Olympus E-M1 III vs Sony W350
67 Imaging
61 Features
96 Overall
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97 Imaging
36 Features
25 Overall
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Olympus E-M1 III vs Sony W350 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 580g - 134 x 91 x 69mm
- Launched February 2020
- Previous Model is Olympus E-M1 II
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 26-105mm (F2.7-5.7) lens
- 117g - 91 x 52 x 17mm
- Announced January 2010

Olympus E-M1 Mark III vs. Sony W350: A Tale of Two Cameras Across a Decade and Decades of Use Cases
Choosing a camera can sometimes feel like picking between apples and… vintage oranges. The Olympus OM-D E-M1 Mark III and the Sony Cyber-shot DSC-W350 represent not only two different brands but two radically different eras and purposes in camera design. One is a professional-grade mirrorless system, firmly anchored in 2020 innovations, while the other is a decade-old ultracompact shoot-and-go companion from 2010. Yet, putting them side-by-side illuminates what true progress means - and how different photographers might still gravitate toward either, depending on their priorities.
As a photographer who has spent thousands of hours testing everything from pro-level bodies to pocket-friendly point-and-shoots, I’m fascinated to dissect these two cameras with a lens focused on practical use, technical prowess, and real-world performance. Buckle up: this comparison spans sensor tech, autofocus wizardry, ergonomics, video chops, and a kaleidoscope of photography genres - because camera choice is rarely one-dimensional.
First Impressions: Size, Handling, and Design Philosophy
Looking at the Olympus E-M1 Mark III and the Sony W350 side-by-side is like comparing a sleek sports car to a zippy city scooter. The Olympus weighs in at a solid 580 grams, with a robust build and dimensions of 134 x 91 x 69mm. It flaunts an SLR-style mirrorless body that declares its pro aspirations loud and clear. Over the years, Olympus has nailed the ergonomics of their Micro Four Thirds line. The deep grip, tactile buttons, and balanced heft lend confidence - even during extended shoots in unforgiving conditions.
In contrast, the Sony W350 is a featherweight ultracompact camera built for ultimate portability. Its unexpected miniaturization - just 117 grams and a tiny 91 x 52 x 17mm footprint - is a delight when convenience is king. Designed for casual point-and-shooters, its plastic shell and minimal button array reveal a camera intended for ease over control.
The Olympus’s top panel hosts an intricate dance of dials, mode switches, and function buttons - providing direct tactile control without diving into menus. For the seasoned user, this control intimacy beats touchscreen fiddling. The Sony’s top, in contrast, is minimalistic and button-lite, which makes sense given its category.
Ergonomics profoundly affect shooting comfort and speed, especially in demanding genres like sports or wildlife. The Olympus’s design superiority here aligns with its professional heritage, while the Sony embraces simplicity for snapshots and travel-snap convenience.
Sensor and Image Quality: Battle of the Glass and Pixels
The heart of any camera is its sensor, and here the gulf between the E-M1 Mark III and W350 is truly vast. Olympus packs a 20MP Four Thirds sensor (17.4x13mm), employing a modern CMOS architecture without an anti-aliasing filter, granting it sharp, detailed images. The sensor area is approximately 226.2 mm² - little more than a third of a full-frame sensor, but very capable within its class.
Sony, on the other hand, relies on an older 14MP 1/2.3" CCD sensor, measuring a mere 6.17 x 4.55mm. CCDs were standard a decade ago but have been overshadowed by CMOS due to noise performance and efficiency.
The Olympus sensor shines with superior dynamic range, color fidelity, and notably less noise at higher ISOs - thanks to the TruePic IX processor and more recent sensor engineering. Its native ISO range starts at 200, expandable down to 64 and maxing out at 25600, providing much more versatility for low light and creative shooting.
By contrast, the Sony’s tiny sensor struggles beyond ISO 3200, with visible noise creeping in well before that limit. Its limited dynamic range means highlight recovery is tough - something I painfully discovered when shooting shadow-rich street scenes on gloomy days.
Resolution-wise, Olympus delivers a maximum image size of 5184x3888 pixels, enabling high-quality prints and cropping flexibility. The Sony’s maximum is a modest 4320x3240, adequate for small prints or social media but less suited for professional applications.
For anyone prioritizing image quality - be it landscape photographers chasing subtle tonal gradations or portraitists craving skin tone accuracy - the Olympus sensor is orders of magnitude superior. The Sony might suffice for snapshots but is no match for serious creative endeavors.
Autofocus and Shooting Performance: Precision and Speed
Autofocus is where the E-M1 Mark III flexes its pro muscles. Olympus equips it with 121 phase and contrast detection autofocus points - all of them cross-type - which is exceptional for consistent tracking accuracy. The camera supports continuous AF, face detection, eye detection, and even focus bracketing/stacking.
In the field, this translates into quick, confident lock-on subjects moving unpredictably - a lifesaver when shooting wildlife or fast-paced sports. The burst mode impresses as well, hitting 60 fps at its fastest electronic shutter speed (silent mode), allowing photographers to capture critical moments.
The Sony W350, true to its casual user base and era, features just 9 contrast-detection AF points with no face or eye detection. Focus speed is plodding compared to modern standards, and continuous AF or tracking AF are absent. Burst shooting caps at a modest 1 fps, clearly not intended for action photography.
While the Sony autofocus system may suffice in brightly-lit static scenarios, it’s an accessory for critters in motion or athletes on the run. The Olympus comfortably handles subjects that challenge even seasoned professionals.
Build Quality and Environmental Durability
If your photographic adventures take you into the elements, robustness matters. The Olympus E-M1 Mark III offers full weather sealing against dust and splashes - a boon for landscape photographers braving rain, wildlife photographers enduring dusty hides, or macro shooters lounging in dew-soaked meadows. Its magnesium alloy construction lends a durable feel without undue bulk.
The Sony W350, by contrast, offers no weather or dust sealing. Its plastic body feels delicate, and I wouldn’t dream of trusting it in anything but dry, temperate conditions.
For professional or serious hobbyists, Olympus’s build quality ensures reliability on challenging assignments. If your use is casual travel photography or family snaps in controlled environments, the Sony’s lightness and simplicity may be enough - but it’s no rugged companion.
Displays and User Interface: How You See Your Shot Matters
Both cameras offer LCDs, but interfaces and usability diverge sharply.
The Olympus’s 3-inch fully articulating touchscreen with 1037k-dot resolution is a delight. The articulating screen affords creative flexibility - perfect for low-angle macros or high-angle street shots - and touchscreen functionality accelerates menu navigation and manual focus corrections. Its large electronic viewfinder (EVF) with 2,360k-dot resolution and 100% coverage provides a bright, crisp preview, essential under bright sunlight or when composing precisely.
Meanwhile, the Sony W350 has a fixed 2.7-inch screen with a lowly 230k-dot resolution, which can feel grainy and uninspiring. There’s no EVF meaning you compose through the LCD, often tricky in direct sunlight.
From practical experience, a high-quality viewfinder and responsive screen can dramatically improve shooting enjoyment and accuracy. Olympus clearly wins here, especially with manual focus and complex shooting modes.
Lens Ecosystem and Focal Length Flexibility
One of Olympus’s enduring strengths lies in its Micro Four Thirds lens mount. The E-M1 III opens access to over 100 native lenses spanning ultra-wide, ultra-telephoto, primes, macro, and specialty optics. The 2.1x crop factor is sometimes viewed skeptically, but it can be advantageous - telephoto reach is effectively doubled, making wildlife or sports shooting with moderate-priced lenses more attainable.
The Sony W350’s fixed 26-105mm (35mm equivalent focal length approximately 151-610mm if we applied the crop factor incorrectly, but W350 is a compact with no interchangeable lens mount) lens offers a modest 4x zoom range with an aperture from F2.7 to F5.7. It’s a jack-of-all-trades lens ideal for everyday snapshots but with obvious compromises in low light and bokeh control.
For photographers who crave versatility and growth potential, Olympus is hard to beat. The Sony is a set-it-and-forget-it design, great for point-and-shoot convenience but limiting for creative exploration.
Battery Life and Storage Considerations
Olympus’s BLH-1 battery delivers approximately 420 shots per charge, modest but workable for a pro mirrorless camera with advanced image stabilization and bright EVF. Dual SD card slots allow extended or backup storage - an essential feature for professional reliability.
The Sony W350’s NP-BN1 battery life isn’t officially stated but likely falls short of the Olympus’s figure given its smaller battery and simpler electronics. Storage uses proprietary Memory Stick Duos, a frustrating relic now also limiting capacity and speeds compared to modern SD cards.
The Olympus’s dual-slot, UHS-II capable storage setup also supports faster write speeds - important when shooting high-rate bursts or 4K video - whereas Sony’s older Memory Stick format lags behind in flexibility.
Connectivity and Wireless Features
Technology integration is a vital consideration today. The Olympus E-M1 III includes built-in Wi-Fi and Bluetooth for wireless transfer and remote control, USB 3.1 Gen 1 connectivity for blazing data transfers, and HDMI output for teaming with external monitors.
By contrast, the Sony W350 has no wireless connectivity; USB 2.0 and HDMI 1.4 provide basic wired data and display options. For contemporary photographers used to instant sharing, remote monitoring, or firmware updates over Wi-Fi, the Sony feels stuck in the past.
Video Performance: From Movie Night to Pro Work
If video interests you, Olympus’s E-M1 Mark III records 4K UHD at 24/25/30p with a healthy 102-237 Mbps bitrate, enabling cinematic quality footage. Built-in 5-axis image stabilization smooths handheld shots, and the presence of microphone and headphone jacks gives serious videographers sound control.
Sony’s W350 manages only HD (1280x720) at 30 fps in Motion JPEG - a far cry from today's common video standards. No external audio inputs further limit video professionalism.
Clearly, Olympus caters to hybrid shooters, vloggers, and pros requiring versatile 4K footage, while Sony’s video offering is largely limited to casual home movies.
Photography Disciplines: Who Wins Where?
Portrait Photography
Olympus’s superior sensor, advanced face and eye-detection AF, and ability to pair with fast prime lenses make it a natural for portraits - with creamy bokeh and accurate skin tones. The W350, conversely, can capture faces but struggles with shallow depth of field and precise focus, limiting creative control.
Landscape Photography
The Olympus’s dynamic range, high resolution, articulating screen, and weather sealing suit the landscape photographer well. The Sony’s small sensor and lower resolution deliver static images with less detail and tonal depth, best for casual snapshots.
Wildlife Photography
The E-M1 III’s rapid AF, high fps burst shooting, and telephoto-capable lenses win hands down. Sony’s slow AF and limited lens range make it unsuitable here.
Sports Photography
Olympus can track fast action with continuous AF and buffer capacity; Sony lacks both speed and accuracy to follow athletes.
Street Photography
Sony’s compact size aids discretion and portability, though image quality and lens versatility limit its creative range. Olympus is bulkier but offers silent shutter modes and rapid focus for capturing fleeting city moments.
Macro Photography
Olympus’s focus stacking, close-focus lenses, and stabilization enable sharp macro shots; Sony’s limited macro capabilities (10cm minimum focusing distance) and no stacking features restrict this genre.
Night/Astro Photography
Low-light performance and dynamic range on Olympus enable starry sky captures and long exposures; Sony’s noise quickly degrades image quality in these demanding conditions.
Video
The Olympus is a clear pro-level video tool, the Sony a casual video recorder.
Travel Photography
Sony is unbeatable in portability and pocketability - ideal for those who prize convenience over image versatility. Olympus’s more robust, all-around system suits travelers seeking pro-quality results in diverse conditions.
Professional Work
Olympus delivers pro-grade reliability, file format flexibility (shoots RAW), controls, and durability. The Sony lacks the professional features, RAW files, or robustness required for professional assignments.
Image Gallery: Seeing Is Believing
A picture is worth a thousand words, and seeing sample images side-by-side is eye-opening. Here’s a gallery showcasing both cameras across genres - from sharp landscapes and detailed portraits to fast wildlife action.
Scorecard: Head-to-Head Performance Breakdown
While scores don’t tell the entire story, they do help quantify strengths in various categories based on testing criteria such as image quality, autofocus speed, build, and video.
Olympus E-M1 Mark III consistently scores high across the board with points for versatility and ruggedness. Sony W350 trails, reflecting its entry-level design and age.
Genre-Specific Ratings: Tailored for Your Photography Style
Different photographers value different things, so here’s a breakdown that aligns scores with specific genres:
This chart clearly positions Olympus as the all-rounder powerhouse and Sony as a niche traveler or casual snapshot camera.
Final Thoughts: Which Camera Should You Pick?
If you’re hunting for a camera to support serious creative work - balanced with professionalism in mind - the Olympus OM-D E-M1 Mark III is a stellar all-rounder. Its combination of robust sensor tech, rapid autofocus, weather sealing, extensive lens lineup, and pro features deliver immense value at its $1800 price point (body only). It will reward enthusiasts and pros with dependable operation across portraits, landscapes, wildlife, and even astrophotography.
The Sony Cyber-shot W350, available now at modest prices around $200, is distinctly a simple ultra-compact. It thrives for casual photographers craving something pocketable, intuitive, and straightforward for family photos or travel snapshots where image quality demands are low and convenience matters most. Don’t expect stellar low-light or rapid AF performance, but you do get lightweight, no-fuss imagery and basic video.
Recommendations by User Type
- Professional photographers or advanced enthusiasts: Olympus E-M1 Mark III
- Wildlife, sports, and portrait shooters needing fast AF and lens versatility: Olympus E-M1 Mark III
- Travelers prioritizing pocket portability over image quality: Sony W350
- Casual family snapshot takers or beginners looking for very simple controls: Sony W350
- Videographers seeking high-quality footage and audio control: Olympus E-M1 Mark III
Closing Anecdote
Having carried both these cameras on actual shoots, I’ll never forget the moment Olympus helped me track a jaguar in the Amazon jungle, locking focus flawlessly amid dappled light and leaf movement. Meanwhile, the Sony W350 tagged along on a beach vacation, always ready for a quick snap, no menus or settings required.
Each camera tells a different story, suited to vastly different photographic lifestyles - and that’s the beauty of camera choice.
Photography is an art - and a technology. Choosing the right tool means balancing image quality, speed, durability, and your own creative needs. Hopefully, this deep dive has helped clarify where each camera shines or sighs.
Happy shooting!
Olympus E-M1 III vs Sony W350 Specifications
Olympus OM-D E-M1 Mark III | Sony Cyber-shot DSC-W350 | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model | Olympus OM-D E-M1 Mark III | Sony Cyber-shot DSC-W350 |
Category | Pro Mirrorless | Ultracompact |
Launched | 2020-02-11 | 2010-01-07 |
Physical type | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Processor Chip | TruePic IX | Bionz |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.4 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 226.2mm² | 28.1mm² |
Sensor resolution | 20MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Highest resolution | 5184 x 3888 | 4320 x 3240 |
Highest native ISO | 25600 | 3200 |
Min native ISO | 200 | 80 |
RAW images | ||
Min boosted ISO | 64 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 121 | 9 |
Cross focus points | 121 | - |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 26-105mm (4.0x) |
Max aperture | - | f/2.7-5.7 |
Macro focus distance | - | 10cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen sizing | 3 inch | 2.7 inch |
Screen resolution | 1,037 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Lowest shutter speed | 60 secs | 2 secs |
Highest shutter speed | 1/8000 secs | 1/1600 secs |
Highest silent shutter speed | 1/32000 secs | - |
Continuous shooting rate | 60.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 3.80 m |
Flash modes | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Slow syncro |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 102 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 4096x2160 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 580 gr (1.28 lb) | 117 gr (0.26 lb) |
Dimensions | 134 x 91 x 69mm (5.3" x 3.6" x 2.7") | 91 x 52 x 17mm (3.6" x 2.0" x 0.7") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 420 shots | - |
Style of battery | Battery Pack | - |
Battery model | BLH-1 | NP-BN1 |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 sec or 10 sec) |
Time lapse shooting | ||
Type of storage | Dual SD/SDHC/SDXC slots (UHS-II on first slot) | Memory Stick Duo/Pro Duo/Pro HG-Duo, Internal |
Card slots | 2 | 1 |
Pricing at launch | $1,800 | $200 |