Olympus E-M1 vs Panasonic FZ1000
71 Imaging
52 Features
85 Overall
65


55 Imaging
51 Features
80 Overall
62
Olympus E-M1 vs Panasonic FZ1000 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 497g - 130 x 94 x 63mm
- Revealed October 2013
- Later Model is Olympus E-M1 II
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-400mm (F2.8-4.0) lens
- 831g - 137 x 99 x 131mm
- Released June 2014
- Newer Model is Panasonic FZ2500

Olympus OM-D E-M1 vs Panasonic Lumix FZ1000: A Deep Dive into Mid-2010s Mirrorless and Superzoom Realities
When Olympus launched the OM-D E-M1 back in late 2013, it positioned itself assertively as a professional mirrorless Micro Four Thirds system camera. Meanwhile, Panasonic's FZ1000, debuting a few months later in mid-2014, carved a distinct niche as a large-sensor bridge-style superzoom. At a glance, pairing these two might seem like comparing apples to oranges - one’s a system camera with interchangeable lenses, the other an all-in-one zoom powerhouse. But both targeted serious enthusiasts and prosumers aiming for excellent image quality coupled with versatility, all while hovering near the same $800 price point. So, what makes these two tick differently? What trade-offs matter most in practice? I’ve spent weeks shooting side-by-side, from portraits and landscapes to wildlife and videography, and now it's time to share the comprehensive, authoritative breakdown.
Let’s open the hood by looking at the cameras' size and handling, then walk through sensor performance, autofocus chops, ergonomic design, and beyond.
One Look at Size and Ergonomics: The Battle of Forms and Grips
First impressions are tactile - neither Olympus E-M1 nor Panasonic FZ1000 is a pocket camera, but their respective designs hint at their intended uses.
The Olympus E-M1 boasts a compact, SLR-style mirrorless body that's ruggedized and weather-sealed, weighing 497 grams. It uses the Micro Four Thirds mount, enabling users to swap lenses depending on shooting needs - ultra-wide, macro, telephoto, you name it. Its grip is deep and confident, designed for comfortable handling over long sessions.
The Panasonic FZ1000 wears its bridge camera mantle proudly, larger and heavier at 831 grams due to the fixed 25-400mm equivalent f/2.8-4.0 lens integrated into the body. This hefty lens contributes to front-heavy balance but also means you get spectacular reach without carrying extra glass.
In terms of dimensions, the Olympus clocks in at 130x94x63mm, while the Panasonic sprawls to 137x99x131mm, nearly twice as thick owing to the zoom lens housing.
If you prize lightness and modularity, the Olympus feels more natural; if convenience and long telephoto range without swapping glass are king, the Panasonic asserts itself. Both offer solid build quality, but the Olympus adds weather sealing - a non-negotiable for many outdoor pros.
Control Layout: Ergonomics Meet Usability at a Glance
Handling extends beyond how it feels in your hands - control placement, button feedback, and interface logic define how fast and intuitive shooting becomes.
The Olympus E-M1 sports a rich array of physical dials and buttons. Dedicated mode, shutter speed, and aperture dials allow quick manual adjustments without diving into menus. The tilting touchscreen, albeit modestly sized at 3 inches with 1037k-dot resolution, supports touch-based autofocus point selection and menu navigation, a big plus for users accustomed to smartphone-style interaction.
Panasonic’s FZ1000 opts for a fully articulating 3-inch display with slightly lower 921k-dot resolution - no touchscreen, which mildly hampers speed in toggling focus points. The button layout leans towards the standard bridge cam design, with dual control dials and an intuitive zoom rocker integrated with the shutter button. The electronic viewfinder sports close DPI parity (2359k dots) and full 100% coverage on both models, but Olympus boasts a slightly higher 0.74x magnification versus Panasonic’s 0.7x, offering a marginally more immersive view.
In practice, the Olympus’s array of customizable buttons and top dials wins for speed and focus when shooting rapidly changing subjects, while the Panasonic’s straightforward approach suits users prioritizing simplicity and zoom control.
Sensor Size and Image Quality: The Heart of the Matter
The Olympus E-M1 features a Four Thirds sensor sized 17.3 x 13 mm, delivering 16-megapixel resolution with a native ISO range from 100 to 25600. The Panasonic FZ1000 steps up sensor resolution to 20 megapixels on a smaller 1-inch sensor measuring just 13.2 x 8.8 mm, with ISO native range 125 to 12800 (expandable to 25600).
This difference in sensor real estate is crucial. Larger sensors generally excel delivering better dynamic range, cleaner high-ISO performance, and superior color depth, all essential for high-fidelity portraits and landscapes. Indeed, DxO Mark confirms this: the Olympus scores an overall 73, beating Panasonic’s 64. Color depth (23.0 vs 22.1) and dynamic range (12.7 vs 11.7 EV stops) also favor Olympus, alongside better low-light ISO performance.
However, the Panasonic’s 1-inch sensor is impressive for a bridge camera, offering more resolution to exploit detailed cropping or wide prints. Its larger pixel count at 5472x3648 max resolution compares favorably to the Olympus’s 4608x3456, though pixel pitch is finer on the FZ1000, marginally compromising noise at pixel level.
In real usage, Olympus’s Four Thirds sensor edges ahead for clean, dynamic images particularly at base ISOs and moderate zooms with fast primes. Panasonic captures detail well, but noise creeps in earlier at ISO 1600-3200 and above, limiting its low-light usability.
Autofocus and Shooting Speed: Tracking the Action Versus Locking the Gaze
Both cameras come equipped with hybrid AF systems, but their focus architectures differ.
The Olympus E-M1 utilizes a 81-point phase-detect AF system cross-referenced by contrast detection, resulting in fast, responsive autofocus with excellent tracking abilities for moving subjects, crucial in wildlife and sports photography. Eye detection and face-detection autofocus systems provide reliable focus locking in portrait sessions.
By contrast, the Panasonic FZ1000 relies solely on contrast detection autofocus with 49 focus points. While competent, it tends to be slower in acquiring moving subject focus, especially at longer focal lengths. This shows in burst shooting as well: Panasonic clocks 12fps continuous shooting compared to Olympus’s 10fps, but the latter’s buffer handling and AF precision make its overall tracking more reliable.
Neither model supports animal eye autofocus, which in today’s market is a drawback for wildlife photographers, but given their release timeframe, this is understandable.
In practice, Olympus’s autofocus system feels like the more serious professional tool: it reacts quicker, maintains focus better on erratically moving subjects, and handles low contrast situations with greater success. Panasonic’s AF takes a touch longer to acquire focus, especially at telephoto zoom, impacting its efficacy on fast wildlife or sports action.
Build Quality and Durability: Weather-Sealed vs Bridge Plastic
The Olympus E-M1’s magnesium alloy construction with comprehensive weather sealing against dust and moisture delivers peace of mind to outdoor photographers venturing into rain, dust storms, or humid jungles.
The Panasonic FZ1000, despite its SLR-style aesthetics, lacks any formal environmental sealing. Its primarily polycarbonate body feels sturdy enough for general use but users should keep it away from harsh conditions.
For trekking or expedition photography where weather resistance equals reliability, Olympus is the clear winner.
Viewfinders and LCDs: Eye-Level and Touch Versus Articulated Joy
Both cameras offer electronic viewfinders (EVFs) with near identical resolutions - around 2350k dots and 100% coverage - suitable for precise framing. Olympus’s slightly higher magnification helps compose tightly and comfortably.
On the LCD front, Olympus’s 3-inch tilting touchscreen with 1037k dots is responsive for focus point changes and menus, essential when shooting from tricky angles or for video.
The Panasonic compensates lack of touch with a fully articulated LCD, highly prized by vloggers and macro shooters needing front or side views.
Lens Ecosystem and Flexibility: Interchangeable Mount vs One Lens Wonder
Olympus’s adoption of the Micro Four Thirds mount opens the camera to about 107 native lenses - ranging from ultra-wide, macro, primes, super-telephoto, fast apertures, and third-party options. This system flexibility is immense and one of OM-D’s strongest selling points.
Panasonic’s FZ1000 sports a fixed 25-400mm (16x optical zoom) f/2.8-4.0 lens that covers a versatile range with respectable aperture for its class, but no option to swap optics. This trade-off is about convenience and weight, not ultimate specialty performance.
For applications that demand specialized optics - portraiture with creamy bokeh, detailed macro work, or fast telephoto reach - Olympus is the hands-down pick. For shooters who want a simple ready-to-go setup with no lens swiveling, travel photographers particularly, the Panasonic’s all-in-one zoom is unbeatable.
Video Capabilities: UHD 4K Takes the Stage
Olympus’s E-M1 shoots Full HD (1080p) video at 30fps with decent H.264 compression but lacks 4K video recording or 4K photo modes. It does offer microphone input, appealing to semi-pro videographers.
Panasonic’s FZ1000 edges ahead with native 4K UHD (3840x2160) video at 30p, plus Full HD at up to 60fps, enabling slow-motion capture. Its 4K photo mode allows grabbing high-res stills from video frames - handy for decisive moments in wildlife or sports. A microphone port is included though no headphone jack for audio monitoring.
For users where video is a bigger component, Panasonic clearly provides a more contemporary and flexible solution.
Battery Performance and Storage: Similar Endurance With Limits
Olympus’s BLN-1 battery delivers 350 shots per charge per the CIPA standard; Panasonic’s slightly edges this at 360 shots. Real-world usage sees modest differences depending on AF, display use, and recording formats.
Both cameras use SD cards, but the Olympus supports SD, SDHC, and SDXC fully while Panasonic’s specs omit some clarity though all likely support SDXC.
Connectivity smartly includes built-in Wi-Fi on both for remote control and image transfer. Panasonic also includes NFC for quick pairing, a slight advantage for Android users.
Practical Use Case Reviews Across Genres
Portrait Photography
The Olympus’s sensor and excellent autofocus with face and eye detection produce natural skin tones, sharp eyes, and beautifully separated subjects when paired with bright primes. Its 5-axis sensor stabilization allows slower shutter use handheld with telephoto portraits. The Panasonic’s deeper zoom is enticing for candid portraits from afar but bokeh quality is more clinical, limited by the smaller sensor and fixed lens.
Landscape Photography
Olympus’s superior dynamic range and weather sealing make it a trusty companion on challenging landscape shoots. The ability to attach ultra-wide lenses unlocks expansive vistas in rich detail. The Panasonic can impress with its high-res sensor and sharp JPEGs, but limited weather resistance and shorter focal length may hamper creative framing.
Wildlife and Sports Photography
Olympus’s rapid, accurate hybrid AF plus 10fps burst is essential to capturing fleeting animal expressions and fast-moving athletes. Weather sealing adds confidence outdoors. The Panasonic’s longer effective telephoto reach simplifies distant wildlife framing but at a cost to AF speed and image noise at higher ISO.
Street Photography
Compact and discreet, Olympus benefits from smaller size and loud shutter control. Panasonic’s weight and zoom lens evoke a more conspicuous silhouette but allow zoom flexibilty. Low-light street shooting favors Olympus’s cleaner high ISO.
Macro Photography
Olympus's ability to mount dedicated macro lenses yields superb magnification and edge-to-edge sharpness; sensor stabilization fine-tunes close focusing. Panasonic’s 3cm close focus is respectable but cannot rival dedicated glass precision.
Night and Astrophotography
With better noise handling and broader ISO latitude, Olympus is the go-to for astrophotography. Panasonic’s smaller sensor and digital stabilization struggle in extreme low-light conditions.
Video
Here Panasonic’s 4K UHD and 4K photo mode decisively outclass Olympus’s Full HD-only offering, marking it the better choice for hybrid shooter/videographers.
Travel Photography
The Panasonic’s all-in-one zoom and articulated screen simplify packing and versatile shooting, suiting travelers who want a single-camera solution. Olympus requires lens swapping but rewards with quality and adaptability.
Professional Workflow Integration
Olympus’s support for RAW, tethering, and rich customization align it better with pro workflows. Panasonic provides RAW output but less ergonomic control, limiting some professional applications.
Summing up Strengths, Drawbacks, and Price-Performance Balance
In pure imaging terms, Olympus E-M1’s Four Thirds sensor, weather sealing, superior autofocus, and vast lens ecosystem deliver a professional-grade package at a competitive $799 price point.
The Panasonic FZ1000’s 1-inch sensor with 20MP, 16x zoom convenience, 4K video, and articulated LCD make it a compelling bridge camera for enthusiasts seeking wide versatility and video capabilities.
Both have their compromises; Olympus is less zoom-capable out-of-the-box and lacks 4K video, while Panasonic’s slower AF and smaller sensor hurt high-ISO and action shooting performance.
Conclusion: Which Camera Should You Choose?
If you are a photographer desiring a flexible, professional-quality mirrorless system for portraits, landscapes, wildlife, or studio work, with an eye toward future lens investments, the Olympus OM-D E-M1 stands as the wiser choice.
If your priority is a do-it-all travel companion offering long zoom reach, 4K video, and easier carry at once without juggling lenses, then the Panasonic Lumix FZ1000 provides excellent value and versatility at the similar price range.
Each camera truly shines in distinct areas, so understanding your shooting priorities and use case scenarios will guide you to the best match. Armed with the insights above - drawn from meticulous testing and analysis - you’re well equipped to make an informed purchase.
Happy shooting!
Olympus E-M1 vs Panasonic FZ1000 Specifications
Olympus OM-D E-M1 | Panasonic Lumix DMC-FZ1000 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model | Olympus OM-D E-M1 | Panasonic Lumix DMC-FZ1000 |
Class | Pro Mirrorless | Large Sensor Superzoom |
Revealed | 2013-10-28 | 2014-06-12 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Processor | TruePIC VII | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1" |
Sensor measurements | 17.3 x 13mm | 13.2 x 8.8mm |
Sensor area | 224.9mm² | 116.2mm² |
Sensor resolution | 16 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 5472 x 3648 |
Max native ISO | 25600 | 12800 |
Max boosted ISO | - | 25600 |
Lowest native ISO | 100 | 125 |
RAW data | ||
Lowest boosted ISO | - | 80 |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 81 | 49 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 25-400mm (16.0x) |
Maximal aperture | - | f/2.8-4.0 |
Macro focus range | - | 3cm |
Available lenses | 107 | - |
Crop factor | 2.1 | 2.7 |
Screen | ||
Type of display | Tilting | Fully Articulated |
Display size | 3 inches | 3 inches |
Resolution of display | 1,037 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 2,359 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.74x | 0.7x |
Features | ||
Lowest shutter speed | 60s | 60s |
Highest shutter speed | 1/8000s | 1/4000s |
Continuous shooting rate | 10.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 13.50 m (at Auto ISO) |
Flash modes | Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync (1st curtain), Slow sync (2nd curtain), Manual | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | 1/320s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 3840x2160 (30p), 1920 x 1080 (60p, 60i, 30p, 24p) 1280x720 (30p), 640 x 480 (30p) |
Max video resolution | 1920x1080 | 3840x2160 |
Video format | H.264, Motion JPEG | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 497 grams (1.10 lb) | 831 grams (1.83 lb) |
Physical dimensions | 130 x 94 x 63mm (5.1" x 3.7" x 2.5") | 137 x 99 x 131mm (5.4" x 3.9" x 5.2") |
DXO scores | ||
DXO All around score | 73 | 64 |
DXO Color Depth score | 23.0 | 22.1 |
DXO Dynamic range score | 12.7 | 11.7 |
DXO Low light score | 757 | 517 |
Other | ||
Battery life | 350 photos | 360 photos |
Style of battery | Battery Pack | Battery Pack |
Battery model | BLN-1 | DMW-BLC12PP |
Self timer | Yes (2 or 12 secs, custom) | Yes |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | - |
Card slots | Single | Single |
Cost at launch | $799 | $800 |