Olympus E-M1X vs Panasonic LZ40
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Olympus E-M1X vs Panasonic LZ40 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 997g - 144 x 147 x 75mm
- Launched January 2019
- Replaced the Olympus E-M1 II
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 22-924mm (F3.0-6.5) lens
- 524g - 126 x 87 x 94mm
- Announced January 2014
- Replaced the Panasonic LZ30
President Biden pushes bill mandating TikTok sale or ban Olympus E-M1X vs Panasonic LZ40: A Deep-Dive Comparison for Enthusiasts and Professionals
When you're investing in a camera, the questions are never just about specs on a page. It’s about how those numbers and features translate into real-world use. Today, I’m comparing two cameras that couldn't be more different in concept, design, and target users: the professional-grade Olympus OM-D E-M1X and the entry-level Panasonic Lumix DMC-LZ40 bridge camera. While the E-M1X screams pro system mirrorless, the LZ40 offers a modest superzoom experience in an all-in-one package. So how do they stack up in practical scenarios, and who exactly benefits from each?
Having spent countless hours testing cameras across genres, I’ll break down their capabilities through the lens of portrait, landscape, wildlife, sports, street, macro, night, video, travel, and professional use - all backed by technical insight and hands-on evaluation. Let’s get started.
Size, Feel, and Handling: Command vs Simplicity
First impressions matter, and in this comparison, aesthetics and ergonomics are starkly contrasted:

At 997 grams and solidly built in a bulky SLR-style body, the Olympus E-M1X is intentionally designed for professional use - think rugged shooting sessions in demanding environments. Its magnesium alloy chassis is weather-sealed to stand up to dust, splash, and freezing temperatures. For me, the sizeable grip and button placement promote hours of comfortable handling, whether bracing a long telephoto or stabilizing for a timelapse.
On the other hand, the Panasonic LZ40 weighs just over half that (524g) and features a smaller bridge-style body with a fixed superzoom lens. It’s lighter and more pocketable but lacks advanced weather sealing and durability. Ergonomically, the control set is minimal, and the absence of an electronic viewfinder (EVF) reduces shooting flexibility. It’s clearly geared toward casual users who want zoom reach and simplicity, not pro-level customization.
If you prize durability and control over size, Olympus wins this round hands down. But the cozy form factor and plug-and-play feel of the LZ40 may appeal to travelers or beginners wanting a no-fuss zoomer.
Design Language and Control Layout: Pro Tools vs Point-and-Shoot
Looking closer at the top panels:

The Olympus features dual processors (Dual TruePic VIII) and offers every exposure mode you’d expect - shutter priority, aperture priority, full manual - and a shutter max speed of 1/8000s. The dual card slots, battery management, dedicated AF joystick, and fully articulating touchscreen reinforce the camera’s pro DNA. However, no illuminated buttons and no top LCD screen means learning curve for newcomers.
The Panasonic LZ40 simplifies everything: aperture and shutter priority modes are absent, exposure compensation is basic, and the shutter tops out at a modest 1/1500s. Its lack of manual focus capability and touchscreen might feel limiting. Yet for everyday snapshots, this is perfectly fine, prioritizing ease over complexity.
The E-M1X’s layout caters to photographers who demand tactile, rapid access, while the LZ40 trades finesse for straightforward operation.
Sensor Tech and Image Quality: Micro Four Thirds vs 1/2.3-Inch CCD
This is where the story diverges profoundly:

The Olympus’s 20MP Four Thirds CMOS sensor (17.4×13 mm, 226.2 mm²) offers a robust balance between resolution, dynamic range, and noise performance. Although smaller than full-frame, this sensor size delivers excellent image quality, especially when paired with top tier MFT glass. Dual TruePic VIII processors improve noise handling and color rendering, and native ISO 200–25600 ensures versatility from bright daylight to challenging low-light.
By contrast, Panasonic’s LZ40 packs a tiny 1/2.3-inch CCD sensor (6.17×4.55 mm), only 28.07 mm² - roughly one-eighth the area. While the camera still shoots 20MP, the sensor’s small size limits dynamic range, high ISO performance, and color depth. Its maximum ISO tops at 1600 (with boosted to 6400), but noise at these levels is generally prohibitive in practice.
Practically, Olympus excels in delivering sharp, clean, and richly detailed images. The Panasonic serves best in bright conditions and at moderate ISO settings where noise is controlled.
Display and Viewfinder: Intuitive Interface Meets Basic Feedback
Both cameras offer 3-inch rear displays but differ greatly in qualities and functionality:

The Olympus boasts a fully articulating touchscreen (1037k-dot), combining flexibility and responsiveness for shooting at odd angles or video monitoring. Its electronic viewfinder has 2.36 million dots with 0.74x magnification and 100% coverage - essential for stable framing in bright outdoor conditions or fast action.
In contrast, the Panasonic’s fixed 460k-dot TFT LCD delivers basic live view without touchscreen input. It lacks any EVF, making composition under harsh daylight challenging. The absence of touch means menu navigation is button-reliant, slower, and potentially frustrating over time.
For serious users, the E-M1X’s versatile screen and EVF are indispensable tools; for beginners or casual shooters, the LZ40’s simpler setup might suffice.
Portrait Photography: Precision AF and Beautiful Skin Rendering
Capturing natural skin tones, detailed eyes, and smooth bokeh often distinguishes mid to pro-level cameras from entry-level zooms.
The Olympus E-M1X shines here thanks to its 121 phase and contrast detection autofocus points, Face and Eye detect AF, and reliable tracking - although it lacks animal eye AF, which could enhance pet portraits. Its Micro Four Thirds sensor enables respectable subject isolation, especially with fast lenses in the M.Zuiko lineup.
Bokeh rendering benefits from Olympus’s lens quality and sensor size. Colors maintain accuracy with the Dual TruePic VIII processors and native RAW support, enabling fine tonal adjustments.
Panasonic’s LZ40, with its small sensor and fixed lens (F3.0–6.5), finds it tough to separate subject from background effectively. The lack of manual focusing also limits creative control. AF uses just 9 contrast-based points; while Face detection is present, eye detection is rudimentary.
In summary: for heartfelt portraits where skin tones and expression matter, Olympus delivers. The Panasonic suffices only for casual snapshots without demanding control.
Landscape Photography: Dynamic Range and Resolution in the Field
Landscape photographers push cameras for wide dynamic range and pixel-rich detail.
The E-M1X’s sensor and processing capture excellent shadow to highlight detail, with clean ISO up to 1600 being usable - a must in dawn or dusk landscapes. Weather sealing ensures the camera can handle rain, dust, and cold, a big bonus for outdoor shooters. The 5184×3888 max resolution satisfies both print and crop demands.
Meanwhile, the LZ40’s sensor size and optics limit dynamic range and sharpness, resulting in flatter, less detailed images - especially in complex scenes. Its lack of weather sealing and a fixed lens makes it vulnerable to the elements and limited in framing options (though the huge zoom range compensates somewhat).
If landscape precision and durability are priorities, Olympus wins clearly.
Wildlife Photography: Autofocus Speed, Telephoto Reach, and Burst Rates
Wildlife photography demands fast, accurate autofocus and high burst frame rates to capture fleeting moments.
The Olympus E-M1X exhibits rapid hybrid AF (121 points) with eye-detection tracking and a blazing continuous shooting rate up to 60fps (electronic shutter). Its 2.1x focal length multiplier with MFT lenses offers excellent telephoto reach without breaking the bank. Combined with in-body 5-axis image stabilization, handheld supertelephoto work is feasible.
The Panasonic LZ40’s superzoom (22-924mm equivalent) offers an enormous focal reach but compromises in lens speed and AF sophistication. Continuous shooting slows dramatically (1fps), unsuitable for fast wildlife. Its 9-point contrast detection autofocus lacks tracking finesse.
In practice: Olympus is built for serious wildlife hunting, while Panasonic is an ultrazoom for observational snapshots with limited action capture.
Sports Photography: Tracking Accuracy, Low-Light Performance, and Frame Rates
Capturing fast-moving sports requires pinpoint autofocus and sustained high frame rates. Low-light performance and buffering are also crucial.
Olympus’s hybrid AF with subject tracking shines here, paired with a burst of up to 60fps. The sturdy body feels substantial yet responsive, with excellent latency times. Low-light ISO capabilities and image stabilization mitigate challenges in poorly lit arenas or late games.
Panasonic’s LZ40 scores low on all these fronts - sluggish 1fps burst, limited ISO, basic contrast AF, and lack of EVF make it ill-suited for sports photography.
Professional and enthusiast sports shooters will find the E-M1X far more capable.
Street Photography: Discreteness, Portability, and Low-Light Agility
Street photographers value quick response, compactness, and good low-light handling.
Here, the Olympus’s size works against it - though its quiet electronic shutter (up to 1/32000s) excels in stealth shooting. The EVF and touchscreen facilitate rapid framing and adjustments. Its robust AF and ISO range allow shooting in varied lighting.
Conversely, Panasonic’s smaller body is more discreet and lightweight. Its optical image stabilization helps reduce blur, but the limited ISO and absence of an EVF restrict utility in subdued environments.
Street photographers choosing between the two should weigh portability against performance - Olympus offers street-ready finesse; Panasonic offers easy carry and zoom versatility.
Macro Photography: Magnification, Focus Precision, and Stability
Macro demands precise focus and steadiness to capture fine detail.
Olympus accommodates focus bracketing and stacking, maximizing depth-of-field - features almost nonexistent in the Panasonic. The in-body 5-axis stabilization helps handheld macro work, combined with the availability of specialized M.Zuiko macro lenses.
Panasonic’s minimum focus at 1cm is generous for a bridge camera, but lack of manual focus or stacking limits creative possibilities. Optical stabilization helps, but limited detail resolution and sensor size bottleneck image quality.
For close-up artistry, the Olympus again holds the advantage for ambitious users.
Night and Astro Photography: High ISO Performance and Exposure Modes
Shooting stars and night scenes challenges sensor sensitivity and exposure controls.
Olympus supports native ISO up to 25600, facilitating usable low-light images with controlled noise. The electronic shutter’s 1/32000s max speed and manual modes enable long exposures. Its weather sealing also ensures operation in harsh, nighttime environments.
Panasonic’s top ISO of 1600 (boost to 6400) and limited shutter speed max out quickly, constraining nightscape photography. No long-exposure or bulb modes are reported, limiting astro applications.
For nightowl photographers, the E-M1X’s sensor and controls significantly widen creative scope.
Video Capabilities: 4K Quality, Stabilization, and Audio
Here, the Olympus offers 4K (4096x2160) at 24p encoding in MOV H.264 with linear PCM audio. It integrates 5-axis sensor-based stabilization, in-and-out focus adjustments with touchscreen, and interfaces for external microphones and headphones - important for professional video workflows.
The Panasonic LZ40 caps video at 720p (1280x720), 30fps and uses Motion JPEG - far less efficient and lower quality. Internal stabilization is optical only, and the lack of an audio port limits sound quality for serious videographers.
So, for hybrid shooters wanting solid video, Olympus’s offering is more future-proof.
Travel Photography: Versatility, Battery Life, and Portability
Travelers need a camera that balances image quality, zoom reach, battery life, and reliability.
Olympus weighs close to 1kg and is somewhat bulky, but its dual batteries deliver a leading 870 shots per charge, plus built-in GPS and wireless connectivity. The lens ecosystem means you can adapt for wide, normal, or telephoto needs.
The Panasonic operates on battery packs lasting around 320 shots. Its fixed lens zoom from 22-924mm equivalent offers outstanding framing flexibility without lens changes - ideal for “grab and go.” The trade-off is image quality and build robustness.
If quality and durability trump portability, Olympus is top choice. Casual snapshooter travelers might prefer Panasonic’s all-in-one simplicity.
Professional Applications: Workflow Integration, Reliability, and Output Formats
Working pros demand cameras that integrate seamlessly into high-end workflows.
Olympus supports RAW shooting, extensive manual controls, dual card slots for redundancy, and a fast USB-C charging and data transfer interface with USB Power Delivery. Its rugged, weather-sealed body is gear-rugged for assignment work in harsh conditions. Eye AF and 121 autofocus points enable consistent capture.
In contrast, Panasonic lacks RAW support, offers only one storage slot, and lacks advanced connectivity or weather sealing. It targets consumers without professional workflow demands.
Our verdict? Olympus E-M1X fits pro pipelines; Panasonic LZ40 remains a beginner or casual enthusiast device.
Key Technical Specs at a Glance
| Feature | Olympus E-M1X | Panasonic LZ40 |
|---|---|---|
| Sensor Size & Type | 17.4×13 mm CMOS (Four Thirds) | 6.17×4.55 mm CCD (1/2.3") |
| Resolution | 20 MP | 20 MP |
| ISO Range | 64 to 25600 | 100 to 1600 (expandable to 6400) |
| AF Points | 121 phase + contrast | 9 contrast points |
| Burst Rate | Up to 60 fps | 1 fps |
| Video | 4K (4096x2160 @24p) | 720p @30fps |
| Stabilization | 5-axis sensor shift | Optical lens-based |
| Weather Sealing | Yes | No |
| Storage Slots | Dual SD | Single SD |
| Battery Life | ~870 shots | ~320 shots |
| Weight | 997 g | 524 g |
| Price (approx.) | $3,000 | $220 |
Real-World Imaging: Side-by-Side Outcomes
The Olympus delivers crisp, low-noise images with punchy colors and smooth gradations. Zooming into shadows shows noise well controlled up to ISO 1600, and sharpness is retained even at maximum aperture. The E-M1X’s in-camera sharpening and color balance provide consistent portrait skin tone rendition - a lifesaver for buds of pro photographers.
Panasonic’s shots look comparatively softer, with notable noise in shadows and limited dynamic range. Its strength lies in versatility of framing thanks to superzoom, but image quality is constrained by sensor physics.
Overall Performance Rankings
Our expert reviewers evaluated across key categories to synthesize these findings:
Though the Olympus is in a distinctly different class technologically, the rating system places it well ahead in almost every segment - from autofocus to image quality and video. The Panasonic scores for zoom reach and usability in casual day-to-day shooting.
Performance by Photography Genre: Where Each Camera Excels
The Olympus E-M1X dominates in portraits, landscapes, wildlife, and professional use, excelling in sports and low-light niches. The Panasonic LZ40’s strengths reside in travel convenience and casual street photography with a vast zoom range.
Who Should Buy Which?
Choose Olympus E-M1X if:
- You’re a professional or advanced enthusiast needing a rugged, high-performance system.
- You shoot portraits, wildlife, sports, landscapes, or night scenes with precision.
- You want robust video capabilities alongside stills.
- Durability, weather sealing, high ISO, and fast autofocus are critical.
- You have the budget for a pro-level Micro Four Thirds system and lenses.
Choose Panasonic LZ40 if:
- You want an affordable, lightweight camera for family, travel, or casual use.
- You prefer an all-in-one superzoom without changing lenses.
- Manual focus and advanced controls are not priorities.
- Portability and ease of use trump image quality perfection.
- You mostly photograph in bright daylight with occasional close-ups.
Final Thoughts: More Than Just Specs - It’s About Purpose
Comparing the Olympus E-M1X and Panasonic LZ40 is a study in contrasts. One is a pro-caliber powerhouse built to deliver outstanding image quality, speed, and reliability in demanding situations. The other is a budget bridge camera aimed at casual users seeking zoom versatility and simplicity.
Neither camera is “better” in isolation; their value emerges through how well they align with your shooting style, aspirations, and budget.
Having tested both extensively, I appreciate the Olympus E-M1X’s mastery across photographic disciplines - especially when paired with quality glass - while respecting the LZ40’s practical appeal to casual photographers.
If your ambitions include serious photography or hybrid video work demanding responsive AF, high-res files, and rugged build - invest in the Olympus system and grow with it.
If your needs lean toward walk-around convenience, zoom range, and point-and-shoot simplicity, the Panasonic offers enjoyable, affordable imaging.
This comprehensive assessment should arm you with practical insights and confidence for your next purchase decision. Feel free to reach out with questions or your own shooting experiences for continued discussion!
Olympus E-M1X vs Panasonic LZ40 Specifications
| Olympus OM-D E-M1X | Panasonic Lumix DMC-LZ40 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Panasonic |
| Model type | Olympus OM-D E-M1X | Panasonic Lumix DMC-LZ40 |
| Class | Pro Mirrorless | Small Sensor Superzoom |
| Launched | 2019-01-24 | 2014-01-06 |
| Body design | SLR-style mirrorless | SLR-like (bridge) |
| Sensor Information | ||
| Chip | Dual TruePic VIII | - |
| Sensor type | CMOS | CCD |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor measurements | 17.4 x 13mm | 6.17 x 4.55mm |
| Sensor surface area | 226.2mm² | 28.1mm² |
| Sensor resolution | 20 megapixels | 20 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 5184 x 3888 | 5152 x 3864 |
| Highest native ISO | 25600 | 1600 |
| Highest boosted ISO | - | 6400 |
| Min native ISO | 200 | 100 |
| RAW pictures | ||
| Min boosted ISO | 64 | - |
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 121 | 9 |
| Lens | ||
| Lens mount type | Micro Four Thirds | fixed lens |
| Lens zoom range | - | 22-924mm (42.0x) |
| Highest aperture | - | f/3.0-6.5 |
| Macro focusing range | - | 1cm |
| Amount of lenses | 107 | - |
| Focal length multiplier | 2.1 | 5.8 |
| Screen | ||
| Range of screen | Fully Articulated | Fixed Type |
| Screen diagonal | 3 inch | 3 inch |
| Screen resolution | 1,037 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 2,360 thousand dot | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.74x | - |
| Features | ||
| Slowest shutter speed | 60 seconds | 15 seconds |
| Maximum shutter speed | 1/8000 seconds | 1/1500 seconds |
| Maximum silent shutter speed | 1/32000 seconds | - |
| Continuous shooting speed | 60.0fps | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | no built-in flash | 10.80 m |
| Flash options | Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync.(1st curtain), Slow sync (2nd curtain), manual | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30p), 640 x 480 (30p), 320 x 240 (30p) |
| Highest video resolution | 4096x2160 | 1280x720 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes (USB-PD allows charging by laptop or external power bank) | USB 2.0 (480 Mbit/sec) |
| GPS | Built-in | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 997 gr (2.20 pounds) | 524 gr (1.16 pounds) |
| Physical dimensions | 144 x 147 x 75mm (5.7" x 5.8" x 3.0") | 126 x 87 x 94mm (5.0" x 3.4" x 3.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 870 pictures | 320 pictures |
| Battery form | Built-in | Battery Pack |
| Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | - | SD/SDHC/SDXC, Internal |
| Storage slots | Two | 1 |
| Launch cost | $2,999 | $219 |