Olympus E-M1X vs Pentax K-5 IIs
54 Imaging
61 Features
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60 Imaging
57 Features
83 Overall
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Olympus E-M1X vs Pentax K-5 IIs Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 997g - 144 x 147 x 75mm
- Introduced January 2019
- Previous Model is Olympus E-M1 II
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Push to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Introduced June 2013
- Previous Model is Pentax K-5

Olympus E-M1X vs. Pentax K-5 IIs: A Deep Dive from My Darkroom to Your Hands
Choosing a camera is like picking a trusted partner for your creative adventures. Over 15 years of testing and shooting, I've seen gear promise the moon only to fumble on takeoff, and vice versa. Today, we're tackling two very different beasts: the Olympus OM-D E-M1X, the 2019 pro-level mirrorless powerhouse, and the Pentax K-5 IIs, the 2013 advanced DSLR classic. Both have earned respect in their day, but how do they stack up against each other in today’s world of imaging?
I’ve put these two through their paces across genres - from robust wildlife tracking to nuanced portraiture - to bring you the lowdown you won’t find in spec sheets alone. Let’s get started.
First Impressions: Size, Build, and Handling
Holding a camera is half the creative experience. It needs to feel like an extension of your eye and hand.
The Olympus E-M1X is unmistakably large for a Micro Four Thirds body - Olympus emphasized professional usability with a beefy SLR-style mirrorless build. Weighing in at just under a kilo (997g) and measuring 144x147x75 mm, it plugs the gap between compact mirrorless and full-blown DSLRs.
The Pentax K-5 IIs is more modest. Weighing 760g and sized 131x97x73 mm, it fits comfortably in medium hands with a traditional DSLR stature.
I lined them up for a quick size-and-ergonomics faceoff so you can see the difference firsthand.
The E-M1X’s double grip “clubs for thumbs” design is not for everyone, but it shines for extended shooting with big lenses or in tough outdoor conditions - the camera feels planted and ready for action. In contrast, the K-5 IIs offers more compact portability with a snug grip, better suited for those who prefer DSLR heft but not bricks in their bags.
Build & Weather Sealing: Both cameras offer environmental sealing, but note neither is fully waterproof nor shockproof or freezeproof. Weather resistance is solid, though Pentax’s reputation for rugged DSLRs is well-earned, especially with its metal chassis. Olympus also uses a magnesium alloy body, making both combat-ready with proper care.
Top Controls & User Interface: Where Experience Meets Practicality
Control layout is something I obsess over - nothing kills momentum faster than menus and buttons hiding where your fingers don’t find them.
At a glance:
Olympus E-M1X boasts an impressive control array with two processor cores (Dual TruePic VIII) backing snappy, customizable wheels and buttons on both grips. The fully articulated 3-inch touchscreen (1037k dots) with live view touch AF puts modern usability front and center.
Pentax K-5 IIs sticks with a classic DSLR approach: a fixed 3-inch TFT LCD (921k dots) and an optical pentaprism viewfinder. While not touchscreen, the K-5’s buttons and dials are substantial and tactile enough for quick adjustments in the field.
Handling is a toss-up: Olympus is the more modern, fluid interface, Pentax offers familiarity and durability. For me, the touchscreen with live view AF on Olympus adds a big ergonomic edge especially for video and high-angle shooting, something Pentax misses.
Sensor Tech & Image Quality: Micro Four Thirds vs APS-C
Here’s where the geek in me lights up. Sensor size and type heavily influence image quality, depth of field, dynamic range, and low-light prowess.
The Olympus E-M1X employs a 20MP Four Thirds CMOS sensor (17.4x13 mm) with an anti-aliasing filter, whereas the Pentax K-5 IIs sports a 16MP APS-C CMOS sensor (23.7x15.7 mm) notably without any anti-alias filter to maximize resolution and sharpness.
I ran ISO sensitivity and dynamic range tests under controlled studio conditions and real-world shots:
Camera | Max Native ISO | DxO DR (approx.) | Color Depth (bits) | Sensor Area (mm²) |
---|---|---|---|---|
Olympus E-M1X | 25600 | Excellent but lower than APS-C | Very Good | 226.2 |
Pentax K-5 IIs | 12800 | Very Good (14 stops equivalent) | Excellent | 372.1 |
The larger APS-C sensor in the K-5 IIs unsurprisingly delivers better dynamic range and color depth, especially important in landscape and portraiture where subtle gradations matter. Lack of an anti-alias filter also means the K-5 IIs pulls out finer detail, especially with sharp lenses - a real plus for landscapes or studio work.
Olympus’s smaller sensor comes with the usual Micro Four Thirds tradeoff: deeper depth of field for a given aperture and focal length, but less dynamic range and high ISO headroom. However, the dual processor setup and in-body stabilization (5-axis, sensor-based) help compensate in low-light and handheld scenarios.
Autofocus and Burst Shooting: Speed and Precision
Autofocus tech can’t be overstated for wildlife, sports, and street photographers who need to catch the decisive moment.
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The Olympus E-M1X has 121 focus points with both phase and contrast detection, touch AF, face detection, continuous AF tracking and is tailored for fast action with a gargantuan 60 fps burst in electronic shutter mode.
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The Pentax K-5 IIs, depending on a more modest 11 AF points (9 cross-type) with phase detection only, offers solid but traditional DSLR autofocus, maxing out at 7 fps shooting.
In my field tests photographing birds in flight, the E-M1X shone with its lightning-fast, precise AF, rarely losing focus even with erratic movements and foliage. The high burst rate is invaluable here.
The K-5 IIs, while slower and with fewer focus points, still manages reliably for slower-moving subjects and general purpose telephoto shooting but won't satisfy pro sports shooters or wildlife chasers who demand razor-sharp tracking at pace.
Image Stabilization and Lens Ecosystem
Olympus’s sensor-based 5-axis stabilization is industry-leading. I consistently got tack-sharp handheld images in low-light at shutter speeds below what was possible without stabilization. It’s a lifesaver for travel and macro photographers who can’t always lug tripods.
Pentax offers sensor-based stabilization too but without 5-axis tech, and fewer lenses with built-in stabilization. Its KAF2 mount has a venerable lineup of over 150 lenses - many quite affordable - but most rely on manual or optical IS. This contrasts Olympus’ sophisticated Micro Four Thirds lens ecosystem, a vast range with strong native IS and fast autofocus, advantageous for video and stills.
Video Capabilities: Modern Needs Meet Legacy
While both support video, there’s a noticeable gulf.
- Olympus E-M1X records true 4K UHD at 24p with a high bitrate (up to 237 Mbps), including standard H.264 codecs, headphone and microphone jacks, and advanced image stabilization for smooth handheld footage.
- Pentax K-5 IIs maxes out at 1080p, 25fps in Motion JPEG - a codec notorious for large files and limited editing flexibility - and lacks 4K or headphone support.
If you’re a hybrid shooter who values video alongside stills, Olympus is the easy call here. Pentax is stuck with more legacy video routines best for casual clips, not professional content.
Battery Life and Portability: How Long Can You Go?
Surprisingly, battery life is competitive despite Olympus’s bigger processor and features:
- E-M1X’s built-in battery rated for about 870 shots per charge.
- K-5 IIs’s removable battery can stretch to 980 shots on a charge.
While Pentax edges out in sheer frame counts, Olympus supports USB-PD charging, meaning you can top up mid-shoot using modern power banks or laptops - a godsend on long trips.
The Olympus’s extra heft and size may deter ultra-light travelers, but its splash sealing, GPS built-in, and double card slots offer pros peace of mind on serious assignments.
Real World Across Photography Genres
Now let’s marry specs with practice across genres I’ve personally stressed these cameras in.
Portrait Photography
Olympus E-M1X: The 20MP sensor plus excellent image stabilization helps yield remarkably clean skin tones, and the phase-detect AF supports face and eye detection for tack-sharp portraits. However, the smaller sensor means shallower bokeh (background blur) is tougher to achieve - especially when paired with MFT glass’s smaller apertures.
Pentax K-5 IIs: Its APS-C sensor without anti-alias filter renders great detail and creamy background separation, a benefit when paired with fast primes. The optical viewfinder provides a natural shooting experience revered by portraitists for accurate framing and focus pulling.
Overall, for dreamy portraits with shallow depth and creamy bokeh, K-5 IIs wins. For studio work or portraits requiring more AF assistance and postprocessing flexibility, E-M1X is solid.
Landscape Photography
Dynamic range is king here. K-5 IIs’s APS-C advantage with 14 stops of latitude allows deep shadows and bright highlights retention. The lack of AA filter means the images pop for detail.
Olympus has a smaller sensor, but the focus bracketing and stacking options specifically built-in can be powerful for macro-to-landscape compositions, enhancing depth in creative ways.
Wildlife and Sports Photography
Olympus’s 60 fps burst, superior AF tracking with 121 points, and lightweight telephoto MFT lenses greatly outperform Pentax’s slower 7 fps and limited AF points. The E-M1X is a wildlife and sports shooter’s dream - speedy, reliable, and with effective in-body stabilization.
Street Photography
Street shooters often want low profile and light bags. Despite its size, Olympus’s mirrorless design with silent electronic shutter modes beats Pentax’s larger DSLR and louder shutter sound.
I used the E-M1X extensively for low-light urban scenes with great results. Its articulation screen and touch interface enable quick candid or unusual angle shots.
Pentax’s optical viewfinder and traditional design appeal to purists, but its weight and less discreet shutter may stand out in tight street settings.
Macro Photography
Stabilization is critical for sharp macro shots, and Olympus’s 5-axis IS system paired with MFT macro lenses gives it an edge. Also, Olympus offers focus bracketing and stacking - absent in Pentax - which helps creative macro shooters extend depth-of-field beyond physical lens limits.
Pentax’s sharp APS-C sensor provides great detail, but lack of in-body 5-axis stabilization and no stacking features might frustrate handheld macro shooters.
Night and Astro Photography
Here, the Pentax K-5 IIs impresses with better low-light ISO noise performance and higher dynamic range. Though capped at ISO 12800 (boostable), its noise handling surpasses Olympus's smaller sensor at the same ISO settings.
Olympus offers built-in GPS (useful for astro metadata) and excellent stabilization for handheld night shots, yet for star fields or nightscapes, the APS-C sensor wins in detail retention and noise control.
Video
Olympus stakes a claim on modern hybrid workflows: 4K 24p, microphone and headphone jacks, and OIS make it the better video tool. Pentax K-5 IIs trails with 1080p and dated codec support, lacking critical professional features.
Workflow Integration and Connectivity
The Olympus includes sophisticated built-in Wi-Fi, Bluetooth, and GPS, with USB Power Delivery for charging. This supports fast tethering, efficient file transfers, and geotagging - important for professional workflows.
Pentax relies on optional GPS and lacks wireless connectivity. USB 2.0 speeds are limiting, and you’ll likely depend on card readers or cables for offloading.
Price vs. Performance: Who Offers What for Your Bucks?
Olympus E-M1X launched at around $3000 - a serious investment for pro shooters needing speed, lightness relative to DSLR systems, and the latest tech.
Pentax K-5 IIs was priced $749 on launch - a bargain in today’s used market, offering excellent image quality and reliability for advanced enthusiasts or budget-conscious pros.
If budget is tight and you want durable APS-C image quality, K-5 IIs still represents excellent value. But for cutting-edge AF, burst, video, and hybrid shooting, Olympus justifies its steep asking price.
How Both Cameras Score per Photography Genre
To summarize how these cameras perform in practical applications:
Putting It All Together: Sample Images
You’ll want to see the output quality and color science firsthand. I shot the same scene, indoors and outdoors, under diverse conditions. Here’s a gallery comparing the two:
Look closely at skin tones, sharpness, dynamic range, and noise. The Olympus images are punchy with great stabilization clarity; Pentax shines in the dynamic range and fine detail department.
The Final Word: Which Should You Buy?
Here’s my practical takeaway after extensive shooting and testing:
Choose the Olympus E-M1X if you:
- Are a professional or serious hybrid shooter who needs blazing AF speed, 4K video, and rock-solid stabilization.
- Value lightweight, weather-sealed versatility for wildlife, sports, or travel.
- Want cutting-edge touchscreen UI, GPS, and wireless for streamlined modern workflows.
- Can stomach the steep price and slightly smaller Micro Four Thirds sensor tradeoffs for speed and convenience.
Strengths: Speed, AF sophistication, video features, stabilization
Weaknesses: Smaller sensor, bigger size, price
Choose the Pentax K-5 IIs if you:
- Prioritize larger APS-C sensor image quality, superior dynamic range, and detailed resolution in portraits and landscapes.
- Prefer an optical viewfinder and robust DSLR build without breaking the bank.
- Are a cheapskate seeking excellent used value but still want serious performance.
- Shoot mostly stills with some casual video, and value classic DSLR ergonomics.
Strengths: Image quality, sensor size, affordability, APS-C detail
Weaknesses: Slower AF and burst, dated video, lack of wireless connectivity
Parting Thoughts From the Field
Both cameras prove that solid imaging isn’t just about specs on paper but how gear integrates with your shooting style. The Olympus E-M1X redefines top-tier mirrorless proshooting with incredible speed and versatility, while the Pentax K-5 IIs stands as a timeless APS-C workhorse delivering image quality for the discerning eye on a budget.
Whichever path you take, knowing the limitations and strengths before your purchase ensures you get a camera that complements your vision, not frustrates it.
Happy shooting!
If you want specific recommendations for lenses, accessories, or detailed test results in any genre, feel free to ask - I’ve got hands-on tracked notes from thousands of hours behind each shutter.
Olympus E-M1X vs Pentax K-5 IIs Specifications
Olympus OM-D E-M1X | Pentax K-5 IIs | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Pentax |
Model | Olympus OM-D E-M1X | Pentax K-5 IIs |
Class | Pro Mirrorless | Advanced DSLR |
Introduced | 2019-01-24 | 2013-06-04 |
Physical type | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Powered by | Dual TruePic VIII | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.4 x 13mm | 23.7 x 15.7mm |
Sensor surface area | 226.2mm² | 372.1mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 |
Highest resolution | 5184 x 3888 | 4928 x 3264 |
Highest native ISO | 25600 | 12800 |
Highest boosted ISO | - | 51200 |
Lowest native ISO | 200 | 100 |
RAW support | ||
Lowest boosted ISO | 64 | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 121 | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mount | Micro Four Thirds | Pentax KAF2 |
Number of lenses | 107 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen diagonal | 3" | 3" |
Screen resolution | 1,037k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.74x | 0.61x |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/8000 seconds | 1/8000 seconds |
Highest silent shutter speed | 1/32000 seconds | - |
Continuous shooting rate | 60.0fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 13.00 m (at ISO 100) |
Flash modes | Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync.(1st curtain), Slow sync (2nd curtain), manual | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/180 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) |
Highest video resolution | 4096x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (USB-PD allows charging by laptop or external power bank) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | Optional |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 997 grams (2.20 pounds) | 760 grams (1.68 pounds) |
Physical dimensions | 144 x 147 x 75mm (5.7" x 5.8" x 3.0") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO All around score | not tested | 82 |
DXO Color Depth score | not tested | 23.9 |
DXO Dynamic range score | not tested | 14.1 |
DXO Low light score | not tested | 1208 |
Other | ||
Battery life | 870 photos | 980 photos |
Battery type | Built-in | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 12 secs, custom) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Type of storage | - | SD/SDHC/SDXC |
Card slots | Two | Single |
Pricing at launch | $2,999 | $749 |