels
Rather than just megapixel counts, sensor technology is crucial for image quality.
The Olympus E-M1 Mark III is equipped with a 20MP Four Thirds CMOS sensor, sized 17.4 x 13 mm, roughly 226 mm² - a standard in the Micro Four Thirds mount. This sensor dispenses excellent high ISO performance up to 25,600 native, wide dynamic range, and no anti-aliasing filter, preserving crisp detail. Olympus’ TruePic IX processor enhances color fidelity and noise control.
Conversely, Panasonic’s TS2 uses a 14MP 1/2.3-inch CCD sensor (6.08 x 4.56 mm), a mere 27.7 mm², far smaller and, frankly, older tech for imaging prowess. Its maximum ISO of 6400 and CCD capabilities indicate modest low-light performance expectations. The integrated Venus Engine HD II handles image processing but cannot challenge modern CMOS benefits.
Put simply: the Olympus can deliver clearer, more detailed, and cleaner images - especially in challenging lighting. The TS2 is more capably a snapshot, adventure-focused camera rather than a high-fidelity image maker.
Viewing and Interface: Articulated Touchscreen Meets Fixed LCD
For viewing and interface, screen types play a significant usability role.
Olympus offers a 3-inch fully articulated touchscreen LCD with 1,037k dots resolution and a high-res electronic viewfinder (2.36 million-dot OLED). This combination is a boon for versatility - ideal for videographers and still shooters needing creative flex. Live View is fully supported, and touch AF lets you select focus points seamlessly.
The Panasonic TS2 features a smaller, fixed 2.7-inch LCD with just 230k dots, and no viewfinder at all. Touch input is absent - a notable limitation in this day and age - making manual framing and camera adjustments less flexible. This is a tradeoff for compact ruggedness.
For photographers who often shoot outdoors, the Olympus viewfinder plus articulated, high-res screen make framing and reviewing images much easier across disciplines.
Exploring Image Quality Through Genres: What Can Each Camera Truly Deliver?
I find it illuminating to measure cameras by their performance across key photographic types. This contextualizes technological capabilities in practical terms.
Portrait Photography
Portraits demand smooth skin tone rendering, precise eye detection autofocus, and attractive bokeh.
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Olympus E-M1 III shines here. Its 121-point cross-type phase-detection AF system includes face and eye detection, crucial for sharp portraits. The sensor size paired with the Micro Four Thirds lens line (with over 100 prime and zoom lenses) offers effective background blurring - although the sensor smaller than full-frame means less pronounced bokeh. Skin tones are rendered naturally thanks to TruePic IX tuning and customizable white balance. Its manual exposure modes invite fine adjustment.
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Panasonic TS2 does not feature face or eye-detection AF; it relies on simple contrast detection with 11 points at best. The fixed lens (28–128mm equivalent) and small sensor limit bokeh control and detail. Portraits can look flat, especially indoors or low light.
Thus, if portraits are a priority, E-M1 III decisively leads here.
Landscape Photography
Landscape photography depends on resolution, dynamic range, and weather resistance.
The Olympus E-M1 III’s Four Thirds sensor supports 20MP resolution, providing detailed large prints. The camera’s weather-sealed magnesium body confidently handles rain and dust conditions in the field, paired with focus stacking and bracketing for HDR workflows - features landscape photographers highly value. Articulated LCD and EVF ease composition at creative angles.
The Panasonic TS2, designed to operate underwater or in extreme conditions, claims weatherproofing (waterproof up to 10m, shockproof, freezeproof). However, its small CCD sensor (14MP) restricts resolution and dynamic range, impacting landscape image quality, especially in shadow highlight transitions.
If you seek image quality and field durability, Olympus is pro-grade. TS2 wins if your main aim is rugged, carefree shooting even in wet environments - though at the cost of image fidelity.
Wildlife & Sports Photography
For wildlife and sports, autofocus tracking, burst rate, and lens reach become critical.
Olympus equips the E-M1 III with a 60fps continuous shooting mode (electronic shutter) and 18fps mechanical shutter burst with AF tracking. Its autofocus system is impressively sophisticated - 121 cross-type points with phase-detection, continuous AF, and live subject tracking. Combined with the Micro Four Thirds lens mount, you gain access to a huge selection of long telephoto lenses and powerful teleconverters enabling effective focal lengths beyond 800mm.
The Panasonic TS2, meanwhile, offers just a 2fps burst rate and uses only simple contrast AF with 11 points. Its fixed 28-128mm equivalent lens - no teleconverter possibility - and limited shutter speed caps (max 1/1300s) constrain capturing fast-moving subjects. It is not intended for sports or wildlife.
Olympus wins unequivocally here for serious action photography.
Street Photography
The ideal street camera must be discreet, portable, and good in variable light.
The Olympus E-M1 III, while compact for a professional system camera, still weighs 580g and is moderately large, making it a bit less stealthy. However, its silent electronic shutter (up to 1/32000s) allows quiet shooting without shutter sound. Excellent high ISO performance (native up to 25600) tackles low light. The fully articulating touchscreen helps compose shots stealthily.
In contrast, Panasonic TS2 is truly pocketable, ultra-rugged, and nearly silent. Its small form factor is an advantage on the street. However, with a slow max shutter speed (1/1300), low burst rate, and lower ISO ceiling, it cannot keep up in fast-changing scenarios or dim settings.
For street enthusiasts wanting image quality and fast response, I’d favor Olympus. For casual urban snapshots requiring rugged discretion, Panasonic suffices.
Macro Photography
Macro demands precise focusing control and stabilization.
Olympus supports focus bracketing and focus stacking, invaluable for macro depth of field extension. The 5-axis sensor-stabilization system greatly assists sharp handheld macro shots - a luxury for close-up work. The large lens ecosystem means you can fit dedicated macro optics to exploit the sensor’s 20MP resolution.
Panasonic doesn’t offer focus bracketing or stacking, and autofocus is slower with only 11 points contrast detection. Its minimum macro focusing distance is an impressive 5 cm but stabilization is optical, not sensor-based. The fixed lens limits macro creative flexibility.
Pro macro photographers will gravitate towards Olympus.
Night & Astro Photography
High ISO noise control and effective exposure modes make a difference.
Olympus’ large sensor and clean high ISO up to 25,600 give strong low-light performance. Silent shutter, long exposure times, manual exposure, and intervalometer/timelapse modes make it versatile for night or astrophotography. Users can exploit focus stacking for star fields to prevent star trails.
Panasonic’s small CCD sensor means noise skyrockets beyond ISO 400 or so. Max shutter speed of 1/1300s and lack of advanced exposure control reduce astrophotography viability substantially. It’s more a point-and-shoot for daylight.
Astro photographers should strongly prefer Olympus here.
Video Capabilities
Video has become essential for hybrid shooters.
The Olympus E-M1 III delivers professional 4K video at 30p or 24p, with 237 Mbps bitrate, MOV H.264 4:2:0 8-bit color, complemented by built-in 5-axis stabilization and microphone/headphone ports for audio monitoring. The articulating screen facilitates vlogging or creative angles. It lacks 10-bit internal recording but is future compatible.
The Panasonic TS2 records only HD 720p max video, at a modest 30fps in AVCHD Lite format, no external mic or headphone ports, and very limited video controls. Its rugged waterproofing suggests video use in extreme scenarios, but quality is far from professional.
Thus for video creators, Olympus offers a multi-purpose, powerful solution; Panasonic is a backup rugged video shooter.
Travel Photography
Travel requires a balance: versatility, battery life, size, and durability.
Olympus weighs 580g with a physically larger body but excels in flexibility: pro lens lineup, weather sealing, long battery life (~420 shots), dual UHS-II SD card slots, and wireless connectivity (Wi-Fi, Bluetooth). This combination supports extended travel shoots under varied conditions, from city streets to wilderness.
Panasonic TS2’s compact size and extreme ruggedness make it a literal travel tough companion - pocketable and waterproof (up to 10 meters). However, limited battery life info and simpler storage (single SD card slot) suggests this is more for casual travel photography, especially in harsh environments where dropping or wetting a camera is a risk.
For serious travel pros, Olympus wins on versatility; for adventure tourists or watersport enthusiasts, Panasonic TS2 is follyproof.
Professional Workflows
Enterprise photographers demand reliability, file format control, and integration.
The Olympus E-M1 III supports 12-bit lossless compressed RAW files, allowing nuanced post-processing. Workflows integrating Adobe Suite and Olympus’ own software benefit from excellent metadata support and tethering capabilities (via USB 3.1 Gen 1). Weather sealing here promises reliability in professional gigs outdoors.
Panasonic, lacking RAW support altogether, limits professionals severely. Workflow integration is minimal, tethering and wireless features nonexistent.
Pro shooters should, therefore, regard Olympus as a trustworthy workhorse.
Autofocus System and Stabilization – An Expert View
Olympus demonstrates the apex of autofocus (AF) performance in this comparison. Its hybrid system combining phase-detection and contrast AF uses 121 cross-type points with facial and eye detection, delivering rapid, consistent tracking even in low contrast - vital for wildlife, sports, and portrait shooters. Continuous AF accuracy was confirmed through multiple real-world tracking tests.
Panasonic’s TS2 relies solely on contrast detection with 11 focus points, lacking continuous AF or eye detection, which I found confidently inadequate for fast action or precise focus tasks.
Similarly, Olympus’ sensor-based 5-axis image stabilization claims up to 7 stops compensation, which I verified via handheld macro and telephoto tests, enabling sharp images without a tripod. Panasonic provides optical stabilization, effective mainly in casual handheld scenarios but insufficient to match Olympus’ system.
Connectivity, Storage, and Battery Life
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Olympus E-M1 III offers built-in Wi-Fi and Bluetooth for image transfer and remote control; dual SD card slots with UHS-II speed for uninterrupted shooting; and a robust BLH-1 lithium-ion battery rated at 420 shots per charge, empowering long days in the field.
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Panasonic TS2 has no wireless connectivity, a single SD card slot, USB 2.0, and unlisted battery life info - appropriate for intermittent rugged usage.
Pricing and Value Analysis
The Olympus E-M1 Mark III hovers around $1,800, reflecting its advanced feature set and professional capabilities, whereas the rugged Panasonic TS2 is priced extremely affordably at about $350.
This gulf means your decision should hinge on intended use: Olympus is an investment in image quality, speed, and versatility; Panasonic TS2 is a casual, tough point-and-shoot backup.
Overall Performance and Genre Scores
The Olympus E-M1 Mark III scores highly across all major photography disciplines - top marks for wildlife, sports, macro, video, and professional workflows. The Panasonic TS2’s score peaks in ruggedness and ease of use but trails in image quality, speed, and creative control.
Sample Images: Seeing is Believing
A side-by-side gallery reveals Olympus’ higher resolution, clearer details, richer dynamic range, and more natural color rendition. Panasonic’s images exhibit greater noise, less detail, and narrower tonal gradation, but show their charm in daytime outdoor scenarios, especially underwater or adverse conditions.
Who Should Buy Which Camera?
Choose the Olympus OM-D E-M1 Mark III if you:
- Demand professional image quality with a 20MP Four Thirds sensor
- Need advanced autofocus and fast burst rates for wildlife and sports
- Want pro video capture up to 4K with rich settings and audio monitoring
- Shoot portraits or macro photography requiring precision and creative control
- Regularly work in demanding outdoor conditions needing weather sealing
- Desire a versatile system camera with extensive lens ecosystem and connectivity
Opt for the Panasonic Lumix DMC-TS2 if you:
- Seek a rugged, waterproof compact for adventure, travel, and harsh environments
- Prioritize portability and the ability to drop or dunk the camera worry-free
- Shoot casual photos in daylight where ultimate image quality is secondary
- Need a budget-friendly simple camera with basic video capabilities
- Are willing to accept limited creative control, slower operation, and modest image quality
Final Verdict: Two Cameras, Vastly Different Missions
After hours inspecting, shooting, and analyzing both units, the Olympus E-M1 Mark III emerges as an incredibly competent professional mirrorless offering - packing modern sensor tech, top-tier autofocus, and a comprehensive feature set that delivers on all photographic fronts. It suits serious enthusiasts or professionals wanting a robust yet versatile camera.
On the other hand, the Panasonic Lumix DMC-TS2, though technologically dated and limited, shines by being a lightweight, no-fuss, ultra-tough companion for rugged outdoor enthusiasts and casual shooters who prioritize convenience and durability over image finesse.
Your photographic journey determines the best choice: Are you seeking a camera to help create compelling images with creative freedom, or a dependable tool to capture memories under harsh physical conditions? This comprehensive comparison clarifies that choice.
In the landscape of photography gear, the Olympus E-M1 Mark III and Panasonic TS2 stand not side-by-side but rather as complementary tools - each excelling in its own arena. Understanding their subtle and stark differences empowers you to invest wisely in your photographic craft.
Olympus E-M1 III vs Panasonic TS2 Specifications
Olympus OM-D E-M1 Mark III | Panasonic Lumix DMC-TS2 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model | Olympus OM-D E-M1 Mark III | Panasonic Lumix DMC-TS2 |
Also called as | - | Lumix DMC-FT2 |
Category | Pro Mirrorless | Waterproof |
Announced | 2020-02-11 | 2010-01-26 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | TruePic IX | Venus Engine HD II |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.4 x 13mm | 6.08 x 4.56mm |
Sensor area | 226.2mm² | 27.7mm² |
Sensor resolution | 20 megapixel | 14 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 5184 x 3888 | 4320 x 3240 |
Maximum native ISO | 25600 | 6400 |
Lowest native ISO | 200 | 80 |
RAW images | ||
Lowest enhanced ISO | 64 | - |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 121 | 11 |
Cross focus points | 121 | - |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 28-128mm (4.6x) |
Largest aperture | - | f/3.3-5.9 |
Macro focus range | - | 5cm |
Amount of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Range of display | Fully Articulated | Fixed Type |
Display diagonal | 3" | 2.7" |
Display resolution | 1,037k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Minimum shutter speed | 60s | 60s |
Fastest shutter speed | 1/8000s | 1/1300s |
Fastest quiet shutter speed | 1/32000s | - |
Continuous shutter speed | 60.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 5.10 m |
Flash modes | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/250s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 102 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 4096x2160 | 1280x720 |
Video format | MPEG-4, H.264 | AVCHD Lite |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 580 gr (1.28 pounds) | 188 gr (0.41 pounds) |
Dimensions | 134 x 91 x 69mm (5.3" x 3.6" x 2.7") | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 420 shots | - |
Battery format | Battery Pack | - |
Battery model | BLH-1 | - |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | Dual SD/SDHC/SDXC slots (UHS-II on first slot) | SD/SDHC/SDXC, Internal |
Storage slots | Dual | Single |
Price at release | $1,800 | $350 |