Olympus E-P1 vs Panasonic TS25
86 Imaging
46 Features
42 Overall
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95 Imaging
39 Features
28 Overall
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Olympus E-P1 vs Panasonic TS25 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 355g - 121 x 70 x 36mm
- Introduced July 2009
- Successor is Olympus E-P2
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 144g - 104 x 58 x 20mm
- Announced January 2013
- Additionally referred to as Lumix DMC-FT25

Olympus E-P1 vs Panasonic TS25: Two Cameras from Different Worlds - Which One Should You Choose?
When you dig into the archives of digital camera history, some models stand out not because they’re perfect or cutting-edge today, but because they each tell a unique story about the evolution of photography gear. Today, we’re tackling exactly that - a hands-on, in-depth comparison between two curious rivals from the late 2000s and early 2010s: the Olympus PEN E-P1, a pioneering entry-level mirrorless camera from 2009, and the Panasonic Lumix DMC-TS25, a rugged, waterproof compact from 2013. These cameras stem from different photography philosophies and target wildly different users, yet they both carved out their niches.
So why compare them? Because understanding their strengths, quirks, and limits offers a vivid snapshot of how camera technology and user priorities diverged - and because, believe it or not, choosing between an Olympus E-P1 and a Panasonic TS25 still comes up in budget-conscious photography forums and collector’s discussions. Let’s dive deep, based on hands-on use and industry-standard evaluation criteria, covering everything from sensor tech to autofocus - and with plenty of real-world insights along the way.
Dimensions and heft tell an important part of the story: Olympus E-P1’s rangefinder style vs. the palm-friendly ruggedness of the Panasonic TS25.
The Big Picture: Body Design and Handling
First impressions matter, right? The Olympus E-P1 sports a clean, minimalist rangefinder-style mirrorless design - compact but with a reassuringly solid feel, measuring 121x70x36 mm with a weight of 355 grams. In contrast, Panasonic’s TS25 is a far smaller, simpler weatherproof compact, measuring 104x58x20 mm and weighing just 144 grams. It screams pocket-friendly and ready for action in wet or dirty conditions.
The Olympus feels like a classic with plenty of grip and a discrete number of buttons, although it lacks a viewfinder entirely, relying on a 3-inch fixed LCD. Meanwhile, the TS25’s diminutive form and simple control layout clearly prioritize rugged usability over manual control finesse.
Olympus E-P1 focuses on simplicity with physical dials; Panasonic TS25 keeps it lean and button-light, tuned for quick snaps on the go.
Ergonomically, hands-on experience shows the E-P1 is much better suited for extended photography sessions. Its weighted body and retro styling make it fun to hold while dialing exposure compensations and aperture values with real precision. The Panasonic TS25, meanwhile, feels more like a tough tool to toss in a backpack or boat bag - with controls that prioritize speed and ruggedness, not fine adjustments.
Sensor & Image Quality: The Heart and Soul of Any Camera
Now, this is where things get juicy, and honestly, the two cameras couldn’t be more different.
The Olympus E-P1 packs a 17.3 x 13 mm Four Thirds sensor boasting 12 MP resolution. Back in 2009, this was pretty cutting-edge for an entry-level mirrorless model. The sensor uses CMOS technology with a classic anti-aliasing filter, ensuring reasonable sharpness and decent noise performance. DxOMark’s scores back this up with a respectable overall rating of 55, 21.4 bits in color depth, and an impressive dynamic range of 10.4 EV.
On the flip side, the Panasonic TS25 rocks a tiny 1/2.3” CCD sensor (6.08 x 4.56 mm) at 16 MP resolution - a common configuration in compact cameras of its type and era. It’s paired with a smaller sensor area of just 27.72 mm², which places inherent limits on image quality. Unfortunately, DxOMark has not tested this model, but based on sensor specs and experience with similar cameras, expect relatively limited dynamic range, higher noise at elevated ISOs, and lower color fidelity overall.
The Four Thirds sensor in the Olympus E-P1 outclasses the miniaturized CCD chip in the Panasonic TS25 by a healthy margin.
In practice, these differences mean the E-P1 produces cleaner images with better tonal gradation, especially in challenging lighting. The Panasonic TS25 delivers perfectly usable photos under good light but tends to struggle with shadow detail and elevated ISO noise. Shoot indoors or at dusk, and you’ll notice the gap clearly.
Display and Interface: Your Window to the World
Neither camera offers a viewfinder, so the LCD screen is particularly important. Olympus equips the E-P1 with a 3.0” fixed HyperCrystal LCD with anti-reflective coating. It boasts 230k dots - which sounds low by today’s standards but in 2009 was quite acceptable. The anti-glare treatment is a bonus, though viewing angles and resolution limit outdoor usability under bright sunlight.
The Panasonic TS25 sports a smaller 2.7” TFT LCD (also 230k dots) without touch or anti-reflective coatings. The screen is sharp enough for casual framing but shows noticeable reflections and narrower viewing angles.
The Olympus E-P1’s screen offers better viewing clarity and a bit more heft under the fingers, while Panasonic’s TS25 keeps things minimal and friendly for quick framing.
As someone who’s used both in the field, I found the E-P1’s screen just a touch more comfortable for manual focusing and exposure checks - though neither allows touch controls or articulating angles for waist-level shooting. For street photographers or travel shooters wanting quick, intuitive framing, the TS25’s screen suffices but never dazzles.
Autofocus and Shooting Speed: Keeping Pace with the Moment
Olympus’s E-P1 features an 11-point contrast-detection autofocus system - including some early face detection capabilities - capable of single, continuous, and selective AF modes. While contrast-detection is generally slower than phase-detection, especially by today’s standards, the E-P1 was relatively nimble for its time, capable of 3 fps burst shooting.
Panasonic opted for a 23-point contrast-detection AF system with center-weighted focus points on the TS25, surprisingly including continuous AF and tracking mode. But the camera’s slow 1 fps continuous shooting clearly isn’t designed for high-action capture.
From personal use, I can say the Olympus E-P1’s autofocus is genteel - fine for portraits, landscapes, and street work - but struggles with fast-moving subjects like wildlife or sports. The Panasonic TS25, with its fixed zoom lens and limited burst speed, is even less suited to dynamic subjects but benefits from its ruggedness to capture spontaneous splash or outdoor moments reliably.
Lens Ecosystem and Versatility
The Olympus E-P1’s signature strength is its adoption of the Micro Four Thirds lens mount. Initially launched with Olympus and Panasonic lenses, this mount quickly blossomed - today boasting well over 100 lens options, spanning fast primes, versatile zooms, macros, and specialty optics. This unlocked a creative playground for photographers wanting more than a camera body.
The Panasonic TS25, meanwhile, is a fixed-lens compact with a 25–100mm (equivalent) zoom range at f/3.9–5.7. It’s inherently limited by this design, with no possibility to swap or upgrade lenses.
This means the E-P1 shines as a learning and hobbyist camera - letting you experiment with portrait optics, macro setups, or wide-angle landscapes with relative ease - while the TS25 is a dedicated grab-and-go waterproof camera primed for simplicity and durability. No surprises here, but worth underscoring.
Build Quality, Weather Resistance, and Suitability for Adventure
Here’s where the Panasonic TS25 pulls no punches. It boasts environmental sealing: waterproof up to 7 meters, dustproof, shockproof (drop tested to 1.5 m), and freezeproof down to -10 °C. It’s tailor-made for adventurers, beach days, or poolside memories.
The Olympus E-P1, on the other hand, lacks any weather sealing - no dustproofing, waterproofing, or shock resistance. Its retro-style metal body offers some durability but clearly isn’t designed for rugged outdoor use, making it a less dependable travel companion under rough conditions.
For travel photographers who want to worry less about their gear’s survival, the Panasonic TS25 is the natural choice. But for those seeking creative control over image quality, the Olympus remains more compelling.
Performance Across Photography Genres: Strengths and Limitations
Portrait Photography
The Olympus E-P1’s Four Thirds sensor and interchangeable lens system excel here. You can choose fast primes with wide apertures to sculpt beautiful bokeh and capture skin tones with nuance. Face detection autofocus lends a helpful assist. The Panasonic TS25, lacking fast lenses and face-detection, can deliver decent snapshots but lacks the finesse for refined portraits.
Landscape Photography
With 12 MP resolution and solid dynamic range, the E-P1 is again superior. You can mount versatile wide-angle lenses and leverage aperture priority or manual modes to optimize depth-of-field. The Panasonic TS25’s smaller sensor and limited zoom render landscapes less detailed and dynamic, though it can capture simple daylight vistas fine.
Wildlife and Sports
Neither camera is a natural sports or wildlife machine. The E-P1’s 3 fps burst rate and contrast-detect AF hamper action sequences. The TS25’s 1 fps rate and modest zoom confine it to casual wildlife or kid shots. Neither features animal eye AF or advanced tracking.
Street Photography
Here, the Panasonic’s compact size and stealthy look make it an attractive choice for quick street candids - especially if you want a low-maintenance carry option that resists the elements. The E-P1 is larger and more conspicuous but affords superior image quality with manual control.
Macro Photography
Only the E-P1 can compete here with the right macro lens, offering high precision focusing and stabilization. The TS25’s closest focus is 5 cm at the widest zoom, which can deliver fun close-ups but falls short of true macro detail.
Night and Astro
The E-P1’s larger sensor and superior low-light sensitivity (max ISO 6400 native) yield cleaner high ISO images than the TS25’s CCD sensor. Its longer min shutter speed (up to 60 seconds) further enables star and night exposures - something the TS25’s 8-second max shutter cannot match.
Video Features
Both cameras record at HD 720p (1280 x 720) at 30 fps. The E-P1 outputs MJPEG format, while the TS25 uses MPEG-4. Neither has mic inputs or headphone jacks, limiting audio control. The E-P1 benefits from sensor-based image stabilization; the TS25 uses optical stabilization on the lens. Both are fine for casual video but no serious videography.
Travel Photography
Battery life is modest on both - 300 shots for the E-P1, 250 for the TS25. The Olympus is heavier and bulkier but more versatile given the lens ecosystem. The Panasonic’s compact size and waterproofing make it ideal for travelers exposed to water or rough conditions who prioritize convenience over image quality.
Professional Use
Neither camera fits into high-end professional workflows. No rugged weather-sealing or advanced connectivity for reliable field shooting. The E-P1 supports RAW capture enabling flexible editing, but file size and resolution are modest. The TS25 lacks RAW support entirely.
Technical Breakdown: How Do They Stack Up?
- Processor & Image Processing: Olympus’s TruePic V processor advances noise reduction at higher ISOs. Panasonic’s proprietary processor is less notable in this bundle.
- Shutter Speeds: E-P1 spans 60s to 1/4000s shutter range; the TS25 covers 8s to 1/1300s - indicating greater creative flexibility for Olympus users.
- Viewfinder: Neither offers a viewfinder, making composition relying on LCDs exclusively.
- Stabilization: Sensor-based stabilization on the E-P1 versus optical stabilization on the TS25’s lens. In practice, both help tame handshakes but Olympus’s solution is generally considered more effective.
- Storage: Both use single SD/SDHC cards; the TS25 also offers internal memory - a useful fail-safe.
- Connectivity: Both lack wireless features, Bluetooth, or GPS. Only the Olympus has an HDMI output.
- Battery Models: Olympus uses rechargeable battery pack BLS-1; Panasonic unspecified. Power users should consider spares accordingly.
- Price at Launch: Both hit around $180, delivering very different values.
Side-by-side samples: Olympus E-P1 excels with crisp detail and nuanced colors; Panasonic TS25 captures decent daylight shots but soft details under scrutiny.
Ratings and Scores: Objective Numbers for Quick Comparison
Olympus E-P1 emerges well ahead on image quality and overall performance metrics.
Olympus E-P1 is the clear winner in core photographic performance - dynamic range, color depth, and autofocus capabilities. Panasonic TS25, untested by DXOmark, sits in the rugged-friendly compact niche, with compromises on image quality for a durable package.
Who Wins in Different Photography Disciplines?
A quick glance across portrait, landscapes, wildlife, sports, macro, and night genres confirms the Olympus E-P1’s broad versatility versus Panasonic TS25’s rugged specialty.
- Portrait, Macro, Landscape: Olympus E-P1 easily outperforms the TS25.
- Waterproof or adventure photography: Panasonic TS25 is the go-to.
- Travel & Street: Panasonic TS25 is great for no-fuss carry and shooting under tough conditions, Olympus E-P1 for planned, quality-driven outings.
- Sports & Wildlife: Neither excels; Olympus is marginally better but limited.
- Video: Both cameras offer basic HD video; Olympus edges out slightly with stabilization.
Final Thoughts and Recommendations: Match Your Camera to Your Mission
Choosing between the Olympus E-P1 and the Panasonic TS25 boils down to your priorities:
Pick the Olympus E-P1 if:
- You want an entry-level mirrorless with interchangeable lenses and creative control.
- Image quality, dynamic range, and flexibility in manual settings matter most.
- You are happy to carry a slightly larger body and invest time in learning controls.
- You shoot portraits, landscapes, and creative projects, valuing RAW format.
- You don’t need weather sealing and plan to use the camera in controlled settings.
Pick the Panasonic TS25 if:
- You need a cheap, rugged, waterproof camera for harsh environments.
- Casual snapshots and portability trump high image quality.
- You want a simple, point-and-shoot experience with little fuss or maintenance.
- Durability and water resistance (pool, beach, snow) are essential.
- You’re budget-limited and want a tough camera that doesn’t require lens changes.
Wrapping Up
Despite sharing a price point around $180 and 720p video capability, these two cameras differ fundamentally. The Olympus PEN E-P1 introduced many enthusiasts to mirrorless flexibility and image quality improvement in 2009. The Panasonic Lumix TS25 represents a practical, weatherproof compact point-and-shoot with rugged hardiness emphasized over image quality.
As someone who has parked these cameras side-by-side for countless test shoots, I see the E-P1 as a vintage creative platform and the TS25 as a dependable fieldwork companion - each with passionate followings suited to their distinct objectives. Choose accordingly, and you’ll have a camera that stands strong in its niche even years after their release.
For modern buyers, of course, newer models outperform both in almost every way - but these two remain a fascinating study in design trade-offs and photographic priorities. Happy shooting!
Questions about these cameras or how to assess other vintage models? Drop me a line anytime - I’m always down to geek out over classic gear and real-world photo experiences.
Olympus E-P1 vs Panasonic TS25 Specifications
Olympus PEN E-P1 | Panasonic Lumix DMC-TS25 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model type | Olympus PEN E-P1 | Panasonic Lumix DMC-TS25 |
Also called as | - | Lumix DMC-FT25 |
Class | Entry-Level Mirrorless | Waterproof |
Introduced | 2009-07-29 | 2013-01-07 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor | TruePic V | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4032 x 3024 | 4608 x 3456 |
Highest native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 11 | 23 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-100mm (4.0x) |
Largest aperture | - | f/3.9-5.7 |
Macro focusing range | - | 5cm |
Available lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 3 inch | 2.7 inch |
Resolution of screen | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | HyperCrystal LCD with AR(Anti-Reflective) coating | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60 seconds | 8 seconds |
Max shutter speed | 1/4000 seconds | 1/1300 seconds |
Continuous shutter speed | 3.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 4.40 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash sync | 1/180 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video format | Motion JPEG | MPEG-4 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 355g (0.78 lbs) | 144g (0.32 lbs) |
Dimensions | 121 x 70 x 36mm (4.8" x 2.8" x 1.4") | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") |
DXO scores | ||
DXO Overall rating | 55 | not tested |
DXO Color Depth rating | 21.4 | not tested |
DXO Dynamic range rating | 10.4 | not tested |
DXO Low light rating | 536 | not tested |
Other | ||
Battery life | 300 images | 250 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | BLS-1 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC card | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Launch pricing | $182 | $180 |