Olympus E-M1X vs Panasonic G5
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Olympus E-M1X vs Panasonic G5 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 997g - 144 x 147 x 75mm
- Revealed January 2019
- Superseded the Olympus E-M1 II
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 396g - 120 x 83 x 71mm
- Launched July 2012
- Earlier Model is Panasonic G3
- Refreshed by Panasonic G6

Olympus E-M1X vs Panasonic Lumix G5: A Hands-On Comparison From An Experienced Photographer
When it comes to choosing a mirrorless camera, you can find everything from lightweight entry-level models to beastly pro-grade rigs. Today, I’m breaking down two very different Micro Four Thirds cameras that have both earned their place in my camera bag for different reasons: the Olympus OM-D E-M1X and the Panasonic Lumix DMC-G5.
They may share a sensor size and lens mount, but in use, these two couldn’t be more different - the Olympus is a professional powerhouse released in 2019, while the Panasonic is a budget-friendly beginner’s camera from 2012. I’ve spent countless hours testing each across a variety of scenarios and genres, so read on for a full rundown before you make your next camera investment.
First Impressions and Ergonomics: Comfort Meets Control vs. Compact Convenience
Looking at the Olympus E-M1X and Panasonic G5 side-by-side, the size and build tell a big part of the story. The Olympus is absolutely massive at nearly 1kg and built like a tank, designed with professional photographers in mind - especially those who shoot wildlife and sports. It sports a deep handgrip on both vertical and horizontal faces complete with subtle thumb wheels and buttons clustered like a cockpit for quick access.
In contrast, the Panasonic G5 is compact and easy to carry all day, weighing just 396 grams and sporting a smaller rectangle body with fewer external controls. It’s clean, simple, and designed to be approachable for beginners or casual users who don’t need a ton of manual dials or customizable buttons.
If you’re someone who values clutching a camera that feels like an extension of your hands during long shoots (or juggling heavy telephoto lenses), you’ll appreciate the E-M1X’s grip and ergonomics. But for street shooters or travelers who want a lightweight walk-around, the G5’s portability shines.
Design Details: Control Layout and User Interface
Spend a minute with the Olympus E-M1X, and you’ll notice the control layout screams professional. Dual TruePic VIII processors power a top-mounted joystick, multiple function buttons, and a top LCD panel (though no "top screen" here as on some Olympus siblings), all designed for rapid exposure adjustments and focus point selections. It balances traditional DSLR-like options with mirrorless innovation seamlessly.
The Panasonic G5 has a much simpler layout - fewer buttons, no joystick, and a traditional mode dial on top. It lacks a top LCD but has a straightforward rear dial and a few dedicated buttons for ISO and white balance. This isn’t a camera you’ll customize to your heart’s content but one that’s intuitive for beginners to grasp quickly.
For photographers who like clubs-for-thumbs control and fast manual tweaking on the fly, the Olympus wins outright. But if you like a gentle learning curve or just want a camera that never confuses you, the Panasonic’s straightforwardness is a virtue.
Sensor Specs and Image Quality: Evolution Over the Years
Both cameras use a Four Thirds-sized sensor (about 17.3-17.4 x 13mm), which results in a 2.1x crop factor vs. full-frame cameras. The Olympus E-M1X sports a 20MP sensor with an anti-aliasing filter, while the Panasonic G5 uses a 16MP sensor with a similar filter. Despite sharing a sensor format, the E-M1X benefits from technology developed seven years later, including dual TruePic VIII processors enhancing noise reduction and speed.
Surprisingly, though, the Olympus sensor maxes out at ISO 25600, while the G5 tops out at 12800, indicating the newer model’s improved sensitivity and dynamic range. According to DxOMark data for the G5, the color depth (21.4 bits) and dynamic range (11.6 EV) are respectable but modest by today’s standards - the E-M1X, although untested by the platform, has consistently demonstrated superior detail retention and noise control in my tests, especially in low light.
In practice, the Olympus produces cleaner shadows, richer colors, and finer details at base ISO, making it a better choice for landscape and studio photographers who demand pristine image quality. The Panasonic’s images remain sharp and pleasing for casual use and entry-level portraits but reveal more noise and less dynamic range in challenging lighting.
Viewing and Live View Experience
The Olympus E-M1X comes with a fully articulated 3-inch touchscreen LCD that boasts a sharp 1037k-dot resolution, offering a crisp and clear live view. Combined with a bright 2360k-dot electronic viewfinder with 0.74x magnification and 100% coverage, it yields one of the best viewing systems around - excellent for precise focusing and framing in the field.
Meanwhile, the Panasonic G5 also offers a 3-inch fully articulating touchscreen, but at a lower 920k-dot resolution. Its EVF is noticeably dimmer and grainier with only 1440k-dot resolution and 0.7x magnification. While perfectly serviceable for casual shooting, it’s less comfortable to use on long shoots or in bright sunlight.
Personally, the Olympus' superior EVF has become indispensable when shooting wildlife outdoors where accuracy matters. The G5’s EVF worked well for my basic street and travel shots, though I often defaulted to the LCD, which understandably drains more battery.
Autofocus Performance: Precision vs. Entry-Level Speed
The Olympus E-M1X features a hybrid AF system employing both contrast and phase detection across a whopping 121 focus points, including Touch AF and Face Detection. Its advanced autofocus is fast, reliable, and excellent at subject tracking - ideal for sports and wildlife photographers. The camera hurdles between focus modes instantly and can shoot up to 60fps with continuous AF, which is staggering speed.
Conversely, the Panasonic G5 employs contrast-detection autofocus with 23 focus points and lacks phase-detect AF entirely. While it supports face detection and touch AF, responsiveness in tricky scenarios is significantly slower and prone to hunting, especially in low light. The maximum continuous shooting speed of 6fps is respectable for the category but doesn’t approach the Olympus’s pro-grade burst rates.
For sports, action, and wildlife photographers, the E-M1X isn't just better - it's in a different league. However, if you’re shooting laid-back portraits, family photos, or casual street scenes at moderate speeds, the G5’s AF system works well enough and is far less complicated to optimize.
Burst Shooting and Buffering: When Speed Matters
A standout feature of the Olympus E-M1X is its continuous shooting capability at an insane 60 frames per second with autofocus and auto-exposure adjustments. That’s a camera built to catch split-second moments - think bird takeoffs, athletes’ split-second reactions, and dynamic events.
In contrast, the Panasonic G5 maxes out at 6fps, which is perfectly serviceable for most non-sports work but will leave fast-action shooters wanting more. Additionally, the E-M1X has dual card slots for uninterrupted shooting and backup, a feature the G5 lacks with just one SD card slot.
For those sealing the deal on versatility or planning to photograph wildlife or sports seriously, the Olympus’s buffer and shooting speed justify the price difference hands down.
Video Capabilities: From Basic to Professional
The Olympus E-M1X delivers impressive video quality with 4K recording at 30fps and 237 Mbps bitrate, alongside standard Full HD at various frame rates. It supports microphone and headphone jacks for audio input/output, which is a boon for videographers wanting better sound control. The camera also provides 4K Photo and robust in-body image stabilization (IBIS), which helps handheld video look smooth.
The Panasonic G5 shoots Full HD (1080p) video up to 60fps but lacks 4K recording, limiting its appeal for creators wanting ultra-high-definition. No microphone or headphone ports mean audio quality relies on the built-in mic, which conditions creators may find limiting. The absence of IBIS also puts it a few steps behind in handheld video shot stabilization.
If video content creation is a priority - especially 4K quality and professional audio options - the Olympus wins hands-down. The Panasonic is usable for casual home videos and YouTube vlogs with modest expectations.
Battery Life and Storage: Ready For Long Shoots
In a field test, the Olympus E-M1X’s battery impressed me with approximately 870 shutter actuations per charge, thanks in part to a built-in battery system with USB-C charging. The dual card slots offer flexibility for backup or overflow. This reliability is critical when you’re out shooting all day in remote locations.
The Panasonic G5, being older and simpler, offers around 320 shots per charge, which is adequate for a casual day out but requires either spare batteries or frequent charging for more demanding work. It has a single SD card slot, standard USB 2.0 connection, and no wireless features to speak of.
For photographers frequently on the go or working in professional environments, the Olympus’s endurance and storage options reduce the stress of managing power and cards.
Lens Ecosystem: The Micro Four Thirds Advantage
Both cameras share the Micro Four Thirds mount and can tap into the same wealth of lenses - over a hundred options from Olympus, Panasonic, and third-party manufacturers like Sigma and Tamron. That means both offer flexibility from super-wide-angle to super-telephoto, macro, and everything in between.
However, the Olympus E-M1X’s higher-end body often encourages pairing with Olympus’s premium Pro lenses, optimized for sharpness and rugged builds suited for outdoor and professional use. The Panasonic G5 is more likely to be paired with entry-level zooms or primes geared towards beginners.
If you already own lenses or want to build a high-performance kit system, the options are available for either camera but expect to invest more money in glass to truly unlock the Olympus’s potential.
Build Quality and Weather Sealing: Pro Ruggedness vs. Careful Handling
One of the largest distinctions is the Olympus E-M1X’s robust build and environmental sealing. It’s dustproof, splashproof, and freezeproof - built to withstand tough sanctions in the field (though not fully waterproof). The magnesium alloy body and weather sealing instill confidence for shooting in rain, dust storms, or cold environments.
The Panasonic G5, being budget and entry-level, has no weather sealing and a plastic/polycarbonate shell. It requires careful handling and isn’t meant for rough outdoor use in inclement conditions.
For professionals or frequent travelers to tough climates, the Olympus’s ruggedness is a major asset worth its weight (which is ironically more).
Real-World Use Cases: Where Each Camera Excels
Having put both cameras through their paces across multiple genres, here’s how I’d sum up their specific strengths:
Portrait Photography
- Olympus E-M1X: Excellent skin tone rendering, smooth bokeh due to professional lenses and 5-axis IBIS. Eye detection AF locks quickly, producing sharp portraits with creamy backgrounds.
- Panasonic G5: Good for casual portraits, but autofocus can hunt in dimmer indoor light. Bokeh is decent but less creamy due to simpler lenses and no stabilization.
Landscape Photography
- Olympus E-M1X: Superior dynamic range and detail resolution. Weather sealing means you can shoot in rain or cold. Dual processors enable focus stacking and bracketing.
- Panasonic G5: Capable but dynamic range and resolution are limited. No weather sealing requires caution outdoors.
Wildlife and Sports
- Olympus E-M1X: Fast AF system with tracking, 60fps burst, and dual card slots for reliability = great for action and wildlife.
- Panasonic G5: Too slow for fast moving subjects; AF hunting common. 6fps burst speed is basic at best.
Street Photography
- Olympus E-M1X: Bulky body makes discretion hard but quiet shutter helps. Advanced face detection useful.
- Panasonic G5: Lightweight and discreet, better suited for candid shots.
Macro Photography
- Olympus E-M1X: Supports focus stacking and bracketing, stabilizes hand-held shots for extreme close-ups.
- Panasonic G5: Works but lacks stacking and stabilization, harder to nail sharp macro shots without a tripod.
Night and Astro Photography
- Olympus E-M1X: Higher ISO performance and slow shutter speeds with sensor stabilization excel here.
- Panasonic G5: Lower ISO ceiling and no stabilization limit night photography potential.
Video
- Olympus E-M1X: 4K 30p, microphone/headphone jacks, IBIS, and high bitrate enable professional video work.
- Panasonic G5: 1080p max, no audio inputs, no IBIS - suitable for casual videos only.
Travel
- Olympus E-M1X: Heavy but rugged and versatile with long battery life.
- Panasonic G5: Light, simple, and easy to carry for days on foot.
Professional Work
- Olympus E-M1X: Full suite of pro features (dual processors, connectivity, weather sealing) make it a viable studio or field tool.
- Panasonic G5: Entry-level tool for beginners or second-camera usage only.
Connectivity and Modern Features
The Olympus E-M1X’s built-in Wi-Fi, Bluetooth, GPS, USB-C charging, and HDMI port offer a modern, connected shooting experience. You can remotely control the camera, geo-tag images, and charge on the go.
The Panasonic G5 lacks wireless connectivity and uses slower USB 2.0, with no GPS, Bluetooth, or NFC. No surprise given its age, but it means you’ll miss out on many of today’s conveniences.
Price and Value Analysis: Is Professional Performance Worth the Premium?
At launch, the Olympus E-M1X was priced around $3000, representing a significant investment towards professional, high-end performance. Its rugged build, lightning-fast autofocus, and extensive features justify this for pro wildlife shooters, photojournalists, and serious enthusiasts willing to pay for reliability and speed.
The Panasonic G5 retailed for roughly $700, offering incredible value as a first mirrorless camera or a lightweight travel companion. Its compromises in speed, build, and video quality reflect its budget positioning, but for beginners or casual photographers on a tight budget, it’s hard to beat.
My straightforward advice: if you want a workhorse that delivers under pressure in pro environments, the Olympus earns every cent. If your budget is limited or you want to learn photography with a friendly and functional tool, the Panasonic G5 is a smart, affordable start.
Performance by Photography Genre
This image neatly summarizes how these two cameras measure up in practical, genre-specific terms. The Olympus scores highly across demanding disciplines like sports, wildlife, and video, while the Panasonic holds its own in travel, entry-level portraits, and casual street photography.
Gallery of Sample Images: Seeing is Believing
Don’t just take my word for it - check out these side-by-side samples from both cameras. Notice the richer colors and finer details in Olympus photos, especially in low-contrast or high-ISO shots. Panasonic images are clean but show more noise and less dynamic range.
Final Verdict: Who Should Buy Each Camera?
Buy the Olympus E-M1X if:
- You’re a pro or serious enthusiast shooting wildlife, sports, landscapes, or professional video.
- You need rugged build, weather sealing, and top-tier autofocus performance.
- You want extensive customization, fast continuous shooting, and advanced image stabilization.
- Price is secondary to reliability and speed.
Buy the Panasonic Lumix G5 if:
- You are a beginner stepping into interchangeable-lens cameras for the first time.
- You want an affordable, lightweight, and intuitive camera for travel, street, or family photos.
- You don’t need high burst rates, pro AF tracking, or 4K video.
- You’re a cheapskate (and proud) who values simplicity over bells and whistles.
Choosing between the Olympus E-M1X and Panasonic G5 is about picking the right tool for your goals and budget. Both shine in their respective categories - the E-M1X as a capable, premium workhorse and the G5 as a friendly, budget-conscious gateway to mirrorless photography. I hope this detailed breakdown gives you the clarity to choose wisely.
Happy shooting!
Olympus E-M1X vs Panasonic G5 Specifications
Olympus OM-D E-M1X | Panasonic Lumix DMC-G5 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model | Olympus OM-D E-M1X | Panasonic Lumix DMC-G5 |
Type | Pro Mirrorless | Entry-Level Mirrorless |
Revealed | 2019-01-24 | 2012-07-17 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Dual TruePic VIII | Venus Engine VII FHD |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.4 x 13mm | 17.3 x 13mm |
Sensor area | 226.2mm² | 224.9mm² |
Sensor resolution | 20MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 5184 x 3888 | 4608 x 3456 |
Max native ISO | 25600 | 12800 |
Minimum native ISO | 200 | 160 |
RAW pictures | ||
Minimum boosted ISO | 64 | - |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 121 | 23 |
Lens | ||
Lens mounting type | Micro Four Thirds | Micro Four Thirds |
Total lenses | 107 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Screen type | Fully Articulated | Fully Articulated |
Screen diagonal | 3 inch | 3 inch |
Resolution of screen | 1,037 thousand dots | 920 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 1,440 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.74x | 0.7x |
Features | ||
Lowest shutter speed | 60 secs | 60 secs |
Highest shutter speed | 1/8000 secs | 1/4000 secs |
Highest silent shutter speed | 1/32000 secs | - |
Continuous shooting rate | 60.0 frames per second | 6.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 10.50 m |
Flash modes | Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync.(1st curtain), Slow sync (2nd curtain), manual | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Max video resolution | 4096x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (USB-PD allows charging by laptop or external power bank) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 997g (2.20 lbs) | 396g (0.87 lbs) |
Physical dimensions | 144 x 147 x 75mm (5.7" x 5.8" x 3.0") | 120 x 83 x 71mm (4.7" x 3.3" x 2.8") |
DXO scores | ||
DXO All around score | not tested | 61 |
DXO Color Depth score | not tested | 21.4 |
DXO Dynamic range score | not tested | 11.6 |
DXO Low light score | not tested | 618 |
Other | ||
Battery life | 870 shots | 320 shots |
Type of battery | Built-in | Battery Pack |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse feature | ||
Type of storage | - | SD/SDHC/SDXC |
Card slots | Two | Single |
Cost at launch | $2,999 | $699 |