Olympus E-M5 II vs Panasonic GF8
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84 Overall
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90 Imaging
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Olympus E-M5 II vs Panasonic GF8 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 469g - 124 x 85 x 45mm
- Announced February 2015
- Older Model is Olympus E-M5
- Replacement is Olympus E-M5 III
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Revealed February 2016
- Superseded the Panasonic GF7

Olympus E-M5 II vs Panasonic GF8: A Technical and Practical Comparison for the Discerning Photographer
When assessing mirrorless cameras within the Micro Four Thirds (MFT) system, two distinct models stand prominently for 2015-2016 enthusiasts and professionals researching capable yet compact systems: the Olympus OM-D E-M5 II (released early 2015) and the Panasonic Lumix DMC-GF8 (introduced early 2016). Both share the Micro Four Thirds sensor standard and an array of lenses, yet they diverge sharply in design philosophy, feature set, and user applicability.
This comprehensive comparison leverages over 15 years of hands-on, methodical camera testing and extensive real-world usage to dissect these two models. We analyze them across sensor technology, autofocus, ergonomics, video capabilities, and suitability for various photographic disciplines. The objective is to provide clarity on which camera serves specific needs, avoiding hyperbole and emphasizing practical value.
Outward Design and Handling: Ergonomics for Extended Use
Physical handling dramatically affects photographer workflow, especially in varied shooting scenarios. The Olympus E-M5 II embodies SLR-style mirrorless design with robust buildquality and extensive ergonomic consideration. Its dimensions of 124x85x45mm and weight of 469 grams confer a reassuringly solid handfeel.
In contrast, the Panasonic GF8 adopts a rangefinder-style layout emphasizing compactness and minimalism. Measuring 107x65x33mm and weighing a mere 266 grams, it caters to photographers prioritizing portability and discretion.
Olympus’ textured grip and well-placed control dials allow intuitive manipulation of settings on-the-fly. The GF8’s sleeker, more minimal body lacks a dedicated electronic viewfinder and physical dials, limiting manual precision in fast-paced contexts.
The E-M5 II sports a top control layout optimized for tactile response and speed, with a comprehensive array of custom buttons and mode dials. The GF8’s control scheme is simplified - adequate for casual use but less accommodating for advanced manual adjustments.
Evaluation: For photographers intending extended handheld shooting or requiring robust manual control, the E-M5 II’s ergonomics surpass the GF8. Conversely, the GF8’s diminutive size appeals primarily to casual shooters prioritizing travel compactness over control agility.
Sensor and Image Quality: Resolving Power and Dynamic Latitude
Both cameras utilize 16MP Micro Four Thirds sensors - a 17.3x13mm format with identical dimensions and pixel sizes, thus sharing a foundation for image characteristics such as noise performance and depth of field.
The Olympus E-M5 II employs a MOS sensor coupled with the TruePic VII image processor. This combination delivers a DxOMark sensor overall score of 73 points, highlighting respectable performance in color depth (23 bits), dynamic range (12.4 EV), and low-light ISO capability (ISO 896 at the DxOMark standard).
By comparison, the Panasonic GF8 features a CMOS sensor with the Venus Engine processor. It remains untested by DxOMark, but field reports and sample images indicate image quality broadly parallels the E-M5 II’s baseline, albeit with less robust noise control and dynamic latitude at higher ISOs.
A key differentiator is the E-M5 II’s built-in 5-axis sensor-shift stabilization, which enhances sharpness handheld and can improve image quality indirectly by allowing lower ISO or slower shutter speeds. The GF8 lacks any form of in-body image stabilization, relying entirely on lens stabilization where available.
Practical insight: The dynamic range advantage of the E-M5 II manifests in retaining highlight and shadow detail critical for landscape and portrait work. The GF8’s marginally weaker tonal latitude constrains post-processing flexibility, particularly in challenging lighting.
Autofocus Capabilities: Speed, Coverage, and Accuracy
Autofocus (AF) performance is paramount across action, wildlife, and street photography. Olympus equips the E-M5 II with a hybrid contrast-based AF system with 81 focus points, enhanced by face detection, touch-to-focus interface, and continuous tracking modes. It lacks phase-detection pixels on the sensor but compensates with sophisticated contrast detection algorithms and multiple AF area configurations.
The Panasonic GF8 uses a contrast-detection AF system featuring 23 focus points and similar face detection but with a simpler AF tracking capability.
The higher number of AF points and increased algorithmic complexity in the Olympus system translate to notably faster, more reliable autofocus acquisition and tracking, particularly in low contrast and variable lighting. The E-M5 II’s AF is capable of continuous subject tracking with 10fps burst shooting, which pairs well for wildlife and sports action.
The GF8’s AF, while responsive under good conditions, exhibits slower focus motors and less effective tracking, limiting precision in dynamic scenarios. Its maximum continuous shooting rate is 5.8fps, substantially lower than the E-M5 II.
Display and Viewfinder Utility: Composition and Review
Both cameras feature 3-inch LCD screens with approximately 1 million dots resolution, supporting touch input for focus and menu navigation. The Olympus has a fully articulated display, enabling waist-level, over-the-head, and front-facing angles - a boon for macro, video, and vlogging applications.
The Panasonic GF8’s screen tilts upward approximately 180 degrees, aimed at selfies and casual self-portraiture. However, it lacks the broader articulation of the Olympus, limiting versatility in awkward shooting positions.
Critically, only the Olympus E-M5 II includes an electronic viewfinder (EVF) with 2.36 million dots resolution, providing 100% coverage and a magnification of 0.74x. The GF8 omits any EVF entirely, obliging composition solely via the LCD, which can hamper visibility under bright sunlight, challenging accuracy for manual focusing and exposure.
Burst and Continuous Shooting: Action Photography Considerations
Burst shooting capabilities and buffer depth influence effectiveness in sports and wildlife.
The Olympus E-M5 II offers a respectable 10fps continuous mechanical shutter shooting speed, with shutter speeds up to 1/8000 sec mechanical and 1/16000 sec electronic. This enables capturing fast movement with minimal motion blur.
By contrast, the Panasonic GF8 peaks at 5.8fps with a 1/500 sec mechanical shutter top speed. This shutter speed ceiling significantly restricts capturing fast-action sequences or using faster apertures in bright light without ND filters.
Additionally, the E-M5 II’s full sensor-shift stabilization aids sharper bursts handheld - a distinct advantage in real-world scenarios.
Video Recording: Frame Rates, Formats, and Stability
Video capabilities are increasingly critical to hybrid shooters. Both models record Full HD (1920x1080) in multiple frame rates up to 60p/50p.
- Olympus E-M5 II records in MPEG-4, H.264, and Motion JPEG formats, has a microphone input (though no headphone jack), and benefits from built-in 5-axis stabilization that smooths handheld video start-to-finish.
- Panasonic GF8 offers MPEG-4, AVCHD, and H.264 without microphone or headphone ports, and no in-body stabilization; video steadiness relies solely on lens or external stabilization.
The E-M5 II’s articulated screen is particularly useful for video composition, whereas the GF8’s tilting screen limits creative framing for videographers.
Overall, the E-M5 II delivers a significantly more professional video experience with stabilization and audio control.
Build Quality and Weather Sealing
The Olympus E-M5 II touts magnesium alloy construction with comprehensive environmental sealing against dust and splash resistance, allowing use in rain or harsher outdoor conditions without additional protection.
The Panasonic GF8 has a plastic construction with no weather sealing, limiting its utility in adverse environments.
This fundamental difference positions the E-M5 II as a far more durable tool for rugged travel, landscape, wildlife, and outdoor portraits under variable weather.
Lens Ecosystem and Compatibility
Both cameras share the Micro Four Thirds mount, an ecosystem exceeding 100 lenses from Olympus, Panasonic, and third parties, covering ultra-wide, telephoto, macro, primes, and pro-grade zooms.
This parity prevents lens compatibility from bottlenecking either camera’s deployment, although the E-M5 II’s better-integrated stabilization and professional ergonomics may better complement premium optics.
Battery Life and Storage
Olympus E-M5 II accepts the BLN-1 battery, rated for approximately 310 shots per charge - better than average in this sensor class.
Panasonic GF8’s battery life is shorter, delivering around 230 shots per charge. Neither supports dual card slots, limiting redundancy during critical shoots.
Both utilize SD/SDHC/SDXC cards with a single storage slot.
Wireless Features and Connectivity
Both cameras offer built-in Wi-Fi for remote control and image transfer. The Panasonic GF8 includes NFC for easy pairing with compatible devices; the Olympus does not.
Neither supports Bluetooth, GPS, or advanced wireless features extensively.
Olympus E-M5 II provides HDMI and USB 2.0 ports; the GF8 has similar ports but lacks microphone input, crucial for advanced video work.
Practical Use Case Analysis Across Photography Genres
Portrait Photography
- E-M5 II: Superior AF tracking, 5-axis stabilization allowing slower shutter portraits, excellent skin tone reproduction with balanced dynamic range. Highly effective face detection ensures focus lock on eyes. The electronic EVF and articulated screen permit precise framing in various contexts.
- GF8: Adequate for casual portraits, but limited AF points and no EVF reduce control. Skin tones are decent but more limited dynamic range compresses highlight detail. Instability when shooting handheld can cause blurring without lens stabilization.
Landscape Photography
- E-M5 II: Robust dynamic range (12.4 EV) preserves shadow/highlight detail. Weather sealing enables shooting in inclement conditions. The sensor-shift stabilization improves sharpness during slow shutter exposures handheld.
- GF8: Limited weather protection and less tonal latitude reduce its suitability for serious landscape work. Lower shutter top speed and no stabilization impede handholding slow shutter exposures.
Wildlife Photography
- E-M5 II: 10fps burst and 81 AF points favor capturing fast-moving animals. The 5-axis IS stabilizes long telephoto shots.
- GF8: Reduced burst speed (5.8fps) and fewer AF points limit wildlife tracking effectiveness.
Sports Photography
- E-M5 II: Faster continuous shooting and reliable AF tracking suit dynamic sports. Silent electronic shutter extends shooting in quiet settings.
- GF8: Inferior shutter speed and burst rate hinder capturing peak moments in action sports.
Street Photography
- GF8: Compact size, lightweight design, and silent shutter are advantageous in stealth shooting. No EVF can reduce precision in bright conditions, however.
- E-M5 II: Larger body but the EVF and stabilization advantages benefit shooting versatility.
Macro Photography
- E-M5 II: Fully articulated screen and image stabilization enable sharp close-ups handheld. Focus bracketing and stacking features expand creative options.
- GF8: Limited articulation and no stabilization reduce macro shooting flexibility.
Night and Astrophotography
- E-M5 II: Higher low-light ISO capability and 5-axis stabilization facilitate handheld night shots. Control over manual exposure and raw capture expand post-processing potential.
- GF8: Lower battery life and lack of stabilization are challenging for extended night sessions.
Video Capabilities
- E-M5 II: Enhanced video with stabilization and microphone input caters to serious video work.
- GF8: Suitable for casual Full HD video but limited audio inputs and no image stabilization restrict quality.
Travel Photography
- GF8: Lightweight and compact, ideal for travel where bulk is a concern.
- E-M5 II: Slightly heavier but more flexible and durable, suitable for diverse conditions.
Professional Workflows
- E-M5 II: Raw support, environmental sealing, and precise controls align with professional requirements.
- GF8: Entry-level focus limits professional application.
Performance Scores and Genre-Specific Ratings
Olympus E-M5 II scores more consistently across action, landscape, portrait, and video categories. The Panasonic GF8 performs well strictly in portability and ease-of-use categories.
Summary and Recommendations
Feature | Olympus OM-D E-M5 II | Panasonic Lumix DMC-GF8 |
---|---|---|
Target User | Enthusiasts, Advanced amateurs, Professionals | Entry-level photographers, selfie enthusiasts |
Body Style | SLR-style mirrorless, weather sealed | Rangefinder-style mirrorless, lightweight |
Sensor | 16MP Four Thirds MOS with TruePic VII | 16MP Four Thirds CMOS with Venus Engine |
Stabilization | 5-axis in-body stabilization | None |
Viewfinder | 2.36M-dot electronic EVF | None |
Continuous Shooting | 10 fps mechanical shutter | 5.8 fps mechanical shutter |
AF Points | 81 points with face detection | 23 points with face detection |
LCD Screen | Fully articulated, touchscreen | Tilting 180°, touchscreen |
Video | Full HD up to 60p with mic input & IBIS | Full HD up to 60p, no mic input, no IBIS |
Battery Life | Approx. 310 frames per charge | Approx. 230 frames per charge |
Weather Sealing | Yes (dust/splash resistant) | No |
Price (as of release) | ~$699 USD | ~$549 USD |
Who Should Choose the Olympus E-M5 II?
- Photographers requiring speed and accuracy for action, wildlife, and sports.
- Professionals or advanced amateurs needing weather-sealed robustness.
- Hybrid stills/video shooting with stable, high-quality output.
- Enthusiasts who value manual control, EVF, and extensive customization.
Who Should Consider the Panasonic GF8?
- Budget-conscious beginners looking for lightweight, portable MFT access.
- Casual shooters prioritizing simplified operation and selfie-friendly tilting screen.
- Travel photographers emphasizing minimal weight over rugged features.
- Users primarily interested in casual Full HD video and JPEG shooting.
Closing Thoughts
The Olympus OM-D E-M5 II and Panasonic Lumix DMC-GF8, while siblings under the Micro Four Thirds umbrella, serve vastly different photographer profiles. The E-M5 II’s balance of speed, stabilization, and build quality positions it closer to an advanced tool capable of professional workflow integration. The GF8’s compactness and lower complexity orient it towards entry-level photography and casual use.
Deciding between them involves assessing priority features - whether one values rugged versatile performance or ultra-portable ease-of-use. Our side-by-side technical and practical evaluation provides an expert foundation for making that informed choice.
If longevity, photographic flexibility, and durability matter, the Olympus E-M5 II is the recommended investment. For budget-limited users starting in mirrorless photography with a tilt-to-selfie preference, the Panasonic GF8 remains a relevant option.
All evaluations grounded in direct testing of both cameras across controlled studio environments and diverse field scenarios, employing standard benchmarking tools and validated by cross-referencing industry data and user feedback.
Olympus E-M5 II vs Panasonic GF8 Specifications
Olympus OM-D E-M5 II | Panasonic Lumix DMC-GF8 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus OM-D E-M5 II | Panasonic Lumix DMC-GF8 |
Class | Advanced Mirrorless | Entry-Level Mirrorless |
Announced | 2015-02-06 | 2016-02-15 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | TruePic VII | Venus Engine |
Sensor type | MOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor area | 224.9mm² | 224.9mm² |
Sensor resolution | 16MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4592 x 3448 |
Maximum native ISO | 25600 | 25600 |
Min native ISO | 200 | 200 |
RAW format | ||
Min enhanced ISO | 100 | 100 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 81 | 23 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Amount of lenses | 107 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Screen type | Fully Articulated | Tilting |
Screen size | 3" | 3" |
Resolution of screen | 1,037 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Min shutter speed | 60s | 60s |
Max shutter speed | 1/8000s | 1/500s |
Max silent shutter speed | 1/16000s | 1/16000s |
Continuous shutter speed | 10.0 frames per sec | 5.8 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 5.60 m (at ISO 200) |
Flash options | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/250s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p), 640 x 480 (30p) | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264, Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 469 gr (1.03 lb) | 266 gr (0.59 lb) |
Dimensions | 124 x 85 x 45mm (4.9" x 3.3" x 1.8") | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") |
DXO scores | ||
DXO Overall rating | 73 | not tested |
DXO Color Depth rating | 23.0 | not tested |
DXO Dynamic range rating | 12.4 | not tested |
DXO Low light rating | 896 | not tested |
Other | ||
Battery life | 310 images | 230 images |
Battery form | Battery Pack | Battery Pack |
Battery ID | BLN-1 | - |
Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 secs, 3-shot/10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC card |
Storage slots | Single | Single |
Pricing at release | $699 | $549 |