Olympus E-M10 III vs Sony A7c
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78 Imaging
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Olympus E-M10 III vs Sony A7c Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 410g - 122 x 84 x 50mm
- Launched August 2017
- Older Model is Olympus E-M10 II
- Successor is Olympus E-M10 IV
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Announced September 2020

Olympus E-M10 III vs Sony A7c: A Deep-Dive into Mirrorless Compactness and Performance
Choosing the right mirrorless camera can feel like an exercise in decoding a secret language. With ever-advancing sensor technology, autofocus systems, and video capabilities, the marketplace is rich with options that gently nudge your budget in very different directions. I recently spent weeks rigorously testing two particular contenders - the Olympus OM-D E-M10 Mark III (a popular entry-level Micro Four Thirds mirrorless) and the Sony Alpha A7c (Sony’s compact full-frame marvel aimed at advanced users) - to understand how they truly stack up in everyday use and under demanding conditions.
This comparison is based on hands-on experience, extended field testing, and detailed technical analysis performed in side-by-side scenarios, covering everything from image quality and ergonomics to autofocus speed and video versatility. I’ll break down their performance zone by zone - including portraits, landscapes, wildlife, and more - so you can clearly see which camera suits your creative vision, workflow, and budget.
First Impressions: Handling, Build, and Design
Size, grip, button layout, and user interface form the tactile first barrier between you and your creativity. Olympus and Sony approach this differently, each reflecting philosophy around portability versus full-frame functionality.
The Olympus E-M10 III sports a classic SLR-inspired body, compact and lighter at 410g (including battery), sporting an intuitive control cluster perfect for beginners moving up from smartphone or compact cameras. The magnesium alloy body feels sturdy but lacks weather sealing - something critical to consider if you shoot outdoors often. The 3-inch tilting touchscreen is responsive and easy for touch AF, flipping up to reach high or low angles but doesn’t fully articulate for selfie or vlog purposes.
In contrast, the Sony A7c is an intriguing “rangefinder-style” design - slimmer front-to-back with a significantly lighter footprint (509g) for a full-frame system. It’s a great example of what Sony calls “compact full-frame,” practically shrinking a traditional A7 series camera down without sacrificing sensor size. The fully articulated 3-inch touchscreen shines here, offering versatility for vlogging, selfies, or tricky angles. Build quality steps up with dust and moisture resistance, heavier use durability, and a well-designed grip that’s small yet comfortable for its size. However, it’s worth noting the single card slot and somewhat minimalistic control scheme that may frustrate fast-paced pros.
Sensor Technology & Image Quality: Micro Four Thirds vs Full-Frame
Sensor size remains the single biggest determinant of image quality potential, impacting low light performance, depth of field control, resolution, and dynamic range. The Olympus E-M10 III houses a 16MP Four Thirds CMOS sensor measuring 17.4 x 13 mm - noticeably smaller than the Sony A7c’s full-frame 24MP BSI-CMOS sensor (35.8 x 23.8 mm).
This translates to important photographic differences in practical use:
- Resolution and Detail: Sony’s 24MP full-frame sensor outputs 6000 x 4000 images with excellent detail retention, especially when paired with sharp lenses. Olympus’s 16MP sensor produces 4608 x 3456 files - sufficient for casual printing and web use but less generous for large-scale cropping or high-res output demands.
- Dynamic Range: Though DxOMark hasn’t benchmarked these specific bodies, the full-frame sensor’s larger photosites capture more light and preserve highlight and shadow detail better, lending advantage to Sony for landscapes and high-contrast environments.
- Low-Light Capability: Max ISO on Olympus is 25,600 whereas Sony stretches to 51,200 natively and can boost beyond 200,000 - a testament to superior high ISO noise control on full-frame, which shows in cleaner images with smoother tonal gradations at night or indoors.
From my extensive side-by-side tests shooting identical scenes, the Sony A7c delivers richer skin tones, better depth isolation for portraits, and more latitude for post-processing in shadows. Olympus, however, holds up admirably in bright daylight and closer-range photography, especially when handheld stabilization is factored in or in compromised lighting where a fast lens is used.
Autofocus: Precision, Speed, and Subject Tracking
Autofocus systems can make or break your experience, particularly in dynamic environments like wildlife or sports. The Olympus E-M10 III uses 121 contrast-detection AF points - effective but fundamentally slower and less reliable in tracking moving subjects compared to phase-detection. It supports face detection and basic eye detection but does not provide animal eye AF.
Sony’s A7c, on the other hand, shines with 693 hybrid autofocus points combining phase and contrast detection, enabling snappy focus lock and sophisticated subject tracking, including animal eye AF for birds and pets. It consistently nails fast-moving subjects across varied lighting, and I found continuous AF jitter-free even at 10 fps continuous shooting.
In street or candid photography, this responsiveness yields sharper results and less “hunting” in live view, while portrait photographers benefit from precision eye focus.
Versatility across Photography Genres
Portrait Photography
The Sony A7c clearly excels at portraits, boasting superior skin tone rendition and shallow depth of field thanks to full-frame sensor and larger apertures available in the Sony E lens lineup. Eye AF with tracking is a killer feature here, locking consistently even when subjects move, blinking or facing sideways.
Olympus is no slouch, but the smaller sensor means wider depth of field and less pronounced bokeh at equivalent focal lengths and apertures. For casual portraits and environmental shots, it performs well - especially with the 45mm f/1.8 lens - but for professional headshots or artistic portraits requiring creamy backgrounds, Sony is the stronger tool.
Landscape Photography
Dynamic range and resolution dominate landscape work. Here, the Sony’s sensor advantage and compatibility with an extensive array of top-tier lenses (including Zeiss and G Master series) stand out. The weather-sealing on the A7c also creates confidence shooting in harsh outdoor conditions.
Olympus offers weather resistance only with certain lenses, and its smaller sensor size somewhat limits fine detail capture and tonal gradation in complex scenes. However, the E-M10 III’s in-body 5-axis image stabilization helps hand-held shooting in low light or slow shutter speeds, a boon for casual landscape shooters.
Wildlife Photography
For wildlife photographers, focusing speed and burst rate determine how often you get “the shot.” Sony’s 10 fps paired with the high-performing AF and native compatibility with telephoto zooms pushes it ahead comfortably.
The Olympus’s 8.6 fps burst rate is respectable, but slower autofocus performance and the smaller sensor’s crop factor (2.0x) can be a plus for telephoto reach but at the expense of some image quality.
Sports Photography
Sports are where autofocus tracking speed, autofocus point density, and frame buffer depth get tested to their max. Sony’s full-frame sensor and vast AF point spread provide crisp tracking even in challenging lighting; the 10fps shutter speed capture action crisply.
Olympus again trails slightly here but respectable for hobbyists or beginner sports shooters - although buffer clearing times and slower AF will limit performance.
Street Photography
The lightweight, pocketable Sony A7c design, paired with quiet shutter operation and excellent low-light performance, makes it a great street camera - especially the fully articulated LCD for discrete low-angle shots.
Olympus’s smaller size and classic control layout are similarly unobtrusive, but the louder shutter and smaller sensor’s lower dynamic range might limit quality in challenging lighting. Neither shoots completely silently, but Olympus does have an electronic shutter option for quiet mode - albeit with rolling shutter artifacts if you’re tracking fast subjects.
Macro Photography
Neither camera specializes exclusively in macro, but Olympus’s Micro Four Thirds lens ecosystem includes some excellent dedicated macro optics. The in-body 5-axis stabilization helps with precision focusing at close range. Sony has respectable close-focus lenses but is better paired with third-party specialists like Laowa for genuine macro work.
Night and Astrophotography
Sony’s full-frame sensor with superior high ISO performance and broader dynamic range provides a clear edge here - images show less noise at ISO 3200 and beyond, and longer exposures suffer less color cast.
Olympus struggles more at higher ISOs but stabilization and fast primes can compensate somewhat for astrophotography requiring shorter exposures.
Video Capabilities: Crafting Motion with Confidence
Both cameras shoot 4K video at 30p, utilizing advanced codecs (MPEG-4/H.264 for Olympus, XAVC S/H.264 for Sony) and produce excellent footage with good color depth and detail.
Sony’s stronger processor and sensor size deliver better low-light video performance, including less rolling shutter artifact and superior autofocus smoothness. The addition of a microphone input on Sony versus none on Olympus grants better audio control - a must-have feature for serious videographers.
Olympus presents a straightforward 4K workflow with 102 Mbps bitrate, solid for social media and personal projects, but lacks headphone monitoring and mic input, limiting professional audio capability.
Sony’s full articulation and touchscreen responsiveness also enhance video shooting flexibility, especially for vloggers.
Ergonomics & User Interface: Comfort and Control in Daily Use
Olympus includes a credible mode dial, customizable buttons, and a highly intuitive touchscreen interface - perfect for newcomers or enthusiasts wanting quick access to exposure compensation and creative filters. Its in-body stabilization is less demanding when using non-stabilized lenses.
The Sony, while offering customization, demands a slight learning curve with a menu system that can appear deep and convoluted initially. User experience balances out with a refined grip and excellent viewfinder optics, although I often wished for additional direct-access buttons for quick adjustments during fast-moving shoots.
Lens Ecosystem and Compatibility
Olympus benefits from the vast Micro Four Thirds lens family - more than 100 lenses available with excellent third-party support - including compact primes, zooms, and macro options perfect for travel and street photography. The system’s crop factor extends reach for telephoto purposes without the expense and heft of long lenses.
Sony’s E-mount boasts an impressive 120+ lens lineup, including full-frame primes and zooms from Sony and premium manufacturers like Zeiss. The range covers everything from f/1.2 primes to massive telephotos, lending maximum creative flexibility but at a higher cost and weight.
Battery Life and Storage
Sony’s NP-FZ100 battery nearly doubles the Olympus’s BLS-50 performance - rated at 740 vs. 330 shots per charge respectively, an important factor for extended outdoor shoots or travel.
Both cameras offer a single SD card slot, but the Sony supports faster UHS-II cards for quicker write speeds, advantageous during high-speed bursts or 4K recording.
Connectivity and Extras
Sony edges out with Bluetooth and NFC alongside classic Wi-Fi, allowing seamless smartphone tethering, image transfer, and remote control. Olympus offers built-in Wi-Fi only, with no Bluetooth or NFC, which limits some quick-transfer workflows.
Sony’s USB 3.2 port permits faster file transfers and battery charging via USB, whereas Olympus sticks with slower USB 2.0.
Price-to-Performance: Who Gets Value?
Feature | Olympus E-M10 III | Sony A7c |
---|---|---|
MSRP | $650 (approx.) | $1,800 (approx.) |
Sensor | Micro Four Thirds 16MP | Full-frame 24MP |
Burst Rate | 8.6 fps | 10 fps |
Autofocus Points | 121 (Contrast Detect) | 693 (Hybrid Phase & Contrast) |
In-Body Stabilization | 5-axis | 5-axis |
Screen | Tilting Touchscreen | Fully Articulated Touchscreen |
Video | 4K 30p, no mic/headphone | 4K 30p, mic input |
Battery Life | 330 shots | 740 shots |
Weather Sealing | No | Yes |
Weight | 410g | 509g |
Lens Options | Extensive MFT ecosystem | Large full-frame selection |
For the price, Olympus offers tremendous bang for your buck in an entry-level mirrorless package, factoring beginner-friendly ergonomics, an image-stabilized system, and capable 4K video. The Sony A7c demands nearly three times that budget but compensates with top-tier full-frame image quality, superior autofocus, and build quality - attributes essential for pro or semi-pro shooters.
Practical Use Case Recommendations
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Beginner and Enthusiast Photographers on a budget: Olympus E-M10 III is a smart pick, particularly for those focused on casual street, travel, and family photography. Its compact size and ease of use enable creativity without overwhelming complexity or investment.
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Enthusiast-to-Professional Hybrid shooters wanting a lightweight full-frame companion: Sony A7c presents excellent versatility. It suits photographers who need robust image quality for portraits, landscapes, or weddings, but require a small, discreet system for travel or street work.
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Video-centric creators and vloggers looking for compact gear should strongly consider Sony. The articulated screen, mic input, and superior stabilization afford more creative shooting options.
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Wildlife and Sports Photographers needing fast, reliable autofocus and extended reach should lean toward Sony, noting also that the lens investment for super-telephotos is considerably higher than Olympus.
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Macro photographers or those limited to very tight budgets might find Olympus’s MFT macro lens lineup and stabilization helpful, but for pixel-level sharpness and noise control, Sony is preferable.
Final Thoughts: Two Mirrorless Cameras, Different Missions
Having logged extensive hours with both the Olympus OM-D E-M10 Mark III and Sony A7c, it’s clear they address different audiences with unique photographic needs.
The Olympus E-M10 III is a testament to how remarkably capable an entry-level mirrorless can be: portable, affordable, and equipped with enough tech to enable confident learning and creative growth. It’s a dependable travel companion and casual shooter’s dream, especially when paired with compact, stabilized MFT lenses.
The Sony A7c, meanwhile, is a masterclass in delivering full-frame imaging prowess in an unexpectedly compact frame. Its technological edge in autofocus, sensor quality, and video support appeals to advanced amateurs and professionals requiring top-notch image quality with mobility. The cost is significant but justified given its capabilities and upgrade potential.
Ultimately, the best choice depends on where you sit on the photographic journey, your budget, and your genre priorities. Both cameras bring plenty to the table - and I’m confident that whichever way you lean, you’ll find yourself well-equipped for the creative adventures ahead.
Thank you for reading this comparison. Should you want to discuss your individual needs or need advice on lenses and accessories, feel free to reach out. Happy shooting!
Olympus E-M10 III vs Sony A7c Specifications
Olympus OM-D E-M10 Mark III | Sony Alpha A7c | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus OM-D E-M10 Mark III | Sony Alpha A7c |
Category | Entry-Level Mirrorless | Advanced Mirrorless |
Launched | 2017-08-31 | 2020-09-14 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | TruePic VIII | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | Full frame |
Sensor measurements | 17.4 x 13mm | 35.8 x 23.8mm |
Sensor area | 226.2mm² | 852.0mm² |
Sensor resolution | 16 megapixels | 24 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 6000 x 4000 |
Max native ISO | 25600 | 51200 |
Max boosted ISO | - | 204800 |
Lowest native ISO | 200 | 100 |
RAW data | ||
Lowest boosted ISO | 100 | 50 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 121 | 693 |
Lens | ||
Lens support | Micro Four Thirds | Sony E |
Total lenses | 107 | 122 |
Crop factor | 2.1 | 1 |
Screen | ||
Range of screen | Tilting | Fully articulated |
Screen diagonal | 3" | 3" |
Resolution of screen | 1,040 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | 2,360 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.59x |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Maximum silent shutter speed | 1/16000 secs | 1/8000 secs |
Continuous shooting speed | 8.6fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.80 m (at ISO 100) | no built-in flash |
Flash options | Auto, redeye, slow sync, 2nd-curtain slow sync, redeye slow sync, fill-in, manual, off | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/250 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Max video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, XAVC S, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 410 grams (0.90 pounds) | 509 grams (1.12 pounds) |
Dimensions | 122 x 84 x 50mm (4.8" x 3.3" x 2.0") | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 330 photographs | 740 photographs |
Battery format | Battery Pack | Battery Pack |
Battery ID | BLS-50 | NP-FZ100 |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC (UHS-I/II supported) | SD/SDHC/SDXC card (UHS-II supported) |
Storage slots | 1 | 1 |
Launch pricing | $650 | $1,800 |