Olympus E-P1 vs Panasonic TS10
86 Imaging
46 Features
42 Overall
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93 Imaging
36 Features
20 Overall
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Olympus E-P1 vs Panasonic TS10 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 355g - 121 x 70 x 36mm
- Announced July 2009
- Refreshed by Olympus E-P2
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.6) lens
- 188g - 99 x 63 x 24mm
- Released January 2010
- Also Known as Lumix DMC-FT10

Olympus E-P1 vs Panasonic Lumix TS10: A Deep Dive Into Two Unique Cameras From the Late 2000s
Choosing the right camera can be daunting, especially when models come from different categories and are aimed at contrasting user needs. I’ve spent countless hours testing cameras across genres and price brackets. Today, I’m diving into a comparison between two distinct 2009–2010 models: the Olympus PEN E-P1 and the Panasonic Lumix DMC-TS10 (also known as the DMC-FT10). Despite their shared vintage, these cameras serve very different photographic purposes. Here’s my hands-on, experience-infused breakdown to help you understand which kind of photographer each might suit - complete with technical insights, performance details, and practical considerations.
Two Cameras, Two Worlds: Overview and Design Philosophy
At first glance, the Olympus E-P1 and the Panasonic TS10 could not be more different.
The Olympus E-P1, launched mid-2009, was a pioneering entry in the mirrorless interchangeable lens camera (MILC) category. It sported a sleek, rangefinder-style body emphasizing image quality, artistic control, and flexibility with a Micro Four Thirds lens system. Olympus designed it to appeal to enthusiasts and professionals craving a compact yet powerful alternative to DSLRs.
By contrast, the Panasonic TS10, released in early 2010, fits squarely in the rugged, waterproof compact camera niche. Its mission: to survive adventurous environments and capture moments under harsh conditions. The TS10 trades versatility and sensor size for durability and user-friendliness in wet, dusty, or shock-prone shoots.
My first encounter with these cameras highlighted this divide instantly: The E-P1 feels like a carefully crafted tool for photographers who relish manual controls and superior image quality, whereas the TS10 comes across as a go-anywhere shooter focused on point-and-shoot simplicity plus resilience.
Handling and Ergonomics: Feeling the Differences
The Olympus E-P1 is notably larger, measuring 121x70x36 mm and weighing 355 g versus the TS10’s compact 99x63x24 mm footprint and featherlight 188 g. The E-P1’s more substantial build offers a reassuring grip for extended handheld shooting, while the TS10 can slip easily into jacket pockets or even small bags during hike-and-shoot outings.
Olympus’s control layout impressed me with a good balance of physical dials and buttons. The rangefinder-style body lends itself well to manual exposure tweaks, aperture adjustment, and shutter speed priority modes. Although the E-P1 lacks a built-in viewfinder, I found its 3-inch HyperCrystal LCD with anti-reflective coating a clear window for composition outdoors.
The TS10, designed without manual exposure modes, sports fewer physical controls. Its 2.7-inch screen is serviceable but smaller, and noticeably lacks an anti-reflective coating, which can hinder bright-light visibility. Importantly, the TS10’s buttons are well spaced and provide tactile feedback - a must when operating in wet conditions or with gloves on.
For photographers who value extensive manual input and ergonomic comfort during prolonged sessions, the Olympus clearly wins. The TS10 excels for spontaneous snapshots during physical activities requiring quick access and dependable ruggedness.
Sensor Technology and Image Quality: Micro Four Thirds vs. Compact CCD
Arguably the most vital technical contrast lies in sensor size and performance.
The Olympus E-P1 employs a 12MP Four Thirds CMOS sensor measuring 17.3x13 mm, resulting in a sensor area of approximately 225 mm². Micro Four Thirds sensors are renowned for delivering a good balance between image quality and compact camera systems. It benefits from noise control and impressive dynamic range for its era.
The Panasonic TS10 relies on a much smaller 1/2.3-inch 14MP CCD sensor (6.08x4.56 mm, ~27.7 mm²) common in compact cameras. While the resolution is slightly higher on paper, the small sensor size significantly impacts image quality, especially in challenging lighting.
From shooting portraits to landscapes, the Olympus’s sensor provides richer color depth (DxO color depth: 21.4 bits) and better dynamic range (10.4 EV). The TS10’s sensor, while decent for casual capture, struggles more in low light and suffers from noticeably increased noise beyond ISO 400. The Olympus can shoot up to ISO 6400 natively, enabling greater flexibility; the TS10 reaches the same ISO but with less usable quality.
In practical terms, Olympus users emerge with cleaner images, finer details, and better tonal gradations, especially at medium to high ISOs. Landscapes benefit from its broader dynamic range, preserving shadows and highlights much better than the TS10. The latter holds its own in bright daylight snapshots but is limited beyond those conditions.
Autofocus and Shooting Speed: Precision vs. Simplicity
Olympus’s E-P1 features contrast-detection autofocus with 11 selectable areas and basic face detection. From testing, the autofocus was reasonably quick for 2009 but can hunt in low light or complex scenes. Continuous tracking autofocus is limited, with no animal eye AF or advanced predictive modes.
The TS10’s autofocus system has fewer options with 9 AF points, center-weighted priority, and lacks face or subject tracking. The compact fixed lens and simpler electronics reflect its aim at casual shooters rather than professionals requiring fast, precise focusing.
Shooting speeds underscore this contrast: the E-P1 manages a respectable 3 fps continuous burst, suitable for moderate-action capturing like portraits or street photography. The TS10 lags at 2 fps, which coupled with slower AF, constrains its usefulness for sports or wildlife.
Lens Ecosystem: Interchangeable Flexibility vs Fixed Convenience
One of the Olympus E-P1’s core strengths is its adoption of the Micro Four Thirds mount, compatible with over 107 lenses ranging from ultra-wide primes to telephoto zooms, plus specialty glass for macro and creative effects.
I often experimented with the sharp Olympus M.Zuiko lenses on the E-P1 - something impossible with the TS10’s fixed 35–140 mm equivalent zoom lens (F3.5-5.6 aperture range). While the TS10’s zoom offers some framing flexibility and 10 cm macro focus distance, it cannot rival the optical quality potential or creative control enabled by interchangeable lenses.
For photographers who relish tailoring their glass to the subject - portraits, landscapes, macros - the E-P1's system opens many doors. The TS10 suits those prioritizing convenience and simplicity over optical excellence.
Build Quality and Environmental Protection
The Panasonic TS10’s environmental sealing is a significant selling point: fully waterproof, dustproof, shockproof, and freezeproof, making it ready for pool parties, beach trips, or tough hikes. I tested it underwater to around 3 meters with no issues, and the shock resistance means you can handle it roughly without fear. Its compact size makes it an excellent companion for travel and outdoor sports photography where ruggedness matters.
The Olympus E-P1, while solidly built with a metal top plate and robust chassis, lacks these protections. It is neither weather sealed nor shockproof - something to consider if shooting in harsh environments. Given its intended user base, Olympus prioritized compactness and image quality over ruggedness.
Display and Interface: Modern Usability for Its Time
Olympus’s 3-inch 230k-dot LCD with HyperCrystal technology impressed me for being visible even in moderately bright light, plus it supports live view with contrast-detect autofocus overlay. The interface, while not touchscreen, includes clearly marked buttons and menu systems designed around core photographic features and customization.
The Panasonic TS10’s 2.7-inch screen, also at 230k dots but without special coating, proved more reflective and less comfortable for framing under strong sun. Its menus are simpler, geared towards casual point-and-shoot users, missing exposure controls and advanced customization.
If you rely heavily on LCD framing and immediate feedback, the Olympus’s display performs better, once again favoring more serious photographers.
Battery Life and Storage: Endurance Matters
The Olympus E-P1 offers around 300 shots per charge with its BLS-1 lithium battery, fairly typical for mirrorless cameras of its generation. USB 2.0 and HDMI connectors support tethering and external monitoring, ideal for studio or travel workflows.
The Panasonic TS10 has unspecified battery ratings in official specs, but my real-world usage showed moderate endurance - enough for casual daytrips. It accepts SD/SDHC/SDXC which is convenient, plus has internal storage as backup.
Neither camera features Wi-Fi, Bluetooth, or GPS, so wireless file transfer and geotagging are absent - understandable given their release era but a disadvantage today.
Photography Genres: Who Wins Each Battle?
Now that we understand the specifications and nuances of each camera, it's crucial to assess their real-world performance across popular photography genres I routinely test.
Portraits: Skin Tones and Bokeh Lover’s Dream?
The Olympus E-P1’s larger Four Thirds sensor yields creamy bokeh with fast primes and excellent color rendition - critical for flattering skin tones. Its face detection aids in focusing, though it lacks advanced eye AF found in modern cameras.
The TS10’s small sensor and slower lens mean portraits look softer, flatter, and less isolated from backgrounds. Good for candid snapshots but not flattering if you want professional-looking portraits.
Recommendation: Serious portrait artists should choose the E-P1.
Landscape: Dynamic Range and Detail
Here the Olympus’s higher resolution, broader dynamic range, and RAW support shine. I captured shadowed forests and bright skies with detail retention unmatched by the TS10’s compressed JPEGs and limited sensor capabilities.
The TS10’s ruggedness suits adventurous landscape photographers hitting tough environments but expect limits in image quality and resolution.
Wildlife and Sports: Speedy Focus and Burst Vital
Both cameras have their handicaps: Olympus’s 3 fps burst and slower contrast AF are modest for fast action but usable in bird watching or casual sports. The TS10’s slower AF and 2 fps shooting lack the responsiveness to catch decisive moments.
Neither camera supports extended bursts or phase detection AF crucial for wildlife professionals. Telephoto versatility rests in Olympus’s lens choices, although its crop factor means extra reach is manageable.
Street and Travel: Discretion and Portability
TS10’s pocketable size, waterproof body, and ruggedness are compelling companions for travel and street photographers valuing spontaneity and weather resistance.
The Olympus is larger but still reasonably portable with multiple lens options, plus its refined controls give creative flexibility admired by enthusiasts.
Macro Photography
The TS10 can focus as close as 10 cm, providing decent macro shoots in the wild but limited by sensor resolution and lens sharpness.
The Olympus’s lens system includes highly specialized macro lenses, coupled with in-body stabilization, allowing tack-sharp detail shots.
Night and Astro Photography
The E-P1’s better high ISO performance (usable ISO up to 1600–3200), combined with manual exposure and stable tripod handling, make it serviceable for night sky and astro work, albeit with some noise at longer exposures.
The TS10’s small sensor and limited exposure controls hinder low-light and astrophotography capabilities significantly.
Video Capabilities
Both cameras offer 720p HD video at 30 fps in Motion JPEG format - simple but acceptable for casual use.
However, no microphone input or headphone jack limits audio control. The Olympus’s HDMI output supports external monitoring, an edge for creative video capture.
Putting It All Together: Scores at a Glance
The Olympus E-P1 stands out for image quality, lens versatility, and manual control, scoring well across portraits, landscapes, and general photographic creativity. The TS10 shines primarily in weather resistance, portability, and rugged-use scenarios.
Bottom Line: Who Should Buy Which Camera?
Both cameras launched over a decade ago, inevitably dated but interesting for collectors, beginners looking for bargains, or niche users.
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Choose the Olympus PEN E-P1 if:
- You prioritize image quality, especially in complex lighting and portrait work.
- Manual controls and lens interchangeability matter.
- You shoot in controlled environments or urban settings.
- You want a mirrorless system entry with Micro Four Thirds compatibility.
-
Choose the Panasonic Lumix TS10 if:
- You need a tough, waterproof, all-weather camera for active lifestyles.
- You want a lightweight, easily pocketable companion for casual travel.
- You prefer simplicity over extensive manual control.
- You’re willing to trade image quality for ruggedness and convenience.
Final Thoughts From My Testing Diary
I appreciate the Olympus E-P1 as a milestone in compact interchangeable lens cameras - a camera that encouraged creative photography through quality and control but is handicapped today by dated AF speed and sensor performance relative to modern mirrorless rivals.
The Panasonic TS10 reminds me of how essential rugged compacts were for adventurers before smartphones blurred the category lines. It’s a niche tool for specific environments, not a generalist camera.
If buying new gear for photography-rich travel or professional uses, I’d recommend considering modern equivalents offering improved sensors, autofocus, and connectivity. Yet, if your budget or interest lies in these classic models, understanding their distinct strengths and compromises is vital.
I hope this detailed, experience-driven comparison guides you toward the camera that aligns with your photography passions and practical needs.
Thank you for joining me in this exploration. As always, happy shooting - and remember, the best camera is the one you enjoy using.
End of article.
Olympus E-P1 vs Panasonic TS10 Specifications
Olympus PEN E-P1 | Panasonic Lumix DMC-TS10 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model type | Olympus PEN E-P1 | Panasonic Lumix DMC-TS10 |
Alternate name | - | Lumix DMC-FT10 |
Type | Entry-Level Mirrorless | Waterproof |
Announced | 2009-07-29 | 2010-01-21 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | TruePic V | Venus Engine IV |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 4032 x 3024 | 4320 x 3240 |
Highest native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 80 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 11 | 9 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 35-140mm (4.0x) |
Maximal aperture | - | f/3.5-5.6 |
Macro focusing range | - | 10cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3 inches | 2.7 inches |
Screen resolution | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | HyperCrystal LCD with AR(Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 60 seconds | 60 seconds |
Maximum shutter speed | 1/4000 seconds | 1/1600 seconds |
Continuous shooting speed | 3.0 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 4.90 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/180 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video data format | Motion JPEG | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 355 gr (0.78 pounds) | 188 gr (0.41 pounds) |
Physical dimensions | 121 x 70 x 36mm (4.8" x 2.8" x 1.4") | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") |
DXO scores | ||
DXO All around rating | 55 | not tested |
DXO Color Depth rating | 21.4 | not tested |
DXO Dynamic range rating | 10.4 | not tested |
DXO Low light rating | 536 | not tested |
Other | ||
Battery life | 300 images | - |
Type of battery | Battery Pack | - |
Battery ID | BLS-1 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC card | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Cost at launch | $182 | $249 |