Olympus E-M5 II vs Panasonic SZ1
80 Imaging
53 Features
84 Overall
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95 Imaging
39 Features
34 Overall
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Olympus E-M5 II vs Panasonic SZ1 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 469g - 124 x 85 x 45mm
- Revealed February 2015
- Superseded the Olympus E-M5
- New Model is Olympus E-M5 III
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 131g - 99 x 59 x 21mm
- Launched January 2012
Photography Glossary Olympus OM-D E-M5 II vs Panasonic Lumix DMC-SZ1: An Expert Photographer’s Comparative Review
When it comes to choosing the right camera for your photography needs, the decision often boils down to weighing advanced feature sets against convenience and budget. Today, I’m diving deep into a comparative analysis of two very different cameras that occupy quite distinct segments: the Olympus OM-D E-M5 II, an advanced Micro Four Thirds mirrorless camera launched in 2015, and the considerably more modest Panasonic Lumix DMC-SZ1 compact from 2012.
These cameras couldn't be more different in build, target audience, and capabilities. Yet, comparing them is a worthwhile exercise for discerning buyers who want to understand how camera advancements and form factors impact user experience, image quality, and overall value. Having personally tested thousands of cameras over the past 15+ years, I’ll guide you through the details, balancing technical facts with hands-on observations to help you make an informed decision.
Getting Acquainted: Design, Size, and Handling
First impressions matter, and much of what you’ll experience happens the moment you hold a camera. The Olympus E-M5 II is distinctly a SLR-style mirrorless, featuring a solid, weather-sealed magnesium alloy body designed for serious photography. Its dimensions measure 124 x 85 x 45 mm, and it weighs in at 469 grams (body only). By contrast, the Panasonic SZ1 is a tiny, lightweight point-and-shoot compact, measuring just 99 x 59 x 21 mm and a mere 131 grams.
This difference is palpable in the hand. The E-M5 II’s larger grip and well-placed buttons instantly communicate professionalism and usability, especially if you’re hauling longer lenses. Meanwhile, the SZ1 is pocketable, perfect for quick snapshots and travel without any bulk.

Ergonomically, the Olympus camera offers dedicated dials for shutter speed, exposure compensation, and shooting mode, lending itself to fast, intuitive control, while the Panasonic opts for minimal physical controls, relying on menus and automatic shooting modes more than manual intervention.
For those who shoot seriously, especially on the move or in challenging weather, the Olympus is the clear winner in handling and durability. The SZ1, however, wins for sheer portability and ease-of-use for casual snaps.
Control Layout and Interface Insights
Looking closer at the top panel and control layout highlights how these cameras approach user interaction.

The E-M5 II’s layout is classic Olympus - dual mode dials paired with a dedicated ISO button, front and rear dials for aperture/shutter control, and a well-placed AF-ON button. The camera’s extensive physical controls facilitate rapid shooting adjustments without diving through menus. In contrast, the SZ1’s top plate is minimalist: shutter release, zoom lever, power button, and a basic mode dial. There’s no touchscreen, no customizable buttons - just a practical layout for casual users.
On the rear, the E-M5 II sports a 3-inch, fully articulated touchscreen LCD with 1,037k dots, offering flexibility for low or high-angle shooting and live touch focus. The SZ1 features a smaller, fixed 3-inch LCD with only 230k dots and no touchscreen - functional, but clearly behind in refinement.

From a usability perspective, the E-M5 II offers far greater control, flexibility, and feedback, making it suitable for photographers who want to fine-tune and experiment on the fly. The SZ1, however, will satisfy those wanting a straightforward, grab-and-go solution.
Sensor Technology and Image Quality: Size Matters
Arguably, the sensor is the core determinant of image quality, dynamic range, and noise performance. Here, the Olympus E-M5 II houses a 16-megapixel Four Thirds MOS sensor (17.3 x 13 mm) paired with the TruePic VII image processor, whereas the Panasonic SZ1 packs a smaller 1/2.3-inch CCD sensor (6.08 x 4.56 mm) also at 16 megapixels.

This considerable difference in sensor size - the Four Thirds sensor surface area is roughly eight times larger than the tiny SZ1 chip - translates directly into improved low-light performance, higher dynamic range, and better depth-of-field control for the Olympus.
Technical metrics reinforce this:
- Olympus E-M5 II: DxO overall score of 73, color depth ~23 bits, dynamic range 12.4 EV, low light ISO performance ranking nearly ISO 900.
- Panasonic SZ1: Not tested by DxO (typical for budget compacts), but the small sensor and CCD technology limit noise handling and range.
In practical shooting, the E-M5 II delivers cleaner images at higher ISOs, retains colors more naturally, and dramatically outperforms in contrast and shadow detail recovery - essential for landscape and professional portrait work. The SZ1 produces acceptable images in good light but struggles with noise beyond ISO 400 and loses detail and saturation in challenging conditions.
For photographers serious about image quality and post-processing flexibility, the Olympus shines - and the sensor size is a major factor.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus performance can make or break moments in fast-paced genres like wildlife and sports photography. The E-M5 II offers an 81-point contrast-detection AF system with face detection and tracking features, whereas the SZ1 uses a smaller 23-point system, also contrast-detect, but without phase detection.
While neither camera has hybrid phase-detection autofocus (common in newer models), the E-M5 II’s autofocus is more responsive, especially when paired with Micro Four Thirds lenses known for fast, silent focusing motors. The Olympus excels in continuous AF modes, maintaining focus reliably on moving subjects - important when shooting wildlife or sports.
The SZ1, being a compact, performs adequately for still subjects or casual snapshots but can be slower to lock focus, particularly in low light or when tracking movement.
Image Stabilization and Shutter Speeds
Olympus has long been praised for its 5-axis in-body image stabilization (IBIS), and the E-M5 II continues this tradition. This IBIS system provides substantial compensation for camera shake, granting longer handheld exposures and smoother video capture.
By contrast, the Panasonic SZ1 relies on optical image stabilization built into its lens. While useful, lens-based stabilization generally doesn’t match IBIS in versatility or effectiveness.
The Olympus’ shutter speed range (from 60 seconds to 1/8,000 second mechanical, up to 1/16,000 second electronic) outpaces SZ1’s limited 8 to 1/1,600 second range, giving professionals more creative freedom and ability to shoot in bright conditions with wide apertures for shallow depth of field.
Robustness and Weather Sealing
A practical aspect for photographers who shoot outdoors is build quality and environmental durability.
The Olympus E-M5 II offers impressive weather sealing against dust and splashes, though it’s not fully waterproof. This sealing allows it to brave misty conditions and sandy environments, which benefit landscape shooters and travelers alike.
On the other hand, the SZ1 has no weather sealing whatsoever, making it vulnerable in harsh environments or inclement weather. This isn’t unexpected for an entry-level compact but worth noting for buyers considering outdoor use.
Lens Ecosystem and Compatibility
One often overlooked advantage of the Olympus system is its Micro Four Thirds mount, with over 100 native lenses available from Olympus and Panasonic, plus third-party options from Sigma, Tamron, and more.
This breadth encompasses everything from ultra-wide to super-telephoto, prime lenses famous for gorgeous bokeh, macros, and specialty perspectives - a playground for photographers who crave variety and quality optics.
In contrast, the Panasonic SZ1 has a built-in fixed zoom lens covering 25-250 mm equivalent at f/3.1-5.9. While versatile for everyday use, this lens is a compromise: small sensor optics with modest aperture limits control over depth of field and low-light capability.
Battery Life and Storage: Practical Shooting Considerations
Despite its advanced features, the Olympus E-M5 II offers respectable battery life quoted at approximately 310 shots per charge, tested under CIPA standards. Adding external USB charging options aids convenience but the battery remains a limitation for all-day shooting without spares.
The Panasonic SZ1 manages around 250 shots on its smaller battery, suitable for casual outings but not marathon sessions.
Both cameras use SD cards, with Olympus limited to one card slot, which is typical for this market segment.
Connectivity and Features for Modern Workflow
Connectivity-wise, the Olympus E-M5 II includes built-in Wi-Fi for wireless image transfer and remote control using smartphone apps - a major plus for on-the-go shooting and quick sharing.
The SZ1 lacks wireless features entirely: no Wi-Fi, NFC, or Bluetooth, reflecting its design as a straightforward point-and-shoot.
In video, Olympus offers full HD 1080p at up to 60 fps with microphone input, albeit no headphone jack. The SZ1 maxes out at 720p and has no external audio support.
Advanced photography modes, such as focus bracketing and live view focusing options, further showcase the Olympus’ professional aims versus the SZ1’s user-friendly simplicity.
Real-World Photography: Diverse Genre Breakdown
How does this all translate across photographic disciplines?
Portraits
Thanks to its larger sensor and better autofocus, the Olympus produces natural skin tones with smooth, pleasing bokeh, and reliable face and eye detection autofocus - crucial for flattering portraits. The SZ1’s small sensor and narrow apertures limit background blur and result in flatter rendering.
Landscape
The dynamic range of the Olympus gives it a decisive edge in capturing detailed shadows and highlights. Weather sealing allows shooting in less forgiving conditions. The SZ1 can deliver serviceable landscapes but falls short on tonal range and fine detail.
Wildlife
Burst rates of 10 fps on the Olympus (versus 1 fps on SZ1), coupled with accurate tracking AF, make Olympus better suited for dynamic animal subjects. Telephoto reach depends on interchangeable lenses, but the system supports up to 600mm and beyond. The SZ1’s 10x zoom may suffice for casual birdwatchers but lacks professional reach and speed.
Sports
Frame rate and AF precision favor the Olympus here as well. The SZ1’s sluggish 1 fps continuous shooting means it won’t freeze much fast action.
Street
Although smaller and more discreet, the SZ1’s limited manual controls and low-light struggles hamper candid street photography. The Olympus is bulkier but offers silent shutter mode and better low-light capabilities, supporting more creative street work.
Macro
The Olympus’s ability to swap in dedicated macro lenses, combined with focus bracketing, empowers detailed close-up photography. The SZ1 can focus as close as 4cm but lacks precise manual focus.
Night/Astro
Olympus excels with high ISO performance and longer shutter speeds stabilized by IBIS. The SZ1’s little sensor and limited exposure times restrict night shooting possibilities.
Video
Olympus has the upper hand with Full HD at 60p, HDMI output, and microphone input allowing serious video capture. The SZ1’s 720p video is modest and audio features are basic.
Travel
Lightweight and pocketable, the SZ1 is travel-friendly. The E-M5 II, while larger, offers versatility and robustness that many travelers will appreciate for serious photo journaling.
Professional Work
For reliability and file flexibility, the Olympus supports RAW shooting with solid workflow integration, aiding pros and enthusiasts wanting maximum image quality. The SZ1 offers JPEG only, inadequate for high-end productions.
Sample Image Gallery
Below, I present a side-by-side gallery of images taken with both cameras under similar conditions. Note the Olympus’s superior detail, color fidelity, and noise control even when zoomed in.
Overall Performance Ratings
Following rigorous test protocols measuring image quality, autofocus, ergonomics, and more, the cameras score as follows:
- Olympus E-M5 II: High marks for image quality, autofocus, and build.
- Panasonic SZ1: Modest scores reflecting its compact, entry-level nature.
Genre-Specific Performance Analysis
Breaking performance down by photography type offers clarity on where each camera shines:
Final Verdict: Who Should Buy Which?
The Olympus OM-D E-M5 II is a powerful, feature-rich camera that holds its own in demanding photography fields. If you care about image quality, reliable autofocus, and a professional-grade shooting experience, and are ready to invest in lenses and accessories, this camera remains a compelling choice even years after release.
Meanwhile, the Panasonic Lumix DMC-SZ1 is a classic compact camera designed for ease, affordability, and portability. It is perfectly suited for novices, casual shooters, or those simply needing a second camera for everyday snapshots without fuss or learning curve.
Recommendations by User Type
- Enthusiast and Pro Photographers: Choose Olympus E-M5 II for its robust sensor, extensive lens system, superior autofocus, and rugged build. Ideal for diverse shooting styles from studio portraits to wildlife.
- Casual Photographers and Travelers on a Budget: The Panasonic SZ1 is a convenient, lightweight option for casual use, quick snapshots, and travel without breaking the bank.
- Street Photographers Seeking Discretion: While Olympus is bulkier, it offers superior image quality. However, very stealthy shooters may prefer an ultra-compact or mirrorless system with silent shutter, possibly newer models.
- Videographers: Olympus provides better resolution and audio input options, serving hybrid photo-video users well.
- Macro and Nature Shooters: Olympus’s lens ecosystem and focus stacking capabilities make it the natural choice.
Closing Thoughts
Comparing the Olympus OM-D E-M5 II and Panasonic Lumix DMC-SZ1 highlights how much sensor size, build quality, and feature sets influence camera performance and suitability. The E-M5 II is decidedly for photographers who demand control and quality. The SZ1 is for point-and-shoot simplicity.
In my experience, investing in a Micro Four Thirds system like the Olympus ensures upward mobility for your photography journey - you don’t outgrow it quickly, thanks to its lens choices and advanced features.
The SZ1 serves as a great introduction to digital photography or a lightweight travel companion but expect compromises in image quality and versatility.
Both cameras have their place and can serve different roles effectively, but as with many tools in photography, understanding your priorities is key before committing.
With this comprehensive comparison, I hope you feel better equipped to choose the camera that meets both your creative ambitions and practical needs.
Happy shooting!
Olympus E-M5 II vs Panasonic SZ1 Specifications
| Olympus OM-D E-M5 II | Panasonic Lumix DMC-SZ1 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Panasonic |
| Model | Olympus OM-D E-M5 II | Panasonic Lumix DMC-SZ1 |
| Category | Advanced Mirrorless | Small Sensor Compact |
| Revealed | 2015-02-06 | 2012-01-09 |
| Physical type | SLR-style mirrorless | Compact |
| Sensor Information | ||
| Processor Chip | TruePic VII | - |
| Sensor type | MOS | CCD |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
| Sensor area | 224.9mm² | 27.7mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 4608 x 3456 | 4608 x 3456 |
| Max native ISO | 25600 | 6400 |
| Minimum native ISO | 200 | 100 |
| RAW format | ||
| Minimum boosted ISO | 100 | - |
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 81 | 23 |
| Lens | ||
| Lens mounting type | Micro Four Thirds | fixed lens |
| Lens focal range | - | 25-250mm (10.0x) |
| Maximum aperture | - | f/3.1-5.9 |
| Macro focus distance | - | 4cm |
| Total lenses | 107 | - |
| Crop factor | 2.1 | 5.9 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen diagonal | 3" | 3" |
| Screen resolution | 1,037 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | - | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 2,360 thousand dots | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.74x | - |
| Features | ||
| Lowest shutter speed | 60 secs | 8 secs |
| Highest shutter speed | 1/8000 secs | 1/1600 secs |
| Highest silent shutter speed | 1/16000 secs | - |
| Continuous shooting rate | 10.0 frames/s | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | no built-in flash | 5.60 m |
| Flash settings | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual | Auto, On, Off, Red-Eye reduction |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | 1/250 secs | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p), 640 x 480 (30p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video format | MPEG-4, H.264, Motion JPEG | MPEG-4 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 469 grams (1.03 lbs) | 131 grams (0.29 lbs) |
| Physical dimensions | 124 x 85 x 45mm (4.9" x 3.3" x 1.8") | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") |
| DXO scores | ||
| DXO All around score | 73 | not tested |
| DXO Color Depth score | 23.0 | not tested |
| DXO Dynamic range score | 12.4 | not tested |
| DXO Low light score | 896 | not tested |
| Other | ||
| Battery life | 310 photos | 250 photos |
| Battery style | Battery Pack | Battery Pack |
| Battery model | BLN-1 | - |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Price at launch | $699 | $179 |