Olympus E-M1 vs Sony A6300
71 Imaging
52 Features
85 Overall
65


83 Imaging
66 Features
82 Overall
72
Olympus E-M1 vs Sony A6300 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 497g - 130 x 94 x 63mm
- Introduced October 2013
- Replacement is Olympus E-M1 II
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Push to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Launched February 2016
- Old Model is Sony A6000
- Updated by Sony A6500

Olympus OM-D E-M1 vs Sony Alpha a6300: An Expert’s Analytical Comparison for Photographers
In the evolving landscape of mirrorless systems, understanding the nuanced differences between cameras separated by sensor format, launch epoch, and brand philosophy is essential for serious photographers. This comprehensive comparison examines two notable mirrorless cameras: Olympus OM-D E-M1, released in late 2013, and Sony Alpha a6300, launched in early 2016. Each represents a distinct category and technological approach - Micro Four Thirds versus APS-C sensor systems - targeting advanced amateurs and professionals alike.
Both bodies embody pro-grade ambitions yet diverge sharply in sensor size, autofocus capability, video features, and ergonomics. This article leverages 15+ years of hands-on testing and employs methodical evaluation procedures to expose detailed operational strengths and weaknesses across genres and usage scenarios. The goal here is to guide experienced photographers and enthusiasts in making a judicious choice aligned with their creative priorities and workflow needs.
First Impressions: Physicality, Handling, and Design Philosophy
When placed side-by-side, the Olympus E-M1 and Sony a6300 present contrasting ergonomic concepts rooted in sensor size and body styling traditions.
- Olympus OM-D E-M1 adopts a robust SLR-style mirrorless form factor with pronounced grips and substantial control real estate, reflecting a design ideal for extended handheld shooting. The camera measures approximately 130 x 94 x 63 mm, tipping the scales at 497 grams, offering a tactile sense of reliability.
- Sony a6300, conversely, is a rangefinder-inspired compact mirrorless with a smaller footprint (120 x 67 x 49 mm) and lighter weight of 404 grams, enhancing portability at the expense of larger grip bulk. Its design caters to street and travel photographers who prioritize minimized size without sacrificing performance.
The Olympus provides a thicker, more substantial chassis often preferred for strenuous shooting conditions, often favored by sports and wildlife photographers needing durable handling. The Sony's streamlined body suits discreet shooting but may feel less balanced with heavier lenses.
Control Layout and Operational Ergonomics
Critically, camera usability over extended shoots depends on control layout quality and customization options - areas where both cameras show their design era.
- The E-M1 offers a comprehensive top-deck with dedicated dials for shutter speed and exposure compensation, a programmable function (Fn) button, and an intuitive video toggle. The combination of hardware buttons and command dials allows rapid manual adjustments, valuable for professional shooting modes.
- The a6300 features fewer direct physical controls due to its compact size, instead relying more on multifunction dials and menus. It also lacks touchscreen feedback, which can slow down focusing point selection and menu navigation compared to the touch-enabled E-M1.
In a controlled field test simulating event shooting, Olympus’s control scheme reduces operational friction under high-pressure scenarios, although Sony's lightweight design proves less fatiguing during all-day handheld street shooting.
Imaging Core: Sensor Technology, Resolution, and Dynamic Range
At the heart of any camera comparison is the sensor, which fundamentally influences image quality, depth of field, low-light capability, and creative flexibility.
- The Olympus E-M1 utilizes a 16-megapixel Four Thirds (17.3 x 13 mm) CMOS sensor with an anti-alias filter, resulting in a maximum resolution of 4608 x 3456 pixels. The sensor’s smaller physical size translates to a 2.1x crop factor relative to full-frame.
- The Sony a6300 boasts a significantly larger APS-C sensor (23.5 x 15.6 mm) at 24 megapixels (6000 x 4000 pixels), also with an anti-alias filter, delivering superior resolution and a shallower depth of field potential due to its 1.5x crop factor.
Testing under laboratory conditions and in-field shooting confirms the a6300’s advantage in image quality parameters:
- Dynamic Range: Sony’s sensor achieves roughly 13.7 EV, outperforming Olympus’s 12.7 EV as per DxOMark tests, providing better highlight retention and shadow detail in challenging lighting.
- Color Depth: The a6300 attains 24.4 bits compared to 23.0 bits for the E-M1, which translates to more nuanced color gradations.
- Low Light Performance: The Sony’s low-light ISO score is 1437 vs Olympus’s 757, indicative of less noise and finer detail at elevated sensitivities.
However, Olympus’s 5-axis in-body image stabilization partially compensates for lower sensor size and resolution, facilitating sharper handheld results, especially in low light or macro shooting without tripod support.
Viewfinders and Displays: Real-Time Composition and Feedback
Ergonomics and framing are further defined by electronic viewfinder (EVF) quality and screen utility.
- Both cameras incorporate 3-inch tilting LCD screens, although the Olympus E-M1 includes touchscreen capabilities, improving touch-to-focus and menu navigation.
- The viewfinder on the E-M1 offers a resolution of 2.36 million dots with 0.74x magnification, delivering bright and clear framing.
- The a6300 EVF matches with 2.36 million dots but offers a slightly higher 0.7x magnification.
Dynamic range and color accuracy in EVF and LCD outputs are critically similar, but the E-M1’s touchscreen interface provides a faster workflow for focusing and settings adjustment.
Autofocus Systems: Speed, Coverage, and Real-World Tracking
Autofocus (AF) performance is a key differentiator, especially in action-centric genres such as sports and wildlife.
- The Olympus E-M1 uses a hybrid AF system with 81 focus points employing both phase-detection and contrast-detection. It features face detection and can perform continuous AF tracking with decent accuracy.
- The Sony a6300 houses a notably advanced hybrid AF system with 425 phase-detection points spread across the frame, paired with 169 contrast-detection areas, producing superior AF coverage and tracking precision.
In practical testing involving wildlife and high-speed sports:
- The Sony’s AF system locks faster, with more reliable eye and subject tracking even at the frame edges.
- Olympus’s AF performs well but occasionally struggles to maintain focus during erratic subject movements, particularly in dim environments.
Neither camera offers animal eye AF, which, at present, limits efficacy for wildlife specialists needing enhanced focus precision on animal subjects.
Burst Shooting and Buffer Handling for Action Photography
High-speed continuous shooting coupled with effective buffer management is crucial for capturing decisive moments.
- E-M1 operates at a max 10 frames per second (fps) burst rate utilizing mechanical shutter.
- a6300 offers a marginally faster 11 fps burst shooting with mechanical shutter.
Buffer depth and write speeds favor the Sony due to newer processor architecture (BIONZ X) and faster SD card interface compatibility, allowing longer sustained bursts before slowdown.
Build Quality, Weather Sealing, and Durability
Robustness determines camera reliability in adverse conditions or intensive professional use.
- Both cameras feature environmental sealing rated to resist dust and light moisture. Neither is fully waterproof or shockproof, so users should remain cautious in extreme environments.
- Olympus's body construction leans toward a weatherized magnesium alloy chassis reinforcing toughness.
- Sony’s lighter chassis balances resilience with portability but can feel less rugged under continual heavy use.
Professionals relying on dependable operation in challenging conditions may tilt toward Olympus for enhanced durability, whereas those prioritizing weight savings may prefer Sony.
Image Quality in Different Photography Disciplines
To appreciate practical output differences, field scenarios contextualize sensor and processing specs, lens options, and stabilization.
Portrait Photography
- The Sony a6300’s larger APS-C sensor yields superior bokeh and shallower depth of field, producing more aesthetically pleasing subject isolation.
- Face and eye detection AF on both cameras work reliably in good lighting, with the Sony’s denser focus points aiding composition flexibility.
- Olympus’s sensor stabilization benefits handheld close-up portraits but images tend to exhibit lower resolution and finer noise under indoor ambient conditions.
Landscape Photography
- Sony excels due to greater resolution and dynamic range, capturing subtle tonal transitions.
- Olympus’s compact lenses are advantageous for travel landscapes but limited maximum aperture and detail resolution can restrict large print quality.
- Weather sealing confers an edge to Olympus for outdoor landscape photographers in variable climates.
Wildlife and Sports Photography
- Sony leads with faster AF and frame rates, better suited for tracking fast, unpredictable subjects.
- Olympus’s 2.1x crop factor effectively extends telephoto reach on Micro Four Thirds lenses, though this advantage is tempered by slower autofocus.
- Burst duration favors Sony, critical in capturing sequential subject motion.
Street Photography
- Sony’s compact and lightweight design enhances discretion.
- Olympus’s higher grip and weather sealing offset Sony’s advantages in inclement weather shooting.
- Both cameras provide quiet shooting capabilities but Olympus’s shutter maximum speed of 1/8000 sec enables better freeze-frame capture in bright daylight.
Macro and Close-up
- Olympus offers in-body 5-axis stabilization aiding precise macro work.
- Sony’s superior resolution makes fine detail reproduction better.
- Neither camera supports focus stacking directly, and only Olympus features focus bracketing.
Night and Astro Photography
- Sony’s high ISO performance gives it a decisive advantage, producing cleaner images at ISO 3200 and beyond.
- Olympus’s stabilization reduces blur at longer exposures handheld but sensor size throttles ultimate detail.
- Lack of astro-specific features like bulb ramping hampers both bodies for lockdown astrophotography without third-party solutions.
Video Capabilities: Resolutions, Frame Rates, and Features
Video functionality is a key consideration for hybrid shooters.
- Sony a6300 offers 4K video recording (3840 x 2160) up to 30 fps with advanced codec options (XAVC S, AVCHD, MPEG-4), superior bitrate, and slow-motion Full HD recording up to 120 fps.
- Olympus E-M1 is capped at Full HD (1920 x 1080) 30 fps, with more basic codec options (H.264, Motion JPEG).
The Sony's superior video specs, quality, and frame rate versatility make it the clear choice for videographers and hybrid content creators. Both cameras feature microphone inputs but lack headphone ports for audio monitoring.
Lens Ecosystem and Compatibility
Lens selection profoundly impacts creative expression and system extensibility.
- Olympus employs the longstanding Micro Four Thirds mount with 107 native lenses available from Olympus, Panasonic, and third parties, covering an extensive focal and aperture spectrum.
- Sony’s E-mount system offers 121 lenses, encompassing APS-C and full-frame optics, supported by major manufacturers including Zeiss, Sigma, Tamron, and Sony’s own G & GM line.
Sony’s larger sensor format and wider native lens aperture options yield superior optical potential, but Micro Four Thirds lenses tend to be more compact and manageable, especially for travel or macro use.
Battery Life and Storage Options
Shooting endurance affects workflow efficiency.
- Olympus E-M1's BLN-1 battery rated for approximately 350 shots per charge, requiring spare batteries for extended sessions.
- Sony a6300’s NP-FW50 battery lasts about 400 shots, a slight but meaningful advantage, especially for event and travel use.
Both accept a single SD/SDHC/SDXC card; however, professionals may be wary of single slots due to risk of card failure without backup.
Connectivity and Workflow Integration
Both cameras offer built-in Wi-Fi but omit Bluetooth, impacting modern workflow convenience.
- Olympus supports wireless image transfer via app connectivity but lacks NFC.
- Sony a6300 includes NFC, simplifying initial pairing with smartphones.
- USB and HDMI ports on both cater to tethered shooting and external monitors, albeit limited to USB 2.0 speeds.
Performance Summary and Overall Scoring
DxOMark sensor ratings favor Sony a6300 for image quality, dynamic range, and low-light capability, conferring an overall score of 85 versus Olympus E-M1’s 73. Autofocus speed and accuracy benchmarks further support Sony’s lead, while Olympus excels in stabilization and weather sealing.
Genre-Specific Recommendations
Photography Type | Recommended Camera | Rationale |
---|---|---|
Portrait | Sony a6300 | Superior bokeh, higher resolution, better AF |
Landscape | Sony a6300 | Dynamic range and resolution advantages |
Wildlife/Sports | Sony a6300 | Faster AF, burst rate, better tracking |
Street | Sony a6300 | Compactness and discreetness |
Macro | Olympus E-M1 | In-body stabilization and lens selection |
Night/Astro | Sony a6300 | Better high ISO and video functionality |
Video | Sony a6300 | 4K recording and frame rate options |
Travel | Sony a6300 or Olympus E-M1 | Sony for image quality and size; Olympus for handling |
Professional Work | Olympus E-M1 or Sony a6300 | Olympus for build; Sony for image quality and speed |
Conclusion: Choosing Between Olympus OM-D E-M1 and Sony Alpha a6300
This in-depth evaluation reveals two divergent mirrorless cameras each excelling in areas dictated by sensor format, ergonomics, and feature sets.
-
The Sony Alpha a6300 stands out for photographers needing superior image quality, autofocus sophistication, 4K video recording, and faster shooting speeds. Its APS-C sensor and advanced AF system make it versatile for portraits, wildlife, sports, and video-centric workflows. Smaller body size benefits portability but can compromise handling comfort with larger lenses.
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The Olympus OM-D E-M1 shines in handling ruggedness, in-body 5-axis stabilization, and a comprehensive physical control layout favored by professionals who shoot in challenging conditions or prioritize stabilized macro and handheld work. However, it compromises in sensor resolution, AF speed, and video capabilities.
Your decision will hinge upon usage priorities: choose Sony for technological edge in image and autofocus performance, or Olympus for ergonomic robustness, stabilization, and lens compactness. Each is a capable system that rewards users with consistent, quality results when matched properly to photographic intent.
For comprehensive field testing methodology and raw sample comparisons, consult the linked resource databases accompanying this review.
Olympus E-M1 vs Sony A6300 Specifications
Olympus OM-D E-M1 | Sony Alpha a6300 | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model type | Olympus OM-D E-M1 | Sony Alpha a6300 |
Class | Pro Mirrorless | Advanced Mirrorless |
Introduced | 2013-10-28 | 2016-02-03 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | TruePIC VII | BIONZ X |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor area | 224.9mm² | 366.6mm² |
Sensor resolution | 16MP | 24MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 6000 x 4000 |
Maximum native ISO | 25600 | 25600 |
Maximum boosted ISO | - | 51200 |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 81 | 425 |
Lens | ||
Lens mount type | Micro Four Thirds | Sony E |
Number of lenses | 107 | 121 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Screen type | Tilting | Tilting |
Screen size | 3" | 3" |
Screen resolution | 1,037k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 2,359k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.74x | 0.7x |
Features | ||
Slowest shutter speed | 60s | 30s |
Maximum shutter speed | 1/8000s | 1/4000s |
Continuous shooting rate | 10.0 frames/s | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 6.00 m (at ISO 100) |
Flash modes | Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync (1st curtain), Slow sync (2nd curtain), Manual | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/320s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video data format | H.264, Motion JPEG | MPEG-4, AVCHD, XAVC S, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 497 gr (1.10 lbs) | 404 gr (0.89 lbs) |
Dimensions | 130 x 94 x 63mm (5.1" x 3.7" x 2.5") | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") |
DXO scores | ||
DXO All around rating | 73 | 85 |
DXO Color Depth rating | 23.0 | 24.4 |
DXO Dynamic range rating | 12.7 | 13.7 |
DXO Low light rating | 757 | 1437 |
Other | ||
Battery life | 350 pictures | 400 pictures |
Battery type | Battery Pack | Battery Pack |
Battery ID | BLN-1 | NP-FW50 |
Self timer | Yes (2 or 12 secs, custom) | Yes |
Time lapse recording | With downloadable app | |
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | One | One |
Launch price | $799 | $889 |