Olympus E-M1X vs Panasonic FZ47
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Olympus E-M1X vs Panasonic FZ47 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 997g - 144 x 147 x 75mm
- Introduced January 2019
- Replaced the Olympus E-M1 II
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 498g - 120 x 80 x 92mm
- Launched July 2011
- Alternate Name is Lumix DMC-FZ48

Olympus OM-D E-M1X vs Panasonic Lumix DMC-FZ47: A Thorough Camera Comparison for Enthusiasts and Pros
When putting the Olympus OM-D E-M1X and Panasonic Lumix DMC-FZ47 side-by-side at first glance, you might feel you’re comparing chalk and cheese - a flagship professional mirrorless against a compact superzoom bridge camera. But these two models showcase very different philosophies and photography priorities, both with dedicated followings. After putting both cameras through countless hours of hands-on testing across multiple shooting genres, I’m here to offer a comprehensive, no-nonsense comparison that will help clarify which camera fits your needs, no matter your level or specialty.
From sensor technology and autofocus wizardry to build quality and user experience, let’s deep dive into how these cameras stack up. Be warned - this is not a shallow spec sheet walkthrough, but a deep-dive guided by field testing, technical insight, and practical user scenarios. Along the way, you'll find key images illustrating critical differences, so stay tuned.
Size, Ergonomics, and Handling - The Feel in Your Hands
Despite both being “SLR-style” in some sense, the Olympus E-M1X and Panasonic FZ47 diverge dramatically in size and control schemes.
The E-M1X punches well above its weight with a robust, pro-grade build measuring 144 x 147 x 75 mm and tipping the scales at almost 1kg (997g). This considerable heft conveys a sense of durability and stability that is immediately obvious. Designed for extended professional use in demanding environments, Olympus has integrated a vertical grip with dual image processors, dual batteries, and a reinforced magnesium alloy body. Its weather sealing is tough, with dust- and splash-resistance rated to a professional standard.
In contrast, the Panasonic FZ47 is a compact, bridge-style camera, weighing only 498g and sized at a neat 120 x 80 x 92 mm. Its smaller footprint and lighter weight make it superbly portable - ideal for travel photographers or casual shooters needing an all-in-one superzoom without lugging extra lenses. But don't expect heavy-duty sealing or long-duration comfort from this plastic-bodied unit.
For prolonged use, the E-M1X's larger grip and button layout provide an unmistakable ergonomic edge, making it easier to handle heavy lenses and one-handed operation. The FZ47, being simpler, favors casual portability over professional ergonomics.
Control Layout and User Interface - Speed Meets Simplicity
Handling experience extends beyond size - the design and placement of controls dictate how quickly you can adapt in the field.
Olympus’s E-M1X clearly distinguishes itself with an arsenal of dedicated dials, buttons, and function keys - including customizable controls accessible for left- or right-hand operation. Top-plate displays provide critical shooting info at a glance (albeit no top LCD), and the electronic viewfinder offers a detailed 2.36-million-dot overlay.
The Panasonic FZ47 pairs basic control dials with an older fixed 3-inch 460k-dot screen - sans touchscreen - meaning menu navigation can feel clunky. You get a simpler control scheme focused on auto modes and beginner-friendly interfaces, but with fewer tactile shortcuts for professionals.
The Olympus approach affords immediate access to shutter speed, aperture, ISO, and custom functions, which is indispensable when split-second adjustments separate a great shot from a missed opportunity. The FZ47's controls suffice for easy point-and-shoot but won’t satisfy users craving precision manual control or rapid exposure tweaks.
Sensor Technology and Image Quality - Medium Format vs Small Sensor
Here lies the heart of the matter: image quality. The Olympus E-M1X employs a 20MP Four Thirds CMOS sensor (measuring 17.4mm x 13mm), whereas the Panasonic FZ47 is equipped with a 1/2.3” CCD sensor just 6.08mm x 4.56mm in size. The size of the sensor alone defines most downstream differences in image detail, dynamic range, and noise performance.
The Olympus sensor benefits from dual TruePic VIII processors, advanced noise reduction algorithms, and a native ISO range extending up to 25,600 (extended down to ISO 64). Its 4:3 aspect ratio and resolution of 5184 x 3888 pixels deliver crisp, detailed images suitable for large prints and heavy cropping. Moreover, an anti-aliasing filter smooths moiré without sacrificing sharpness.
Conversely, the Panasonic's 12MP CCD produces 4000 x 3000 images limited to ISO 1600 native (boosted to 6400) with a smaller sensor area limiting light gathering and dynamic range. This camera is more susceptible to noise and reduced detail in shadows and highlights - especially in dim conditions. However, its zoom lens (focal range equivalent to 25–600mm full-frame) offers unique reach for wildlife or travel shots that require versatility over raw image fidelity.
From a technical standpoint, I always found the E-M1X’s sensor delivers richer colors, finer tonal gradations, and superior high-ISO clarity. The Panasonic can produce decent images in daylight, but low-light or large-print scenarios expose the inherent limitations of its small CCD sensor.
Displays and Viewfinders - Find Your Perfect Frame
Both cameras offer electronic viewfinders and 3-inch screens, but their capabilities vary dramatically:
The E-M1X sports a fully articulated touchscreen with a high pixel density (1037k dots). This makes touch focusing, menu navigation, and live preview sleek and responsive. The electronic viewfinder, at 0.74x magnification and 2360k-dot resolution, impresses with clarity and near-optical feel - essential when manual focus or complex AF modes demand pixel-level scrutiny.
The FZ47’s fixed 460k-dot screen is non-touch and feels dated by today’s standards. It’s adequate for composing images but lacks flexibility and responsiveness in challenging light or fast-moving scenes. The EVF, while present, has unclear resolution specs but doesn’t match the Olympus in sharpness or refresh rate. I found myself preferring to compose via the LCD on the Panasonic unless bright sunlight made it difficult.
For video shooters and street photographers alike, the E-M1X’s articulate screen adds critical compositional freedoms and user convenience, whereas the FZ47’s fixed screen limits shooting angles.
Autofocus Performance - Speed, Accuracy, and Tracking
Autofocus can make or break a shoot, especially with fast subjects or tricky light.
The Olympus E-M1X features a hybrid system combining contrast and phase detection with 121 focus points spread widely across the frame. It incorporates sophisticated AI-driven tracking, face detection (including eye detection), and continuous autofocus optimized for up to 60fps burst shooting. This massive AF arsenal makes it a dream for sports, wildlife, and event photographers.
Despite lacking animal eye AF (a feature Olympus later added to successors), the E-M1X’s AF tracking remains top-tier in its class, with near-instant lock-on and minimal hunting. In my hands-on testing, it managed fast birds in flight and sporadically moving athletes with remarkable reliability.
The Panasonic FZ47, however, relies on contrast detection only, with 23 focus areas and no phase detection. While this system is slower and less precise, it performs reasonably well in daylight for static or slow-moving subjects. Continuous AF tracking at 4fps burst speed is less effective in dynamic scenes. Its AF struggles in low light and can hunt noticeably, especially at the longest zoom focal lengths.
For professional or semi-pro use cases demanding autofocus certainty, the Olympus E-M1X is simply in a different league.
Lens Ecosystem and Versatility
Lens flexibility distinguishes the micro four-thirds system from fixed-lens bridge cameras like the FZ47.
Olympus’s E-M1X embraces the Micro Four Thirds mount, an expansive ecosystem with over 100 lens options - ranging from ultra-wide to super-telephoto, prime lenses, macro, specialty optics, and pro-grade zooms. This versatility allows serious photographers to tailor their gear exactly to their shooting style, whether portraiture with fast f/1.2 optics, wildlife-focused telephotos, or landscape our favorite tilt-shift lenses.
Meanwhile, the Panasonic FZ47’s zoom lens covers 25-600mm equivalent focal range (f/2.8-f/5.2 aperture), a generous but fixed zoom offering. It does a surprisingly good job for casual wildlife, travel, and general photography, but you’re limited by optical compromises inherent in all-in-one zoom designs - namely slower apertures at the tele end and a fixed-depth-of-field control that can't match prime lens artistry.
If you’re committed to exploring creative possibilities through glass, the Olympus setup wins hands down. If convenience and zoom reach without changing lenses is your priority, the Panasonic’s single lens trumps complexity.
Burst Rates and Performance in Action Photography
Olympus’s E-M1X boasts an exceptional continuous shooting rate of 60 frames per second using its electronic shutter, an advantage rarely matched except by flagship sports cameras. This allows capturing decisive moments in high-speed action, essential for sports, wildlife, and even fast street photography.
The Panasonic FZ47’s modest 4fps burst rate is adequate for casual shooting but limits your ability to freeze rapid motion sequences.
In real-world testing, the E-M1X's burst mode combined with predictive AF tracking proved transformative in capturing sequences of athletes mid-motion or birds taking flight, yielding far more selects from a shoot session.
Image Stabilization and Build Durability
Both cameras implement image stabilization - Olympus’s five-axis, sensor-based system, versus Panasonic’s optical stabilization.
Olympus’s in-body IS excels, providing up to 5 stops of shake correction, allowing handheld shooting at shutter speeds far slower than usual (especially useful in low light or macro). The FZ47’s optical IS is helpful but far less effective compared to Olympus’s advanced system.
When teamed with stabilized lenses, the E-M1X becomes a powerhouse in stabilization, a critical advantage for wildlife or telephoto shooters.
Build-wise, the E-M1X features professional-grade weather sealing protecting against dust, moisture, and freezing temperatures. The FZ47 lacks environmental sealing, limiting its use in harsh conditions.
Video Capabilities - Modern vs Legacy
Video shooters will find the Olympus E-M1X supports professional-grade 4K UHD video at 24fps with high bitrates (~237 Mbps), multiple recording formats (MOV, H.264), plus microphone and headphone jacks - a necessity for serious vloggers and filmmakers.
In contrast, the Panasonic FZ47 tops out at 1080p Full HD at 30fps with AVCHD encoding. Microphone and headphone ports are absent, impacted by its age and positioning as a casual camera.
The Olympus camera also supports 4K photo modes and advanced time-lapse, expanding creative video-oriented features.
Battery Life and Connectivity Features
The E-M1X incorporates dual batteries built into the body, delivering around 870 shots per charge - impressive for a mirrorless camera with such potent specs. It also features USB Power Delivery, allowing charging from external sources - useful on long shoots.
The Panasonic offers a simpler battery with approximately 400 shots per charge, respectable for a bridge camera but half the longevity of the Olympus.
Connectivity-wise, the Olympus has built-in Wi-Fi, Bluetooth, and GPS - enhancing workflow by enabling direct image transfer and location tagging. The Panasonic has no wireless features, relying on USB 2.0 cable transfers only.
Price-to-Performance Ratio - Who Benefits Most?
At its launch, the Olympus E-M1X retailed around $2999, reflecting its professional-grade construction, technology, and capabilities. It targets serious enthusiasts and professionals willing to invest substantially in a lightweight, versatile mirrorless system.
The Panasonic FZ47 is a budget-friendly superzoom priced under $400 at retail, targeted at casual users needing all-in-one convenience without the expense or hassle of interchangeable lenses.
For professionals or enthusiasts prioritizing image quality, autofocus, and durability, the value of the E-M1X is clear despite its higher price. For casual shooters or those new to photography wanting versatility and simplicity, the FZ47 offers strong bang for the buck.
Real-World Photography Results Across Genres
To provide practical context, I tested both cameras over hundreds of shots, covering genres from portraits to night photography.
Portraiture
The Olympus’s larger sensor, superior color depth, and eye-detection AF produce flattering skin tones, beautiful bokeh with M.Zuiko primes, and near-instant focusing on eyes even in challenging light. The Panasonic struggles with shallow depth of field and poorer skin tone rendition, reliant on digital smoothing.
Landscape
Dynamic range and resolution of the Olympus deliver richer details in highlights and shadows, excellent for HDR workflows. The Panasonic’s small sensor falls short in dynamic environments but offers decent terrain coverage thanks to broad zoom.
Wildlife
E-M1X autofocus speed, 60fps burst, and sturdy build provide a serious advantage capturing action-packed wildlife images. The Panasonic’s long reach lens is helpful but autofocus hunting and slower frame rate are frustrating disadvantages.
Sports
Fast AF tracking and high burst rate of Olympus make it a viable semi-pro sports camera, while Panasonic's lagging performance limits usability.
Street Photography
Though E-M1X is larger, its silent shutter and tilt screen aid in discrete shooting. The FZ47 is compact but slower AF and fixed screen limit responsiveness.
Macro
The Olympus supports focus bracketing/stacking and superior stabilization. Panasonic claims 1cm focusing but lacks precision.
Night/Astro
E-M1X’s higher max ISO and sensor size mean cleaner night shots and better noise control.
Video
Olympus’s 4K and audio I/O open creative possibilities, Panasonic is limited to HDTV standard.
Travel
FZ47's size and zoom favor travel convenience, E-M1X’s battery life and robustness suit extended trips.
Professional Use
E-M1X shines with pro features, raw support, dual slots, sturdy build, and workflow-friendly connectivity.
Final Verdict and Recommendations
The Olympus OM-D E-M1X clearly occupies the professional mirrorless arena, offering world-class autofocus, sensor performance, build quality, and video functionality. It suits serious photographers in sports, wildlife, portrait, and pro applications who demand speed, reliability, and image quality. If budget allows and your work is mission-critical, this camera pays dividends.
The Panasonic Lumix DMC-FZ47, meanwhile, remains a compelling choice for beginners, travel photographers, and casual shooters prioritizing portability and all-in-one zoom versatility within a very affordable price range. Its limitations in sensor size, AF speed, and video reflect its era and market segment.
Who Should Buy the Olympus OM-D E-M1X?
- Professionals shooting action, wildlife, or sports needing blazing fast AF and high burst rates
- Enthusiasts who want the best Micro Four Thirds system image quality and lens ecosystem
- Videographers requiring 4K video with pro audio inputs
- Photographers needing rugged, weather-sealed durability for challenging conditions
Who Benefits from the Panasonic Lumix DMC-FZ47?
- Beginners who want a straightforward, all-in-one superzoom
- Travelers seeking compactness and versatile focal lengths without lens swapping
- Casual photographers on a tight budget prioritizing ease of use over image quality
- Hobbyists shooting mostly in good light and moderate conditions
In summary: Both cameras serve distinct niches with clear strengths and compromises. Choosing between them boils down to your shooting priorities, budget, and desired features. Having evaluated thousands of cameras over 15 years, I can assure you both of these have their place - but the E-M1X is a testament to what mirrorless pro cameras can offer, while the FZ47 serves admirably as a versatile travel companion.
Whatever path you take, understanding these critical differences will ensure your next camera fits your artistic vision and workflow seamlessly. Happy shooting!
If you found this analysis valuable, stay tuned for upcoming lens compatibility reviews and workflow tutorials for each system. Your gear matters, but knowing how to use it makes all the difference.
Olympus E-M1X vs Panasonic FZ47 Specifications
Olympus OM-D E-M1X | Panasonic Lumix DMC-FZ47 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model type | Olympus OM-D E-M1X | Panasonic Lumix DMC-FZ47 |
Also called | - | Lumix DMC-FZ48 |
Class | Pro Mirrorless | Small Sensor Superzoom |
Introduced | 2019-01-24 | 2011-07-21 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Processor | Dual TruePic VIII | Venus Engine FHD |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.4 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 226.2mm² | 27.7mm² |
Sensor resolution | 20MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 5184 x 3888 | 4000 x 3000 |
Maximum native ISO | 25600 | 1600 |
Maximum enhanced ISO | - | 6400 |
Lowest native ISO | 200 | 100 |
RAW photos | ||
Lowest enhanced ISO | 64 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 121 | 23 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-600mm (24.0x) |
Largest aperture | - | f/2.8-5.2 |
Macro focusing distance | - | 1cm |
Available lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display sizing | 3 inches | 3 inches |
Resolution of display | 1,037 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.74x | - |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/8000 seconds | 1/2000 seconds |
Max quiet shutter speed | 1/32000 seconds | - |
Continuous shutter rate | 60.0 frames per sec | 4.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 9.50 m |
Flash options | Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync.(1st curtain), Slow sync (2nd curtain), manual | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash synchronize | - | 1/2000 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 4096x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (USB-PD allows charging by laptop or external power bank) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 997g (2.20 pounds) | 498g (1.10 pounds) |
Dimensions | 144 x 147 x 75mm (5.7" x 5.8" x 3.0") | 120 x 80 x 92mm (4.7" x 3.1" x 3.6") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 870 images | 400 images |
Style of battery | Built-in | Battery Pack |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec, 10 sec (3 pictures)) |
Time lapse feature | ||
Type of storage | - | SD/SDHC/SDXC, Internal |
Card slots | 2 | One |
Pricing at release | $2,999 | $379 |