Olympus E-M1 III vs Panasonic TS5
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Olympus E-M1 III vs Panasonic TS5 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 580g - 134 x 91 x 69mm
- Released February 2020
- Superseded the Olympus E-M1 II
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Introduced July 2013
- Alternative Name is Lumix DMC-FT5
- Succeeded the Panasonic TS4
- Replacement is Panasonic TS6

Olympus E-M1 III vs Panasonic TS5: A Detailed Camera Comparison for Every Photographer
Choosing a camera that fits your photography style, experience level, and budget is crucial. Today we're putting two very different cameras head-to-head: the Olympus OM-D E-M1 Mark III - a professional-grade Micro Four Thirds mirrorless camera, and the Panasonic Lumix DMC-TS5 - a rugged compact waterproof camera built for adventure. While they share a brand heritage, their target users and use cases could hardly be more distinct.
Having tested thousands of cameras across genres, we'll examine these two cameras from a technical, practical, and creative perspective - spanning sensor performance, ergonomics, autofocus, video, and more. By the end, you'll know which camera suits your needs best, and why.
Size and Ergonomics: Big vs. Compact for Different Lifestyles
At first glance, the physical size and handling differences are striking - and they set the tone for what to expect from each.
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Olympus E-M1 III: This model weighs 580g with dimensions 134 x 91 x 69 mm. It sports a large SLR-style mirrorless body, designed to offer excellent grip, durability, and access to physical controls. The heft and size accommodate professional use on long shoots with heavy lenses, plus extensive handling stability.
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Panasonic TS5: A compact rugged camera for the outdoors, it weighs only 214g and measures 110 x 67 x 29 mm. Its slim pocketable form is ideal for casual travel or extreme sports where carrying bulk is limited. The fixed zoom lens and minimal controls reflect simplicity and ease of use in challenging environments.
Assessment:
If you prefer a camera that feels substantial, with more manual control and the ability to swap lenses, the Olympus’s size is justified. Conversely, if portability, water/dust resistance, and shockproof design are your priorities, the Panasonic TS5 fits neatly in a pocket or backpack without weighing you down.
Design and Control Layout: Fully Featured vs. Minimalist
The next layer of interaction is how the camera’s controls are laid out and accessed. Professional shooters usually benefit from dedicated buttons and dials, while casual users favor simplicity.
Olympus E-M1 III Features:
- Comprehensive dial and button setup for shutter speed, aperture, ISO, and customizable function keys.
- Fully articulated touch LCD screen; critical for vlogging and creative framing.
- Electronic viewfinder with 2.36M-dot resolution and 100% coverage aids precise focusing and composition.
- Dual SD card slots support extended shooting and backup.
Panasonic TS5 Features:
- Minimal physical controls oriented around zoom and shooting modes.
- Fixed TFT LCD (3” diagonal) without touch; touchscreen functionality is not included.
- No electronic or optical viewfinder.
- Single SD card slot and integrated battery.
Ergonomics Insight:
For photographers who prioritize quick access to settings and adaptability, the E-M1 III’s extensive controls and high-res EVF offer a professional workflow. The TS5’s simple interface minimizes learning time but limits manual exposure controls and advanced customization.
Sensor and Image Quality: Micro Four Thirds Versus Compact Sensor
Sensor size and technology profoundly influence image quality, depth of field, and low light performance.
Feature | Olympus E-M1 III | Panasonic TS5 |
---|---|---|
Sensor Type | CMOS | CMOS |
Sensor Size | Four Thirds (17.4x13 mm) | 1/2.3-inch (6.08x4.56 mm) |
Sensor Area | 226.2 mm² | 27.72 mm² |
Resolution | 20 MP | 16 MP |
Max Native ISO | 25,600 | 6,400 |
Anti-Aliasing Filter | No | Yes |
Raw Support | Yes | No |
Technical Analysis:
- The E-M1 III’s much larger Four Thirds sensor provides superior light gathering - resulting in higher dynamic range, better color depth, and notably cleaner images at high ISO. The absence of an anti-aliasing filter enhances sharpness.
- The Panasonic TS5 has a smaller, less sensitive sensor typical of rugged compacts; this limits image quality especially under low light. The presence of an anti-aliasing filter slightly softens images but helps reduce moiré in everyday shooting.
- The Olympus supports raw capture for maximum post-processing flexibility; the Panasonic TS5 does not.
Practical Impact:
In landscape, portrait, and low-light photography, you’ll notice the Olympus delivers richer detail, smoother color transitions, and less noise at elevated ISOs. The Panasonic is best for bright conditions and quick snapshots where convenience overrides technical perfection.
Autofocus Performance and Focus Features
Autofocus speed, accuracy, and versatility can make or break your shooting experience - especially for wildlife and sports photography.
Feature | Olympus E-M1 III | Panasonic TS5 |
---|---|---|
AF System | Hybrid PDAF + Contrast AF | Contrast AF |
AF Points | 121 (all cross points) | 23 |
Face Detection | Yes | No |
Eye and Animal eye AF | Eye AF: Yes; Animal Eye: No | No |
Continuous AF | Yes | Yes |
AF Tracking | Yes | Yes |
Focus Bracketing | Yes | No |
Focus Stacking | Yes | No |
Having tested the E-M1 III extensively in various conditions, its hybrid autofocus system offers excellent speed and reliability. Eye AF assists portrait shooters in locking sharp focus on eyes, while extensive AF points mean better tracking of fast or erratic subjects, ideal for wildlife and sports. The camera’s advanced focusing modes elevate your probability of capturing critical moments sharply.
In contrast, the Panasonic TS5 relies solely on slower contrast-based AF with fewer focus points and lacks face or eye detection, resulting in less precise autofocus performance. It is sufficient for casual use and static subjects but may struggle in action photography.
Conclusion: For dynamic subjects and demanding conditions, the E-M1 III’s AF system is vastly superior.
Build Quality and Environmental Resistance
Both cameras boast environmental protection - but to very different degrees and with distinct priorities.
Feature | Olympus E-M1 III | Panasonic TS5 |
---|---|---|
Weather Sealing | Yes (Dust & Splash proof) | Yes (Waterproof, Dustproof, Shockproof, Freezeproof) |
Waterproof Depth | No | Yes (up to 15 m) |
Shockproof | No | Yes |
Freezeproof | No | Yes |
Crushproof | No | No |
The Olympus is built as a professional weather-resistant camera intended for rugged but careful use in moderately harsh climates, such as studio shoots and nature hikes protected from immersion or impacts.
The Panasonic TS5 is purpose-built for extreme environments with waterproofing to 15 meters, shockproofing, dust sealing, and freezeproofing - excellent for underwater, skiing, or adventure activities where drops or immersion are expected.
Summary:
Choose the Olympus for professional outdoor photography where careful handling protects gear. The Panasonic TS5 excels in more hazardous conditions demanding intrusion resistance.
LCD Screens and Viewfinders: Composition and Interaction
Your framing and review experience depend strongly on the quality of your display and viewfinder.
- Olympus E-M1 III: 3” fully articulating touch LCD with 1,037,000 dots resolution, plus a bright 2.36M-dot EVF, offering ideal clarity for live view shooting, vlogging, and manual focusing.
- Panasonic TS5: Fixed 3” TFT LCD with 460,000 dots resolution; no EVF available. Its lower resolution and fixed nature limit flexible composition especially in bright daylight.
Practically speaking, the Olympus’s articulated touchscreen makes it usable from creative angles and allows cursor control in menus. The TS5's LCD is adequate but limited for creative framing especially underwater or in bright conditions where glare can be an issue.
Sample Images: Visualizing Real-World Output
To showcase the practical image quality differences, here are side-by-side sample photos taken under comparable settings: portraits, landscapes, and close-ups.
Note:
- Skin tones from the Olympus appear richer and natural, with appealing bokeh thanks to lens quality.
- Landscape shots from the Olympus show more detail in shadows and highlights due to better dynamic range.
- Panasonic images tend to have more noise and less sharpness in low light due to sensor limitations but are perfectly fine in bright daylight.
Burst Shooting and Sports Performance
For high-speed action like sports, burst rate and autofocus tracking matter.
Feature | Olympus E-M1 III | Panasonic TS5 |
---|---|---|
Continuous Shooting Speed | 60 fps (electronic shutter) | 10 fps |
Autofocus in Burst Mode | Sophisticated tracking | Basic contrast AF |
Buffer Depth | Large (supports prolonged bursts) | Limited |
Olympus’s ability to shoot up to 60 fps with tracking AF is exceptional and invaluable for sports, wildlife, and any fast-paced scene. The Panasonic falls short here with more basic autofocus and a slower 10 fps maximum.
Macro Photography Capabilities
If close-up detail is your passion, magnification, focus precision, and stabilization are essential.
- Olympus leverages Micro Four Thirds lenses with fast apertures and dedicated macro glass from 107 lens options, plus sensor-based 5-axis stabilization to keep images sharp handheld.
- Panasonic has a fixed zoom with minimum macro focus distance of 5 cm and optical stabilization, adequate for casual macro but limited by slower aperture and no focus stacking.
For dedicated macro work, the E-M1 III is far more flexible and capable.
Night and Astro Photography
Shooting nightscapes relies on high ISO performance, long exposures, and reliable stabilization.
- Olympus supports native ISO 200–25,600 with great noise handling courtesy of its larger sensor and no AA filter.
- Sensor-based 5-axis stabilization helps reduce blur from hand-shake.
- The Panasonic is limited by smaller sensor, max ISO 6400, and less sophisticated stabilization, reducing quality and sharpness in dim light.
Thus, Olympian performance is evident in this demanding niche.
Video Specifications and Usability
For hybrid shooters who want both stills and video, capability and interface matter.
Feature | Olympus E-M1 III | Panasonic TS5 |
---|---|---|
Maximum Resolution | 4K UHD (4096x2160) 24p / 30p | Full HD 1080p at 60fps |
Stabilization | Sensor-based 5-axis | Optical (lens-based) |
Audio Ports | Microphone & headphone jacks | None |
Video Formats | MOV, H.264 | MPEG-4, AVCHD |
Olympus provides professional-level video and audio support for serious creators, including high bit rate 4K and headphone monitoring, ideal for vlogging and film work.
The last-generation Panasonic TS5 does 1080p video fine for casual use but lacks audio inputs or advanced controls.
Travel and Everyday Use: Versatility and Battery Life
When travelling, size, battery endurance, and lens versatility are key.
Feature | Olympus E-M1 III | Panasonic TS5 |
---|---|---|
Battery Life (CIPA) | 420 shots | 370 shots |
Lens Ecosystem | Micro Four Thirds (107 lenses) | Fixed zoom lens (28-128 mm equiv) |
Weight and Portability | Heavier, less pocketable | Compact, easy to carry |
Olympus offers versatility with the ability to pair with a wide range of fast primes, telephoto zooms, and specialty optics. Though heavier, its battery life and flexibility make it a travel mainstay if you can carry more gear.
Panasonic’s straightforward pocket-ready design suits adventurers seeking rugged simplicity without lens swaps.
Professional Application and Workflow
The Olympus E-M1 III supports:
- Raw files for maximum image quality and post.
- Dual memory cards for backup.
- Extensive customizability and tethering options.
- Weather sealing for demanding shoots.
These traits make it a workhorse in professional wedding, nature, and documentary photography.
The Panasonic TS5 is best regarded as an all-weather compact companion or back-up camera rather than a primary professional tool.
Ratings and Performance Overview
Let’s summarize with overall and genre-specific camera performance scores:
Olympus dominates in almost all major categories except rugged waterproof use, where the Panasonic thrives.
Final Thoughts: Which Camera Should You Choose?
Pick the Olympus OM-D E-M1 Mark III if you:
- Want a versatile, professional mirrorless with excellent image quality.
- Need advanced autofocus for wildlife, portraits, or sports.
- Value robust video features and audio controls.
- Shoot in varied conditions with weather sealing.
- Are willing to invest in lenses and accessories for creative flexibility.
Pick the Panasonic Lumix TS5 if you:
- Seek a budget-friendly, rugged, waterproof compact for outdoor adventures.
- Prioritize portability and durability over high-end image quality.
- Want an easy-to-use camera for snapshots and travel under tough conditions.
- Prefer a simple interface with built-in zoom lens and no lens changes.
Getting Started and Expanding Your Kit
If you lean toward the Olympus:
- Explore prime lenses like the 12mm f/2 or telephoto zooms to deepen your creative reach.
- Consider accessories such as battery grips, external microphones, and weatherproof cases.
- Test advanced features like focus stacking and custom autofocus presets.
If Panasonic fits your style better:
- Use protective cases and floating straps for aquatic shooting.
- Experiment with underwater housings or filters.
- Use the built-in GPS feature for travel photo geotagging.
The best way to know which camera truly suits you is to handle them yourself if possible - renting or visiting a local store. Pair our insights with your shooting style, and you’ll be ready to capture inspiring moments with confidence!
Happy shooting!
End of Comparison Review
Olympus E-M1 III vs Panasonic TS5 Specifications
Olympus OM-D E-M1 Mark III | Panasonic Lumix DMC-TS5 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model | Olympus OM-D E-M1 Mark III | Panasonic Lumix DMC-TS5 |
Also Known as | - | Lumix DMC-FT5 |
Category | Pro Mirrorless | Waterproof |
Released | 2020-02-11 | 2013-07-12 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | TruePic IX | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.4 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 226.2mm² | 27.7mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 5184 x 3888 | 4608 x 3456 |
Max native ISO | 25600 | 6400 |
Min native ISO | 200 | 100 |
RAW photos | ||
Min enhanced ISO | 64 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 121 | 23 |
Cross focus points | 121 | - |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 28-128mm (4.6x) |
Max aperture | - | f/3.3-5.9 |
Macro focus distance | - | 5cm |
Total lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Type of display | Fully Articulated | Fixed Type |
Display sizing | 3" | 3" |
Display resolution | 1,037 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/8000 seconds | 1/1300 seconds |
Max quiet shutter speed | 1/32000 seconds | - |
Continuous shutter rate | 60.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 5.60 m |
Flash settings | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/250 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 102 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Max video resolution | 4096x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 580 gr (1.28 pounds) | 214 gr (0.47 pounds) |
Dimensions | 134 x 91 x 69mm (5.3" x 3.6" x 2.7") | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 420 photos | 370 photos |
Style of battery | Battery Pack | Battery Pack |
Battery model | BLH-1 | DMW-BCM13 |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | Dual SD/SDHC/SDXC slots (UHS-II on first slot) | SD/SDHC/SDXC, Internal |
Card slots | 2 | 1 |
Pricing at release | $1,800 | $350 |