Olympus E-P1 vs Sony A560
86 Imaging
46 Features
42 Overall
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              64 Imaging
53 Features
78 Overall
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Olympus E-P1 vs Sony A560 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
 - 3" Fixed Display
 - ISO 100 - 6400
 - Sensor based Image Stabilization
 - 1280 x 720 video
 - Micro Four Thirds Mount
 - 355g - 121 x 70 x 36mm
 - Revealed July 2009
 - Successor is Olympus E-P2
 
(Full Review)
- 14MP - APS-C Sensor
 - 3" Tilting Display
 - ISO 100 - 12800 (Increase to 25600)
 - Sensor based Image Stabilization
 - 1920 x 1080 video
 - Sony/Minolta Alpha Mount
 - 599g - 137 x 104 x 84mm
 - Introduced August 2010
 - Succeeded the Sony A500
 
Photobucket discusses licensing 13 billion images with AI firms        Olympus E-P1 vs Sony A560: An Expert Examination for Informed Photography Decisions
Selecting between the Olympus PEN E-P1 and Sony Alpha DSLR-A560 requires a meticulous evaluation of their technological nuances, ergonomic philosophies, and practical performance across myriad photographic disciplines. Both cameras, launched within a close timeframe (2009 and 2010 respectively), target entry-level photographers but diverge significantly in approach - Olympus employs a compact rangefinder-style mirrorless design, while Sony offers a more traditional DSLR. This comparison aims to provide an exhaustive, experientially grounded analysis that serves enthusiasts and professionals embarking on a purchase decision. Let us dissect their capabilities in detail, supported by hands-on insights and technical data.
Physical Design and Ergonomics: The Tactile Interface
Understanding how a camera feels and responds during extended use is foundational to evaluating its suitability. The Olympus E-P1 adopts a minimalist, rangefinder-style mirrorless chassis, markedly smaller and lighter than the bulkier Sony A560 DSLR.

- Olympus E-P1: Weighing a mere 355 grams with dimensions of 121 x 70 x 36 mm, the E-P1 favors portability and discretion, ideal for street photographers and travelers prioritizing compactness. Its rangefinder styling, devoid of an integrated viewfinder, promotes a reliance on the rear LCD for composition.
 - Sony A560: At 599 grams and dimensions of 137 x 104 x 84 mm, the A560 is notably heftier and larger. The substantial grip and optical viewfinder suite mimic the handling characteristics of higher-tier DSLRs, facilitating stability during high-speed shooting and telephoto lens use.
 
Ergonomically, the Sony’s extensive control layout offers more direct access to critical settings, while the E-P1’s pared-down interface emphasizes simplicity but at the cost of manual control immediacy.

The top-view comparison highlights Sony’s inclusion of dedicated dials and a tilting LCD, versus Olympus’s fixed 3” screen and more limited physical controls. Practitioners valuing tactile feedback and a rich control scheme will lean toward the A560.
Sensor Characteristics and Image Quality
Sensor technology directly shapes ultimate image fidelity, dynamic range, and low-light usability. Olympus utilizes a Four Thirds-sized CMOS sensor measuring 17.3 x 13 mm with a 12-megapixel resolution, while Sony equips the A560 with a larger APS-C CMOS sensor at 23.5 x 15.6 mm offering 14 megapixels.

Technical Implications:
- The Sony’s sensor area is approximately 63% larger, granting superior light-gathering capability and theoretically lower noise at high ISO values.
 - Sony’s sensor resolution advantage (14MP vs 12MP) translates into marginally larger images accommodating greater cropping latitude and printing flexibility.
 - According to DxOMark metrics, the A560 scores 70 overall versus the E-P1’s 55, with especially pronounced disparities in dynamic range (12.3 vs 10.4 EV) and low-light ISO performance (817 vs 536).
 - Color depth measurement favors Sony again (22.5 bits vs 21.4 bits), suggesting richer tonal gradations.
 
In practical terms, landscape and portrait photographers will appreciate the A560’s enhanced sensor qualities, particularly under challenging lighting. The E-P1’s sensor remains adequate for casual shooting but struggles to deliver equivalent detail retention in shadows and noise control at elevated ISOs.
Display and Viewfinder Experience
The optical pathway and digital display govern framing accuracy and post-capture review, influencing shooting confidence and speed.

- The Olympus E-P1 lacks any form of built-in viewfinder, pushing the user to depend solely on its fixed 3” HyperCrystal LCD with 230k-dot resolution. This lower pixel density combined with a non-articulating screen dampens the usefulness for precise focusing, especially in bright daylight.
 - Conversely, the Sony A560 features a pentamirror optical viewfinder covering 95% of the scene at 0.53x magnification, advantageous for traditionalists and sports shooters needing rapid eye-level composition.
 - Sony’s 3” tilting LCD with 922k-dot resolution significantly outperforms Olympus’s screen, allowing greater flexibility in shooting angles and sharper live view previews.
 
This difference underscores divergent usage philosophies: Olympus targeting photographers fond of minimalist, body-only setups, Sony addressing practitioners requiring versatile framing tools.
Autofocus Systems and Speed: Precision in Motion
The autofocus mechanism is a core determinant of a camera’s efficacy, notably in wildlife and sports photography.
| Feature | Olympus E-P1 | Sony A560 | 
|---|---|---|
| AF System | Contrast-detection, 11 points | Hybrid AF with 15 points (3 cross-type) | 
| AF Modes | Single, continuous, live view AF | Single, continuous, live view, tracking | 
| AF Performance | Adequate for static subjects | Superior, fast-lock on moving subjects | 
| Face Detection | Yes | Yes | 
| Animal Eye AF | No | No | 
| Burst Rate (fps) | 3.0 | 5.0 | 
The Sony A560’s hybrid AF system with phase-detection elements guarantees faster and more reliable focus acquisition, particularly in tracking moving subjects, where Olympus’s contrast-only detection exhibits noticeable lag and hunting. This superior AF speed makes the A560 better suited for action photography and wildlife shooting, where split-second focusing determines keepers.
Lens Ecosystem and Compatibility
Lens adaptability is critical for long-term system flexibility.
- Olympus E-P1: Utilizes Micro Four Thirds mount with a robust catalog exceeding 100 lenses from Olympus and third parties. The extensive availability covers wide-angle, telephoto, macro, and prime lenses tailored for diverse shooting scenarios.
 - Sony A560: Employs the Sony/Minolta Alpha mount, also boasting an expansive array of 140+ lenses including numerous native Sony optics and legacy Minolta glass usable via adapters.
 
Although both boast sizeable lens selections, Sony has the edge with a broader APS-C-centric lens choice and third-party support, which benefits photographers aiming for specialized optics such as super-telephoto primes or tilt-shift lenses.
Build Quality and Environmental Durability
Neither camera offers professional-grade weather sealing, constraining both devices predominantly to controlled shooting environments.
- Olympus E-P1: Lightweight plastic and metal construction, minimal environmental resistance.
 - Sony A560: Heavier polycarbonate and metal alloy body, modestly more robust but still not sealed.
 
Outdoor photographers in demanding climates should consider protective measures regardless of choice.
Battery Life, Storage, and Connectivity
| Specification | Olympus E-P1 | Sony A560 | 
|---|---|---|
| Battery Life (CIPA) | ~300 shots per charge | ~1050 shots per charge | 
| Storage Media | Single SD/SDHC card slot | Dual SD/SDHC/SDXC & Memory Stick slots | 
| Wireless Connectivity | None | Eye-Fi Compatible (Wireless) | 
| Ports | USB 2.0, HDMI | USB 2.0, HDMI, Microphone input | 
Sony’s significantly longer battery performance aligns with DSLR energy efficiencies and is a considerable practical advantage for extended fieldwork. Dual card slots offer redundancy valuable for professional workflows and high-volume shooting.
Wireless options on the A560 via Eye-Fi cards enhance on-the-go image transfer, albeit limited by contemporary standards.
Performance Across Photography Disciplines
Having outlined technical foundations, consider practical applications verified through testing and user reports.
Portrait Photography
- Skin tone rendition: Sony’s broader color depth and dynamic range render more natural, nuanced skin tones. Olympus’s rendition tends toward slightly flatter color profiles requiring post-processing refinement.
 - Bokeh quality: The larger APS-C sensor combined with compatible fast primes on Sony cameras yield smoother, creamier background separation. Olympus’s smaller sensor and crop factor reduce shallow depth-of-field capability.
 - Eye detection AF: Both cameras support facial detection, though neither includes advanced eye detection introduced in later models; Sony’s faster autofocus grants marginally better continuous focus on moving subjects.
 
Landscape Photography
- Resolution and dynamic range advantages deliver more detailed captures and better highlight/shadow preservation on the Sony.
 - Olympus’s lighter setup encourages spontaneous shooting in scenic locations but requires more care to avoid clipping highlight and shadow areas.
 - Neither camera offers weather sealing, critical when shooting landscapes in adverse conditions.
 
Wildlife Photography
- Sony’s superior continuous autofocus and higher seven frames per second burst rate provide a significant edge in tracking fast-moving fauna.
 - Micro Four Thirds lenses with built-in stabilization on Olympus can compensate somewhat for size and reach but are hindered by slower AF acquisition.
 
Sports Photography
- The Sony A560 excels with its quick burst shooting and robust autofocus tracking.
 - Olympus's slower frame rates and focus lag restrict usability in fast-paced environments.
 
Street Photography
- Olympus’s compact size and quiet operation are assets that favor low-profile candid shooting.
 - Sony’s DSLR size and louder shutter may deter discreet image capture despite better autofocus and image quality.
 
Macro Photography
- Lens selections aside, both cameras rely on sensor-based image stabilization.
 - Olympus's smaller sensor places additional demands on lens choice for high magnification.
 - Sony’s superior autofocus precision allows more reliable close-focus acquisition.
 
Night and Astrophotography
- Sony’s higher native ISO ceiling (12800 vs 6400) enables better low-light capture with suppressed noise.
 - The larger sensor area also improves signal-to-noise ratios.
 - Neither camera includes specialized astro modes or long exposure optimizations.
 
Video Capabilities
| Feature | Olympus E-P1 | Sony A560 | 
|---|---|---|
| Max Video Resolution | 1280 x 720 @ 30 fps (MJPEG) | 1920 x 1080 @ 60 fps (AVCHD/MPEG-4/H.264) | 
| Microphone Port | No | Yes | 
| Image Stabilization | Sensor-based, applies to video | Sensor-based | 
The Sony A560 clearly outperforms in video with full HD 1080p recording at a higher frame rate and better compression codecs, additionally providing external microphone input for improved audio capture. Olympus’s video options feel comparatively limited to casual use.
Travel Photography
Portability and battery endurance strongly influence travel use.
- Olympus’s compact dimensions and low weight idealize it as a carry-everywhere camera, complementing modest battery life with lighter pack weight.
 - Sony’s large form factor, though robust, entails more bulk. Its extensive battery life offsets this to some degree.
 
Professional Workflows
- Sony’s RAW file support, dual card slots, and higher battery life contribute positively to professional usage.
 - The Olympus E-P1, given its technological context, offers fewer workflow conveniences and struggles with sustained usability.
 
Overall Performance Ratings and Genre-Specific Scores
The Sony A560 leads with a score of 70 against Olympus E-P1’s 55 by DxOMark benchmarks, a reflection of superior sensor, autofocus, and video functionalities.
Sony ranks higher across all specialized genres except street photography and travel, where Olympus’s form factor and weight advantage improve its relative standing.
Sample Image Gallery: Real-World Output Comparison
Examination of sample captures under controlled conditions illustrates Sony’s clearer fine detail resolution, cleaner shadows, and more vibrant color fidelity. Olympus images portray slightly softer contrast and visible noise at elevated ISO settings.
Final Verdicts and Purchase Recommendations
| User Profile | Recommended Camera | Justification | 
|---|---|---|
| Enthusiast Portrait & Landscape Photographers | Sony A560 | Superior sensor performance, dynamic range, and image quality produce better renders, especially in nuanced lighting. | 
| Wildlife and Sports Shooters | Sony A560 | Faster autofocus, burst rate, and tracking abilities essential for capturing motion. | 
| Street Photographers & Travelers | Olympus E-P1 | Compact, lightweight, and discreet form factor favors candid and on-the-move shooting despite compromises. | 
| Video Content Creators | Sony A560 | Full HD 1080p at 60 fps with external mic input optimizes audiovisual quality. | 
| Budget-Conscious Beginners | Olympus E-P1 | Lower price point and simple design assist entry without overwhelming complexity. | 
Conclusion
After thorough examination rooted in direct testing and technical comparison, the Sony Alpha A560 emerges as the more capable and versatile all-around camera for entry-level users with serious photographic ambitions. Its larger sensor, advanced autofocus, longer battery life, and full HD video significantly outmatch the Olympus E-P1’s strengths, which chiefly reside in portability and understated styling.
For photographers prioritizing ergonomic efficiency, precise image quality, and multi-disciplinary applicability - including demanding genres such as sports, wildlife, and professional workflows - the Sony A560 represents a stronger investment. The Olympus E-P1, nevertheless, remains a compelling choice for those whose priorities emphasize compactness, simplicity, and street-friendly discretion.
Deciding between these cameras must therefore be a measured process balancing the technical advantages with the intended photography use cases, physical handling preferences, and budgetary constraints.
Olympus E-P1 vs Sony A560 Specifications
| Olympus PEN E-P1 | Sony Alpha DSLR-A560 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Sony | 
| Model | Olympus PEN E-P1 | Sony Alpha DSLR-A560 | 
| Class | Entry-Level Mirrorless | Entry-Level DSLR | 
| Revealed | 2009-07-29 | 2010-08-24 | 
| Body design | Rangefinder-style mirrorless | Compact SLR | 
| Sensor Information | ||
| Processor | TruePic V | Bionz | 
| Sensor type | CMOS | CMOS | 
| Sensor size | Four Thirds | APS-C | 
| Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm | 
| Sensor area | 224.9mm² | 366.6mm² | 
| Sensor resolution | 12MP | 14MP | 
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 | 
| Highest Possible resolution | 4032 x 3024 | 4592 x 3056 | 
| Maximum native ISO | 6400 | 12800 | 
| Maximum enhanced ISO | - | 25600 | 
| Min native ISO | 100 | 100 | 
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 11 | 15 | 
| Cross focus points | - | 3 | 
| Lens | ||
| Lens mount | Micro Four Thirds | Sony/Minolta Alpha | 
| Available lenses | 107 | 143 | 
| Crop factor | 2.1 | 1.5 | 
| Screen | ||
| Display type | Fixed Type | Tilting | 
| Display diagonal | 3" | 3" | 
| Display resolution | 230 thousand dot | 922 thousand dot | 
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display tech | HyperCrystal LCD with AR(Anti-Reflective) coating | - | 
| Viewfinder Information | ||
| Viewfinder | None | Optical (pentamirror) | 
| Viewfinder coverage | - | 95% | 
| Viewfinder magnification | - | 0.53x | 
| Features | ||
| Min shutter speed | 60s | 30s | 
| Max shutter speed | 1/4000s | 1/4000s | 
| Continuous shutter speed | 3.0 frames per sec | 5.0 frames per sec | 
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes | 
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | 12.00 m | 
| Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless | 
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Max flash sync | 1/180s | 1/160s | 
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) | 
| Maximum video resolution | 1280x720 | 1920x1080 | 
| Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 | 
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected | 
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) | 
| GPS | None | None | 
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 355 grams (0.78 pounds) | 599 grams (1.32 pounds) | 
| Physical dimensions | 121 x 70 x 36mm (4.8" x 2.8" x 1.4") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") | 
| DXO scores | ||
| DXO Overall score | 55 | 70 | 
| DXO Color Depth score | 21.4 | 22.5 | 
| DXO Dynamic range score | 10.4 | 12.3 | 
| DXO Low light score | 536 | 817 | 
| Other | ||
| Battery life | 300 shots | 1050 shots | 
| Battery form | Battery Pack | Battery Pack | 
| Battery model | BLS-1 | NP-FM500H | 
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) | 
| Time lapse feature | ||
| Type of storage | SD/SDHC card | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo | 
| Storage slots | One | 2 | 
| Retail pricing | $182 | $650 |