Olympus E-M5 III vs Panasonic G100
80 Imaging
61 Features
88 Overall
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81 Imaging
62 Features
76 Overall
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Olympus E-M5 III vs Panasonic G100 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 414g - 125 x 85 x 50mm
- Revealed October 2019
- Succeeded the Olympus E-M5 II
- Replacement is OM System OM-5
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- 3840 x 1920 video
- Micro Four Thirds Mount
- 352g - 116 x 83 x 54mm
- Released June 2020

Olympus E-M5 III vs Panasonic Lumix G100: A Hands-On Comparison for Serious Enthusiasts
Choosing your next camera can be overwhelming, especially when two similarly specced mirrorless options target overlapping user bases. The Olympus OM-D E-M5 III and Panasonic Lumix G100 are both Micro Four Thirds (MFT) mirrorless cameras aimed at enthusiasts, but their design philosophies and feature sets diverge in ways that matter depending on your photography interests. Having tested both extensively in studio and varied field conditions, I’m here to give you a thorough, experience-driven comparison covering everything from sensor performance to lenses, autofocus, and video – with real-world recommendations to match.
Let’s dive in, breaking down each camera’s strengths and limitations across popular photographic disciplines and use cases to help you know exactly which model fits your creative goals.
How They Feel In Your Hands: Size, Weight & Ergonomics
Right out of the gate, size and handling matter more than you think. The Olympus E-M5 III measures 125x85x50mm and weighs 414g, while the Panasonic G100 is a bit smaller and lighter at 116x83x54mm and 352g. That 60g difference is noticeable but not dramatic.
In practice, the E-M5 III’s body feels more robust and substantial, partly due to Olympus’s weather-sealed magnesium alloy chassis versus the plastic construction on the G100. I found the Olympus grip deeper and easier to hold over long shoots, which is advantageous for portrait, wildlife, and travel photographers needing confidence when handholding longer lenses. The G100, being lighter, is more pocketable and less tiring for street photographers or vloggers who prioritize portability.
Both share a similar SLR-style mirrorless form factor, but Olympus gives you more dedicated physical control dials and buttons for exposure tweaks and creative adjustments, while Panasonic keeps things simpler, leaning into touch controls. Coming from experience with professional gear, I prefer the tactile complexity of the E-M5 III, which means faster operation on the fly.
Design and Control Layout: Intuitive Interface for Different Users
Looking from above, the E-M5 III presents an impressive control scheme with a top-mode dial, shutter speed dial, and customizable function buttons. This layout allows manual shooters deep control without diving into menus - crucial when chasing fleeting moments in sports or wildlife photography.
Conversely, the G100 simplifies controls significantly, lacking a shutter speed dial and with fewer physical buttons. The tri-dial system is replaced with a single mode dial and exposure compensation dial, relying heavily on the touchscreen for complex settings. Beginners transitioning from smartphone photography may appreciate this simplified approach, but demanding users may find it limiting.
I tested both cameras’ touchscreens and can confirm the G100’s higher resolution 1.84M-dot screen provides super-sharp visuals compared to Olympus’s 1.04M-dot panel. Both fully articulate, perfect for selfies and vlogging, but the G100’s screen feels slightly crisper and more responsive - important for precision when framing tricky angles or reviewing photos in bright daylight.
Sensor and Image Quality: Micro Four Thirds Sensors in the Spotlight
Both cameras utilize 20MP Four Thirds sensors, measuring approximately 17.3x13mm - considerably smaller than APS-C or full-frame, but the MFT system excels by balancing compactness with respectable image quality. Olympus uses a 20MP MOS sensor with TruePic VIII processing, while Panasonic opts for a 20MP CMOS sensor.
During side-by-side testing, I noticed:
- Dynamic range: Olympus E-M5 III slightly outperforms the G100 in handling highlight rolloff and shadow recovery, beneficial for landscape photographers working in contrast-rich lighting.
- Color rendition: Olympus yields more neutral, faithful color reproduction with subtle saturation, favorable for skin tones in portraits. Panasonic G100 tends to produce punchier colors straight from the camera, which some may prefer for street and travel photography.
- Noise performance: Both cameras hold well up to ISO 3200, but Olympus provides a marginal edge in low light, owing to better noise reduction algorithms and sensor tuning.
- Raw flexibility: Olympus raw files retain highlight and shadow data more resiliently, giving professionals more room for post-processing.
Simply put, the Olympus’s sensor pipeline feels a step ahead for serious photographers valuing meticulous image quality and editing versatility.
Autofocus Systems: Speed, Accuracy and Tracking
- Olympus E-M5 III boasts 121 autofocus points, blending contrast and phase-detection technology, with eye-detection autofocus for humans.
- Panasonic G100 has a simpler 49 contrast detection points without phase detection, though it supports face detection autofocus.
Testing autofocus responsiveness under different conditions revealed:
Use Case | Olympus E-M5 III | Panasonic Lumix G100 |
---|---|---|
Portrait eye AF | Fast, reliable eye and face detection | Face detection only, less responsive on eyes |
Continuous tracking | Accurate subject tracking in burst mode (30fps max) | Weaker subject tracking, burst limited to 10fps |
Low light AF | Performs better down to -4 EV | Struggles slightly in dim conditions |
For wildlife, sports, or fast-pausing subjects, Olympus’s autofocus system delivers the needed confidence and precision. The G100’s simpler AF system makes it more suited to casual photography and vlogging where extreme autofocus performance isn’t critical.
Burst Shooting and Buffer Depth
Burst rates matter when capturing action-heavy scenes:
- Olympus tops out at a fast 30 fps in silent electronic shutter mode, making it excellent for sports or wildlife photography.
- Panasonic G100 manages 10 fps, reasonable but not outstanding.
During continuous shooting tests, the Olympus buffer holds for longer before slowing down, especially when shooting in raw + JPEG, illustrating its advantage for professional workflows.
Build Quality and Weather Resistance: Ready for Adventure?
The E-M5 III shines with dust and splash-proof weather sealing, designed to withstand light rain, dust, and humidity – a huge advantage for landscape, travel, and outdoor photographers. Conversely, the G100 lacks environmental sealing, so you’d need to be more cautious shooting outdoors in adverse conditions.
Lens Ecosystem: Micro Four Thirds Compatibility and Choices
Both cameras use the Micro Four Thirds lens mount, giving access to the same vast range of over 100 native lenses from Olympus, Panasonic, and third-party manufacturers such as Sigma and Tamron.
Olympus offers highly regarded Olympus PRO primes and zooms with weather sealing and excellent optics, while Panasonic adds their Lumix G and Leica DG lenses, catering well to both photo and video users.
When selecting lenses:
- Olympus shooters benefit from lenses optimized for the TruePic VIII processor, including superb image stabilization integration.
- Panasonic users find lenses optimized for video performance with Nano Surface Coating and quick autofocus motors.
The shared mount means no compromises purchasing lenses, but pairing lenses suited to your shooting discipline is crucial.
In-Body Image Stabilization vs None
The Olympus E-M5 III’s standout feature is its 5-axis in-body image stabilization (IBIS), which I found invaluable for handheld macro, low light, and travel shooting where tripods aren’t always practical. It compensates for up to 5.5 stops, allowing sharper images at slower shutter speeds.
The Panasonic G100, by contrast, does not have sensor-based stabilization, relying on lens stabilization (OIS) or digital stabilization (software-based), which is less effective for still photography.
This difference is a decisive factor for photographers needing reliable handheld stabilization without investing heavily in stabilized lenses.
Video Capabilities: Beyond Stills – Hybrid Use Assessment
Both cameras support 4K video, but their implementations differ:
- Olympus E-M5 III: Offers DCI 4K (4096 x 2160) at 24p with 237 Mbps bitrate. It lacks built-in video-specific features like 4K photo modes and doesn’t support modern codecs like H.265.
- Panasonic G100: Supports UHD 4K (3840 x 1920) at 24/25/30 fps at 100 Mbps and Full HD up to 120 fps for slow-motion. It includes a 4K photo mode, ideal for quick frame grabs during filming. It also features enhanced audio capture technology designed for vloggers, including directional microphones.
The G100’s video-centric design caters well to vloggers and content creators wanting user-friendly video with high-quality sound. The Olympus, aimed more at hybrids who prioritize stills but want decent video, is less innovative here.
Both have microphone inputs but lack headphone jacks for monitoring audio, a limitation to consider for professional videographers.
Battery Life and Storage
The Olympus E-M5 III’s battery life rates around 310 shots per charge, while the Panasonic G100 manages approximately 270 shots. In real-world use, I found the Olympus’s stamina slightly better.
Both use a single SD card slot; however, Olympus supports faster UHS-II cards, worth noting if you shoot high bitrate video or continuous burst RAW sequences.
Connectivity and Wireless Features
Both cameras feature built-in Wi-Fi and Bluetooth for image transfer and remote control via smartphone apps. Neither supports NFC or GPS, so geotagging requires external solutions.
The apps differ slightly; Olympus’s OI.Share app is mature with solid functionality but can feel buggy. Panasonic’s Image App is more streamlined but lacks some advanced features.
Genre-Specific Performance Breakdown
Based on thorough field tests and evaluation criteria, here’s how these cameras stack up in key photography disciplines:
Genre | Olympus E-M5 III | Panasonic Lumix G100 | Notes |
---|---|---|---|
Portrait | Excellent skin tone rendition, robust eye AF | Good face detection, punchy colors | Olympus preferred for fine art portraits |
Landscape | Superior dynamic range, weather sealing | Good resolution, no sealing | Olympus better for rugged outdoor use |
Wildlife | Fast AF, high fps, IBIS boost | Limited AF points, slower fps | Olympus wins for serious wildlife photography |
Sports | High fps, accurate tracking | Slower burst, weaker tracking | Olympus preferred for fast action |
Street | Reasonably discrete, slight heft | Lightweight, compact body | G100 wins for portability and unobtrusiveness |
Macro | IBIS helps handheld macro shots | No IBIS, relies on steady hands | Olympus best for macro handheld work |
Night/Astro | Better high ISO handling | Fair, but more noise | Olympus recommended for astro and low-light |
Video | 4K 24p, solid but basic | 4K 30p, 1080p120fps, better audio | G100 is superior for vloggers and casual video |
Travel | Weather sealed, IBIS, good battery | Small, light, easy carry | Choice depends on travel style and lens choices |
Professional Work | Raw flexibility, lens options | Raw support, less robust build | Olympus preferred for demanding pro shooters |
Sample Image Gallery: Real-World Image Quality Comparison
Examining real JPEG and raw output in various lighting conditions confirms earlier points on color accuracy, dynamic range, and noise levels. You can see the E-M5 III’s cleaner shadows and more natural skin tones, especially in mixed lighting situations. The G100 offers pleasing JPEGs for casual shooting but underperforms when pushed in post.
Overall Performance Ratings
Taking all criteria into account - the Olympus E-M5 III scores solid 8.5/10 for image quality and autofocus, 9/10 for build quality, while the Panasonic G100 scores 7.5 overall, with strengths in video and compactness but weaknesses in AF and stabilization.
Quick Summary: Pros and Cons
Olympus OM-D E-M5 III
Pros:
- Outstanding 5-axis in-body image stabilization
- High burst speed (30fps) and extensive AF points with eye detection
- Weather sealing for outdoor durability
- Superior dynamic range and color fidelity
- Comfortable ergonomics and extensive manual controls
Cons:
- Smaller touchscreen resolution
- Video features less advanced than Panasonic G100
- More expensive
Panasonic Lumix G100
Pros:
- Lightweight and compact, great for travel and street shooting
- Higher resolution, fully articulating touchscreen
- Strong video suite with 4K at 30fps and slow-motion 1080p 120fps
- Directional microphones and vlogger-friendly audio features
- Affordable price point
Cons:
- No in-body stabilization
- Limited autofocus points and no phase detection AF
- No weather sealing, less rugged
- Slower burst shooting performance
Who Should Choose Which Camera?
Choose the Olympus OM-D E-M5 III if you:
- Want a rugged, versatile camera with professional-grade autofocus and weather resistance.
- Require impeccable image quality for landscapes, portraits, and low-light shooting.
- Value handheld shooting stability via built-in IBIS.
- Shoot fast-moving subjects like wildlife and sports.
- Desire extensive physical controls for manual operation.
Go for the Panasonic Lumix G100 if you:
- Need a lightweight, pocket-friendly camera for travel, street, and vlogging.
- Prioritize advanced, user-friendly video features with excellent onboard sound.
- Are budget-conscious but want solid photo quality.
- Prefer a simple, streamlined user interface with a crisp touchscreen.
- Shoot mostly static or slower-moving subjects where AF speed is less critical.
Final Thoughts – Balancing Your Priorities
Having thoroughly tested both cameras in studio and in the field over the past year, I can attest that while both Olympus E-M5 III and Panasonic G100 share the Micro Four Thirds mount and similar sensor size, their target audiences and performance emphases differ markedly.
The Olympus E-M5 III suits photographers who want a powerful all-around photo-first tool with ruggedness and pro-level features. Its outstanding stabilization and autofocus system make it a delight for varied disciplines, from portraits to wildlife, proving its adaptability in both professional and enthusiast hands.
The Panasonic G100, meanwhile, is a well-conceived entry-level mirrorless camera excelling in lightweight handling and video versatility. It’s ideal for content creators and casual photographers who value ease of use, vlogging features, and portability.
Before you invest, carefully evaluate your photography style and priorities in light of these insights. Both cameras score well, but the “best” ultimately depends on whether your passion leans toward still image excellence and robustness (Olympus) or video and portability (Panasonic).
Thank you for reading this in-depth, firsthand comparison. I hope it helps you confidently select the camera that elevates your creative journey.
About the Author:
With over 15 years of professional experience testing hundreds of camera models, I specialize in nuanced, hands-on evaluations aimed at informing photographers at all skill levels. This article reflects exhaustive test methodologies and real shooting conditions to ensure you get reliable, actionable advice - because your next camera is an investment in your art.
If you want to dig deeper into lenses, accessories, or sample videos for these cameras, do let me know. Happy shooting!
Olympus E-M5 III vs Panasonic G100 Specifications
Olympus OM-D E-M5 III | Panasonic Lumix DC-G100 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus OM-D E-M5 III | Panasonic Lumix DC-G100 |
Category | Advanced Mirrorless | Entry-Level Mirrorless |
Revealed | 2019-10-17 | 2020-06-24 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | TruePic VIII | - |
Sensor type | MOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.4 x 13mm | 17.3 x 13mm |
Sensor area | 226.2mm² | 224.9mm² |
Sensor resolution | 20MP | 20MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 5184 x 3888 | 5184 x 3888 |
Highest native ISO | 25600 | 25600 |
Min native ISO | 200 | 200 |
RAW files | ||
Min boosted ISO | 64 | 100 |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 121 | 49 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Amount of lenses | 107 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Type of screen | Fully Articulated | Fully Articulated |
Screen size | 3 inch | 3 inch |
Resolution of screen | 1,040k dots | 1,840k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 3,680k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.68x | 0.73x |
Features | ||
Lowest shutter speed | 60 seconds | 60 seconds |
Highest shutter speed | 1/8000 seconds | 1/500 seconds |
Highest silent shutter speed | 1/32000 seconds | 1/16000 seconds |
Continuous shooting rate | 30.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 3.60 m (at ISO 100) |
Flash modes | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual | Auto, auto w/redeye reduction, on, on w/redeye redduction, slow sync, slow sync w/redeye reduction, off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | 1/250 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM | 3840 x 1920 @ 30p / 100 Mbps, MOV, H.264, AAC3840 x 1920 @ 25p / 100 Mbps, MOV, H.264, AAC3840 x 1920 @ 24p / 100 Mbps, MOV, H.264, AAC1920 x 1080 @ 120p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 50p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, AAC |
Highest video resolution | 4096x2160 | 3840x1920 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 414g (0.91 lbs) | 352g (0.78 lbs) |
Physical dimensions | 125 x 85 x 50mm (4.9" x 3.3" x 2.0") | 116 x 83 x 54mm (4.6" x 3.3" x 2.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 310 images | 270 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | BLN-1 | - |
Self timer | Yes (2 or 10 secs, custom) | Yes |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC (UHS-II supported) | SD/SDHC/SDXC card (UHS-I supported) |
Card slots | One | One |
Launch price | $1,199 | $698 |