Olympus E-P1 vs Panasonic ZS100
86 Imaging
46 Features
42 Overall
44


87 Imaging
52 Features
65 Overall
57
Olympus E-P1 vs Panasonic ZS100 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 355g - 121 x 70 x 36mm
- Launched July 2009
- Later Model is Olympus E-P2
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Revealed January 2016
- Additionally referred to as Lumix DMC-TZ100
- Replacement is Panasonic ZS200

Olympus E-P1 vs Panasonic Lumix ZS100: An Expert Comparison for Photography Enthusiasts
When choosing a camera, photographers often face a dizzying array of options stretching across sensor sizes, lens systems, ergonomics, and features. Two cameras from different design philosophies and eras - the Olympus PEN E-P1 and the Panasonic Lumix ZS100 - offer distinct experiences aimed at advanced amateurs and enthusiasts who desire strong image quality without a full DSLR bulk. I’ve spent years testing cameras in real-world settings, running controlled lab evaluations, and comparing performance across genres. In this article, I dive into the nuts and bolts of these two models to help you understand which camera better fits your style, needs, and budget.
Both cameras pack serious punch for photographers on the go but target different priorities: the Olympus E-P1 is a pioneering mirrorless camera focusing on flexibility and classic rangefinder aesthetics, while the Panasonic ZS100 serves as a compact powerhouse with an impressive integrated zoom lens. Let’s unpack how they compare on every key front.
First Impressions: Design, Build, and Handling
Size Matters: Portability vs Presence
The Olympus E-P1 has a rangefinder-style mirrorless design - with a boxy, minimalistic body that looks timeless and retro-modern. It’s slim (121 x 70 x 36 mm) and weighs roughly 355g. The body’s compactness appeals to those who appreciate classic camera designs, especially with the Micro Four Thirds system’s range of lenses enabling creative choice without swinging heavy glass.
Meanwhile, the Panasonic ZS100 is a large sensor compact camera with dimensions slightly smaller (111 x 65 x 44 mm) and a lighter weight (312g), mainly due to its fixed lens design. Its integrated zoom lens (25-250mm equivalent) lets you cover a broad focal range without changing lenses, a huge plus for travel and street photographers craving convenience.
Ergonomics: The E-P1, though small, feels solid and has a thoughtfully placed control setup but lacks an electronic viewfinder (EVF), which affects shooting convenience under bright light. The ZS100 features a built-in EVF with good resolution (1166 dots) and 100% coverage - hugely beneficial for precise composition and eye-level shooting in sunlight.
In my hands, the ZS100’s grip offers more secure handling for long zoom reach. The E-P1 opts for simplicity, missing physical dials for ISO or exposure compensation but providing access through buttons and menus. The ZS100 benefits from touchscreen interaction, which the E-P1 lacks.
Build Quality: Neither camera is weather sealed - a crucial consideration for landscape or wildlife shooters venturing outdoors. Both are sturdy enough for everyday handling but treat either model carefully in harsh conditions.
Image Quality & Sensor Insights: The Heart of the Matter
One of the main differences lies in sensor technology and size:
- Olympus E-P1: Four Thirds CMOS sensor, 12MP, sensor size 17.3 x 13 mm (224.9 mm² area)
- Panasonic ZS100: Larger 1-inch MOS sensor, 20MP, 13.2 x 8.8 mm (116.16 mm² area)
Though the E-P1 sensor is physically larger in area, the ZS100 crams more pixels, pushing to 20MP. Interestingly, the E-P1’s Four Thirds sensor is traditionally designed with deeper pixels aiding color depth, while the ZS100’s high megapixel count benefits resolution and cropping potential.
On DxO Mark tests, the ZS100 scores 70 overall compared to E-P1’s 55 - reflecting better dynamic range (12.5 vs 10.4), color depth (22.8 vs 21.4 bits), and low-light ISO performance (559 vs 536). This means the Panasonic edges out in technical image quality and high ISO usability.
In my real-world trials, the E-P1 delivers pleasing colors with classic Olympus Micro Four Thirds sharpness and decent dynamic range for shadows and highlights. However, in dim lighting, the ZS100 produced cleaner images with less noise at higher ISOs - a key advantage when shooting handheld or indoors.
Focusing Systems and Speed: Capturing the Perfect Moment
The Olympus E-P1 employs a contrast-detection autofocus system with 11 focus points and face detection capabilities but no phase detection or eye/animal AF. It supports single, continuous autofocus, and selective point AF.
The Panasonic ZS100’s autofocus performance is more advanced, featuring contrast-detection AF with 49 points, face detection, touch-focus, and continuous tracking. It also includes post-focus capabilities, allowing you to shift focus points after shooting - a feature the E-P1 lacks.
During sports and wildlife shooting simulations, the ZS100’s faster burst rate of 9.9 fps easily trumps the E-P1’s 3 fps. The ZS100’s AF tracking is noticeably snappier and more reliable in continuous modes, which makes a practical difference when capturing unpredictable action.
In portraits, both cameras detect faces well, but eye detection support is absent on both, meaning manual fine-tuning of focus is necessary - something to consider if selective sharpness on eyes is critical for your work.
User Interface, Display, and Controls: Ease of Use in the Field
For framing and reviewing shots, both have 3-inch fixed LCD screens but differ considerably:
- E-P1 display: 230k dots, HyperCrystal LCD with anti-reflective coating.
- ZS100 display: 1040k dots, touchscreen.
The ZS100’s higher resolution screen makes reviewing fine details easier, and touchscreen support streamlines menu navigation and focusing, which I found especially handy for street and travel photography.
Neither camera has a top LCD screen or illuminated buttons, but the ZS100 integrates a viewfinder - a significant usability advantage in bright light and for extended shooting sessions.
Lens Systems and Versatility: Adaptability vs Convenience
Olympus E-P1: Micro Four Thirds Interchangeable Lens System
The Micro Four Thirds mount offers tremendous flexibility, with over 100 lenses available - from affordable primes to professional zooms. This is where the E-P1 truly shines for photographers who want to control every aspect of their image-making:
- Wide landscapes using ultra-wide lenses
- Portraits with fast, large aperture primes delivering beautiful bokeh
- Macro lenses for close-up work
- Telephoto zooms for wildlife and sports
Though not weather sealed, you can rig weather protection through lenses or external covers. I personally found that pairing the E-P1 with a 45mm f/1.8 lens yields excellent portraits with creamy backgrounds and natural skin tones.
Panasonic ZS100: Integrated 25-250mm Equivalent Zoom
The ZS100’s built-in lens is versatile enough for most scenarios you’ll encounter daily:
- Wide-angle for landscapes and street scenes
- Telephoto reach for candid portraits and casual wildlife
- Macro mode focusing down to 5cm
The lens aperture varies from f/2.8 wide to f/5.9 telephoto, which is less suited for low light at zoom extremes. Still, it’s an all-in-one solution that suits travelers and casual shooters who don’t want to fuss with lenses.
Performance Across Photography Genres
To offer actionable insights, here’s how these cameras fare across popular photography disciplines based on my hands-on experience:
Photography Type | Olympus E-P1 Strengths | Panasonic ZS100 Strengths |
---|---|---|
Portrait | Classic Micro Four Thirds look, shallow DOF with fast lenses | Accurate face detection, great image quality, touchscreen focus |
Landscape | High dynamic range, interchangeable wide lenses | Lightweight, good resolution, built-in stabilizer |
Wildlife | Ability to use long tele zooms with adapters | Fast continuous AF and burst for quick moments |
Sports | Manual controls and prime lenses for controlled shooting | High FPS and superior tracking AF capability |
Street | Compact size and discreet styling | Integrated zoom, touchscreen, built-in EVF |
Macro | Dedicated Macro lenses add sharpness and focus control | Close focusing (5cm) in a small package |
Night/Astro | Sensor size adequate but limited ISO performance | Better high ISO, faster shutter speeds (up to 1/16000s) |
Video | 720p @30fps, limited codec options | 4K UHD at 30fps, 1080p @60fps, optical stabilization |
Travel | Lightweight with lenses of choice | All-in-one lens, reliable battery life, small footprint |
Professional | RAW support, manual exposure modes | More advanced video, RAW support, post-focus |
From my sample gallery, both cameras deliver sharp files with natural colors, but ZS100 files reveal finer detail and better shadow recovery in challenging light. The E-P1 excels with creative depth of field control thanks to interchangeable lenses.
Video Capabilities: Moving Pictures Matter
The E-P1’s video maxes out at 720p HD at 30fps with Motion JPEG codec - adequate for casual clips but falls short by modern standards in terms of resolution and codec efficiency.
The ZS100 offers solid video, including 4K UHD at 30fps and multiple frame-rate 1080p options. It also supports 4K photo modes allowing you to extract stills at high resolution from video clips, a valuable feature for event or wildlife shooters.
Neither camera includes microphone or headphone ports, so audio capture can be limiting - something to consider if you plan serious video work.
Battery, Storage, and Connectivity: Staying Powered and Connected
Both cameras use proprietary battery packs with roughly 300 shots per charge, modest but manageable with spare batteries. The ZS100 uses the same capacity battery but emphasizes power management more efficiently thanks to newer processor technology.
For storage, single SD/SDHC slot serves both models, with UHS-I support on the ZS100 speeding write times.
Connectivity leans heavily in the ZS100’s favor, boasting built-in Wi-Fi for remote shooting and image transfer - absent on the E-P1, which offers no wireless capabilities.
Price and Value: What Does Your Investment Get?
Retail prices differ considerably: the Olympus E-P1 typically retails around $180 - appealing as a budget-friendly entry into mirrorless with lens ecosystem potential. The Panasonic ZS100 commands a premium near $700, reflecting advanced sensor capabilities, zoom flexibility, and 4K video support.
Looking at overall performance scores, the ZS100 outpaces the E-P1 by a wide margin, offering more modern features and superior image quality. But if cost and lens system adaptability are key, the E-P1 represents a compelling choice.
How They Stack Up by Photography Genre
A final genre-based assessment shows the ZS100 dominating sports, wildlife, video, and street photography domains due to its autofocus speed, zoom range, and video specs. The Olympus E-P1 shines in portrait, macro, and landscape photography where image quality combined with lens choice is paramount.
Summary: Which Camera Should You Choose?
Choose the Olympus E-P1 if:
- You want a classic mirrorless experience with the flexibility to build a lens kit
- Your photography focuses on portraits, landscapes, or macro work
- You’re budget-conscious and value interchangeable lenses over integrated zoom versatility
- You prefer a lightweight rangefinder-style body without a viewfinder
- You don’t need high frame rates or advanced video features
Choose the Panasonic ZS100 if:
- You need an all-in-one compact for travel, street, wildlife, or casual sports photography
- Fast autofocus, burst shooting, and advanced video are important
- You want higher resolution and better low-light capabilities
- You appreciate touchscreen controls and a built-in EVF for better framing
- You’re willing to invest more upfront for modern features and portability
Final Thoughts from Years of Testing
Having extensively tested both cameras in varied conditions, I can confidently say the E-P1 remains a landmark for mirrorless camera development - offering photographic growth potential via its lens ecosystem that few compacts can match. However, the Panasonic ZS100 better serves photographers who need flexibility without changing lenses, improved autofocus, and modern video capabilities.
Whether you prioritize creative control or convenience will guide your choice. For enthusiasts beginning their mirrorless journey with a budget, the Olympus E-P1 opens doors. For travelers or photographers seeking a versatile, compact powerhouse, the Panasonic ZS100 holds distinct advantages.
I hope this comprehensive comparison helps you make a confident decision for your next camera purchase. Remember, the best camera is the one that fits your style, feels comfortable in your hands, and inspires your creativity.
Happy shooting!
Olympus E-P1 vs Panasonic ZS100 Specifications
Olympus PEN E-P1 | Panasonic Lumix DMC-ZS100 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus PEN E-P1 | Panasonic Lumix DMC-ZS100 |
Also called | - | Lumix DMC-TZ100 |
Category | Entry-Level Mirrorless | Large Sensor Compact |
Launched | 2009-07-29 | 2016-01-05 |
Body design | Rangefinder-style mirrorless | Large Sensor Compact |
Sensor Information | ||
Powered by | TruePic V | Venus Engine |
Sensor type | CMOS | MOS |
Sensor size | Four Thirds | 1" |
Sensor measurements | 17.3 x 13mm | 13.2 x 8.8mm |
Sensor surface area | 224.9mm² | 116.2mm² |
Sensor resolution | 12 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4032 x 3024 | 5472 x 3648 |
Max native ISO | 6400 | 12800 |
Max boosted ISO | - | 25600 |
Minimum native ISO | 100 | 125 |
RAW data | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 11 | 49 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-250mm (10.0x) |
Maximum aperture | - | f/2.8-5.9 |
Macro focusing distance | - | 5cm |
Number of lenses | 107 | - |
Focal length multiplier | 2.1 | 2.7 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 3" | 3" |
Resolution of display | 230k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | HyperCrystal LCD with AR(Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,166k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.46x |
Features | ||
Lowest shutter speed | 60 secs | 60 secs |
Highest shutter speed | 1/4000 secs | 1/2000 secs |
Highest quiet shutter speed | - | 1/16000 secs |
Continuous shooting speed | 3.0fps | 9.9fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 8.00 m (at Auto ISO) |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/180 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) |
Max video resolution | 1280x720 | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 355 gr (0.78 lbs) | 312 gr (0.69 lbs) |
Dimensions | 121 x 70 x 36mm (4.8" x 2.8" x 1.4") | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") |
DXO scores | ||
DXO All around rating | 55 | 70 |
DXO Color Depth rating | 21.4 | 22.8 |
DXO Dynamic range rating | 10.4 | 12.5 |
DXO Low light rating | 536 | 559 |
Other | ||
Battery life | 300 shots | 300 shots |
Battery form | Battery Pack | Battery Pack |
Battery ID | BLS-1 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC card | SD/SDHC/SDXC card |
Storage slots | Single | Single |
Retail cost | $182 | $700 |