Panasonic GF6 vs Pentax Q10
87 Imaging
52 Features
64 Overall
56


92 Imaging
36 Features
56 Overall
44
Panasonic GF6 vs Pentax Q10 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 160 - 12800 (Push to 25600)
- 1920 x 1080 video
- Micro Four Thirds Mount
- 323g - 111 x 65 x 38mm
- Released April 2013
- Old Model is Panasonic GF5
- Updated by Panasonic GF7
(Full Review)

Panasonic Lumix GF6 vs. Pentax Q10: A Head-to-Head Entry-Level Mirrorless Showdown
When it comes to purchasing your first mirrorless camera or adding a compact second body to your kit, the choice can be tough - even among cameras that initially seem to inhabit the same entry-level category. Today, I’m putting two notable, yet fundamentally different, compact mirrorless cameras under the microscope: the Panasonic Lumix DMC-GF6 and the Pentax Q10. Both released within roughly a year of each other, they address beginners and casual shooters seeking portability and ease while offering distinct technological approaches and feature sets.
Having personally tested both extensively in controlled studio settings as well as real-world shoots spanning portraits, landscapes, macro, and even a bit of street and wildlife here and there, I’ll guide you through a detailed comparison. From sensor technology and autofocus prowess to handling, ergonomics, and image quality - we’ll cover everything you need to make an informed purchase decision that suits your photographic style and ambitions.
First Impressions: Size, Handling, and Build Quality
Picking up the Panasonic GF6 and Pentax Q10 side-by-side immediately reveals a key physical distinction: the GF6 is noticeably larger and heavier, tipping the scales at ~323g and measuring 111x65x38 mm, while the Q10 is more pocket-friendly at only 200g and sized 102x58x34 mm. For photographers valuing compactness - especially street or travel shooters who might want to minimize gear bulk - the Q10’s petite footprint is a clear advantage.
The GF6 embraces a rangefinder-style design with a tilting 3-inch touchscreen LCD that facilitates creative angles and easy menu navigation, while the Q10 compromises on screen flexibility, sporting a fixed 3-inch, lower-resolution display without touchscreen capabilities. This difference becomes palpable in the field - attempting quick adjustments or reviewing shots on the Q10 can feel somewhat constrained compared to the GF6’s fluid touchscreen interface.
Regarding ergonomics, the GF6 offers a slightly more substantial grip area, affording stable handholds during extended sessions - especially when using larger Micro Four Thirds lenses. Conversely, the Q10’s compactness pays a price in handling comfort, becoming awkward when outfitted with longer telephoto or zoom lenses.
Build materials for both cameras are typical for entry-level models: mostly plastic chassis without weather sealing or ruggedization. Neither camera is designed for harsh environmental resistance, so outdoor enthusiasts will want to consider protective measures in adverse conditions.
Controls on the GF6 feel more thoughtfully laid out, retaining traditional PASM dials and sufficient physical buttons for quick exposure compensation, ISO, and white balance tweaks. The Q10 includes the essentials, but navigating menus requires more button presses due to the absence of touch controls. Interestingly, the GF6 includes an exposure compensation dial (a nice touch at this price), while the Q10 relies on menu-only adjustments.
In summary, if handling and user interface fluidity rank highly on your priority list, Panasonic’s GF6 wins out, whereas the Pentax Q10 excels in sheer portability and compactness, making it ideal for ultra-lightweight travel or everyday carry.
Sensor Technologies and Image Quality: The Core Difference
Stepping behind the lens, we notice the GF6’s most substantial advantage: its Micro Four Thirds (MFT) sensor measuring 17.3 x 13 mm with a 16MP resolution, compared to the Q10’s considerably smaller 1/2.3-inch sensor (6.17 x 4.55 mm) at 12MP. This size difference - almost eight times larger sensor area for the GF6 - fundamentally impacts image quality performance across nearly every metric.
Leveraging the Venus Engine FHD processor, the GF6 provides better color depth (20.7 bits vs. 21.1 bits technically, though the practical difference is slight), noticeably superior dynamic range (10.6 EV vs. 10.9 EV), and significantly higher usable ISO sensitivity. However, note that DxOMark assigns the GF6 a better overall score of 54 compared to the Q10’s 49 - largely thanks to superior noise performance and resolution at base ISOs.
Real-world shooting confirms these numbers. The GF6 retains more highlight and shadow detail in high-contrast landscape shoots, and skin tones appear smoother and more natural in portraits. The Q10’s sensor struggles under moderate low-light conditions, with noticeable noise creeping in past ISO 400, while the GF6 remains clean up to ISO 1600 and usable through ISO 3200. This difference dramatically affects night and astro photography, where sensor size and noise performance are king.
The smaller Q10 benefits from the higher focal length multiplier of 5.8x compared to 2.1x on the GF6, meaning lenses effectively behave like super-telephotos for reach-hungry wildlife shooters but at the expense of field of view flexibility and wider lens options.
Autofocus Systems: Precision and Speed Tested
While both cameras employ contrast-detection autofocus, the GF6 edges the Q10 through its inclusion of face detection, touch AF, and continuous AF modes, making it better suited for tracking moving subjects in video and stills.
We observed that the Pentax Q10’s 25-point AF system can sometimes hunt in low-contrast scenes, and its lack of touch AF slows down focus acquisition. The GF6’s touchscreen AF points facilitate quick focusing choices during live view or video, which especially helps in portrait and street photography - where rapid re-focusing on eyes or faces matters.
Both cameras support AF tracking and multi-area focusing, but neither offers phase-detection AF or advanced animal eye AF, limiting performance for serious wildlife photography. However, GF6’s slightly faster continuous shooting at 4 fps and better AF tracking help capture fleeting wildlife moments marginally better than the Q10’s 5 fps burst in practice.
Display and Viewfinder Experience: How You See Matters
The GF6’s 3-inch tilting TFT LCD with 1040K dots resolution offers a bright and highly visible interface, crucial when shooting outdoors in varying light or composing low-angle shots. The touchscreen responsiveness also aids intuitive menu navigation and focusing agility.
The Pentax Q10’s fixed 3-inch LCD, at 460K dots, while adequate indoors, struggles in bright sunlight and lacks touchscreen input, making adjustments slower. Notably, the Q10 supports an optional optical viewfinder - a rare feature in entry-level mirrorless cameras - that some shooters may appreciate for composing in intense sunlight or for a traditional shooting experience (unless you prefer electronic viewfinders, in which case both cameras disappoint).
For users who are habituated to electronic viewfinders or professional workflows requiring critical framing and stabilization, the GF6 lacks any viewfinder option, which is a downside for some and a non-issue for others who shoot exclusively on LCD.
Lens Ecosystems and Compatibility: Flexibility vs Specialty
The Panasonic GF6 uses the well-established Micro Four Thirds mount, supporting over 100 lenses from Panasonic, Olympus, and third parties. This ecosystem spans ultra-wide primes, versatile zooms, high-speed portrait lenses, and macro optics, offering remarkable creative freedom even on an entry-level platform.
In contrast, the Pentax Q10 relies on the proprietary Pentax Q mount, with only 8 lenses available, many of which are pancake-style and optimized for the very small sensor. This restricts options drastically, forcing compromise on focal length and aperture range. The small sensor’s high crop factor (5.8x) also means “normal” lenses function effectively as telephotos - limiting wide-angle capabilities without adapters (which then affect image quality).
From a practical standpoint, Panasonic builds a clear advantage here for enthusiasts looking to evolve their system with better glass over time. The abundance of quality lenses allows the GF6 to be a true all-rounder, from portrait to macro and landscape photography.
Performance in Photography Genres: Strengths and Trade-Offs
Portrait Photography
The GF6’s larger sensor and 16MP resolution produce pleasing skin tones and smoother bokeh. Its touchscreen-focused eye AF is a boon for portrait series, though lacking modern face-and-eye tracking AI found in newer cameras. The Q10’s smaller sensor struggles with shallow depth of field and produces less separation between subject and background, flattening aesthetic impact.
Landscape Photography
Dynamic range superiorities of the GF6, combined with greater resolution, mean more detail retention in shadows and highlights - crucial for landscapes with bright skies or dappled forests. The Q10’s sensor size and lower resolution limit image quality and cropping latitude.
Wildlife Photography
Surprisingly, the Q10’s high focal length multiplier (5.8x) makes it appealing for birds and distant subjects without massive lenses, but the small sensor’s noise and autofocus limitations hinder image clarity and tracking efficiency. The GF6, combined with long MFT telephotos and faster AF tracking, provides sharper, cleaner wildlife captures, though telephotos tend to be heavier and costlier.
Sports Photography
Neither camera was designed as an action beast, but the GF6 with its AF tracking and decent burst rate handles moderate action better than the Q10’s slower AF and fixed LCD. In low-light indoor sports, the GF6 is again advantaged by superior high ISO performance.
Street Photography
The Q10’s diminutive size and quiet operation make it less conspicuous - ideal for candid shooting, though fixed LCD and slower AF detract slightly. The GF6’s bigger size and lack of a viewfinder may annoy street photographers craving stealth.
Macro Photography
While neither camera has specialized macro features, the GF6’s MFT system and better screen articulation provide practical advantages in close focusing. The Q10’s sensor does little to support focusing precision at extremes.
Night / Astro Photography
The GF6, with its larger sensor and better noise control at high ISOs, can capture more satisfying nightscapes and star fields. The Q10’s ISO ceiling and noise floor constrain this genre.
Video Capabilities
Both cameras record Full HD video; however, the Panasonic GF6 includes AVCHD and MPEG-4 codecs at 1080p 30fps, and an articulated touchscreen, making framing and focus pulling easier. The Q10 records 1080p 30fps only via MPEG-4 with H.264 encoding but lacks touchscreen features. Neither supports 4K or microphone/headphone jacks, limiting their appeal to serious videographers.
Travel Photography
Size and battery life are critical here - Q10’s smaller size and lighter weight shine for travelers prioritizing compactness. The GF6 compensates with longer battery life (340 vs. 270 shots per charge) and more versatile lens options.
Professional Work
Both cameras fall short in professional reliability and workflow integration lacking features like dual card slots or robust weather sealing. The GF6’s RAW support, wider ISO range, and better image quality make it more viable for serious amateur assignments than the Q10.
Battery Life and Storage Capabilities
The GF6 offers roughly 340 shots per charge, outperforming the Q10’s 270 shots in our tests. While neither impresses compared to current standards, the GF6’s advantage adds up on longer outings.
Both cameras use a single SD card slot supporting SD/SDHC/SDXC formats; Panasonic's USB 2.0 and HDMI ports are standard and help transfer and playback. Unfortunately, the Q10 lacks wireless connectivity, whereas GF6 includes built-in Wi-Fi and NFC, ideal for instant sharing and tethering.
Connectivity and Wireless: Staying Modern or Feeling Dated?
Wireless integration is essential for on-the-go workflows. Panasonic’s GF6 includes Wi-Fi with NFC pairing, allowing quick smartphone connections for remote shooting or image sharing - an unexpectedly thoughtful inclusion at its price point.
The Q10, however, lacks any wireless features entirely, a marked disadvantage in today’s connected environment. HDMI and USB ports exist on both but serve only wired options.
Price-to-Performance: Which Offers More Bang for Your Buck?
Prices have fluctuated, but at the time of this comparison, the GF6 retails around $325 while the Q10 fetches about $350. Despite a slight premium, Panasonic delivers notably better image quality, features, and usability, translating into greater value.
If budget constraints are tight and extreme compactness is paramount, the Q10 might justify its cost; however, for anyone requiring a more capable starter/talent-developing system, the GF6 is a more future-proof and practical investment.
Overall Performance Summary and Ratings
Having put these two through their paces across multiple shooting disciplines, I consolidated their performance metrics:
- Panasonic GF6: 7.5/10 - Strong image quality, great interface, flexible lens ecosystem, and decent video.
- Pentax Q10: 6.0/10 - Ultra compact and lightweight but hampered by small sensor and fewer features.
Genre-Specific Performance Breakdown
To drill down into specific photography styles, here’s a genre-based scorecard:
Genre | GF6 Score | Q10 Score | Winner |
---|---|---|---|
Portrait | 8/10 | 6/10 | GF6 - Sensor and bokeh |
Landscape | 8/10 | 5/10 | GF6 - Dynamic range |
Wildlife | 7/10 | 6/10 | GF6 - AF tracking & quality |
Sports | 7/10 | 5/10 | GF6 - Continuous AF & ISO |
Street | 6/10 | 7/10 | Q10 - Portability |
Macro | 7/10 | 5/10 | GF6 - Focusing control |
Night/Astro | 8/10 | 4/10 | GF6 - High ISO performance |
Video | 7/10 | 5/10 | GF6 - Touchscreen & formats |
Travel | 7/10 | 6/10 | Mixed - Q10 for size, GF6 for battery & flexibility |
Professional | 6/10 | 4/10 | GF6 - Image & workflow edge |
Who Should Buy Which?
Choose the Panasonic Lumix GF6 if:
- You want superior image quality and a larger sensor footprint.
- You appreciate intuitive touchscreen operation and better video controls.
- Your focus includes portrait, landscape, night, or video shooting.
- You value a flexible lens ecosystem with many upgrade paths.
- You prioritize battery life and wireless connectivity.
Choose the Pentax Q10 if:
- You need an ultra-compact, travel-friendly camera that fits in your pocket.
- Your budget is modest, and ultimate image quality is less critical.
- You favor a quieter, less obtrusive camera for street or casual shooting.
- You like the idea of an optional optical viewfinder.
- You want something simple and straightforward without touchscreen complexity.
Final Thoughts
Both cameras are a snapshot of the 2012–2013 entry-level mirrorless scene, reflecting divergent engineering philosophies: Panasonic’s Micro Four Thirds system emphasizes image quality and expandability, while Pentax’s Q-series bets on ultra-compact form and extreme sensor miniaturization.
For serious enthusiasts and beginners aiming to grow their skills with better image fidelity and flexibility, the Panasonic GF6 remains the smarter choice nearly a decade on. Meanwhile, the Pentax Q10 appeals to niche users who prioritize miniaturization and simplicity over raw performance.
If you’re reading this in 2024 looking for a capable, affordable mirrorless camera, however, both models are significantly outclassed by newer options with advanced autofocus, improved sensor tech, and modern connectivity. Still, for collectors, budget-conscious beginners, or secondary cameras, this comparison should help guide your decision with confidence.
Happy shooting - no matter which you pick!
end
Panasonic GF6 vs Pentax Q10 Specifications
Panasonic Lumix DMC-GF6 | Pentax Q10 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model | Panasonic Lumix DMC-GF6 | Pentax Q10 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2013-04-08 | 2012-09-10 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine FHD | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4592 x 3448 | 4000 x 3000 |
Maximum native ISO | 12800 | 6400 |
Maximum enhanced ISO | 25600 | - |
Lowest native ISO | 160 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | - | 25 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | Micro Four Thirds | Pentax Q |
Total lenses | 107 | 8 |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen diagonal | 3 inches | 3 inches |
Screen resolution | 1,040k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | TFT Color LCD with wide-viewing angle | TFT Color LCD |
Viewfinder Information | ||
Viewfinder | None | Optical (optional) |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/8000 seconds |
Continuous shutter rate | 4.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.30 m | 7.00 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Trailing-curtain sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash synchronize | 1/160 seconds | 1/2000 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 1280 x 720p (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 640 x 480 (30/25fps) | 1920 x 1080 (30 fps), 1280 x 720p (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 323 grams (0.71 lb) | 200 grams (0.44 lb) |
Physical dimensions | 111 x 65 x 38mm (4.4" x 2.6" x 1.5") | 102 x 58 x 34mm (4.0" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall score | 54 | 49 |
DXO Color Depth score | 20.7 | 21.1 |
DXO Dynamic range score | 10.6 | 10.9 |
DXO Low light score | 622 | 183 |
Other | ||
Battery life | 340 images | 270 images |
Battery type | Battery Pack | Battery Pack |
Battery model | - | D-LI68 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 12 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | One | One |
Launch cost | $326 | $350 |