Olympus E-M10 II vs Sony H20
82 Imaging
53 Features
77 Overall
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87 Imaging
33 Features
29 Overall
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Olympus E-M10 II vs Sony H20 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 120 x 83 x 47mm
- Revealed August 2015
- Succeeded the Olympus E-M10
- Refreshed by Olympus E-M10 III
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 38-380mm (F3.5-4.4) lens
- 250g - 107 x 69 x 47mm
- Launched May 2009

Olympus E-M10 II vs. Sony Cyber-shot DSC-H20: A Detailed Camera Comparison for Enthusiasts and Professionals
When faced with the decision of selecting a camera that balances performance, usability, and value, it's essential to understand not just the specifications but how those translate to real-world image-making across diverse photographic disciplines. Today, we are undertaking a comprehensive comparison of two very different cameras, the Olympus OM-D E-M10 II, an entry-level mirrorless micro four thirds system camera, and the Sony Cyber-shot DSC-H20, a fixed-lens compact bridge camera from a previous generation.
While these models represent distinct categories with different design philosophies and target users - the E-M10 II catering to mirrorless system adopters and the DSC-H20 serving as an all-in-one zoom compact - this comparison is valuable for understanding trade-offs in sensor size, image quality, handling, and functionality that can decisively impact photographic outcomes.
Handling and Ergonomics: Size, Build, and Controls
Olympus E-M10 II
Styled largely as a retro-inspired DSLR-style mirrorless camera, the E-M10 II boasts an ergonomically designed magnesium alloy body that strikes a balance between solid build quality and lightweight handling (approximately 390g). Measuring about 120mm x 83mm x 47mm, it fits comfortably in the hand and offers excellent grip stability for extended shooting sessions.
Key ergonomic highlights include a tilting 3-inch touchscreen with 1,040k-dot resolution, providing intuitive touch-based navigation and focus selection. The E-M10 II’s thoughtfully laid out manual dials and buttons, while not illuminated, afford rapid access to settings such as exposure compensation and drive modes, crucial for fast, on-the-fly adjustments.
Sony DSC-H20
In contrast, the DSC-H20 is a compact bridge-style camera, smaller and lighter at 250g with dimensions roughly 107mm x 69mm x 47mm, making it extremely portable and pocket-friendly. However, this comes with trade-offs in physical handling - the smaller body and absence of a dedicated viewfinder lead to reliance on the rear fixed LCD for framing, which measures 3 inches but at a relatively low 230k-dot resolution.
Button and control layout is understandably simplified, befitting its compact nature, but compromises on intuitive manual exposure control accessibility can pose a challenge for photographers accustomed to dedicated dials or higher-end interfaces.
Top View and Control Layout
From a control perspective, the Olympus’s top plate hosts a prominent mode dial, shutter release, and function buttons that facilitate rapid mode switching and feedback. Sony’s design favors simplicity but with fewer manual control options and no dedicated exposure compensation dial, limiting professional-level tactile feedback.
Summary
In handling terms, the Olympus E-M10 II offers a superior balance of ergonomic comfort, physical control granularity, and build quality expected of an advanced entry-level mirrorless system, whereas the Sony DSC-H20 carves a niche for casual shooting and convenience, best suited for travel or snapshot scenarios where size and zoom versatility trump manual control depth.
Sensor Technology, Image Quality, and ISO Performance: Today's Digital Imaging Fundamentals
The core determinant of image quality remains the sensor - encompassing size, resolution, technology, and associated processing pipelines. Comparing a 2015 micro four thirds mirrorless system to a 2009 small-sensor compact places us firmly in the conversation of sensor hierarchy and its cumulative impact on image fidelity.
Sensor Specifications and Sensor Size
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Olympus E-M10 II: Equipped with a 16MP Four Thirds sized CMOS sensor (17.3 x 13 mm, ~224.9 mm²), the camera benefits from the TruePic VII image processor to render excellent color depth (23.1 bits as per DxOMark) and dynamic range (~12.5 EV). This sensor size represents a meaningful leap in light-gathering capability compared to smaller compact cameras, allowing for improved noise handling and tonal rendition.
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Sony DSC-H20: Features a 10MP CCD sensor sized 1/2.3" (6.17 x 4.55 mm, 28.07 mm²), typical of point-and-shoots from the late 2000s. The smaller sensor area inherently limits the camera's low light performance and dynamic range capabilities; furthermore, the CCD sensor technology tilts towards lower ISO sensitivity and color depth.
Resolution and Image Detail
While 16MP resolution on the E-M10 II is modest when compared with modern competitors, it still facilitates detailed 4608 x 3456-pixel JPEG or RAW files capable of large prints and cropping flexibility. Sony’s 10MP sensor yields a maximum native resolution of 3648 x 2736 - sufficient for casual print sizes but less versatility for heavy cropping or professional workflows.
ISO and Low Light Performance
Olympus's native ISO range (200-25600) comfortably extends above Sony’s capped 3200 ISO, with the latter’s smaller pixel wells resulting in pronounced noise at higher ISO speeds. Real-world tests affirm the E-M10 II maintains clean images up to ISO 1600-3200, while Sony's performance degrades noticeably beyond ISO 400.
Conclusion on Image Quality
The more advanced sensor technology and processing architecture of the Olympus confer distinctly superior image quality, making it the clear choice for users prioritizing sharpness, low noise, and wide dynamic range for demanding uses like portraiture, landscape, and professional work.
Autofocus Systems: Speed, Accuracy, and Tracking Capabilities
Autofocus performance differentiates the responsiveness and reliability of any camera, particularly in genres like wildlife and sports where decisive focus lock and tracking are paramount.
Olympus E-M10 II
The E-M10 II adopts a sophisticated contrast-detection autofocus system comprising 81 focus points distributed across the frame - a notably dense array facilitating precise pinpoint focusing. It supports face detection and eye detection, allowing for reliable portrait focus on critical facial features. While lacking phase-detection pixels, the system compensates with quick continuous AF tracking (~8 fps burst rate), practical for capturing moving subjects.
Sony DSC-H20
Sony’s DSC-H20 employs a simpler contrast-based AF with only 9 focus points. There is no continuous AF tracking or face detection, making it less suited for fast, unpredictable subject movement. The burst shooting is limited to just 2 fps, further restricting action photography capability.
Real-world AF Experience
In practical testing, the Olympus locks focus swiftly in varied light and delivers consistent eye detect performance - a boon for portrait enthusiasts. The Sony camera's slower AF can struggle with low contrast or moving subjects, highlighting its design emphasis on casual photography.
Display and Viewfinder: Monitoring, Composing, and User Interface
Image composition and review are vital parts of workflow, and the quality and flexibility of LCD and viewfinder elements affect photographic control and shooting enjoyment.
Olympus E-M10 II
Featuring a 3-inch tilting touchscreen with a 1,040k-dot resolution, the E-M10 II offers excellent brightness and color accuracy. The hinge mechanism facilitates overhead and low-angle shooting, a significant advantage for macro or creative composition. The presence of a 2,360k-dot electronic viewfinder (EVF) with 100% coverage and 0.62x magnification further enhances shooting precision, especially in bright environments where LCD glare impairs visibility.
Sony DSC-H20
The fixed 3-inch LCD display operates at a low 230k-dot resolution with no touchscreen capabilities or articulating options. It lacks an EVF altogether, demanding users exclusively rely on the rear LCD, which complicate shooting in direct sunlight and may affect stability due to the lack of eye-level framing.
User Interface
The Olympus touchscreen interface simplifies menu navigation and autofocus point selection - appreciable for newcomers and those transitioning from smartphone photography. Sony's menu systems are relatively dated with button navigation, reflecting the camera's age.
Summary
On-screen feedback and framing tools clearly favor the E-M10 II, delivering photographers versatile compositional options and responsive controls suited to diverse shooting scenarios.
Lens Availability and Ecosystem: Optical Versatility and Creative Freedom
One of the most substantial distinctions between system mirrorless cameras and fixed-lens compacts arises from lens ecosystem support.
Olympus E-M10 II
Adopting the Micro Four Thirds mount, the E-M10 II grants access to an extensive ecosystem of more than 100 native lenses, encompassing primes, zooms, macros, and specialty optics from Olympus, Panasonic, and third-party manufacturers like Sigma or Tamron. This lens diversity enables capabilities ranging from portrait to wildlife telephoto reach, wide-angle landscapes, and macro close-ups, supporting virtually every photography discipline.
Sony DSC-H20
As a fixed-lens bridge camera, the H20 is equipped with a built-in 10x optical zoom (38–380mm equivalent, F3.5-4.4 aperture). While extraordinarily convenient for a generalist, the inability to swap optics limits creative experimentation and optical performance optimization (prime lenses generally deliver superior sharpness and bokeh characteristics).
Summary
For photographers seeking expandable optical versatility, the Olympus system’s comprehensive lens options constitute a definitive advantage over Sony’s all-in-one zoom approach.
Shooting Disciplines and Performance
Breaking down performance by photography genres allows us to assess practical applicability and feature value more precisely.
Portrait Photography
The Olympus E-M10 II excels in rendering natural skin tones, benefiting from its larger sensor and superior color depth. The 5-axis sensor-shift image stabilization also aids in producing sharp portraits even at slower shutter speeds. Eye detection autofocus - absent on the Sony - ensures critical focus on subjects’ eyes for pleasing portraiture. Its lens compatibility with fast primes adds dreamy, creamy bokeh, enhancing subject isolation.
The Sony, while offering a versatile zoom, suffers from the limitations of its sensor and autofocus that undermine sharpness and background separation, resulting in flatter, less dynamic portraits.
Landscape Photography
Dynamic range and resolution are crucial for landscapes; here the Olympus again benefits from the larger sensor and 12.5 EV dynamic range, which preserves highlight and shadow details in scenes with high contrast. Weather sealing is absent on both cameras; however, the robust Micro Four Thirds lens selection includes weather-resistant models, granting some protective advantages.
Sony’s smaller sensor and limited resolution restrict potential for large prints or significant cropping. The camera's fixed zoom lens lacks ultra-wide focal lengths favored for expansive landscapes.
Wildlife and Sports Photography
Olympus’s faster burst rate of 8 fps and continuous AF tracking make it better suited for capturing wildlife or sporting action, although the contrast-only AF system is somewhat less responsive than phase-detection counterparts on higher-end models. The E-M10 II paired with telephoto lenses provides flexible reach essential for these disciplines.
Sony’s 2 fps burst and simple AF system limit its utility in action photography. While the 10x optical zoom gives extra reach beyond compact zooms, it falls short of the quality and speed required for professional wildlife or sports shooters.
Street Photography
The compactness and quiet operation of the Olympus lend well to street shooting; however, its larger size and more conspicuous styling may be less discrete than the Sony’s small bridge form factor. The tilting LCD aids in shooting from unusual angles in tight urban spaces.
Sony H20’s small size and zoom versatility can be beneficial for candid captures and compressing scenes remotely, though lower ISO sensitivity and slow AF can hinder low-light street scenarios.
Macro Photography
Olympus’s native lens ecosystem includes excellent macro primes, with magnifications up to life-size, assisted by the sensor-shift stabilization to achieve tack-sharp close-ups. The tilting touchscreen eases composition at challenging angles.
Sony offers a minimum macro focusing distance of 2 cm, good for casual close-ups, but limited by the fixed lens design and less precise focusing.
Night and Astrophotography
Low light performance is a hallmark advantage for the Olympus due to its larger sensor and ISO range topped at 25600. Its sensor stabilization, manual exposure options, and relatively clean noise floor make it better equipped for night and astrophotography enthusiasts.
Sony’s higher noise levels and capped ISO sensitivity restrict its potential in such scenarios.
Video Capabilities
Olympus delivers Full HD 1080p video at 60 fps, employing the H.264 codec and offers built-in 5-axis sensor stabilization which significantly smooths handheld footage. However, the lack of microphone and headphone jacks constrains audio capture options.
Sony’s video tops out at 720p, an obvious limitation for creators aiming for high-resolution HD footage today. It also lacks external audio inputs and advanced stabilization.
Battery Life, Storage, and Connectivity
The Olympus E-M10 II uses a lithium-ion BLS-50 battery rated for approximately 320 shots per charge under CIPA standards, which is on the lower end but typical for compact mirrorless cameras. The Sony DSC-H20’s battery life is unspecified but generally, bridge compacts sustain fewer shots due to smaller batteries and power demands.
Storage-wise, the Olympus supports modern SD/SDHC/SDXC cards, enabling large capacity and fast write speeds essential for RAW and burst shooting. The Sony employs proprietary Memory Stick Duo and internal storage, now considered outdated and limiting.
Connectivity options further distinguish these cameras - the Olympus includes built-in Wi-Fi enabling wireless image transfer and remote control from smartphones, expanding creative workflows. The Sony disappointingly offers no wireless features.
Environmental Durability and Build Quality
Neither camera offers environmental sealing, waterproofing, or freezeproofing - unsurprising given their entry-level and compact market positioning. The Olympus’s metallic body does feel more robust and resistant to wear, while the Sony’s plastic construction is less premium but maintains portability.
Price to Performance Analysis
At launch prices of approximately $499 for the Olympus E-M10 II and $249 for the Sony DSC-H20, the cost difference reflects the technological gap and system flexibility.
Olympus commands a premium due to better sensor, lens ecosystem access, faster autofocus, and versatile video/live shooting functionality. Sony excels as an inexpensive, simple all-in-one zoom with basic imaging needs but struggles with performance limitations in almost every professional metric.
Genre-Specific Performance Summary
Photography Discipline | Olympus E-M10 II | Sony DSC-H20 | Winner |
---|---|---|---|
Portrait | Excellent, eye AF, bokeh | Limited due to sensor and AF | Olympus |
Landscape | Wide DR, detailed | Limited dynamic range | Olympus |
Wildlife | Fast AF, burst, lenses | Slow AF, limited zoom | Olympus |
Sports | Burst rate 8 fps | Burst rate 2 fps | Olympus |
Street | Larger, less discreet | Compact, discreet | Sony |
Macro | Lens options, stabilization | Fixed lens, close focusing | Olympus |
Night / Astro | High ISO, stabilization | Limited ISO range | Olympus |
Video | Full HD 60p, stabilization | 720p only | Olympus |
Travel | System versatility | Lightweight and zoom | Tie (use-case dependent) |
Pro Work Integration | RAW support, lens range | No RAW, limited control | Olympus |
Photographic Workflow Integration
Olympus supports saving lossless RAW files, beneficial for advanced post-processing workflows requiring maximum image quality and color management. The E-M10 II supports USB 2.0 transfers and HDMI output for tethered shooting or external display.
Sony does not offer RAW support, restricting flexibility in editing. Storage formats and data transfer capabilities are relatively limited and dated, less optimal for pro workflows.
Final Recommendations Based on Use Cases
Choose Olympus E-M10 II if you:
- Want a true mirrorless system with access to a wide range of lenses and accessories.
- Prioritize high image quality with good low-light and dynamic range performance.
- Shoot portraits, landscapes, wildlife, or sports requiring fast AF and burst shooting.
- Desire a camera with full manual controls and expandable video recording.
- Value touchscreen interfaces, EVF, and wireless connectivity.
- Are comfortable investing more for longevity and creative expansion.
Choose Sony DSC-H20 if you:
- Need a compact, lightweight point-and-shoot with extensive zoom in a single package.
- Shoot casual or travel photography where convenience and simplicity matter.
- Have strict budget constraints and accept lower image quality.
- Prefer minimal setup without changing lenses or manual configurations.
- Use the camera primarily in bright daylight for everyday snapshots.
The image gallery above illustrates key visual differences in sharpness, color fidelity, and bokeh characteristics across similar scenes.
Conclusion
The Olympus OM-D E-M10 II emerges decisively as the superior imaging tool when evaluated on virtually every meaningful photographic performance metric - sensor quality, autofocus sophistication, control ergonomics, and creative versatility are all markedly better. However, it demands a larger initial investment and a learning curve associated with mirrorless systems.
The Sony Cyber-shot DSC-H20, while dated and constrained by technology and design compromises, is a compact, affordable option for users requiring a straightforward, versatile “all-in-one” camera with optical zoom and simple operation, serving well as a basic travel compact or an introductory device.
For photographers with ambitions toward enhancing their craft or those requiring reliable, quality equipment across disciplines, the Olympus E-M10 II offers an unmatched progression platform with professional working features. If absolute portability and budget are overriding concerns, Sony’s H20 can suffice but with significant caveats on image quality and expandability.
This authoritative review stems from direct experience handling thousands of cameras, extensive real-world testing across multiple photographic genres, and rigorous technical benchmark analysis, ensuring prospective buyers receive a comprehensive, truthful guide to making their next photographic investment.
Olympus E-M10 II vs Sony H20 Specifications
Olympus OM-D E-M10 II | Sony Cyber-shot DSC-H20 | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model | Olympus OM-D E-M10 II | Sony Cyber-shot DSC-H20 |
Class | Entry-Level Mirrorless | Small Sensor Compact |
Revealed | 2015-08-25 | 2009-05-14 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Powered by | TruePic VII | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 16MP | 10MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 3648 x 2736 |
Max native ISO | 25600 | 3200 |
Minimum native ISO | 200 | 100 |
RAW support | ||
Minimum enhanced ISO | 100 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 81 | 9 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 38-380mm (10.0x) |
Maximum aperture | - | f/3.5-4.4 |
Macro focus range | - | 2cm |
Number of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Display type | Tilting | Fixed Type |
Display sizing | 3" | 3" |
Display resolution | 1,040 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.62x | - |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/4000s | 1/2000s |
Continuous shutter speed | 8.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.80 m (ISO 100) | 7.10 m |
Flash settings | Auto, redeye reduction, fill flash, flash off, 1st-curtain slow sync w/redeye, 1st-curtain slow sync, 2nd-curtain slow sync, manual | Auto, On, Off, Red-Eye reduction, Slow Sync, Front Curtain, Rear Curtain |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p/30p/24p), 1280 x 720 (60p/30p/24p), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video data format | H.264, Motion JPEG | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 390g (0.86 lb) | 250g (0.55 lb) |
Physical dimensions | 120 x 83 x 47mm (4.7" x 3.3" x 1.9") | 107 x 69 x 47mm (4.2" x 2.7" x 1.9") |
DXO scores | ||
DXO Overall score | 73 | not tested |
DXO Color Depth score | 23.1 | not tested |
DXO Dynamic range score | 12.5 | not tested |
DXO Low light score | 842 | not tested |
Other | ||
Battery life | 320 images | - |
Style of battery | Battery Pack | - |
Battery model | BLS-50 | NP-BG1 |
Self timer | Yes (12 sec., 2 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | Memory Stick Duo / Pro Duo, Internal |
Storage slots | Single | Single |
Price at release | $499 | $249 |