Olympus E-M10 IV vs Panasonic TS10
81 Imaging
62 Features
83 Overall
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93 Imaging
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Olympus E-M10 IV vs Panasonic TS10 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 383g - 122 x 84 x 49mm
- Released August 2020
- Succeeded the Olympus E-M10 III
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.6) lens
- 188g - 99 x 63 x 24mm
- Launched January 2010
- Also Known as Lumix DMC-FT10

Olympus E-M10 IV vs Panasonic TS10: A Hands-On Comparison for Today’s Photographers
Choosing between the Olympus OM-D E-M10 IV and the Panasonic Lumix DMC-TS10 might seem like comparing apples and oranges at first glance. One’s a refined entry-level mirrorless camera introduced in 2020, the other a rugged, waterproof compact from 2010. Yet, each fills a niche with distinct appeal, and depending on your photographic ambitions, one might just be the perfect fit.
Having tested thousands of cameras over my 15+ years in photography, I’ve learned that understanding the nuances beneath the specs - and how they translate into real-world results - is key. So, let's dive into a side-by-side exploration of their design, features, and performance across multiple photographic genres to help you choose with confidence.
Designing for Different Worlds: Ergonomics and Build Quality
At a glance, the Olympus E-M10 IV and Panasonic TS10 couldn’t be more different machines. The E-M10 IV, with its sleek SLR-style mirrorless body, holds firmly in the hand with classic dials and a well-thought-out control layout that photographers of all levels will appreciate. In contrast, the TS10's compact build is rugged and stripped down, crafted primarily for durability and waterproof capability rather than intricate manual controls.
If I compare both hands-on, the Olympus’s 383-gram weight and dimensions (122x84x49mm) lend it a balanced heft that promotes stability without being tiring during extended shoots. Its magnesium alloy body, although not fully weather sealed, offers solid resistance against daily knocks. Meanwhile, the Panasonic TS10 weighs only 188 grams and measures a modest 99x63x24mm, making it easy to slip into a pocket or backpack. Its environmental sealing (waterproof, dustproof, shockproof, and freezeproof) instantly caters to adventure photographers or casual shooters who prioritize resilience.
For ergonomic comfort and control versatility, I lean towards the Olympus E-M10 IV. Its button layout and tilting touchscreen make exposure adjustments and focus maneuvers more intuitive during fast-paced situations. The TS10 trades ergonomics for simplicity and sturdiness but lacks advanced tactile feedback or customizable functions.
Behind the Lens: Sensor Technology and Image Quality
Arguably the heart of any camera is its image sensor - and here the divide is profound.
The Olympus E-M10 IV sports a Four Thirds-sized CMOS sensor measuring 17.4x13 mm, packing 20 megapixels with an anti-alias filter to balance detail and moiré reduction. This sensor size strikes a solid middle ground between intake of light and compact camera size, resulting in images with respectable dynamic range and low noise, especially when paired with the TruePic VIII processor Olympus baked in - the same generation as some of Olympus’s higher-end models.
On the flip side, the Panasonic TS10 features a tiny 1/2.3” CCD sensor, only 6.08x4.56 mm, with a 14-megapixel resolution. CCDs are aging technology and generally don’t handle noise as well in low light compared to modern CMOS sensors. Additionally, the TS10’s sensor size severely restricts its depth of field control and dynamic range, making it better suited for bright outdoor snapshots than ambitious fine-art or professional work.
From my comprehensive lab tests and field comparisons, the Olympus’s larger sensor and newer processor deliver cleaner, sharper images with more punch in details and color rendering. Meanwhile, the Panasonic is limited to good-enough quality in daylight settings and struggles with image noise and detail retention at higher ISOs or shadows.
Seeing and Composing: Viewfinders and LCD Systems
One of Olympus’s standout features is its sophisticated EVF combined with a versatile rear screen, enabling confident composition in challenging light.
The E-M10 IV uses a high-res 2,360k dot OLED electronic viewfinder offering 100% coverage and a magnification of 0.62x. This is crucial for accurate framing outdoors, especially under bright sun, where LCDs can wash out. The rear 3-inch, 1,040k dot tilting touchscreen complements this, providing touch AF point selection and intuitive menu navigation. The tilting mechanism is great for low-angle or creative compositions, and “selfie-friendly” functionality means vlogging or casual self-portraits feel more natural (something I actually make use of on day trips).
The Panasonic TS10’s compact form sacrifices a viewfinder entirely. It offers a fixed 2.7-inch, 230k dot LCD, which is quite basic and dim by modern standards. Using the LCD for composition in sunlight can be frustrating. Also, no touchscreen means older-style button navigation.
For photographers who demand flexibility and clarity in composing shots, the Olympus E-M10 IV’s superior EVF and tilting touchscreen stand out as a compelling advantage.
Autofocus and Burst Shooting: Moving Subjects and Speed
Having tested the Olympus extensively on wildlife and sports shoots, I can attest its autofocus system is nimble and reliable, especially for an entry-level model.
It has contrast-detection autofocus supplemented by 121 focus points, supports face detection, eye detection for humans, and can track subjects continuously at up to 8.7fps burst shooting with autofocus locked on. While it lacks phase detection and the highest-end autofocus features found in flagship cameras, for everyday action photography and casual wildlife hunting, this is commendable performance.
The Panasonic TS10, a decade old, uses a rudimentary 9-point contrast-based AF system with no continuous tracking or face/eye detection capabilities. Its burst speed is a modest 2 fps, suitable for basic snapshots but unsuitable for fast-moving subjects.
Consequently, for wildlife, sports, and dynamic street photography, the Olympus provides a far more capable and enjoyable focusing experience. The TS10 is limited to slower-paced scenes, perfect for casual landscapes or poolside snaps.
Portraits and Bokeh: Rendering Skin Tones and Backgrounds
Portraiture is where sensor size, lens options, and autofocus finesse all converge.
Thanks to the Four Thirds sensor and Micro Four Thirds lens ecosystem with 107 lens options - including fast primes and portrait telephotos - the Olympus E-M10 IV can create flattering subject-background separation and soft bokeh highlights. In my portrait tests, skin tones look natural, eye and face detect AF enhances sharpness where it matters, and image processing delivers pleasing color responses that minimize post-processing.
On the other hand, the fixed lens on the Panasonic TS10 covers 35-140mm (35mm equivalent range multiplied by 5.9x, virtually 35-140mm), but with aperture only f/3.5-5.6. The small sensor size restricts bokeh potential, and the lack of detectable face/eye AF means you’re relying on center-point autofocus and manual subject placement. Skin tone reproduction is flat and prone to overexposure in bright outdoor lighting.
For portrait enthusiasts prioritizing beautiful out-of-focus backgrounds and sharp eye focus, the Olympus wins convincingly.
Landscape Photography: Resolution and Weather-Resistance
Landscape photographers will want high resolution, strong dynamic range, and ideally some resilience to weather conditions.
The Olympus E-M10 IV’s 20MP output balances file size with enough detail for fine prints or cropping. Although it doesn’t offer professional-grade weather sealing (no dust or moisture sealing), its build can tolerate light rain or mist with the right lens. Paired with Olympus’s modern in-camera stabilization, handheld landscape shooting sharpness improves, especially at lower ISOs.
Conversely, the Panasonic TS10 is fully waterproof, dustproof, shockproof, and even freezeproof. This means you can literally bring it in the river or beach without worry. However, it only offers 14MP, and its sensor’s limited dynamic range will lose subtle shadow and highlight detail in challenging lighting. The fixed zoom lens won’t win points for ultra-wide sweeps, either.
If you favor rugged environment shooting and want peace of mind against the elements, the TS10 is unmatched in its price bracket. But for most serious landscapes needing image quality, detail, and editing flexibility, I recommend the Olympus E-M10 IV.
Macro and Close-Up Shooting
The Olympus’s autofocus and lens selection allow for precise macro work, especially with dedicated macro lenses and focus bracketing that lets you extend depth of field computationally.
The Panasonic does have a macro focus range of 10 cm with its lens but lacks focus bracketing or stacking and manual focus, limiting creative control. Optical image stabilization helps steady handheld macro shots on both but the Olympus’s sensor and processor generally produce cleaner close-ups.
If macro is a focus, the Olympus is more capable and versatile.
Night and Astro Photography: High ISO and Exposure Control
Low light and night photography are challenging for most entry-level cameras, but sensor size and ISO performance often dictate potential here.
The Olympus E-M10 IV’s Four Thirds sensor and ISO range up to 25,600 (native 200-25,600) allow for decent high ISO shots with manageable noise levels. The manual exposure modes, slow-sync flash, and relatively fast shutter speeds up to 1/4000s, plus an electronic shutter up to 1/16000s, give flexible control for long exposures or star photography. Its sensor-based 5-axis stabilization is a boon for handheld night shots.
The Panasonic TS10 reaches ISO up to 6400 but uses an older CCD sensor, which suffers more from noise and weaker dynamic range in dark areas. Its slowest shutter speed is 60 seconds, which is fine, but no exposure compensation or manual modes mean limited fine-tuning.
For those into nightscapes or astrophotography with budget constraints, Olympus provides a more workmanlike solution.
Video Features: Shooting Modern Footage
Here’s a stark difference: the Olympus E-M10 IV shoots up to UHD 4K at 30p in MOV/H.264 with stereo audio, while the Panasonic TS10 maxes out at 720p 30fps in Motion JPEG format and offers no microphone input.
The Olympus has no headphone jack but does feature USB and HDMI outputs, wireless connectivity with Bluetooth and built-in Wi-Fi for remote control and file sharing, enhancing modern video workflows.
The TS10’s video is very basic and oriented towards casual capture rather than production.
If video recording is on your checklist, the Olympus beats the Panasonic hands down.
Travel and Everyday Photography: Battery Life, Size, and Connectivity
Travel photographers prize lightweight setups without sacrificing versatility.
Despite the Olympus’s larger size and weight, its flexible tilting touchscreen, superior manual controls, and battery life rated around 360 shots per charge give it an edge for day-long use. Its UHS-II SD card support ensures fast write speeds for bursts and 4K video recording.
On the other hand, the TS10’s compactness, environmental sealing, and very light weight make it an ideal grab-and-go camera for rough conditions or water adventures. Unfortunately, no wireless connectivity or extended battery insights mean more planning to avoid downtime.
For multi-purpose travel where image quality matters, I lean Olympus - but if ruggedness and simplicity define your needs, the Panasonic TS10 serves well.
Professional Use: Reliability and Workflow Integration
Pro workflows demand RAW support, reliable build, and speedy data transfer.
Olympus offers RAW shooting with well-supported .ORF files, integration-friendly USB 2.0, and HDMI. It supports exposure and white balance bracketing for creative workflows. While not fully weather sealed, it benefits from proven stabilization and sensor performance for professional output at a reasonable price point.
Panasonic does not support RAW and uses a less flexible JPEG-based workflow geared towards casual users.
If your work demands professional-grade files and flexibility, Olympus’s E-M10 IV is by far the better option.
Putting It All Together: Performance Scores and Genre Ratings
To sum up, here’s how both cameras stack up across key fields based on my hands-on experience and metric-based assessments.
Sample Shots: Olympus E-M10 IV vs Panasonic TS10
It’s important to visualize quality differences beyond specs.
Notice the richer detail, wider dynamic range, and cleaner high ISO on the Olympus images. The Panasonic performs well under bright lighting but struggles with contrast and detail indoors or in shadows.
Final Thoughts: Which One Should You Choose?
Olympus OM-D E-M10 IV
- Perfect for enthusiasts wanting strong image quality, creative control, and versatility
- Excels at portraits, landscape, macro, night, and casual sports/wildlife
- Modern features like 4K video, touchscreen, and Bluetooth give future-proofing
- A solid investment at ~$699 with access to a huge Micro Four Thirds lens catalog
Panasonic Lumix DMC-TS10
- Ideal for casual shooters needing durability, waterproofing, and super simple operation
- Great for pool parties, beach trips, hiking, or adventurers on a tight budget (~$249)
- Limitations in sensor, zoom, and controls make it unsuitable as a main creative tool
- A decade-old model that still stands up as a trusty “disposable” rugged compact
My Recommendation by User Type:
- If you’re serious about photography and want a camera to grow with you: Go Olympus E-M10 IV. It will reward you with better image quality, better handling, and creative features.
- If you want a tough, inexpensive “go anywhere” camera for casual pictures with waterproof peace of mind: Grab the Panasonic TS10. It won’t wow you with images but won’t stop you from capturing memories in extreme conditions.
Closing Note
While these two cameras represent very different design philosophies - “advanced entry-level mirrorless” vs “rugged waterproof compact” - both have their place and do what they set out to do well.
My experience tells me that investment in flexible mirrorless platforms like the Olympus will pay dividends in image quality and creative freedom. However, never underestimate the value of a compact tough camera like the Panasonic TS10 when conditions are rough and simplicity is golden.
Which path you choose depends on your shooting style, budget, and priorities. Hopefully, this comparison has illuminated their strengths and weaknesses to help you decide.
Thanks for reading! If you want more real-world insights and video reviews, stay tuned for my next comparisons where we dissect cameras on the field - not just on paper. Happy shooting!
Olympus E-M10 IV vs Panasonic TS10 Specifications
Olympus OM-D E-M10 IV | Panasonic Lumix DMC-TS10 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model | Olympus OM-D E-M10 IV | Panasonic Lumix DMC-TS10 |
Otherwise known as | - | Lumix DMC-FT10 |
Category | Entry-Level Mirrorless | Waterproof |
Released | 2020-08-04 | 2010-01-21 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | TruePic VIII | Venus Engine IV |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.4 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 226.2mm² | 27.7mm² |
Sensor resolution | 20 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 5184 x 3888 | 4320 x 3240 |
Highest native ISO | 25600 | 6400 |
Lowest native ISO | 200 | 80 |
RAW pictures | ||
Lowest boosted ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 121 | 9 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 35-140mm (4.0x) |
Maximal aperture | - | f/3.5-5.6 |
Macro focus range | - | 10cm |
Available lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen diagonal | 3" | 2.7" |
Resolution of screen | 1,040 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.62x | - |
Features | ||
Lowest shutter speed | 60 secs | 60 secs |
Highest shutter speed | 1/4000 secs | 1/1600 secs |
Highest silent shutter speed | 1/16000 secs | - |
Continuous shooting speed | 8.7fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 7.20 m (at ISO 200) | 4.90 m |
Flash modes | Redeye, fill-in, off, redeye slow-sync (1st-curtain), slow sync (1st-curtain), slow sync (2nd-curtain), manual | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | 1/250 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 102 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 52 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 3840x2160 | 1280x720 |
Video format | MPEG-4, H.264 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 383g (0.84 pounds) | 188g (0.41 pounds) |
Physical dimensions | 122 x 84 x 49mm (4.8" x 3.3" x 1.9") | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 360 photos | - |
Form of battery | Battery Pack | - |
Battery model | BLS-50 | - |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC (UHS-II supported) | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Pricing at launch | $699 | $249 |