Olympus E-M1 III vs Sony NEX-7
67 Imaging
61 Features
96 Overall
75


84 Imaging
63 Features
71 Overall
66
Olympus E-M1 III vs Sony NEX-7 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 580g - 134 x 91 x 69mm
- Released February 2020
- Replaced the Olympus E-M1 II
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 400g - 120 x 67 x 43mm
- Released December 2011

Olympus E-M1 Mark III vs Sony NEX-7: A Hands-On Comparison for Serious Photographers
When comparing cameras from such different eras and design philosophies as the Olympus OM-D E-M1 Mark III (2020) and the Sony Alpha NEX-7 (2011), the exercise is as fascinating as it is revealing. Both have earned reputations for being cutting-edge mirrorless models in their time, yet they address photographers’ needs quite differently.
After years of testing thousands of cameras in professional and enthusiast settings, I took a deep dive into these two to examine not just specs on paper, but practical, field-ready performance. Whether you’re a landscape shooter, wildlife hunter, portrait artist, or hybrid content creator, understanding their nuanced strengths, weaknesses, and workflows will help you pick the better fit for your craft.
Let’s start by putting these two side by side - literally and figuratively.
First Impressions and Ergonomics: The Feel of the Machine
Right out of the gate, the Olympus E-M1 Mark III presents itself as a robust, SLR-style mirrorless camera, noticeably chunkier and built for professional handling. Its 134x91x69 mm footprint dwarfs the smaller, rangefinder-style Sony NEX-7 at 120x67x43 mm. At 580g against 400g body weight, Olympus clearly embraces a more substantial form factor.
Now, why does this matter? In my experience, the heft and grip of a camera significantly impact prolonged handheld shooting comfort, especially for fast-paced genres like wildlife or sports photography. The E-M1 III’s thoughtfully contoured grip and textured surfaces provide a reassuring hold. The NEX-7’s slim silhouette, by contrast, is pocketable and discrete - ideal for street photographers craving subtlety but less ergonomic for extended sessions.
Also worth noting is control placement. Let’s take a peek from above.
The Olympus excels with dedicated dials for ISO, shutter speed, and exposure compensation - courtesy of its veteran Olympus interface heritage. This facilitates quick manual adjustments with minimal menu diving, indispensable for professional users juggling dynamic environments. The Sony NEX-7, while featuring classic rangefinder simplicity, leans towards fewer physical controls, favoring a more streamlined, albeit less tactile, experience.
Overall, if physical handling and speed of adjustments factor high on your priority list, the Olympus’s mature ergonomics have the edge.
Sensor Technology and Image Quality: The Heart of the Matter
Underneath the bodies, these cameras reveal their technological DNA. The Olympus E-M1 Mark III sports a 20MP Four Thirds sensor (17.4x13 mm). The Sony NEX-7 packs a 24MP APS-C sensor (23.5x15.6 mm). Let's unpack what this means practically.
Sony’s APS-C sensor enjoys a roughly 1.5x crop factor and significantly larger sensor area - about 62% bigger than Olympus’s Four Thirds. The result is typically better low-light performance, higher dynamic range, and more shallow depth-of-field potential.
That said, Olympus counters with a powerful TruePic IX processor and zero low-pass filter, which helps maximize detail resolution and contrast. The Micro Four Thirds system benefits from immensely versatile lenses, many of which are compact and suited for on-the-go shooting.
In tests with controlled studio targets and natural scenes, the NEX-7 produced slightly crisper files at base ISOs, especially apparent in 100% crops of fine detail. However, the E-M1 Mark III held strong across mid to high ISOs, thanks to excellent in-camera noise reduction and 5-axis sensor stabilization - more on that shortly.
To be clear, either sensor caters well to enthusiasts and even professional applications, but you won’t match Sony’s APS-C bokeh creaminess or extreme background separation with Olympus’s smaller sensor - unless you rely heavily on lens selection tricks.
Display and User Interface: Touch vs Tradition
Both cameras offer 3-inch LCDs, but their design philosophies differ again. Olympus provides a fully articulating touchscreen with higher resolution (1037k dots), which is a boon for video shooters and awkward-angle shoots like macro or street photography.
Sony’s NEX-7 uses a tilting, non-touchscreen LCD at a slightly lower resolution (921k dots). While the tilt mechanism aids framing at odd angles, lack of touch input slows menu navigation and focus point selection, especially compared to Olympus’s streamlined touchscreen AF.
The electronic viewfinders (EVFs) also demonstrate evolution. Olympus’s 2.36M-dot EVF offers crisp and clear framing with near-perfect coverage, while Sony’s older EVF implementation, though decent at release, falls short of today’s standards - particularly in refresh rate and display clarity.
If live view, touch controls, and flexible screen articulation fit your workflow, Olympus is head and shoulders ahead here.
Autofocus Systems: Precision and Speed in Varying Conditions
Autofocus (AF) technology is often a decisive factor for professionals, so let’s zoom into features and real-world operation.
The E-M1 Mark III offers a hybrid AF system with 121 phase and contrast-detection points spread across the frame. It supports face and eye detection, continuous tracking, and even focus bracketing/stacking. This extensive coverage translates to swift and confident autofocus acquisition across a variety of subjects, from fleeting wildlife to fast athletes.
Sony’s NEX-7 sports 25 contrast-detect AF points with no phase detection, a limitation more palpable in challenging lighting and fast motion scenarios. Its autofocusing is competent in bright, static scenes but falters under low light or complex tracking requirements.
I tested both cameras in a bustling urban park photographing pigeons mid-flight. Olympus locked focus quicker and maintained reliable tracking, whereas Sony occasionally hunted or missed focus, revealing the difference that nearly a decade and technology leaps make.
Continuous Shooting and Buffer Depth: Catching the Decisive Moment
Burst rates and buffer size can make or break sports and wildlife assignments.
Olympus pushes the E-M1 III to 60 fps (electronic shutter) with AF/AE tracking - a staggering figure well-suited for high-speed action. That said, sustained shooting at the highest frame rate is limited by buffer capacity and card speed.
Sony’s NEX-7 lags with a maximum of 10 fps mechanical shutter burst - a respectable figure circa 2011 but modest by today’s standards.
For capturing split-second moments - say a sprinter crossing the tape or a hawk plunging into a field - the E-M1 III’s speed and tracking prowess are unbeatable here.
Build Quality and Environmental Resistance: Ready for the Field
A professional camera must survive harsh conditions, and this is a serious consideration.
The Olympus E-M1 III is weather-sealed against dust, splashes, and freezing temperatures, providing reassurance in unpredictable environments. Its magnesium alloy body adds ruggedness without excessive bulk.
The Sony NEX-7 lacks any notable sealing, and its more minimalist build makes it less ideal for field use where rain, dust, or extreme temps are concerns. It fits better as a lightweight travel or studio camera but needs extra care outdoors.
Lens Ecosystem and Optical Flexibility
Olympus uses the Micro Four Thirds mount with over 100 native lenses from various manufacturers - a mature ecosystem proven in professional applications. This includes some exceptional primes, super-telephotos, and macro glass.
Sony’s NEX-7 employs the Sony E mount, also boasting a similarly large selection of lenses (including many APS-C and full-frame options). The E-mount’s longer flange distance enables adaptability to numerous manual and legacy lenses via adapters, offering creative versatility.
A quirk to note: Olympus’s 2.1x crop factor effectively doubles focal lengths, advantageous for wildlife and telephoto shooting but requiring careful framing for landscapes or portraits.
Image Stabilization: Helping Hands in Your Shooting
Olympus leads with in-body 5-axis image stabilization, delivering up to 7 stops of shake compensation under ideal conditions. This feature profoundly aids low-light handheld shooting, macro work, and video recording - allowing slower shutter speeds without motion blur.
Sony’s NEX-7 lacks IBIS, relying instead on lens-based stabilization where available, which is less consistent and depends on lens choice.
For handheld precision in challenging light, Olympus’s stabilization is a game-changer.
Video Capabilities: Hybrid Shooters Take Note
Video demands are increasingly common. Olympus shoots 4K UHD (4096x2160) at 24p with high bit rates, supporting clean 4:2:0 color profiles and offering microphone and headphone jacks for audio monitoring - a boon for independent filmmakers.
Sony’s NEX-7 maxes out at Full HD 1080p with a few frame rate options, and no headphone jack, limiting advanced audio control.
For creators wanting crisp 4K footage and audio flexibility, Olympus clearly leads.
Battery Life and Storage Options
Both cameras run on proprietary rechargeable batteries. Olympus delivers about 420 shots per charge, on par with Sony’s approximate 430. Battery life is reasonable given their mirrorless nature, but heavy video or continuous burst shooting on Olympus will drain batteries faster.
Olympus has dual UHS-II SD card slots, supporting improved data security and continuous backups - a standard professional feature. Sony NEX-7 has one slot compatible with SD and Memory Stick formats, limiting redundancy.
Connectivity: Getting Images Off the Camera
Wireless features in Olympus include built-in Wi-Fi and Bluetooth, enabling remote control, file transfer, and easy social media upload workflows. Sony’s Wi-Fi era was nascent in 2011; it uses Eye-Fi card support for wireless transfer but lacks modern Bluetooth or Wi-Fi pairing robustness.
USB 3.1 on Olympus ensures faster tethering and data transfer versus Sony’s older USB 2.0 standard.
Real-World Photography Applications: Use Case Deep Dive
How do these capabilities play out across popular genres?
Portrait Photography
The Sony NEX-7’s larger sensor and cleaner high-ISO performance translate to richer skin tones and natural bokeh. Eye detection assists focus on critical facial features. That said, Olympus’s 5-axis stabilization helps with handheld portraits in natural light and offers excellent lens selection to sculpt depth of field.
Landscape Photography
Olympus’s image stabilization, weather sealing, and resolution suffice for evocative mountain scenes. Although the APS-C sensor yields finer resolution and dynamic range in the Sony, Olympus’s in-camera processing keeps images sharp and dynamic. The compact Olympus system also makes for easier travel here.
Wildlife and Sports Photography
Olympus’s burst speed, accurate AF tracking, and telephoto reach from the 2.1x crop factor provide clear advantages for fast-moving subjects. Sony’s slower frame rate and contrast AF limit action shooting capacity.
Street Photography
Sony’s smaller size and quieter shutter profile favor stealthy urban shooting - the NEX-7 is less obtrusive. But Olympus’s articulating touchscreen aids compositions from waist or overhead levels.
Macro Photography
Focus stacking and bracketing on Olympus, paired with sensor stabilization, produce superb, tack-sharp detail shots. Sony lacks these focus assist features.
Night and Astrophotography
Sony’s larger sensor and higher max ISO perform better in extremely low light, though Olympus’s stabilization can compensate for longer exposures handheld.
Video
Olympus’s superior 4K specs and audio ports suit hybrid shooters much more than Sony’s limited HD offerings.
Travel Photography
Sony’s compactness and lower weight aid portability, but Olympus’s weather sealing inspires confidence in varied climates.
Professional Use
Dual memory cards, extensive custom controls, ergonomic grip, and robust build make Olympus more attractive for on-assignment reliability.
Sample Images: Visual Verdict
In these real-world shots, Olympus exhibits excellent detail retention and faithful color reproduction. Sony’s APS-C sensor offers a pleasing depth and dynamic range advantage visible in outdoor scenes with varying light. Close-up images reveal Olympus’s strength in sharpness aided by stabilization, whereas Sony images flaunt more organic background falloff.
Performance Scores and Ratings
Breaking down technical and user experience metrics, Olympus rates highly for autofocus, burst shooting, and video. Sony shines in sensor performance and portability but ranks lower on weather sealing and speed.
Genre-Specific Strengths
Olympus dominates in fast-action sports and video production. Sony leads slightly in portraits and night photography. Both hold their own in landscapes and travel.
Final Thoughts: Which to Choose?
This comparison highlights two capable cameras that embody their eras and manufacturer philosophies. The Olympus E-M1 Mark III is a versatile, rugged, high-performance pro mirrorless that excels in autofocus speed, stabilization, and video, making it a comprehensive tool for advanced photographers or hybrid shooters.
The Sony NEX-7 remains a compact, image-quality-focused gem tailored for enthusiasts who prioritize sensor size and portability but can tolerate fewer modern conveniences and slower performance.
If You Should Buy the Olympus E-M1 Mark III If:
- You need robust weather-sealing and solid build for demanding outdoor shoots.
- Fast continuous shooting with reliable tracking autofocus is critical.
- Video and audio quality alongside stills matter to your workflow.
- You prefer a fully articulating touchscreen interface.
- You shoot handheld often and benefit from sensor stabilization.
If You Should Buy the Sony NEX-7 If:
- You want a lightweight, street-friendly camera with great image quality.
- Your budget is constrained, and the used market offers good deals.
- You prioritize sensor size and native lens options in APS-C.
- You prefer a classic rangefinder style over bulkier SLR ergonomics.
- Your work focuses on portraits, landscapes, or travel without harsh environment exposure.
In the final count, the Olympus E-M1 Mark III justifies its higher price with professional-level features and future-proof versatility. The Sony NEX-7, although trailing in many specs due to its age, remains a competent and enjoyable camera for enthusiasts valuing imaging fundamentals and portability.
As someone who’s been behind the viewfinder across countless shoots, I recommend weighing your shooting style and priorities carefully. Neither body disappoints when matched to the right user - the choice lies in what you need out of your next camera adventure.
Olympus E-M1 III vs Sony NEX-7 Specifications
Olympus OM-D E-M1 Mark III | Sony Alpha NEX-7 | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model type | Olympus OM-D E-M1 Mark III | Sony Alpha NEX-7 |
Type | Pro Mirrorless | Advanced Mirrorless |
Released | 2020-02-11 | 2011-12-13 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | TruePic IX | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.4 x 13mm | 23.5 x 15.6mm |
Sensor surface area | 226.2mm² | 366.6mm² |
Sensor resolution | 20MP | 24MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Maximum resolution | 5184 x 3888 | 6000 x 4000 |
Maximum native ISO | 25600 | 16000 |
Lowest native ISO | 200 | 100 |
RAW data | ||
Lowest boosted ISO | 64 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 121 | 25 |
Cross type focus points | 121 | - |
Lens | ||
Lens support | Micro Four Thirds | Sony E |
Number of lenses | 107 | 121 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Range of display | Fully Articulated | Tilting |
Display sizing | 3 inch | 3 inch |
Display resolution | 1,037 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.74x | 0.73x |
Features | ||
Slowest shutter speed | 60s | 30s |
Maximum shutter speed | 1/8000s | 1/4000s |
Maximum quiet shutter speed | 1/32000s | - |
Continuous shooting speed | 60.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 6.00 m |
Flash modes | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash sync | 1/250s | 1/160s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 102 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 4096x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 580g (1.28 lbs) | 400g (0.88 lbs) |
Physical dimensions | 134 x 91 x 69mm (5.3" x 3.6" x 2.7") | 120 x 67 x 43mm (4.7" x 2.6" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | 81 |
DXO Color Depth rating | not tested | 24.1 |
DXO Dynamic range rating | not tested | 13.4 |
DXO Low light rating | not tested | 1016 |
Other | ||
Battery life | 420 shots | 430 shots |
Battery form | Battery Pack | Battery Pack |
Battery ID | BLH-1 | NPFW50 |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec, 10sec (3 or 5 images)) |
Time lapse feature | ||
Type of storage | Dual SD/SDHC/SDXC slots (UHS-II on first slot) | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | Dual | 1 |
Cost at launch | $1,800 | $699 |