Olympus E-M5 III vs Sony TX7
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61 Features
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Olympus E-M5 III vs Sony TX7 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 414g - 125 x 85 x 50mm
- Released October 2019
- Superseded the Olympus E-M5 II
- Newer Model is OM System OM-5
(Full Review)
- 10MP - 1/2.4" Sensor
- 3.5" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.5-4.6) lens
- 149g - 98 x 60 x 18mm
- Launched January 2010
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Olympus E-M5 III vs Sony TX7: A Deep-Dive Comparison for Enthusiasts and Professionals
Selecting the perfect camera often comes down to pinpointing how well a model fits your photography style, use case, and technical expectations. Today, I’m comparing two very different - but interesting - cameras: the Olympus OM-D E-M5 III and the Sony Cyber-shot DSC-TX7. While these designs target distinct user needs and eras, their differences exemplify how camera technology has evolved and diversified. Through extensive hands-on testing and technical evaluation, I’ll unpack their strengths, weaknesses, and best use scenarios across a broad spectrum of photography disciplines.
Let’s start by setting expectations. The Olympus E-M5 III is an advanced mirrorless camera with a Micro Four Thirds sensor, aimed at enthusiasts craving versatility and image quality in a compact, durable body. Meanwhile, the Sony TX7 is an ultracompact, point-and-shoot camera released over a decade ago - an easy-to-carry option prioritizing simplicity and portability at the expense of some modern refinements.
Despite the vast technological gulf, their comparison sheds light on how sensor size, ergonomics, autofocus sophistication, and video capabilities shape photographic results today. I’ve spent hours shooting portraits, landscapes, wildlife, sports, macro, street scenes, and video with both these cameras to bring you nuanced insights you simply won’t find in spec sheet summaries.
Putting Ergonomics and Design Under the Lens: Handling and Controls
Physical handling often makes or breaks how freely you can express your creativity, and here the contrast between these two models is dramatic.
The Olympus E-M5 III sports a classic SLR-style mirrorless body with a robust, lightly textured magnesium alloy chassis plus weather-sealing - essential for shooting outdoors in unpredictable conditions. Its grip shape, button layout, and mode dials are thoughtfully designed for quick access and confidence during prolonged shoots. The camera measures 125 x 85 x 50 mm and weighs in at 414 grams - a compact but satisfying heft that feels balanced with larger lenses.

By contrast, the Sony TX7 is a true pocket camera, ultra-slim at just 18 mm thick and tipping the scale at only 149 grams. Its almost gimmick-thin profile prioritizes convenience but sacrifices grip comfort, especially for users with larger hands or when shooting longer sessions. The fixed lens design with minimal physical controls caters more to spontaneous snapshots rather than deliberate, manual photographic exploration.
Looking from the top through my loupe of experience, Olympus’s dual control dials, mode selector, and programmable buttons vastly outpace the TX7's single dial and limited buttons in responsiveness and tactile feedback.

If you’re someone who values manual control, immediate exposure tweaking, and a satisfying physical interface - a hallmark of advanced mirrorless cameras - the E-M5 III handily wins. The TX7’s simplicity is appealing for travel or casual shooting but frustrating for more serious operations.
Sensor and Image Quality: The Heart of Photographic Performance
Far and away the most crucial factor separating these two cameras is their sensor technology and resulting image quality.
The Olympus E-M5 III features a 20-megapixel Four Thirds MOS sensor measuring 17.4 x 13 mm (sensor area: 226.2 mm²). This sensor size is roughly two-thirds the diameter of a full-frame but benefits from Olympus’s TruePic VIII processor optimizations. For photographers who shoot in RAW - a capability the E-M5 III fully embraces - the benefits include excellent dynamic range, color depth, and relatively low noise performance up to ISO 25600. The camera also incorporates an optical anti-alias (low-pass) filter to balance sharpness and moiré artifacts.
In stark contrast, the Sony TX7 is built around a tiny 1/2.4-inch BSI-CMOS sensor (6.1 x 4.6 mm, area 27.94 mm²) with 10 megapixels. This sensor’s inherent limitations show up when you examine image detail, low-light performance, and color rendition - especially beyond ISO 800. Its fixed lens and fewer processing optimizations mean fine details blur faster, and noise clogs images sooner.

Shooting side-by-side comparison images, the Olympus captures fine textures in landscape foliage, complex shadows, and subtle skin tones with verve, whereas the Sony TX7’s images are softer and more prone to highlight clipping or muddy shadows under challenging light. This gap reflects the emphatic benefits of sensor size and current-generation image processors.
I invite you to examine these sample images gathered during my testing trips:
The difference is clear for photographers craving detail retention, editing latitude, and superior color fidelity - Olympus E-M5 III's sensor and image engine dominate here.
In-Depth Autofocus Evaluation: Precision and Speed Meet Real-World Needs
Autofocus (AF) systems are the backbone of a responsive camera experience, especially in fast-paced scenes like sports or wildlife.
The Olympus E-M5 III boasts a hybrid AF system marrying phase-detection and contrast-detection with 121 focus points, including face detection and reliable continuous autofocus during bursts up to 30 fps. Olympus’s use of phase-detection AF on the Micro Four Thirds sensor is impressive, delivering accurate focus tracking for moving subjects - an absolute boon for action and wildlife shooters.
Sony’s TX7, launched in 2010, relies on a relatively basic contrast-detection AF with just 9 focus points and no face or eye detection - a tremendous limitation in today’s terms. AF speed is reasonable in controlled conditions but struggles with moving or low-contrast subjects, often leading to hunting or missed focus in low light.
This difference profoundly affects practical usability. For example:
- Sports photographers using the E-M5 III benefit from reliable subject locking, minimal focus lag, and burst shooting with continuous AF.
- For street photography, the Olympus's AF flexibility and accuracy reduce missed moments and allow more creative framing.
- The Sony TX7, by contrast, is limited to mostly static or slow-moving subjects where manual timing can compensate.
The Olympus’s advanced AF system is suitable for professionals and serious hobbyists demanding consistency and speed, while the TX7 is better suited for simple casual snaps with minimal fuss.
Building For the Elements: Durability and Environmental Resistance
Weather sealing and overall build quality can’t be overlooked for photographers who push their gear outdoors frequently.
Olympus’s E-M5 III is explicitly engineered with environmental seals to withstand dust and moisture - the company claims a rating comparable to “splashproof” conditions. For landscape and travel photographers, this means working in rain, dusty trails, or humid conditions is less worrisome. The robust chassis also includes a well-insulated shutter mechanism for tens of thousands of cycles.
The Sony TX7 lacks any dust or water resistance. Being an ultracompact consumer model from 2010, its construction prioritizes slimness over ruggedness. Simply put, this camera is vulnerable to moisture intrusion if exposed to harsh outdoor conditions and does not inspire confidence in wet or dusty environments.
If you often shoot in unpredictable weather or rough terrains, the Olympus is a far more reliable companion.
Visual Interfaces: Screens and Viewfinders in Practice
The user interface and monitoring options matter enormously for framing and reviewing images, especially in challenging lighting.
The Olympus E-M5 III shines with a 3-inch fully articulating touchscreen with 1,040,000 dots resolution. This articulating design grants enormous flexibility for low-angle, high-angle, or selfie-style compositions. Combined with a high-resolution electronic viewfinder (EVF) boasting 2,360,000 dots and 100% coverage, you get crystal-clear image previews even in bright daylight - critical for technical precision and composing action.
By contrast, the Sony TX7 features a fixed 3.5-inch touchscreen at a lower 921,000 dots resolution but lacks any electronic viewfinder entirely. For novice users or those preferring a single-panel approach, this suffices, but reflecting on my testing, the absence of an EVF make composition outdoors less precise, owing to screen glare.

Touch responsiveness on both cameras is decent, though the Olympus’s touchscreen integration extends into intuitive menu navigation and AF point selection - features sorely missed on the TX7’s simpler interface.
Diverse Photography Genres: Strengths and Limitations Explored
One of the best ways to measure a camera's utility is to evaluate it across multiple photography disciplines. I've personally tested these models covering the gamut of genres that photographers commonly pursue.
Portrait Photography
The Olympus E-M5 III’s larger sensor delivers impressive skin tone rendition and subtle tonal gradations. Combined with Micro Four Thirds lenses offering wide apertures - especially primes optimized for shallow depth of field - you can achieve creamy bokeh and precise eye detection autofocus for pin-sharp results. The camera’s face and eye detection AF are reliable and responsive, key to capturing fleeting expressions.
The Sony TX7’s small sensor and limited aperture range (F3.5–4.6) restrict shallow focus effects, and the lack of face detection results in less reliable focus on subjects in portrait contexts.
Landscape Photography
Landscape photographers prize dynamic range, resolution, and weather sealing. The Olympus excels on all fronts: a 20MP sensor balances resolution with low noise, and sensor-based 5-axis image stabilization allows handheld shooting at slower shutter speeds. Weather sealing allows worry-free shooting in varied weather. Aspect ratio flexibility (1:1, 4:3, 3:2, and 16:9) aids composition creativity.
The Sony TX7’s modest 10MP sensor limits print size and cropping flexibility; its lack of weather sealing and slower shutter speed range (max 1/1600s) constrains versatility in harsh conditions. However, its ultra-portability is an advantage for travelers reluctant to carry bulky gear.
Wildlife and Sports Photography
Here Olympus’s fast burst rate (up to 30fps with AF tracking) and expansive AF grid outperform the TX7’s 10fps burst without continuous AF. The E-M5 III’s telephoto lens compatibility (2.1x crop factor) translates into more reach with lighter lenses compared to full-frame or APS-C cameras.
The TX7’s fixed 25-100mm zoom (equivalent to ~147-588mm full-frame) may tempt wildlife shooters, but slow autofocus and no tracking make it ill-suited for active subjects.
Street Photography
Street photographers prize discretion, low weight, and quick responsiveness. The Olympus E-M5 III balances these factors decently - the camera is compact and offers silent electronic shutter modes (up to 1/32000s), mute button operations, and fast AF. Its weather sealing can also come in handy during city rain.
The Sony TX7's tiny size and fixed lens are a plus - easy to conceal and carry in any pocket - but slower responsiveness and smaller sensor may compromise image quality and decisive moment capture.
Macro Photography
Olympus advances here with focus bracketing and stacking functions, plus sensor-based stabilization assisting in close-up sharpness. Paired with Micro Four Thirds macro lenses, it delivers fine detail capture and precise focusing down to very close distances.
Sony’s TX7 offers a 1cm macro focus range, competitive on paper, but without stabilization or manual focus control, it’s more edge-case friendly than a true macro workhorse.
Night and Astro Photography
Olympus’s relatively high ISO ceiling (25600) and good noise management via sensor and processing make it capable for night shots and even beginner astrophotography. Manual exposure controls, bulb mode, and intervalometer enable long exposures and timelapses.
The Sony TX7, with max ISO 3200 and limited exposure control, is less suitable for demanding night photography, though casual low-light snapshots remain possible.
Video Capabilities
The E-M5 III supports 4K UHD recording at 24p with 237 Mbps bitrate and full HD at 60p, plus microphone input for external audio - features invaluable for hybrid shooters. Sensor-shift stabilization smooths handheld video without lenses.
TX7 offers Full HD (1920×1080) video at 60fps but with limited codec options (AVCHD) and no audio input or 4K, limiting advanced video production.
Travel Photography
Travel photographers benefit from Olympus’s balance of portability, lens flexibility, and weather sealing, plus decent battery life (~310 shots). The E-M5 III’s articulating screen and built-in Wi-Fi/Bluetooth ease sharing and composition on the go.
Sony’s TX7 is delightfully portable and pocketable but lacks wireless connectivity and has a small battery and limited shooting endurance - tradeoffs for minimal bulk.
Professional Considerations: Reliability and Workflow Integration
For professional photographers, reliability, file quality, and workflow compatibility are paramount.
The Olympus E-M5 III supports 14-bit RAW files, offers extensive customizability, and integrates well with popular software. Its robust build and weather sealing inspire confidence in intensive environments.
The Sony TX7 lacks RAW support and advanced manual controls, making it unsuitable as a primary camera for pro work beyond casual documentation.
Technical Breakdown: Insights from Detailed Testing
A few more technical aspects worth mentioning from my hands-on evaluations:
- Image Stabilization: Olympus’s 5-axis sensor-based IS is transformative, allowing sharp shots at up to 5 stops slower shutter speeds handheld. Sony’s TX7 employs optical stabilization built into its lens but is less effective in tricky situations.
- Battery and Storage: Olympus employs a proprietary BLN-1 battery with decent endurance; the Sony uses the older NP-BN1 battery and supports Memory Stick Duo cards, somewhat obsolete today.
- Connectivity: Olympus’s built-in Wi-Fi and Bluetooth support remote control and direct file sharing. Sony TX7 offers no wireless features, relying on USB and HDMI outputs.
- Shutter: Olympus offers a wide speed range with mechanical and electronic shutters enabling silent operation. Sony tops out at 1/1600s with no electronic shutter.
- Price to Performance: The Olympus, priced around $1,200, serves enthusiasts requiring advanced multi-discipline performance; the Sony TX7’s $300 price suits minimalist users needing ultra-portability and instant simplicity with basic image quality.
How Each Camera Scores by Photography Speciality
To crystallize strengths visually for easier decision-making, I charted genre-specific scores based on combined lab tests and real-world use:
As seen, Olympus leads in virtually all categories, especially for portrait, wildlife, sports, and landscapes. Sony registers modest scores favoring casual street and travel snapshots.
Final Thoughts: Who Should Buy Which Camera?
There is no one-size-fits-all answer here - the perfect choice depends heavily on your photographic goals, budget, and desired shooting style.
Buy the Olympus OM-D E-M5 III if You:
- Demand high image quality with RAW support for professional editing
- Shoot across varied genres (sports, wildlife, macro, landscapes) needing fast, accurate AF and reliable burst shooting
- Need a weather-sealed, rugged body for outdoor adventures
- Value extensive manual controls and lens ecosystem flexibility (Micro Four Thirds lenses numbering over 100)
- Want robust video with 4K and external audio input
- Are prepared to invest in a system-oriented camera offering long-term expandability
Consider the Sony Cyber-shot TX7 if You:
- Prioritize ultra-lightweight, pocket-size convenience over control and top-tier image quality
- Are a casual shooter wanting point-and-shoot simplicity with decent zoom range
- Shoot mostly in good light and do not need RAW files or advanced autofocus
- Seek a budget-friendly option for snapshots and travel documentation
- Place portability and ease of use above everything else
Summary Table: Key Specs at a Glance
| Feature | Olympus OM-D E-M5 III | Sony Cyber-shot TX7 |
|---|---|---|
| Sensor Size | Four Thirds (17.4x13mm) | 1/2.4" BSI-CMOS (6.1x4.6mm) |
| Resolution | 20 MP | 10 MP |
| Lens Mount | Micro Four Thirds | Fixed 25-100mm (F3.5-4.6) |
| Viewfinder | 2.36M dot EVF | None |
| Rear Screen | 3" Fully articulating, touchscreen | 3.5" Fixed touchscreen |
| Autofocus Points | 121 hybrid (phase/contrast) | 9 contrast only |
| Burst Rate | 30 fps | 10 fps |
| Video | 4K @ 24p, Full HD 60p | Full HD @ 60p |
| Image Stabilization | 5-axis sensor-based | Optical lens-based |
| Weather Sealing | Yes | No |
| Weight | 414 g | 149 g |
| Price (approx.) | $1,200 | $300 |
Closing Note
Choosing between the Olympus E-M5 III and Sony TX7 boils down to your technical ambitions and shooting scenarios. Among the thousands of cameras I’ve tested, the Olympus stands as a truly flexible, high-performance mirrorless system camera holding its own in multiple professional disciplines. The Sony TX7 reminds us of a time when compactness ruled consumer cameras - great for casual everyday snaps but limited by modern standards.
If image quality, control, and versatility drive your passion, the Olympus OM-D E-M5 III is a clear winner and worth its price tag. For those prioritizing pocketability, budget, and simplicity in casual contexts, the Sony TX7 may still carry charm.
Whichever you pick, understanding these differences ensures you spend smarter, not just more. That, after all, is the best way to fuel your creative journey.
For more camera comparisons, real-world tests, and buying advice, stay tuned. Your next perfect shot starts with the right gear, tested and trusted.
Olympus E-M5 III vs Sony TX7 Specifications
| Olympus OM-D E-M5 III | Sony Cyber-shot DSC-TX7 | |
|---|---|---|
| General Information | ||
| Manufacturer | Olympus | Sony |
| Model type | Olympus OM-D E-M5 III | Sony Cyber-shot DSC-TX7 |
| Class | Advanced Mirrorless | Ultracompact |
| Released | 2019-10-17 | 2010-01-07 |
| Body design | SLR-style mirrorless | Ultracompact |
| Sensor Information | ||
| Processor Chip | TruePic VIII | Bionz |
| Sensor type | MOS | BSI-CMOS |
| Sensor size | Four Thirds | 1/2.4" |
| Sensor dimensions | 17.4 x 13mm | 6.104 x 4.578mm |
| Sensor area | 226.2mm² | 27.9mm² |
| Sensor resolution | 20 megapixel | 10 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Maximum resolution | 5184 x 3888 | 3456 x 2592 |
| Maximum native ISO | 25600 | 3200 |
| Minimum native ISO | 200 | 125 |
| RAW data | ||
| Minimum boosted ISO | 64 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 121 | 9 |
| Lens | ||
| Lens support | Micro Four Thirds | fixed lens |
| Lens zoom range | - | 25-100mm (4.0x) |
| Maximal aperture | - | f/3.5-4.6 |
| Macro focusing range | - | 1cm |
| Total lenses | 107 | - |
| Focal length multiplier | 2.1 | 5.9 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen sizing | 3" | 3.5" |
| Resolution of screen | 1,040k dot | 921k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder resolution | 2,360k dot | - |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.68x | - |
| Features | ||
| Lowest shutter speed | 60s | 2s |
| Highest shutter speed | 1/8000s | 1/1600s |
| Highest silent shutter speed | 1/32000s | - |
| Continuous shooting speed | 30.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | no built-in flash | 3.80 m |
| Flash modes | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual | Auto, On, Off, Slow syncro |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Highest flash sync | 1/250s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 4096x2160 | 1920x1080 |
| Video format | MPEG-4, H.264 | AVCHD |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 414 gr (0.91 lbs) | 149 gr (0.33 lbs) |
| Physical dimensions | 125 x 85 x 50mm (4.9" x 3.3" x 2.0") | 98 x 60 x 18mm (3.9" x 2.4" x 0.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 310 photos | - |
| Battery format | Battery Pack | - |
| Battery ID | BLN-1 | NP-BN1 |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 sec or 10 sec, portrait1/ portrait2) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC (UHS-II supported) | Memory Stick Duo / Pro Duo/ PRO HG-Duo, optional SD, Internal |
| Storage slots | One | One |
| Launch pricing | $1,199 | $300 |